On November 9th, X Ambassadors and Bear Hands entertained an excitable — deservedly so — crowd show in Indianapolis, IN at the Egyptian Room in Old National Centre. Emerson Swoger caught some highlights for us.
Keep up with X Ambassadors here.
On November 9th, Hippo Campus regaled a young audience in Lawrence, Kansas at The Granada. Ashleigh Lee popped in to snag some highlights for us.
Keep up with Hippo Campus here.
Louisville, Kentucky got an absolute earful — and an immaculate boost in energy — when The Greeting Committee and Hippo Campus rolled through town on November 8th. The event at The Kentucky Center for The Arts was absolutely insane. Highlights below from Emerson Swoger.
Keep up with Hippo Campus here.
The end of October brought with it more than just a weather cool-down. As we started to bundle up for the winter ahead, we took time to pause on a breezy Autumn evening to celebrate the last 2 years of accomplishments with Imperfect Fifth. We were lucky enough to partner with Do Good Co., an incredible company on 38th Street in Kansas City, MO, who was also celebrating their 2nd birthday that evening. Together, we brought in vendors (Sugar Buffet KC, Scorpio Rising Botanicals, Crystal Ramirez Jewelry) and unique shopping opportunities with an evening of music and fun. Guitarist James Schneider opened the evening, followed by the talents of Danza Special and Fathers. We captured some photographs, caught up with friends, and were able to celebrate some incredible people locally, to boost our change globally.
Check our merch shop all week for discounts! Sales end at midnight, 11.11!
**photos by Erin P.S. Zimmerman, Elizabeth Schneider, and Meredith Schneider
If you haven’t experienced KONGOS live yet, it’s really high time you should. The South African quartet — comprised of brothersJohnny Kongos, Jesse Kongos, Dylan Kongos, and Daniel Kongos — boasts incredible vocal harmonies and layered, striking instrumentals (hello, accordion!). Their captivating stage presence is no surprise, as their musician father must have had quite the influence on them. Just a few days after spending time in the studio with Hanson in Oklahoma, the brothers performed compellingly to an audience in Kansas City, MO. Nothing could have been more beautiful than the full moon on October 13th, shining brightly over this collective crooning to the patio stage at Riot Room.
Through every track, there was a sense of belief in the story that was being told. At times the vocals were raspy and rough, while at others there was a smoothness you almost didn’t expect from this handsome group of men. Regardless of its delivery, each song felt so effortlessly inspiring. For example, during the more tropical-infused track “I Am Not Me”, the audience sang at the sky, as though every individual was having the same existential realization at the exact same time. It was such an intensely beautiful moment, illuminated by the red stage lights, that by the time we got to crowd favorite “Come With Me Now”, I felt like most of the audience had become family. Litter percussive tracks like “Birds Do It” and “I’m Only Joking”, and you’re in for a night of blissful camaraderie with strangers, no matter your surroundings.
What was perhaps most notable was the friendliness with which the group welcomed the crowd and shared anecdotes to introduce their songs. I’m not certain what it was, but a sense of magic surrounded this performance that I wasn’t altogether expecting. Charming, incredible musicians with a lot of love and fire for their work. And simplified, that’s the experience KONGOS creates.
Keep up with KONGOS here.
On September 27th, Ashe performed at Encore at the Uptown Theater. Our photographer caught some moody shots for us to swoon over, highlights below!
Keep up with Ashe here.
I sometimes think back to how often I made my family listen to the Do You Feel and Hello, Good Friend albums on repeat during my teen years. I was angsty, and it made for good road trip music. And over the years, I’ve been nostalgic for those albums as The Rocket Summer has continue to release ace albums that inspire human connection on several unique levels. I was so happy to head out and support Bryce Avary during The Rocket Summer’s stop in Kansas City to play The Riot Room on October 8th.
I ended the most beautiful autumn evening belting out songs I sang twelve, thirteen years ago. Songs that made me feel like I was invincible, like I had to leave Kansas City to find myself. Like Kansas City had ever been a small town in any way. And here, I found myself singing this song in the same city, the city I have chosen to reside in during my adult years, the city that has brought me so much abundance and revelations about myself. Sure, I spent my time on both coasts, but I value this city. So I might not agree with the exact sentiment of the song, but the sense of adventure it invokes is a tale as old as time.
Between crowd pleasers like “Break It Out”, “Hold On”, “Do You Feel”, “So Much Love”, “Tell Me Something Good”, and more, Avary sprinkled his newer tracks, all of which boast the same, smart writing, intense percussion, and incredible amounts of emotion. “Morning Light”, “Shatter Us”, and “Wannalife” brought out some of Avary’s most recent art, an album we have been swimming in since August. Bryce Avary’s voice is all the instrument you need. Witness that in any number of his songs, his robust vocal ability truly captivating any audience, large or small. But his is some of the most elevated lyrical writing I have ever heard, and he consistently impresses with unique and vibrant instrumentals.
Throughout the extended set — Avary stayed for a proper encore, stretching his performance past the official curfew and reveling in the way the crowd had made him feel that evening — the energy and events that inspired each specific song were so ridiculously palpable. A night like this, surrounded by an intimate crowd in a small venue in the heart of America, that’s the kind of night that lives on. His music impacted my life majorly, and I’d be a fool to think I was the only one.
Keep up with The Rocket Summer here.
On Monday, October 7th, we escaped the ever-more-frigid midwestern air to enjoy some of the oughts’ most incredible emo tracks. The Early November was performing at The Rino in North Kansas City, MO, and — as big-time fans for over a decade — you bet we were there, surrounded by a room full of people who all had the same nostalgia while singing. In support was Have Mercy. Highlights below.
Keep up with The Early November here.
K.Flay made her mark last night in Nashville, singing and rapping triumphantly atop a mountain of cascading platforms that towered over the crowd at Marathon Music Works during the last stop of her Solutions tour. She knows her audience well, and the set list shows that: she opened with 3 tracks from her new album, Solutions (“Not In California,” “Bad Vibes,” and “This Baby Don’t Cry”). She then proceeded to play the album in its entirety throughout the show, and ended with a fan favorite–and her most popular song to date–Grammy-nominated “Blood In The Cut.” K.Flay belongs on the stage, and you can tell from her live performances that she isn’t going anywhere anytime soon.
Keep up with K. Flay here.
