I don’t know how it happens, but every month I am more and more impressed by the talent that ends up in my inbox. In fact, since I’ve been largely holed up in the apartment since March, I look forward to diving into said inbox more often and even scrolling through Spotify to find new sounds. With the lack of chatter around me, less driving music, and experiencing new music by happenstance in everyday situations, it has been easier to really curate my environment and create an ambiance. And it feels like all of the new music coming out is insightful, artful, and speaks to my soul.
Close your eyes and press play. The lush, tranquil sounds that burst forth from your speakers make it feel like there is another layer to your reality. And that is all before the smooth-as-honey vocals cut in, compliments of Los Angeles-based songwriter & producer RYTERBAND. In a world where everyone’s timelines seem to be upside-down and inside-out, this is the type of music we need. Songs like “Stay Awake” have the propensity to offer an escape, as well as a reminder on how to handle yourself in your current atmosphere.
As his debut offering, Undefended boasts catchy hooks, a vibrant disposition, and twinkling after-effects. Lines like “You move like dust in the sunlight” – found at the beginning of second track “Brilliant Eyes” – are absolutely drenched in poeticism. But delve into how RYTERBAND plays with dissonance in “Lighthouse,” and I dare you not to be moved to tears.
Take a dive into any one of these tracks. The layers that exist, the way the sound seems to encapsulate you and carry you around on its back. There’s something primal somehow entrenched within this electro-infused set of tracks that tugs at you, something that makes it clear that if this is just the beginning, there is simply more intrinsic beauty to come from this talented musician.
On June 24th, Imperfect Fifth hosted our first official variety show with the indelible Cat Call. An idea sparked by Cat Call founder Brittany Brave, we were more than happen to collaborate it into existence with a badass lineup of incredible female voices. We started the evening with some awkward banter from Imperfect Fifth’s Meredith Schneider, followed by a bangin’ comedy set from Brittany Brave. Jillian Riscoe, Kamber, Jessie Hyde, and Lauren LoGrasso followed, with a night of compliments and good feelings all-around. But, truly, we were there for the talent. And not a single beautiful human disappointed.
Keep your eyes on the scroll for everyone’s tip jars. Remember, we’re all out of work to one degree or another right now, so every little bit helps. Feel free to donate to the Imperfect Fifth Tip Jar, and leave a note for which writer/intern/performer you’d like to support. Enjoy the entertainment, and remember to be kind to yourself and others!
P.S. Please take a moment to adore Brittany Brave, who is the object of our featured photo.
If you have been looking for a vocalist and a visual to help “carry [you] away,” then look no further than the new music video for Ajeet‘s “Dance of The Moon”. As the title of the song suggests, there is an ambiance taking place here, masterfully crafted by the world music artist you see before you. As you zen out to the incredibly alluring track, you can’t help but be fixated on her movement, inspired to move in ways you haven’t in perhaps a while. Plus, it is full of a gorgeous landscape that is a feast to so many eyes who haven’t seen more than the inside of their home for months on end.
Take a few minutes to escape into the magic. We promise it’s worth it.
There’s something so incredible about the connection of an artist to their work, and then the work’s fans to that artist. The announcement of the death of indelible singer-songwriter Cady Groves at the tender age of thirty this spring has left a large demographic of both pop/punk fans and country aficionados floored. I, myself, remember the days when she toured with punk banks and I requested her haircut at the salon. (College was a trip, and she has always been gorgeous.) Seeing her name in headlines in my social media feed made my heart stop, and I haven’t heard much of her more recent work. But the world has been celebrating her all along, and her fandom has been wrecked over the news.
Cady spent the last four years of her life writing and preparing new music in Nashville that both reflects her personal experiences, and makes her even more relatable than before. Her EP Bless My Heart was released at the end of May posthumously, and she couldn’t have hit the mark more if she tried.
With a little whimsy, she approaches the collection with the first track “Bartender,” a quirky, honest, beautiful ballad to the carefree nature of a full bar on a hot summer night. Perhaps the reality of political unrest and pandemic make this song feel that much more nostalgic, because we actually felt ourselves tearing up, listening to a song about drinking. The title track comes in quick to justify the tears, however, as Cady addresses personal anecdotes and makes us feel that even those who fall – hard – have the opportunity to be blessed in life. She rips any wounds wide open in this track, and this vulnerable side is going to be the thing we miss most.
