zoe wees, “girls like us”

zoe wees, “girls like us”

If it’s been a second since you let yourself get totally wrapped up in melancholy, Zoe Wees’ single “Girls Like Us” is the perfect opportunity to get all up in your feels. The woman’s insanely rich vocals glide across a dance beat, as her heartbreak is laid out for all to witness.

The accompanying music video? Even more intense and dramatic. Gorgeous jewel tones inform the visuals, as Wees can be seen singing, crying, having makeup removed, and singing her lungs out over a variety of striking backdrops.

It moved me to tears.

“It’s not always good to think about how you look to the rest of the world,” shares Weed. “It’s much more important to think about how you feel inside. It is not easy to call yourself beautiful but being confident helps you to accept and love yourself.”

phantom wave, “billows”

phantom wave, “billows”

Captivating alt duo Phantom Wave released the new music video for their single “Billows” today, and we’ve got the exclusive premiere for your eyes only. Drenched in vivid colors and drastic, psychedelic movement, this visual is a trippy testament to the impact of the audible art that is flooding our consciousness. There is something magical about the way the lyrics dance along the gorgeous, building instrumental composition that – coupled with the abstract visuals – makes this experience feel very personal, and yet somehow universal.

colin & caroline, “you and i both”

colin & caroline, “you and i both”

Rare is it to find a musical duo that totally creates an ambiance all their own with the way their voices blend mellifluously into instrumentals. But let me tell you… duo Colin & Caroline can make a cover song all their own in a way I have never experienced. Luckily enough, these two have a history – they’ve known each other since high school and are now happily married – that informs their melodies, taking you on new, genre-bending adventures with each release.

Today, as part of the gradual release of a slew of incredible cover tracks over the winter months, we have the exclusive premiere of the duo’s new cover. Originally made famous by Jason Mraz, you’ll find yourself enveloped in clouds with this rendition. Try it on for size below!

Previously released Covers include:

“Wrecking Ball” – Greya 
“Don’t Dream It’s Over” – Kristen Schaeffer
“When the Party’s Over” – Carl Anderson
“Holly Jolly Christmas” – Carl Anderson
“Cardigan” – Sophia Angelie

dark side of the light, “moist”

dark side of the light, “moist”

Jewel tones, simple, gorgeous performance visuals that dance along the fine line between simplistic and artful masterpiece. This is how we would describe the new visual for Los Angeles-based alt-indie duo Dark Side of The Light’s (Nik Frost and Grant Conway) momentum-driving single “Moist”. Expands Frost:

First of all, everything for us emanates from beats and rhythm ideas for the most part. The groove is a really important part of what we do. We took two drummers, Grant and a friend and put them into a room together and had them jam to the sick base loop, recording it live with a stereo mic. What we got sounded almost like samba or something which opened up the song to a whole new world. The actual audio at the beginning of the track is us playing live in the rehearsal space. From there I took the drums and started programming them like they would’ve done back in the day when they were using Akai samplers to do this kind of thing.

I kind of chopped the audio up into different parts and as melodies came to me, I filled the lyrics in. It was one of those songs that while it sounds complex, it actually came pretty easily and I think we created one of the best tracks on the record.

The percussion in this particular track is its own brand of cool, incorporating a soulful and somehow almost hardcore feel to it while we melt into painstakingly well-crafted melodies and a trance-like state of free fall.

nathaniel bellow, “i once did”

nathaniel bellow, “i once did”

Today, we have the exclusive honor of premiering Nathaniel Bellow’s latest track “I Once Did” – along with its accompanying lyric video – ahead of the release of his third full-length Three. Bellow’s signature gravelly vocals lead the track, with a light composition to really add a calm feeling to the audio. When Bellows insists “I don’t feel the weight that I once did,” you can feel it in the instrumentals.

Each of the songs from his upcoming release was inspired by his father’s death in the three years since his passing, so hints of grief and remorse can be found throughout. What we have here is art in its purest form.

Three is out Friday, December 11. Keep up with Bellows here.

hot summer, “fire and ice”

hot summer, “fire and ice”

Looking for a sprawling, enigmatic track to really set your week on fire? How about this new bop from Hot Summer – the brainchild of Jon Sortland (The Shins) and Brian Belier (EV Kain). Self-proclaimed “byproduct of shut-in pandemic isolation and a desperation to generate sparks to light the gloom from solitude and gold coast fire haze,” the duo does just that with an otherworldly atmosphere as the backdrop in their first single, “Fire and Ice.”

This song is a testament to what you can do in isolation, miles and miles away from your best friends. (These two idols were 470 miles away from each other when they created this masterpiece, by the way.) So turn it on, turn it up, and create something magical yourself!

richard x. heyman, “choices we make”

richard x. heyman, “choices we make”

As he prepares to unleash his fourteenth full-length release upon the world, folk-pop artist Richard X. Heyman brings us introspective new track “Choices We Make” just ahead of the 2020 election. As someone who hasn’t necessarily ever shied away from political commentary, this is one of the most directly political lyric videos we have seen leading up to Tuesday’s big event.

As always, we’re impressed with Heyman’s showmanship, knowing full well he is responsible for most of the instrumentals and writing for the entire track. This time around, he has enlisted his wife (Nancy Leigh) to play bass, Probyn Gregory (the Brian Wilson band) on trumpet and trombone, and Duke Guillaume on sax.

The track itself meanders along comfortably, asking the listener to dig deep for meaning in the choices they have made up to this point, as well as to consider future choices. Though the song does have an obvious political lean, it is something to keep in your back pocket when you have future decisions to think about. It breathes promise into your convictions, and brings a sense of strength to the process.

Check out the new lyric video below, and let us know what you think over on our Facebook page!