by Leigha Stuiso | Jun 11, 2020 | premieres, videos, wolf tracks
Finnish art-rock artist GEA drops her lead single “Despite” off her upcoming album Call for a Snake. The track starts out smooth and continues to build, growing stronger. As she travels through the forest, with dense trees and flowing rivers, GEA seems to go through an awakening. We are taken on a journey, but in the end GEA walks away despite her troubles.
“We are experiencing an unusually tough period of uncertainty, fear, and loss. I hope with this song we can celebrate our beautiful journey on earth regardless of our troubles,” GEA explained.
The track comes from a part of the album that is dedicated to the spirit of the swan, a representation of grace and elegance, an iconic figure in Finnish folklore. As the first single of the new album GEA sets the tone, a call for transformation and guide to healing the soul.
Watch the video for “Despite” and keep up with GEA here.
by Katy Mombourquette | Jun 10, 2020 | singles, videos, wolf tracks
Rap aficionado Benny Freestyles has released his latest single and video “Follow Me Home.” The serenade eloquently illustrates the human need for companionship during dark times– whether romantic or platonic. While he was born in Providence, Rhode Island, Benny grew up a traveler, so it comes as no surprise that the video for “Follow Me Home” was filmed in Nosara, Costa Rica. The video sports radiant images of nature that are distinct from, but also closely intertwined with the music. In the opening shot, we drift through a dusky forest and hear a mix of bird calls and electronic tones from the music. The juxtaposition of the sounds is disjunct, but they also complement each other. At times the shots drift in and out of distortion, like a manifestation of the hard times that the lyrics are talking about. Some of the words draw obvious parallels to nature as well, such as “you say it’s windy,” and “just hope it all blows away.”
The electronic music may seem out of place with the nature-centered visuals, but what it does is create a sort of ambient space in which the lyrics can really thrive. Whether it’s the open ocean, eternal forest, or endless night sky, the powerful pairing of these images and the atmosphere generated by the music allows for lyrics like “please forgive me” to ricochet, amplifying their impact.
Freestyles worked with Thomas San Bento in an intense twelve hour session to produce “Follow Me Home,” which features Freestyle’s peaceful voice and the rap skills that earned Benny his name. Since his very first release (a four minute freestyle called “The Ready Freestyle“), the on-the-rise musician has aimed to inspire, putting out multiple projects and going on national tours. Along the way, he has acquired a substantial fan base that really identifies with his music. “Follow Me Home” is simply the next step in Freestyle’s movement to uplift and encourage. Don’t be afraid to let yourself get swept up in it.
Keep up with Benny Freestyles here.
by Leigha Stuiso | Jun 9, 2020 | singles, wolf tracks
Sugar Joans is reflecting and moving on in her latest single, “No Patience.” From singing background for Billie Eilish at The Grammys to appearing as a top 12 finalist on NBC’s The Voice, she continues to create a name for herself and grow in her solo career. Joans channels the sounds of Ariana Grande with a catchy hook that will be stuck in your head all day. The song, inspired by a previous relationship and breakup, was written with Sveta Bout and producers Shag and Scoob. “We got in the studio and finished the song in pretty much 3 hours,” Joans explained.
The Pop/R&B artist is all for being your genuine self and following happiness on this track, which is a part of her first full-length personal project. After listening to “No Patience,” you’ll find yourself looking for more Sugar Joans.
**photo by: brittany brooks
by Katy Mombourquette | Jun 9, 2020 | singles, wolf tracks
Singer-songwriter ALIX recently released a new pop hit. Featuring pop sensation NEZZA, “Good” is a timeless track that works through the conflict between finding closure and wanting to move on after a relationship ends. The ballad is a model of classic pop, but the smooth vocals and subtle funk undertones give it a tasty R&B twist. The lyrics are simple but sincere, giving them a kind of universality that ALIX herself values in the music of her favourite artists. NEZZA shared in this universality as she bonded with ALIX over experiencing the aftermath of ex-relationships. From their bond, “Good” was born.