“Camo” seems to have a title that is very stereotypical – and perhaps widely indicative – of its audience, but the metaphor prevails as a gorgeous reminder to make yourself seen. “Cigarettes and Sunsets” takes on a rhythm and pace that lure us into the thought that we might be about to watch 1996 blockbuster hit Phenomenon. (That is not an insult in the slightest. We imagine this track sounds like the perfect amalgamation of Clapton-style guitar and the Northern California cowboy demographic that surrounded the cast of Phenomenon during filming. But I digress.) Either way, the track belongs in a film. (Do you hear that, sync friends?!)
Last track “Crying Game” visits personal anecdotes, and reminds us a bit of earlier Cady Groves’ work sonically. The song specifically addresses the deaths of two of her brothers (Casey and Kelly), and the emotions that come along with their memories. It all feels like a way to round back to the beginning, as she takes her final, audible, bow.
To feel as though you have witnessed an entire career in just five songs seems a bit cheesy. But this release makes us feel closer to Cady than ever before.
Who else popped their head out of their hole long enough to realize that it’s already Memorial Day Weekend? Yup. It totally is. And we’re looking forward to “treading water” in a rainy, sloppy midwest indoors… but not without an ambiance. And who better to provide said ambiance than stunning indie-pop musical project, fakelife (Matt Couchois). With his new 5 track EP, Fall Behind, hitting airwaves and the collective consciousness TOMORROW, May 22nd, we are pleased to bring you your first listen to the work in its entirety below.
It’s difficult to understand the level of talent that is layered within this gem of a cut, as you can detect something even deeper than raw talent. As Couchois counts varying entertainers and artists as family members and predecessors, his legacy seems to have had an impact on his final product. Whether you’ve been in the mood to sit still and revel in the silence, you’ve been antsy to partake in social interaction, or you’ve been all over the place like an emotional rollercoaster (so, all of us), you will find reprieve in the sonic atmosphere that holds steady throughout each track. So let fakelife envelope you in his storytelling capabilities, and enjoy your holiday weekend with the extra bump of enthusiasm!
We were blessed with the presence of live music from Extra Medium Pony during night 2 of our Cancelled Plans Continued. The bauble lights threw an ambiance unlike any other. Donate directly to Extra Medium Pony through their Paypal with email realimportantmail@gmail.com, or to the Imperfect Fifth Tip Jar.
Did you happen to know that Spiders Make Great Poets? That’s the truth, at least, that Blake English will stick to when asked, since that also happens to be the title of his new 5-track EP. Beginning with an otherworldly soundscape, “Sad Girls Dance Party” bursts into an honest yet fun, high energy space worthy of Warped Tour. Maintaining a similar pace doesn’t seem to be difficult for English, as second track “This Is the End” builds to quite an impressive and catchy chorus as well.
It is only with “The Neighbors” that the release slows down, back to the power punk ballad life we will absolutely come to expect from English. But it’s only the first few seconds that allow this sonic reprieve, as everything revs up before we even hit the 45 second mark. If ever there were a physical representation of the Energizer bunny – especially mid-pandemic – we would go ahead and give that honor to English. But don’t mind that assessment, as we are speaking of tourniquets very early on in “A Ghost I Knew from Yesterday,” a track that comes in to remind us that we are hanging out in the emo genre. This, this is the ballad we thought we were getting previously. This is the song we needed to prepare for post-pandemic karaoke nights.
But let’s not get ruffled, thinking the EP will end with no attitude. We jump right into “United States of Depression,” a very sharp commentary on current times. A very open and vulnerable song might lean to the dark a little more than anticipated, but it’s honest. And honesty is what we’ve all been craving.
So revel in it. Then do it again. And let us know which track is your favorite!
In the lead up to his new 4 track EP, Michael Vickers is releasing his new music slowly, tragically slowly, if you ask us. With new track “Dead and Buried,” there is an energy we haven’t felt in a few weeks, and the track leaves us wanting more. With Vickers’ accent-laced vocals, there isn’t a bit of this track that we can imagine anyone not loving. Fall into its quirky, beautiful soundscape below!
