by Christie McMenamin | May 2, 2018 | show review, snapshot, visual
In the beginning, there was one person and one instrument. A man named Chris Carrabba wielded an acoustic guitar and managed to permeate the punk and emo scenes with his raw, lyrical candor. There were EPs, there were LPs. The second of those, The Places You Have Come to Fear the Most, scored Carrabba an MTV hit with the track “Screaming Infidelities.” And from there, his career exploded into full-fledged fame.
Dashboard Confessional later expanded. On Carrabba’s third LP, A Mark, A Mission, A Brand, A Scar, a full band was added, each instrument joining together to fill out his signature sound. The unparalleled strength of his voice was further heightened with this new musical intensity. Carrabba sings with such remarkable power and abandon, a hybrid of passion and fury that’s unmatched in his peers. He manages to hold notes for astonishingly long moments and can sing about love in hushed, delicate tones in the same breath as he can betrayal, unleashing the full force of his voice into an evocative wail. Simply put, Carrabba makes you feel, and he does so with a seeming effortlessness that enthusiastically resonates with his listeners. As Dashboard Confessional hasn’t stopped releasing records since their inception, Carrabba’s begun a veritable collection of fans, hoarding more and more of them with each successive release. His audience has now become intergenerational, and with Dashboard’s latest release, Crooked Shadows, it’s sure to speak to a new crop of teenagers while still delighting the fans who have been there since the beginning.
Embarking on a tour of comparatively smaller venues to promote Crooked Shadows, those who were lucky enough to score tickets to the sold-out show in New York piled into a packed Brooklyn Steel on March 29th. Fans rushed into the venue in swarms, making a fervent beeline to the floor in order to be as close to the stage as possible.
Carrabba walked out in his truest form, alone with his acoustic guitar. He asked if he could “play a deep cut,” to which everyone cheered as he launched into “This Bitter Pill,” the last track on the aforementioned The Places You Have Come to Fear the Most. When that ended, the rest of the band came out as they amped it up for “Don’t Wait,” off Dusk and Summer. The night was a family reunion. Carrabba vividly expressed his gratitude over and over again, not only thankful to be able to play music for a living, but to his fans, who allow him to do so. They responded wildly, their reaction signifying that the feeling was mutual.
Carrabba curated a setlist made up of songs off Crooked Shadows combined with some of his greatest hits from years past. Saving the best for last, Carrabba ended with three fan favorites: “Screaming Infidelities,” “Stolen,” and “Vindicated.” “Hands Down,” of course, made up the encore, leaving the crowd on the highest, most ecstatic note possible.
The future continues to shine on Dashboard Confessional.
by Erica Tello | Apr 30, 2018 | snapshot, visual
On April 25th, the ever-incredible Houndmouth made an impressive and memorable appearance at Historic Scoot Inn in Austin, Texas. Photographer Erica Tello captured the ambiance for us.
by Chad Bennett | Apr 23, 2018 | snapshot, visual
Lincoln, Nebraska’s Josh Hoyer & Soul Colossal played a late show at Winter Blues Fest in Des Moines on February 10. The band, which tours extensively, has won several blues and R&B/soul awards.
Keep up with Josh Hoyer & Soul Colossal here.
by Chad Bennett | Apr 20, 2018 | snapshot, visual
Seasoned blues rock outfit The Steepwater Band played the Winter Blues Fest in Des Moines on February 10. The Chicago band will open for Bon Jovi on two dates later this month.
by Chad Bennett | Apr 20, 2018 | snapshot, visual
The Avey/Grouws Band performed at the Winter Blues Fest in Des Moines on February 10. The band is based out of the Quad Cities and Decorah, Iowa, and was winner of the 2017 Iowa Blues Challenge.
by Meredith Schneider | Apr 20, 2018 | snapshot, visual
On April 17th, The Happy Fits made a phenomenal appearance at The Rino in Kansas City. Their original support was sick, so the endlessly talented Jake Wells joined to perform solo before their set. The night was absolute magic, and we have some photos to prove it.
by Erica Tello | Apr 18, 2018 | snapshot, visual
On April 12th, the phenomenal Kevin Morby made an appearance at Barracuda in Austin, TX alongside the ever-entertaining Hand Habits. Photographer Erica Tello was on hand to nab some photos for us.
by Chad Bennett | Apr 18, 2018 | snapshot, visual
Having just collected three major blues awards, Kevin “B.F.” Burt performed at the Winter Blues Fest in Des Moines on February 10. Burt, of Coralville, Iowa, is the 2018 International Blues Challenge winner for Best Solo/Duo Act, Best Harmonica Player and Best Solo/Duo Guitarist.
Keep up with Kevin on Facebook.
by Abby Trapp | Apr 16, 2018 | videos, wolf tracks
“Hit and Run” is the latest single from Parker Matthews who also just released a video for the track. Before I watched the pop newcomer’s video, I had to just listen to the song itself. “Hit and Run” is a bubblegum pop infused track with, of course, the perfect voice (Parker Matthews) to complete the song.
“Start it one-by-one, cuz’ this ain’t no hit and run,” Parker sings, proclaiming a love song for a special someone. With Parker’s high voice, catchy tune, and upbeat chorus, I soon found myself swaying by the end of the song. The second time I listened to the song I viewed the video for “Hit and Run.” Set in city night life and donned in an all black outfit (shades included), we see Parker walking up to an apartment for a house party. With a crowd dancing and Parker singing, he shows off his fierce dance moves and has no problems “feeling himself,” which adds to that “pop-party” vibe that the song encompasses.
Pop Dust, who premiered the video described “Hit and Run” as “decorated with sticky drum loops and fluorescent synth makeup, embodies classic dance music but dispatches a crucial, heart-pounding message.” Pop music, in its essence, is something you can dance to—but also be in your feelings about and “Hit and Run” definitely hits the nail on the head.
Keep up with Parker Matthews here.