annie goodchild, “ether”

annie goodchild, “ether”

Annie Goodchild has been enthralling us with her music for a hot second, hints of Annie Lennox and other incredible vocalists noticeable in her timbre. As the world seeks out fresh examples of strong, independent, and incredible women to add to their playlists, we think Goodchild fits the bill ten times over. And though we have to wait another month to hear this amazing songstress’ EP in its entirety – Meditative Mouthfuls is due out September 28th – we are pleased to share her latest single “Ether” with you now. Check it out below!

Keep up with Annie Goodchild here.

inspired & the sleep, “right place, right time”

inspired & the sleep, “right place, right time”

Southern California-based duo Inspired & The Sleep – comprised of songwriter/producer Max Greenhalgh and multi-instrumentalist Bryce Outcaul – is a fan favorite, and they’ve finally got new music for our (patiently) awaiting ears. “Right Place, Right Time” provides a funky, experimental soundscape that feels perfect for the last few weeks of those lazy, warm summer days. Occurring at a relaxed pace, this track is perfect to jam out to at that last summer BBQ or while hanging out with your significant other on a car or boat ride. The lyrics, however, call to mind a more intricate thought process than the instrumental vibe would suggest. Explains the duo of the track:

“Right Place, Right Time” is our anthem for forgiveness and heartbreak. It recollects a period in my life where I was deeply in love with an individual that, simply put, didn’t feel the same way about me. I spent so much time, energy, and thoughts into resenting this girl and whoever she wound up with. This song is about the introspective dialog of predicting/hoping for the perfect time and place to communicate my apologies and best wishes. Letting go is ultimately the only answer in order to move on.

Keep up with Inspired & The Sleep here.

dakota blue, plaza to plaza

dakota blue, plaza to plaza

Los Angeles-based visual artist, illustrator, zine-maker, and multi-instrumentalist Dakota Blue finally drops his insatiable 8 track Plaza to Plaza LP today, and we’ve got the streaming premiere! Starting in an eery way with what seems to be old opera music, “Plaza I” eases us into the emotional soundscape we are about to embark upon slowly and painlessly. “Private Car” keeps us at that tempo, blissfully floating through electric guitar notes and reverb for days. When we get to “Plaza II”, we aren’t sure if we should expect an extension of its predecessor or not, but it seems these two plazas exist in completely different atmospheres. Whereas the first gave us a taste for nostalgia in its entirety, the third track dances at a quicker tempo, layered with original vocals. “Game Show” brings the energy back down, but not quite to that of the first two tracks. In fact, it does continue with the “eery” theme, incorporating more of Dakota Blue’s vocals like its predecessor.

“I’m The Mannequin” feels older, perhaps with the way dissonance is manipulated throughout. “Scorpion’s Theme”, however, feels exactly as it is described, with heightened sounds to indicate staccato moments of intensity, as though you are facing down with a scorpion in person. This track absolutely belongs in a stressful horror movie, along with many of its colleagues on this collection. (Should we throw that idea into the universe?)

“Beijing” is melancholic in sound, beautiful in its vocalization and the simplicity of the lyrics. Dakota Blue rounds out Plaza to Plaza referencing a third plaza, “Plaza III”. This track begins so quietly, you almost have to focus on nothing but the music. Which is a testament to the way this musician creates, his experimental functions so pronounced that it is most admirable to find time to enjoy these tracks with your mind, body, and soul.

But don’t just take our word for it. Check it out in all of its freshly release glory below!

 

we are parasols, “the gods have become disease”

we are parasols, “the gods have become disease”

Industrial shoegaze collective We Are Parasols – comprised of D (Vocals, Synthesizers, Bass), Jeremy Wilkins (Guitars, Piano, Synthesizers, Samples, Vocals), and Alec Eye (Drums, Synthesizers, Samples) – recently released new track “The Gods Have Become Disease”, and it’s time for your curious ears to have a listen. A dark, reverb-filled soundscape and luscious, intense vocals are the two outstanding aspects of this track, the overall feeling one of a hard rock ballad. If you’re looking for something a little heavier sounding than the pop-infused tracks of summertime 2018, this is your jam.

Keep your eyes peeled for We Are Parasols’ new EP toward the end of September, and keep up with them here.

jason bemis lawrence, “southern midwest”

jason bemis lawrence, “southern midwest”

New York-based multi-instrumentalist Jason Bemis Lawrence is preparing to release his full-length, Another Hotel Hallway, early next month. In the meantime, we have the second single off of that collection ready for your awaiting ears, a track called “Southern Midwest”. The reverb-filled track has an almost glassy feel to it, serene in its disposition. The instrumentals lend to the tranquil feel, allowing for a relaxing soundscape intro to an album we are all too excited for.

Keep up with Jason Bemis Lawrence here.

rooney, “do you believe”

rooney, “do you believe”

Looks like Robert Schwartzman is keeping the promise he made us last year, when he stopped in Kansas City and said he wants to come out with a new EP every year, and tour based on each new release. So, essentially, he pledged to come back in 2018 a year ago. And we’re all for that, especially since he’s following up on that promise. Rooney is picking up steam again, and the new single is sweet summertime perfection, with a hint of 80’s nostalgia. Check it out below, then prep yourself for a tour date near you! (Seriously, it’s such a fun and incredible experience, and Robert is more than happy to spend time with all of his fans at each date!)

AUGUST
24 – Salt Lake City, UT – Urban Lounge
25 – Denver, CO – Levitt Pavilion
26 – Santa Fe, NM – Meow Wolf
28 – Phoenix, AZ – Rebel Lounge
29 – Las Vegas, NV – The Bunkhouse
30 – Los Angeles, CA – The Regent

SEPTEMBER
13 – Kansas City, MO – Recordbar
14 – St. Paul, MN – Turf Club
15 – Davenport, IA – Daytrottter
16 – Chicago, IL – Lincoln Hall
18 – Toronto, ON – Lee’s Palace
19 – Albany, NY – The Hollow
20 – Brooklyn, NY – Brooklyn Bowl
21 – Boston, MA – Brighton Music Hall
22 – Washington, DC – Rock & Roll Hotel

Keep up with Rooney here!

kash, “don’t let me go”

kash, “don’t let me go”

New York-based R&B artist Kash brings a certain badass attitude with her wherever she goes, and we are soaking it up as if it’s our last rays of summer sun. Today, she brings us the exclusive premiere of her gorgeous new track “Don’t Let Me Go”, which boasts her voluptuous vocals glossed over bluesy instrumentals. The song serves as a warning to a significant other that life doesn’t get better after her, and she’s far more convincing of that fact than we could ever begin to explain. So let yourself get lost in the soulful, intense soundscape of “Don’t Let Me Go” below!

Keep up with Kash here.

the eyebrows, “avocado”

the eyebrows, “avocado”

Charlotte-based rock trio The Eyebrows – comprised of Jay Garrigan, Shawn Lynch, and Jon Lock – are hitting a trending topic with new track “Avocado”. The song hits with a vintage, Munsters-like intro, with quirky vocals and massive amounts of reverb lacing everything together. Whether singing directly to an avocado or singing of someone who reminds them of avocados, it is clear that these men either greatly love avocados or greatly enjoy making fun of people who do. Perhaps both. And that’s the magic of it all.

Keep up with The Eyebrows here.