by Madison Blom | Feb 20, 2018 | singles, wolf tracks
Based in Vancouver, BC, Gena Perala has just released her newest visual single “Good Girl,” which embodies several emotions and topics that have been combined with tactful artistry that is notable for an artist at such an early stage. This new single is the first since her independent album Exactly, Nowhere which was well received by critics and fans alike. “Good Girl,” has been scheduled to be part one of a three part EP that is going to be released one song at a time as part of a larger concept album. Not only will this have all of her fans on the edges of their seats, but it will also give listeners a chance to enjoy all of the work that she has put into her new releases.
Not only is her music easy to listen to, but it also has the unique ability to create an atmosphere for the listener. In her new release, the single opens with a series of “ooh’s” and “ahhs” which sets the stage for the rest of the “haunting” lyrics, beats and rhythms that seems to be one of Perala’s signature sounds. Not only does her music create an atmosphere, but it also exudes a kind of delicate power that also adds to the nuance of the music. As time goes on, those who know her are excited to hear more of what this artist has to offer.
Keep up with Perala here.
by Jai'Tyria Hatton | Feb 8, 2018 | singles, wolf tracks
Denmark-based Rainbrother – comprised of Bjarke Bendtsen, Aske Fuglsang, Lars Hvelplund, Simon Minke, and Kristian Sejerskilde – is set to release a new album sometime in 2018. While we wait for that gem, they released their new song “Black Chemicals”, which is about the emotions that you feel when you fall in love. The “Black Chemicals” that are addressed in the song are the feelings associated with falling in love or wanting to be loved. The song is saying that love takes on a mind of its own. The black chemicals are like a loose animal that cannot be contained. The strong composition allows the listener to feel all of the emotions that the singer is feeling.
Rainbrother’s “Black Chemicals” is a great song that really sets the tone for what the group is really about and what they stand for.
Rainbrother’s album is set to release later this year. Keep up with them here.
by Jai'Tyria Hatton | Feb 7, 2018 | 5 to 7
Ships Have Sailed is an alternative pop-rock duo hailing from Los Angeles. Today, they released a new single titled “Let’s Just Dance”. Ships Have Sailed also plans on working on more music as 2018, so this is their year for creativity, a fact we found out when we got a chance to speak with them briefly. So check out the new track below, and read on for a little Q&A fun!
After releasing your new single “Let’s Just Dance” what are your next plans music-wise?
2018 is going to be a year of creativity! We’ve spent the last couple years pretty much out on the road, and so this year we’re going to be writing a lot and working in the studio…while we don’t have specific plans on whether that will result in an EP, an Album or more Singles, we do know we’re ready to make some more music.
How has your music evolved since your first EP Someday?
Well I think everything is an evolution, that’s just how life, experiences and time work together, so definitely our music has seen evolution. I would say we’ve become more attuned to our sound and creativity, and definitely my production chops get better and better every year, so while ‘Someday’ is near and dear to my heart, I would say it’s a little rough around the edges…which is great – it gives it its own character, but these days I’m much better at accomplishing exactly what I want sound-wise. With that said, I don’t like to hold us back creatively, so definitely we’re excited to continue to evolve as we continue to create!
Your new single “Let’s Just Dance” digs a little deeper when it comes to exploring human emotions. What do you think causes people to act upon their emotions rather than instincts?
That’s an interesting question…honestly I don’t think emotions and instincts are entirely separate from each other…just kinda different flavors of the same inner mechanism. But as far as leaning towards emotions or instincts, I think emotions often take the reigns because you can actually feel them, whereas instincts can be a bit more subtle, so you really have to pay attention to them.
Why do you think often times as humans we want more than what we already have?
This is something I ponder almost constantly! The honest truth is that I couldn’t dream of knowing the answer to why, but I often wonder if it started out as kind of a survival mechanism back in the very early stages of humanity. Think about it…we were not the top of the food chain, we didn’t have fire, tools, art, language, and over the course of time we developed all of those things…why? I think the progression of civilization (both the good and bad aspects) and technology can stem back to this gut feeling of wanting something ‘better’ …call it motivation or curiosity…regardless of whether this is really how or why this feeling originated, it’s a pretty fascinating topic to think about!
