Amidst the madness following the release of their new album Claw Your Way Out, indie quartet Modern Moxie took a few minutes to answer some questions for us. Quite the feat, considering this is the debut full-length release for band members Madison Lucas (Vocals, Guitar, Synth), Harrison Kollm (Bass), Phil Pucci (Lead Guitar), and Charlie Weeks (Drums), who have come in to the soundspace with an ethereal energy we can’t help but melt into. Check out our interview below, and take a listen to the album while you do! We promise you’ll be a convert.
What was the first song or album that you remember hearing, and does that work of art have any influence on how you approach your music today?
The memory that sticks with me the most is seeing an infomercial for a Beatles box set when I was a small kid. The commercial started with a clip of “Hey Jude” and I just remember seeing Paul McCartney’s face and yelling at my mom “Who was that?!” I was obsessed instantly and have been since then. The Beatles have always been a massive influence for me and I will never forget that moment I first heard them. I am a sucker for that classic pop song structure and I burned it into my brain over years and years of obsessing over every record they every put out. I’m constantly working on expanding the musical world of what I listen to, but they will always be home for me.
What is the conception story of Modern Moxie? Was it a meet cute? (P.S. LOVE THE NAME!)
Thank you!! It took what felt like a century to come up with the name. I always just played under my name (Madison Lucas) but I wanted to be in a rock band more than anything. All I wanted was to play with a group and create music together, it was my biggest dream since I started writing songs. It seemed like this distant life just out of reach, but I just kept pushing until it finally all fell together.
I met Harry first, he is the beginning of the band! He means so much to me and it honestly freaks me out how random our meeting was. I was out at this bar called Jack Beagles in Charlotte and having a pretty terrible night. I was in one of those infamous rough patches everybody has in their life and Harry just sort of dropped into my life out of nowhere like a beacon of light. I was sitting in a corner alone feeling sorry for myself and I saw him across the room. I just wanted to go talk to him, so I did. I said “You play music don’t you?” which in retrospect was about the corniest pick up line I could of possibly said. Remarkably, I was correct, he played bass. We have hung out pretty much every day since then. We started playing shows together as a duo and we came up with the name roughly a year later. We helped each other through a lot and many of the future Modern Moxie songs were forming then. We went through a series of lineup changes but eventually met our band family with Phil Pucci (lead guitar) and Charlie Weeks (drums). Me and Harry were married by Phil in 2017! He is an officiant if anybody needs a marriage real quick.
I wish there was a cool story behind the actual name but basically, we love M’s, alliteration and the letter X so it checked all the boxes. I carried around a little notebook with ideas for about 8 months, I thought nothing would ever work. I also love 60’s mod fashion so it just fit and here we are! Band names are so strange, they feel wrong at first then after years you just become them. I can’t imagine having any other name now.
Do you think that being located in Charlotte has any bearing on what type of music you create? I always wonder in a “nature vs. nurture” kind of way.
Absolutely! I don’t think you can help being influenced by the music that is around you. I go to a ton of local shows in Charlotte and I know each and every one of them shape the music I am creating along with the feel of our live performance. There is so much beautiful art in Charlotte and I try to soak up as much as I can. Also, without Phil/Charlie/Harry the music would not sound the same and if I wasn’t in Charlotte I would have never met them. This city means everything to me and it’s been a wonderful city to create music and share what we do.
What’s your favorite thing about performing together in front of a crowd?
Oh man there is nothing like it! I love everything about it, it invigorates me in a way I have yet to reproduce in any other way. I’m still terrified before I go on stage, but I’ve learned to use that energy to help my performance. It’s taken years, but I feel like I’m finally finding my comfort zone up there. There is no better practice in the world for a band, we learn new things every single time we go on that stage. You never know how people will react, what they will dance to, it’s all an experiment. I love connecting with people and playing music for a crowd connects you to them in a way that’s hard to describe. It’s something I hope to do for the rest of my life. If just one person takes something good from one of our shows I consider that a successful gig.
In June, you released the masterful Claw Your Way Out. From the beginning, we’re drawn in by powerful vocals and gorgeously layered vocals that just won’t quit. Any fun anecdotes from the production of this album?
We had so much fun recording that album, I don’t even know where to begin. Working with Kenny McWilliams in Columbia, SC at Archer Avenue Studios was an absolute dream come true, he is just magic to work with. That was the first time we have all recorded anything together as a band so it was a riot. Lots of goofing around and way too much Taco Bell. The coolest part in my memory is when we were able to play around with this Roland Space Echo tape effect. We were all entirely too obsessed with the spacey sounds and watching the tape feed through, it was wild. It makes a different sound every time you use it so we wasted many valuable studio hours playing with that thing. You can hear it best at the end of the record on “Believers in Sound” after Phil’s beautiful guitar solo (my fav solo on the record).
Was there something in particular that made you choose the order of the tracks on the release?
That part will make you think entirely too much! One of those final touches that really feels like a giant decision. We wanted to have tons of energy opening the record and for there to be a journey to the sound. We always knew we wanted “Symphony”, “Claw Your Way Out” and “Til I’m a Ghost” out front for high energy. “Believers in Sound” felt like an album closer to us so we stuck with that. The order of the rest was just trial and error, playing the record over and over and then we finally landed on the final track order. I’m a big fan of the album format and we did want it to tell a story beginning to end.
