by Meredith Schneider | Oct 3, 2019 | show review
Next Tuesday, October 8th, join us at the intimate Folly Theater in Kansas City as we welcome The Bacon Brothers on their latest tour, The Shaky Ground Tour. The Philadelphia-based genre-bending collective — comprised of Michael Bacon, Kevin Bacon, Paul Guzzone, Tim Quick, Frank Vilardi, and Joe Mennonna — has been lending their talent to the advancing Americana scene for decades. Though the two namesakes of the act have been making music together for most of their lives, they began to record music with this project in 1995.
So, if you haven’t heard of them yet, then your head is officially under a rock.
The perfect news in all of this? They have been touring pretty heavily as of late and — though originally they were only to come as close as Des Moines to the actual heart of America — added us to the tour a little later in the game, which made our hearts absolutely swoon.
Their latest single “Play!” that was released earlier this summer received critical acclaim and served as the backdrop to hot summer nights at the tail end of our warm months. Just enough of a boogie flare wraps itself in a warm embrace around such a beautiful chord progression, and we’re just so excited to see this one performed live.
Take an evening off and visit these Grammy-nominated musicians on Tuesday evening, October 8th. Tickets are available here.
See you on Tuesday! In the meantime, keep up with the brothers here!
by Meredith Schneider | Oct 2, 2019 | show review, snapshot, visual
On Monday, September 30th, we were thrilled by the crowd packed into Kansas City’s recordBar to enjoy an evening of music by Noah Gundersen. Quite honestly, weeknights in Kansas City are difficult to draw fans out for, especially with our weather being so unpredictable. But the night was beautiful, and the music was absolutely enthralling.
Packed to the brim, there was an excitement in the air as we pushed through the doors on that beautiful autumn night. Couples in droves, though largely we noticed how wide Gundersen’s audience is, as there was no obvious demographic. Young, old(er), couples, single people rocking out, people in all types of outfits and moods. It was probably the most intense melting pot we have been a part of in a while, and it was thrilling.
As soon as the first chords of “Robin Williams” came from the speakers, the entire crowd was captivated. As you can view in some of the following photographs, the audience was respectful of the ambience of each song, making sure to slow down and engage on a different level with songs such as “Heavy Metals”, “Watermelon”, and “Bad Desire”. And we truly can’t blame them. Noah does an amazing job at making each person feel as though they are the only one in the room, both with the emotion in his vocals, his intense gazes into the audience, and his inventive and beautiful musicianship. But he didn’t stop there, and the setup’s light display was actually mesmerizing as well. We can only imagine how intricate a show in a less intimate venue would be, and we can’t wait to see him come back through town.
Setlist
Robin Williams
Crystal Creek
Heavy Metals
Lose You
Watermelon
Out of Time
Older
Ledges
Jesus, Jesus
Annie
So What
Bad Desire
Send the Rain (To Everyone)
Wild Horses
Kamikaze (with Lemolo)
Lover
All My Friends
Keep up with Noah Gundersen here.
by Chad Bennett | Oct 1, 2019 | snapshot, visual
Chris Davidson started his music career as a jazz drummer. The New Yorker now taps into that discipline and experience with his project CHNNLL, an alternative rock four-piece with Davidson on vocals, keys and guitar. Named as a tribute to his father, CHNNLL is in the middle of a Midwest and east coast tour called Age of Outrage. On September 24, CHNNLL returned to Vaudeville Mews in Des Moines.
by Carly Butler | Sep 30, 2019 | snapshot, visual
Hailing from Los Angeles, sisters Jennifer and Jessie Clavin brought authentic California punk all the way to Nashville for a stellar show. Their performance was gritty, like their new record Don’t You Think You’ve Had Enough?, from which they performed hits like “Hard To Kill” and “Somebody Dial 911.” They allowed us into a show that felt inexplicably DIY, like we were transported to an underground dive bar in California.
Keep up with Bleached here.
by Carly Butler | Sep 27, 2019 | snapshot, visual
Dodie blissfully treated us to an evening of honest lyricism and simple–but far from boring–ukulele jams. It is a unique experience to see a YouTube star become an in-real-life star, and oftentimes the wonder and awe doesn’t translate the same past the computer screen, where there are no real-life jump cuts or do-overs. This is far from the case for Dodie, who captivated the flower-crowned and glitter-covered audience. She performed her hits (“She,” “Would You Be So Kind,” “Secret For The Mad”), as well as a charming a cappella cover of “Take Me Home, Country Roads” to celebrate being in Music City. Dodie managed to make Marathon Music Works feel as intimate as one of her YouTube videos, as if we were sitting there, watching her magic unfold in her bedroom.
Keep up with Dodie here.
by Meredith Schneider | Sep 27, 2019 | albums, review
In true ANIIML fashion, we’ve got a full-length release today that will spike your senses, beginning with the all-caps nature of the song titles. OH AWE is a 10-track stunner of an album that perfectly showcases the self-proclaimed “avante witch-pop” singer/songwriter ANIIML’s unique pipes (Hello, do you hear that powerful voice?!) amidst a rough and tumble mixture of instrumentals. Her twangy disposition only adds depth to the soundscape, a magnetic mess of beauty that we cannot stop playing.
From steady beginning of “IT’S OVER” to the very last chaotic lines of anthemic track “STRONGER NOW”, we are absolutely hypnotized by the beauty of ANIIML’s voice. “SLAY!” brings with it that perfect club track tempo and a bit of trending attitude, while “HANDLE ME” simplifies everything with a mixture of Gwen Stefani-like vocals laced with an increasing presence of seduction. “OUCH!” actually feels like a track Imogen Heap could have pulled off, and we’re all for the pure primal feeling it evokes. “WHERE WE GO (WHEN WE GO)” features the darling X. ARI, intricate percussion being the driving factor on this puppy. “OUT! OF! CONTROL!” actually brings with it a more vintage, theatrical soundscape that has us scrambling for a speakeasy. “BEFORE IT GETS BETTER” features Robots&Balloons, and slows things down a bit for a more introspective moment, and then “FACE TO THE PAVEMENT” slowly but surely revs things up a bit more.
If you’re looking for an interesting soundscape, “IT’S NOT OVER… YET” provides pretty much everything you need. Quirky, trudging percussion, and a little bit of a different approach then 2017’s “IT’S OVER“, she’ll be serving this goodness up on repeat for a while here. “STRONGER NOW” brings a sense of finality to the piece, and the cacophony of sounds toward the end will prove that. Give it a spin, then hit us with your thoughts on Facebook.
Keep up with ANIIML here.