The solace found in the lyrics is enhanced by instrumentals that truly encompass the word “good.” Not the “better than alright but worse than great” definition of the word, but the one that means “pleasurable” and “enjoyable.” The song is in 6/8 time, which makes the music sway, each bar punctuated by a clean guitar chord. The harmonies are dreamy, wrapping you in a tender embrace to comfort you through your heartbreak. Towards the end there’s a satisfying key change that instills within you a resolution to persevere through any negative emotions you may be left with. In the end, “Good” is soothing, uplifting, and freeing.
While this track delights in its meaningful simplicity, one can also endeavor to go deeper and look for touches of California, where ALIX grew up. See if you can hear the gorgeous redwood forests and rolling hills that The Golden State is known for. Growing up near San Francisco meant that ALIX was exposed to an array of musical influences, providing her with a nifty toolkit that she would go on to utilize in her music. The music video for ALIX’s debut release “Come Alive” opened the door for her music career, gaining a million views in the first month. Her forthcoming album Feel Better builds on the momentum she’s created, with “Good” being only a taste of what’s to come.
Keep up with ALIX here.
by Meredith Schneider | Jun 8, 2020 | albums, review
There’s something so incredible about the connection of an artist to their work, and then the work’s fans to that artist. The announcement of the death of indelible singer-songwriter Cady Groves at the tender age of thirty this spring has left a large demographic of both pop/punk fans and country aficionados floored. I, myself, remember the days when she toured with punk banks and I requested her haircut at the salon. (College was a trip, and she has always been gorgeous.) Seeing her name in headlines in my social media feed made my heart stop, and I haven’t heard much of her more recent work. But the world has been celebrating her all along, and her fandom has been wrecked over the news.
Cady spent the last four years of her life writing and preparing new music in Nashville that both reflects her personal experiences, and makes her even more relatable than before. Her EP Bless My Heart was released at the end of May posthumously, and she couldn’t have hit the mark more if she tried.
With a little whimsy, she approaches the collection with the first track “Bartender,” a quirky, honest, beautiful ballad to the carefree nature of a full bar on a hot summer night. Perhaps the reality of political unrest and pandemic make this song feel that much more nostalgic, because we actually felt ourselves tearing up, listening to a song about drinking. The title track comes in quick to justify the tears, however, as Cady addresses personal anecdotes and makes us feel that even those who fall – hard – have the opportunity to be blessed in life. She rips any wounds wide open in this track, and this vulnerable side is going to be the thing we miss most.
“Camo” seems to have a title that is very stereotypical – and perhaps widely indicative – of its audience, but the metaphor prevails as a gorgeous reminder to make yourself seen. “Cigarettes and Sunsets” takes on a rhythm and pace that lure us into the thought that we might be about to watch 1996 blockbuster hit Phenomenon. (That is not an insult in the slightest. We imagine this track sounds like the perfect amalgamation of Clapton-style guitar and the Northern California cowboy demographic that surrounded the cast of Phenomenon during filming. But I digress.) Either way, the track belongs in a film. (Do you hear that, sync friends?!)
Last track “Crying Game” visits personal anecdotes, and reminds us a bit of earlier Cady Groves’ work sonically. The song specifically addresses the deaths of two of her brothers (Casey and Kelly), and the emotions that come along with their memories. It all feels like a way to round back to the beginning, as she takes her final, audible, bow.
To feel as though you have witnessed an entire career in just five songs seems a bit cheesy. But this release makes us feel closer to Cady than ever before.
by Meredith Schneider | Jun 8, 2020 | singles, wolf tracks
If you’re a fruitarian or otherwise obsessed with all things sweet, Australian duo Yuto.’s new track “Apple & Peach” will appeal not only to your eardrums, but to your tastebuds. The song itself is smooth as honey, the rhythm something that makes you want to both bounce and just sit completely still, perhaps being a fly on the wall in a club somewhere. (Don’t act like you can’t envision a really awesome, slow-motion music video to this track.) Collaborating with BOY SODA for a second time was the right move, as this track wouldn’t feel complete without his emphatic vocals.
