by Meredith Schneider | Aug 30, 2019 | albums, review
The energy that bursts forth with each new stanza in Caravan Palace‘s new release – a full-length titled Chronologic – is undeniable. From the fade in on first track “Miracle”, unwavering positivity is thrust upon your eardrums, a soundscape and attitude we have been craving for quite a while. As politics rears its ugly head at us from all sides in the art community, allowing ourselves to pour such invigorating lyrics into our ears feels like a welcome escape from the world’s melancholia. (There is a song on this release specifically titled “Melancolia”. But we will get to that in a moment.) The soundscape gets theatrical with “About You”, a track the Parisian group concocted with a feature by Charles X. “Moonshine” brings with it a more relaxed vibe that fits the title well.
Here’s where we get to “Melancolia”. While we see the reflection of a slower pace that mirrors the title, the song itself is still smooth as silk and just as easy to dance to as its predecessors. At no point does our mood dip while listening, which speaks to the psychology behind the soundscape. “Plume” brings the pace back up, with sounds reminiscent of Alexandra Stan’s “Mr. Saxobeat”. This one could – quite frankly – hit the airwaves and pick up speed with a dancing crowd. “Fargo” gives us sunshine-soaked, lazy morning brunch vibes, while “Waterguns” boasts more of that hit single potential, featuring vocals by Tom Bailey. “Leena” slows it down again, allowing an introspective breather and – truly – a ballad-like feel to enter the Chronologic journey. “Supersonics” feels like an extension of the wonderful dance groove we felt with “Plume”, leading into tenth track “Ghost”, which has a more ethereal feel, the most literal translation of its title we could ever hope for. “April” brings with it an instrumental energy that is balanced out with cool, crooning vocals. We couldn’t think of a better way to round out this fabulous new release.
Now, go infuse your holiday weekend with this happiness. On repeat!
FALL NORTH AMERICAN TOUR DATES:
09/28 Mexico City / El Plaza Condesa
10/01 Boston / Royale
10/03 Washington DC / 9 :30 Club
10/04 NYC / TERMINAL 5
10/05 Philadelphia / Union Transfer
10/07 Montreal / Mtelus
10/08 Toronto / Phoenix Concert Theatre
10/09 Detroit / Garden Theatre
10/11 Chicago / House of Blues
10/12 Minneapolis / First Avenue
10/14 Denver / Ogden Theatre
10/17 Seattle / The Showbox
10/19 Portland / Crystal Ballroom
10/21 Oakland / Fox Theatre
10/22 Los Angeles / The Wiltern
10/23 San Diego / The Observatory North Park
10/27 Austin / Mohawk
10/29 Dallas / Granada Theater
10/31 Atlanta / The Masquerade (Heaven)
Keep up with Caravan Palace here.
by Matt Hinsz | Aug 26, 2019 | snapshot, visual
When Josh Ritter moves across the stage, he doesn’t run or walk. He bounces across it. With a smile on his face from start to finish, his bubbly attitude is contagious. Ritter is also an expert storyteller, in both his masterfully crafted lyrics and his discussions with he crowd between songs. His set list included new and old favorites, including “The Curse,” “The Temptation of Adam,” and “Getting Ready to Get Down.” Ritter released his tenth studio album in April of this year.
Keep up with Josh Ritter here.
by Meredith Schneider | Aug 23, 2019 | albums, review
From the very first, slow chords of the title track, to the final, crawling notes of twelfth song “Piano”, artful indie pop artist Lina Tullgren‘s new album Free Cell takes you on a steady, beautiful sonic journey that you will not regret being a part of. Songs like “110717”, “Bad At Parties”, and “Wow, Lucky” are introspective, slightly more specific in their disposition but still highly relatable.
And perhaps that’s most of Tullgren’s pull. Since the first time we heard her quirky, ethereal vocals, we’ve felt well-placed bits of emotion tugging at our heartstrings in every one of her tracks. Free Cell is no different. Relating to your artist is key to identifying with a song sometimes, though Tullgren leaves little room – if any – to mistake these feelings as something else.
Pop this bad boy on and play it behind your next picnic, patio party, road trip, or while you’re cooking. Let yourself be at peace with this music. It’s totally worth it.
P.S. When you do listen to “Wow, Lucky”, please then be inspired to use tarot cards, but don’t ask them to tell you your fortune? The future is up to you, baby!
Purchase Free Cell here and keep up with Lina Tullgren here.
by Meredith Schneider | Aug 23, 2019 | albums, review
Today, Dallas-based rock collective The 40 Acre Mule releases their latest full-length, a 10-track album titled Goodnight & Good Luck. Filled to the brim with incredible chord progressions, guitar riffs that will melt your face down to your teeth and cheekbones, and an undeniable energy that just simply will not quit. Their musical prowess has them dipping the journey into a smooth, natural slow roll a couple of times – how else can you do bluesy ballads like “Be with Me” and “Hat in Hand”? – but for the majority of this release, we spend our time checking our increasing heart rates.
The band – comprised of J. Isaiah Evans (Vocals/Guitar), John Pedigo (Guitar), Tim Cooper (Bass/Backing Vocals), Robert Anderson (Drums), Chris Evetts (Bari Sax/Percussion), and Chad Stockslager (Keys/Backing Vocals) – effortlessly blends the sounds of their great predecessors (Chuck Barry, Little Richard) and modern influences (J.D. McPherson, Nathaniel Rateliff) to create a sound that is simply undeniable, and truly one all their own.
If you’re looking for album favorites, we’re very into the clear nostalgia that rolls through us while listening to “Shake Hands with the Devil”, and are thoroughly drawn to the title and danceability of “Bathroom Walls”. Perhaps both songs present the sense of a thrill for a moment, thematically tying us to the album as a whole as it takes us on a thrilling ride.
Peep Goodnight & Good Luck below, and be sure to nab your copy soon!
Keep up with 40 Acre Mule here.
by Meredith Schneider | Aug 22, 2019 | snapshot, visual
August 16th was a gorgeous evening at Starlight Theatre. The rain had died off, the temperature cooled down slightly, and Savannah Conley took the stage as the last of a few drops of rain came down. She impressed with the simplicity of her arrangements, the range of her voice. We grabbed a few photos, and can’t wait to see her again!
Keep up with Savannah Conley here.
by Andrew Hallen | Aug 22, 2019 | snapshot, visual
Outside Lands 2019 was one for the books. We were floored by the range in music selection, incredible designs and collaborations with the festival, the updated Grasslands area, and, of course, some of our favorite performers back on stage to enjoy. Not only did Judah & The Lion perform in Kansas City on Saturday night, but they booked it to San Francisco on Sunday to play on the main stage to a giant crowd mid-day. THAT’S dedication. We love them, infinity, every time.
Keep up with Judah & The Lion here.