What was the influence behind “Let’s Just Dance” and what inspired it?
Well the idea itself just popped into my head at 2am one night and wouldn’t leave me alone until I sketched it out…it was just the main part of the chorus that kept repeating itself and wouldn’t quit, so I sketched it out really quick so I could get some peace and went to bed. The next day, I listened back and thought it was really good…but I didn’t want it just to be a shallow vapid love song, so I thought I would tie in the “Let’s just dance all night” theme into this fascinating topic of always wanting more that you asked about in your previous question. Through several collaborations including with co-writer Robert Gillies, co-producer Wally Gagel and the extremely talented team (Talkboy TV) who helped create the music video, these themes really developed themselves thoroughly, and the music morphed from something that started out to be a very circular, repetitive idea, to something that goes to all sorts of different places, sometimes unexpectedly…it was really amazing to watch it all come together!
How is “Let’s Just Dance” different from previous songs that you have released?
So, every song is different, but specifically I wanted this one to maintain the indie pop vibe that we’ve become known for, but to add a little edginess and also a bit of a classic vibe as well. People have compared the production to Walk the Moon (who I love, so that’s a huge compliment) but if you listen, you’ll hear a lot of classic influences in there as well…they’re just nicely blended, so I feel like there’s a little more depth to this track than some of our other singles.
What message do you hope people get from “Let’s Just Dance”?
Live your life…be happy, don’t be afraid to stay up a little too late, or have that extra glass of wine. Laugh with the people you love and enjoy every moment…I feel like we’re all distracted by the past and the future, regrets and anxiety and we generally don’t spend enough time in the present. It’s definitely something I personally try to do a little better at each day, month, year…and so, yeah, I think that’s the message behind this one. We’re human, imperfect, and beautiful…we were made to enjoy life moment by moment.
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Keep up with Ships Have Sailed here.
by ImperfectFifth | Feb 5, 2018 | singles, Uncategorized, wolf tracks
2018 is set to be a big year for rising London-based singer/songwriter Freja Frances. With her new single “Papercuts”, Freja Frances displays her effortless vocal talents. The inspiration behind the track is very deep. “Papercuts” is about feeling isolated and being distant from the real world.
Sonically, the song seems like a fairytale dream. Freja pulls at the listener’s emotions with her raw and real vocals alongside a beautiful piano melody. The song is very relatable. “Papercut” is not only captivating, but it is authentic as well.
Keep up with Freja Frances here.
by Jai'Tyria Hatton | Jan 29, 2018 | singles, wolf tracks
The unforgettable Mt. Joy is set to release their self-titled debut album March 2nd. A reunited high school band that consists of Matt Quinn, Sam Cooper, Michael Byrnes, Sotiris Eliopoulous, Jackie Miclau, Mt. Joy’s latest single “Jenny Jenkins” is a song that has its lead vocalist singing with desire in his heart. The song talks about love but is not a rendition of the folk song that has the same name.
In “Jenny Jenkins” the lead vocalist shows his love and appreciation for whoever “Jenny Jenkins” is. The song shows the tenderness and raw emotions of love for his loved one. And it’s built to be a classic, really good down from its acoustic sound to the singer’s soulful voice. “Jenny Jenkins” shows what it is like to truly love and appreciate someone.
Mt. Joy’s album features thirteen original songs that are about many different serious topics. Mt. Joy’s self-titled debut album Mt. Joy will be available March 2nd. Keep up with the band here.
by Jai'Tyria Hatton | Jan 24, 2018 | videos, wolf tracks
New York band The Nectars released the video for their debut single for their upcoming debut album coming out this summer. The single, entitled “Heaven” is The Nectars’ debut. A song about getting rid of all of the negativity of your life, it encourages you to find power and strength within yourself.
