While “White Flag” is originally a fast-tempo triumph by Oregon-based trio Joseph about shutting out the noise of the world and putting one foot in front of the other, Animal Years, an indie band from Brooklyn, have released their updated take on the track. Recorded live in Nashville, the band’s cover could not be coming at a more opportune time. Putting one foot in front of the other has sort of become a motto the world has been trying to live by the entire year, and Animal Years are no different.
The live cover features a significantly slowed down tempo, one that brings the audience closer to not only the band’s performance but the lyrics of the song as well. The personalized aspect is an important part of the music listening experience, especially for a song with a message like this one. As the track brings you close to the band, it begins to feel as though the band themselves are whispering in your ear and giving you the push you need to keep going. With a tune layered with beautiful harmonies and gentle guitar strums, Animal Years are here for you.
The video was recorded live at Marathon Music Works. Animal Years has admired Joseph since seeing their Tiny Desk session in 2017.
On Tuesday, May 14th, Elle King gave an incredible and unforgettable performance at The Truman, in the Crossroads District of Kansas City. Barns Courtney opened the show with phenomenal energy, and they were absolutely chomping at the bit by the time this legendary vocalist took the stage. While her male cohorts on stage all matched, she wore a striking and unique suit outfit. But it was her vulnerability that she wore best on stage, as she tore through song after song to a crowd of what had to be some of her biggest fans. Peer into the scene below!
On February 26th, Soccer Mommy made a phenomenal appearance at the recordBar in Kansas City, MO to a sold out crowd. Openers Mess and Hovvdy laid perfect groundwork for the rowdy group, who were all in for a night of emotional and heartbreaking music. The house was packed before Hovvdy even started playing. which would normally come as a surprise to Kansas City concert-goers, as our city isn’t known for showing up early for the opening act. But Mess has developed a reputation of incredibly vibrant vocals and highly relatable songs that bring their crowds out early with anticipation. This evening seemed to be no exception, and we’re overjoyed that we got to witness that spark Mess ignites with each performance once again.
When Hovvdy took the stage, their steady, slow, crooning energy took over. And that same energy continued into the night, Soccer Mommy propelling it forward with her own brand of east coast bedroom pop. Within the summertime sounds of “Last Girl”, woven into the edge of “Skin”, and found in her older catalog inclusions as well, this type of energy is almost indescribable. Quirky, young, inspired, fun.
It seemed – in a moment surrounded by this soundscape, this crowd – around the third song of Soccer Mommy’s performance, that perhaps it wasn’t just this crowd that had latched on to the debut album she released just last summer. No, it seemed as if the words from Clean had soaked into our very surroundings, and that recordBar was emitting this palpable energy that made said surroundings feel like home.
