Honestav took the main stage at 8pm on Saturday, June 14th, in the lead up to headliner Tech N9ne. His joy was palpable from the moment he stepped on stage, as the hip hop artist from a small town in southern Missouri kept smiling and talking about how he was living his dreams. 2024’s “I’d Rather Overdose” gained him traction, and – having spent a life trying to be a rockstar along with his brothers and sisters – it seems like his dreams are finally coming true.
Yoke Lore – the alternative/indie project from musician Adrian Galvin – tore up from the floor up opening for Jack’s Mannequin at The Truman in Kansas City, Missouri on June 17th. What would have otherwise been a quiet Tuesday night was lit up with the energy of this incredible musician as he and his band – expertly comprised of Rafe Bouchard and Michael Vokes – dazzled the audience with dance-worthy titles like “Hallucinate” and “Chin Up.” They slowed down a couple of times, namely for crowd favorite “Beige.”
What really got me was Adrian’s stage presence. The last time I had the opportunity to catch these guys, they played a much smaller venue down the street. The Truman had more space to move around on stage (and off), so we got to enjoy some dance moves and a bevy of lighting changes that we couldn’t before.
Kansas City is really lucky, because we get to witness Andrew McMahon in all of his forms pretty frequently. While other musicians skip our metropolitan area more often than now, we are seemingly prioritized by his tour manager and team every single time, be it for Andrew McMahon in The Wilderness, Something Corporate, or Jack’s Mannequin.
And we show up.
Kansas City sold out the Tuesday night show at The Truman, a warehouse venue in the downtown area that has space to move — which is great, given the amount of dancing – and llama crowdsurfing – that was happening.
As we head banged through “Holiday From Real,” “Kill The Messenger,” “Amy, I,” and “Miss California,” a genuine feeling of camaraderie seemed to echo through the space. Per usual, Andrew provided anecdotes for a few songs, giving us a true look at what his life was like twenty years ago when Everything in Transit was released. It was during this time that he was battling cancer.
While some fans seemed to be learning of his earlier health woes at this show, he has been touring with his Dear Jack Foundation – which raises funding to improve the lives of young people with cancer and their families – in tow for years.** At this particular show, he was raffling off a signed drum head for donations. Toward the end of the show, he boarded a llama pool floatie and crowd surfed from the stage to the back of the venue to find out the winner of the raffle. Known for being interactive with his crowd, this was a really entertaining approach. (And we didn’t drop him!) **Not for nothing, we played his “Dear Jack” documentary at the inaugural cancer walk at my university, as suggested by my rad twin sister. His story, his strength, and the way he has allowed his life to open up since is quite inspiring and fun.
The set list for The MFEO Tour has varied slightly. The following songs were played by Jack’s Mannequin at The Truman on June 17th. Holiday From Real Spinning The Mixed Tape Release Me Kill the Messenger Crashin Miss Delaney Swim Television I’m Ready Amy, I Bruised Miss California The Resolution Rescued MFEO: Pt. 1 – Made for Each Other / Pt. 2 – You Can Breathe Hammers and Strings (A Lullaby) La La Lie
Tech N9ne was so excited to take the stage as the headliner for Saturday’s Boulevardia Festival in his native Kansas City, that he started his set 10 minutes early. We were on the other side of the festival walking over, so only got one song to grab highlights. But as we walked up to the stage, you could feel the energy oozing from the crowd. And when we approached the front, we saw that – on the day of NO KINGS – or very own hometown hero was wearing a headband that read “KING.”
It has been seven years since his last appearance at the festival, and headlining the 10th anniversary more than makes him Kansas City’s version of a king. Some fun snaps below.
Boulevardia really brought the heat – as it does every year – for its tenth anniversary, set with a backdrop of the skyline in Kansas City, Missouri. The festival grabbed local headliners for the decade anniversary of its existence on one of the hottest weekends of the year, a lineup that featured The Greeting Committee at 6:30pm as the sun started to make its way down into the trees. We caught some highlights from the performance, below.
While every other artist on the planet is pulling back on the reigns and really trying to curate a specific image or brand, there are some artists that have owned their creative space for quite some time. People who are so naturally good at what they do and well-versed in who they are that sometimes their artistry is taken for granted. People who have never missed a note or a step on stage, developed an array of great relationships early in their careers and created collaborative opportunities for themselves and their colleagues.
One such performer? The jaw-dropping, intrinsically talented but somehow still infinitely humble Mýa.
I had the unique pleasure of seeing her in concert on February 15th in Kansas City at the R&B Remix Tour at T-Mobile Center. Troop and Hi-Five opened the show, that then welcomed Mýa on stage before rolling into classics and fan favorites from Ginuwine and Jagged Edge.
Mýa took the stage in a red bustier, gorgeous red suede heeled boots that came up above her knees, and coordinating collage-themed hot pants, jacket, and doo-rag. A touch of street style mixed with some classic dance garb allowed her to put her power on full display – both vocally and dance-wise. As someone who was classically trained in dance from childhood, she truly knows how to pull out all the stops when on stage. (I mean, have you SEEN her tap?)
Mya’s set was short and sweet, clocking in at under a half hour. But she left no room for curiosity or contempt while rolling through hits like “Case of the Ex,” “Ghetto Superstar (That Is What You Are)”, “Fallen,” and “My Love Is Like…Wo.” The entire arena was standing when “Lady Marmalade” hit the speakers, and the performer dazzled us with her insane vocal range.
She closed the set teasing us a little bit with the opening music from The Rugrats Movie, “Take Me There.” For those who are not millennials who lived and died by this orange VHS – or pop music on the radio at the time – this song was integral to the 90s in ways I cannot fully explain. And ever since, it has held my childhood like a bit of a time capsule. Rounding out her set with the instrumentals from this song was the right thing to do, as she reminded the crowd who she was and where they could find her.
After her performance, myself and my cohort had the unique ability of going backstage to see Mýa for a few moments. I have to say, Ginuwine performing Prince’s “Purple Rain” as we walked up to speak with her felt like a wild moment — the convergence of three musical greats in one space. And she couldn’t have been a more gracious and wonderful human.
I spoke with the guest services representative who was manning the elevator shortly after my interaction with the R&B great, and she asked me if she could see a photo. I showed her, and she exclaimed, “WOW! She’s just as beautiful as ever! The woman never ages! And her style!”
And she’s right.
When I exclaimed I was ready for a complete Mýa renaissance that evening, I wasn’t kidding. Luckily for us, it looks like she may be gearing up for new music here shortly. Keep up with her here.