The video, which was released January 12th, shows the rawness of the band and is not your typical music video. It is a live performance visual in a room, intimate and fun. The video being recorded like this is a good thing because it shows the band up close and personal. It gives the viewers an opportunity to connect with the music without having a flashy plot line distracting the viewer from what really matters: the music.
“Heaven” music video is shot with a yellow tint to it. The yellow tint is a good thing because it gets the viewer to feel the raw emotions of the video. Throughout the video, you can feel the band’s energy through the screen.
The Nectars are currently working on their debut album which will be released sometime this summer. Keep up with them here.
by Meredith Schneider | Jan 5, 2018 | singles, wolf tracks
Los Angeles-based self-proclaimed “spooky/tribal/blues” artist SPELLES released her first track of 2018 mere hours ago, and we’re big, big fans already. “Light Me On Fire” feels just the way you’d expect, like an old western meets the deepest, darkest emotions you could feel, all wrapped together with these gorgeous, deep, vocals that – at times – are reminiscent of Christina Aguilera.
Like her pseudonym, SPELLES captures you with an almost magical intuition for what will work and make the listener feel like they can absolutely destroy the world. We can’t wait to hear what’s next from this up-and-comer, and what feelings we have yet to experience with her.
SPELLES EP is out now. Keep up with SPELLES here.
by Meredith Schneider | Nov 28, 2017 | 5 to 7
Winston-Salem-bred indie rock/alternative collective Foxture – comprised of Marlon Blackmon (Piano/Keyboard, Vocals), Eddie J Reynolds (Guitar), Andrew Irving (Drums), and Ross Barnes (Bass) – is showing us some pretty incredible chops with the release of their E D E N EP, a sparkling, six track collection that seems to bounce right out of the speakers with its energy. From the very beginning, there is no other way to describe what E D E N does better than to call it “groove-inducing,” as your hips are immediately swaying from the time you push “play.” Smooth percussion blends perfectly with Marlon’s ethereal vocals, and you’re transported to another place entirely.
In honor of the release of E D E N, we got a few words with Marlon, and a couple with Eddie. Check it out below, and let us know what you think of the EP!
What is the first song or album you ever remember hearing, and who introduced it to you?
Marlon: The first album I remember hearing was a Greatest hits compilation by the Temptations. I was very very very young, but they were my dad’s favorite artists collectively. I have always lived at least 25 to 30 minutes away from.
I guess there wasn’t really a striking moment beyond the first impression but after listening to those songs over and over, I began to learn the lyrics and their song “My girl” was the first song I learned lyrics to. From that point on I realized that I liked music, and became curious of what else was out there.
Eddie: Outkast’s song “Roses” from their The Love Below album was the first song I remember hearing. I heard that piano drop and 3 stacks yell out “CAROLINE” , and it changed my view on music with how it’s made and how versatile and unique it can be. My brother actually introduced be to it when I was nothing but a few years old. He pulled out a book of CDs, his full collection and asked me to select one of them, and that album stuck out to me. The second I heard it, my eyes lit up.
What is the Foxture origin story like? Was it a meet-cute?
Marlon: Well, Ross (bass) Eddie (guitar) and Andrew (drums) had already known each other from being in a band called Oceans Apart. I (Marlon, vocals and keyboard/synth) had been posting songs that I had recorded in my bedroom on bandcamp and Soundcloud, and people started contacting me for shows. I was just not interested due to stage fright and more specifically, the fear of not being able to replicate the layering of various parts and sounds from the recordings to a live setting influenced my interest on playing shows. So a few days after I released a solo version of our song “Surrealism” a friend of mine, who had been keeping up with what I had been working on, asked if I would be interested in playing her benefit concert for Louder Than Words, which is a benefit to help kids follow their music related dreams no matter their financial status. I thought about it, said yes, and took to a Facebook group for musicians in the area, and made a post asking if anyone wanted to help me out with full versions of songs that I already have (about 4 or 5 songs at this point). Eddie immediately responded and said, “Yo I have a bassist and a drummer” and we met up for practice and have been a band ever since.