Check out the track below. Add it to your playlists. It’s going to put you in the right mind this Monday.
Keep up with Yuto. here.
by Meredith Schneider | Jun 5, 2020 | soundtrack, videos
Well, PRIDE month is here. So is civil unrest, but that’s been bubbling at the surface for some time. We are going to have some insane new releases this month. Keep your eyes glued to this feature, as we continue to add to our list of favorite new music videos throughout the month.
Let’s start it off with “Fight Like A Girl” by Raye Zaragoza, shall we?
by Katy Mombourquette | Jun 5, 2020 | albums, review, wolf tracks
Canadian singer, rapper, producer, and songwriter Keffa released his new EP Victimless Crimes on June 1st. Produced by the Multi-Platinum and GRAMMY award winners Ken Lewis and Brent Kolatalo, the EP delves into the melancholia that results from failed relationships, but in a light-hearted way. While the music is classic R&B in many ways, it also includes elements from many other genres such as indie and experimental. Keffa compares it to the controversial 1994 film Bitter Moon which featured similar themes of relationships and heartbreak in different ways.
Each track gives us a glimpse into the types of complicated, failed relationships that one can have.
“Bethlehem” stirs up emotions you may not even know you have deep down inside you. It begins atmospheric, and includes hopeful messages like “It’ll be alright, I’ll be by your side.” But halfway through the clouds clear, the line “pick up a loaded gun” cuts through, and things become more painful. “Bethlehem” exposes the listener to this pain, setting the stage for the rest of the EP.
“Rock You” tackles loneliness, the idea of being with someone only for companionship and not for true love. As Keffa says “There’s no point in loving me, ‘cause I have no empathy,” the hard-hitting bass notes and upward synth gestures in the music sound like slow, steady breaths. It’s as though the music is breathing through the pain, through the loneliness. Immediately after, we get “Twenty Four Days” in which Keffa switches gears and starts talking about how he’s in it for the long run with this girl he loves, although there seems to be a lack of trust in the relationship.
“Disconnect” is a standout track. It deviates from the other tracks as it prominently features dreamy, broken guitar chords and surprising turns of harmony. It deals with space, “disconnecting” from a stifling relationship. “Victimless Crimes” is the most unsettling song on the EP. In essence, it’s about how things that were once uncomplicated can become twisted.
Keffa ends the EP on a cheerful note, musically speaking. “Try Harder” is fun to listen to, with a catchy chorus amidst smoothly rapped verses that just glide on top of the jazzy background music. The lyrics still continue the theme, however, highlighting a one-sided relationship where one person isn’t making as much of an effort as they could.
Listening to Victimless Crimes, it’s easy to see why The Source Magazine hailed Keffa as a “Canadian mastermind” after his second EP release, and why he was featured in Respect Magazine as “Toronto’s Emerging Creative Enigma.” Keffa not only shows how it’s possible to innovate R&B music, but also shows the world what Canada has to offer in the hip-hop genre.
by Meredith Schneider | Jun 4, 2020 | Uncategorized
First of all, just as a reminder, BLACK LIVES MATTER. Period. If you do not agree with that statement or the movement happening right now, kindly excuse yourself from our viewership.
This month has been heavy. But, as I step out of my white privilege and gain new insight every day, I realize how heavy life is for so many others all the time. As a community, we are doing what we can to make an impact. This is going to include highlighting marginalized artists and the voices of our BIPOC brothers and sisters more regularly, merchandise proceeds to Black Lives Matter, financial donations to the cause. This movement will not fall on deaf ears. These changes are being made for good and for the better.
That said, let’s dive into our favorite new tracks of June 2020. You know this soundtrack gets wild, so expect some jams from Glass Peaks, Vilde, RUNN, Grace Gillespie, Caro, Suns Up, and more!
Civil Rights are everyone’s rights. We will not be free until everyone is free.
