What a month! So far, we’ve experience all four seasons in the midwest, there was a blue wave in the election, and there are literally thousands of new tracks that we haven’t had a chance to peep yet. But we have gotten our hands on some very attractive new songs, so we’ve created a November 2018 playlist for everyone to enjoy. Check back throughout the month, as we add new selections daily!
The dreamy pairing that is Wild Culture have just released a new single through RCA/SME. Titled “Together Alone,” this is a powerful and reflective piece of power pop that has a rich electronic tip.
With millions of plays to their name and known for their fusion of styles, Wild Culture keep to a refined vibe with the track. Interlacing piano melodies and searching drum beats, the vocals of Loren Nine are left to work their magic. The duo says: “We are so happy that it is finally available and everyone can listen to it! It is about a facet of life which we think most people have experienced.”
Listen here.
Aria Pullman Ostrander – who goes by AO in the music community – just released her latest track, a swirling beaut called “Lonely Hunter”, this morning. Sound effects make it all feel a bit otherworldly, her raspy, edgy vocals adding a hint of soul to a track that then feels more “old west” than anything else. Trust us when we say, this is something that will make you feel powerful. It’s definitely a must in your autumn soundtrack, and might be the perfect thing to play as you walk into that unavoidable upcoming class reunion.
Keep up with AO here.
Birmingham-based duo Timber – comprised of Janet Simpson-Templin and Will Stewart – releases their brand new 8-track full-length today, and we’ve got all the details. A lush, enigmatic soundscape takes you on an interesting journey, twang-tinged and versatile in its existence. “Burying Ground” is very much a literal track, a melancholic beginning that carries through second track “As a Kill”. “Colors” is a bit spooky and intense, while “Downtown” has a true ballad sense to it and seems to play with dissonance instrumentally quite a bit.
“Sunstroke” is lyrically bittersweet, calling to mind a love – or really amazing situation, at the very least – difficult to shake. As a Kansas City native, “Shuttlecock” made my ears perk up, and the song sings of flying through the sky like one of those intricate sport accessories. It occurs in such a pleasant soundscape that we’re feeling like turning it up and going for a drive this weekend. And perhaps “Errant Oblivion” will inspire another side of us, slow dancing in the moonlight as the instrumentals take over our souls as they seem to already have done. Simpson-Templin and Stewart remind us of their brilliance up until the last lines of final track “Move”, a simplified yet freeing track.
If you’re looking for a soundtrack to a relaxing and thoughtful weekend, this is it.
Keep up with Timber here.
With baited breath we’ve awaited the arrival of indie rock collective Daisybones‘ 10-track album Gold. The Boston quartet has really provided us with the energy shot we’ve been needing, from the very first chords of the title track, through slightly slower – but just as otherworldly rock as its predecessor – “Choke”, and into “Drag”, which slows down exponentially but doesn’t quite drag, if you as us. (We’re full of jokes today.)
Daisybones performs with a hint of 60s British punk woven into lead singer Dillon Bailey’s vocals. This is especially evident in “Bang”, though “Crush” follows suit perfectly. “Beautymark” might be our favorite of the collection, the tempo changes alluring and the crashing cymbals providing a soundscape that we can both veg out AND dance our asses off to. Many fans might like “Daiquiri” for its tropical vibe, providing us an escape from our (now) snowy landscapes.
“Score” is the obvious head-bopper, frantic and staccato in its existence. If you’re looking for a slower rock track to nerd out over, “Heave” is your particular brand of ear candy, though last track “Lemondrop” might sound as such. “Lemondrop” is actually the perfect way to end the album, slowing everything down exponentially and providing an almost rock ballad-like atmosphere that will lord over you for the rest of the day.
And that’s not a bad thing.
Keep up with Daisybones here.
On Tuesday, November 6th, Gary Clark Jr. distracted crowds of voters (and otherwise) at the Uptown Theatre in Kansas City, Missouri. Photographer Mike Gunnoe was on-site to capture the magnificence for us.
New Orleans-based Sexy Dex and The Fresh – comprised of Dexter Gilmore (Guitar, Vocals), Gabrielle Washington (Vocals), Andrew Landry (Bass), Evan Cvitanovic (Drums), and Ben Buchbinder (Keys) – has been winning awards left and right in the south, and we can see why. As a young band, their technique – and, truly, pure chemistry – is undeniable. Not to mention the alluring genre they’ve almost created unto themselves. You can witness this in their new EP Don’t Play My B-Sides.
Though you’ll hear some psychedelic influence amidst the funk in “SDTF”, hip hop makes its way in there, as well as some interesting pop-infused dance breakdowns. We could see ourselves dancing to “Play Me Birdie” at a sock hop, but there’s an 80’s flare to it as well as a quirky, fast tempo that is a total earworm. “These Young Charms” exists in a more quintessentially 80s soundscape, while “!Wait!” presents a cacophony of sound that is otherworldly in its disposition. Last track “Fotographs” begins with a speaking part that truly captures the otherworldly, as the song blossoms into another 80s-inspired dance track.
Check it out below!
Keep up with Sexy Dex and The Fresh here.
Though we have to wait until November 16th to add Monica Aben‘s “The Beginning of Things” to our music library, you don’t see us over here pouting. That’s because the Venice-based songstress is sharing her new single exclusively with imperfect Fifth. Right here, right now.
“The Beginning of Things” is a delicate love song, poetic and intense in its existence. It examines a love in relation to the stars, a song that’s so lovely it’s impossible to ignore. Never mind the piano work involved, which is so mellifluous we want to dance on each note.
Check it out – and prepare to appreciate whatever love you have right now – below!
Keep up with Monica Aben here.
Los Angeles-based musician Jordan Vincent released an alluring, intense beauty of a track in latest single “Sister Jill”, which seems to be his version of a soulful rock ballad. Vincent displays his gorgeous, multi-faceted vocals while crooning, a hint of 50’s sock hop sauntering in while the guitars whir with bravado. Soft, endearing, without ever losing its rock roots.
We’re impressed, and you will be too.
Keep up with Jordan Vincent here.