Fast forwarding through the month that we had to prepare and learn all 5 songs, the show itself was the most awkward I have ever felt LOL. It was in this gorgeous concert hall at UNCG, under bright, bright, bright fluorescent lights. This was my first ever show, so I was super awkward and uncomfortable and we messed up pretty bad. But I remember walking fast backstage after that performance, sitting on the floor, and saying, “We need to book more shows.” I refused to let THAT performance define us and wanted to overshadow it so badly.
Your EP Eden dropped recently. If this collection of songs were a Thanksgiving meal item – whether it be an app like fancy cheese, the stuffing or cranberry sauce or turkey, or dessert – what would it be and why?
Marlon: Hmmm, I would have to say, red velvet cake. The icing would be reminiscent to the effects that we put into the album, and when you cut into the, soft, fluffy textures that seemingly melt in your mouth, its very satisfying.
Eddie: Mac & Cheese. Get lost in the gooey and cheesy goodness.
The music you make has always had a lightweight feel to it, but Eden has this almost translucent, otherworldly feel to it. Was this a noticeable and purposeful step in your sound, or did it just kind of happen organically?
Marlon: So, this is the sound that we have been trying to hone in on from the beginning. Emotions and feeling can be very abstract things, therefore we want our music to be as dreamlike as possible. We want people to have no choice but to fall into a lucid, hypnotic sense of thinking, and experiencing our music in general.
Any fun anecdotes from the recording process?
Marlon: We often laugh at the fact that I wrote “Understanding pt. 2” before I met the guys, and way before I wrote “understanding pt. 1”. Before I decided to change the name to Foxture, I recorded solo projects under the name “Lock & Key” and after realizing that a million bands and artists had that same name, I wanted something that was my own, that didn’t exist anywhere else. I liked the way foxes carry themselves in the wilderness, so because “Fox posture” didn’t roll off the tongue how I wanted it to, I merged the 2 words into “Foxture”, and “understanding pt. 2” was the first thing that I posted under that name.
What are you most looking forward to about this release?
Marlon: I felt like whatever the understanding series was going to be, THAT would be the second part of it. There was also a creative challenge of looking back at previous instances that inspired “understanding pt. 2” and trying to connect them for my own development as a person. We tend to understand (HAH) things better in hindsight anyway and, at that time, I was experiencing some serious writer’s block and that was a perfect way to open up and articulate the series more accurately.
With this release, we are looking forward to being able to communicate our vision more effectively and accurately. We are more than happy with this record and we had a lot of fun making it as well. I would say this ep is a perfect setup for a full length album, which we are currently working on.
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And we can’t wait to hear it! E D E N is available now. Keep up with Foxture here.
by Meredith Schneider | Nov 21, 2017 | wolf tracks
Earlier this month, Kentucky-based alternative/indie group Father Mountain – comprised of Travis Cox, Jesse French, Austin Hohiemer, and Zane Martin – released ten track full-length debut Apartment Living. With that title alone, I don’t know a single person who wouldn’t be intrigued to find out if there are shared experiences in the plane of living in actual apartments. Of course, we expected topics to bounce around a little more than that. What we didn’t expect was that the album would make us feel so good.
With vocals laced so thickly with sincerity, Father Mountain completely pulls you into the emotions of every song. “Grey” teaches us not to assume too much about the mood of the track based on its title, while “Sobriety” saunters along in a melancholic sound space. (Slightly as expected.) “Friends” picks up with more of an alt-pop vibe, something that distracts from the self-assessing narrative about the importance of timing and friendship – or otherwise – hitting you when you least expect it. “Grace” exists at just over one minute, discussing the struggle of decision making in relationships, and giving us a line with the word “grey” that feels much more melancholic than the first track. “Hallelujah” has a very distinct Death Cab For Cutie feel to it, winding a narrative about angels and the afterlife, really packing in the religious verbiage and allowing those who attended private school a bit of a leg up when deciphering it.
Keep up with Father Mountain here.