The title track has a unique sense of urgency to it from the beginning, which dissipates a little bit with the vocals later. How did you approach the production of that track?
That track has changed so much throughout time. The first time we ever played that it was just Harry on bass and me singing. In my head I heard it as this huge, driving track, really bass heavy. It really began to take form when I bought my Korg Minilogue, the main synth sound comes out of that. I wanted it to be huge, but also be able to reproduce it on stage. I was listening to a ton of Metric at the time, I know that had a big influence. On the record Harry played his bass with a pick which helped it really cut through. I’m so happy with the way that one turned out, giant thanks to Kenny McWilliams for locking that in exactly like we had in our heads. We have entirely too much fun playing that one live, it’s usually our closer.
“Flowers in Your Hair” feels theatrical, in a Panic at The Disco Pretty. Odd. kind of way. We’re obsessed. What inspired it, specifically?
Well holy crap thank you, I love Panic! Listening to Pretty Odd as I type this. So glad you enjoy it! This song has a very embarrassing back story so here we go. I am a giant Lana Del Rey fan and had tickets with one of my best friends Aly to go see her show. My friend Aly is also an amazing bartender, so we were having mad martinis pre show. Have you ever gotten so excited about something you ruined it for yourself? Yep, that is what happened. I barely remember the show. I also fell down Aly’s giant apartment stairs on my way down to an Uber (multiple times, multiple stairs). In summary, a very bad night. I’ve had a touchy relationship with alcohol and this was my last bad night. The next day I wrote “Flowers in Your Hair” with bruises all over my entire body and promised myself I would never do that to myself again. One bad fall down some stairs and you’re dead, never forget.
Taking care of those vocal cords can be a little taxing. What do you do to keep yourself healthy when you’re prepping to sing?
What do I not do to get ready to sing? I’m slightly insane in this department. I think it’s sort of connected to my anxiety. It can’t hurt to prepare right? I drink as much water as humanly possible, limit alcohol, singer’s spray (so great), tea and honey, room temperature water, pineapple juice, vocal warm ups/exercises etc. Basically, if you have heard that it helps voices I have tried it probably.
Throwing this one in for fun! How do you think the seven wonders of the world came to be? Do you think it was human hands, aliens, a little help from Mother Nature or some other force?
After much debate, I’m pretty certain people just had a lot of time on their hands back in the day. If we didn’t have phones and TV imagine the number of things we would have to do to fill our time? However, me and Harry watch a LOT of Ancient Aliens and conspiracy theory shows so I’m open to anything. Cats probably did it.
I HAVE to ask about Bowie. What’s the story behind this precious cat, and would you consider Bowie a mascot of sorts? (My cat Schmidt is a mascot for iF FOR SURE.)
I have two cats! Bowie and Scully. Bowie just makes the internet more because she’s always doing strange things, Scully is move private and elusive. Bowie was discovered in a Vespa dealership parking lot by my yoga instructor. Her name was actually Vespa as a kitten but when we adopted her we named her Lady Stardust Bowie. Bowie had just died that year, I’m a huge fan, so her name was written in the stars. Scully is named after Agent Dana Scully from X-Files, a hero among women. They are both definitely Modern Moxie mascots, I wish we could take them on tour. I hope to meet your cat Schmidt one day, what an amazing name!
Anything else you’d like to share with our audience?
If you dig our music please share with your friends, post it, add to your playlists, every little thing helps! I wish I could get across to everybody how much those tiny actions help out baby indie bands like us. Thank you so much for your support while we chase these dreams!
Today, we sit down with Daniel Levi Goans. He is one half of the folk duo Lowland Hum, comprised of both he and his wife, Lauren Plank Goans. We had the unique pleasure of catching up with him in a rare quiet moment in the lead to the release of their new album Glyphonic. Check it out.
Each week on Thursday, we will be releasing a new conversation with someone from the industry. Musicians, writers, publicists, managers… you name it, we’ve spoken with them. And, sure, we’ll get down to the nitty gritty on everything they’re promoting, but we are also over the moon thrilled to be discussing offbeat topics, like aliens, mysticism, magic, and more! This week, you get us raw and with no theme music. And our guest is the incredibly intriguing Kirsten Carey, brainchild of Throwaway. But if you listen closely, we have a special guest quietly intro into our first question. The first episode is now live, and can be heard here.
We will be up and running on all streaming platforms soon. In the meantime, feel free to download directly to your space as well here.
Throwaway also has a stunner announcement! Today, they’re releasing the new video for “The Brilliant Society of The Illustrious Mule” in tandem with our podcast release! It looks to include clips of some of our favorite Disney characters parading about the park, and is just as entertaining as the incredible woman behind it all! Check it out below!
Johnson City, Tennessee-based self-proclaimed “giggle-pop” trio Achy – comprised of Achy (Samuel B.) (songwriter, composer) and his cohorts Mahto Bowder (bass), and Sam Love (drums) – just unleashed their seven track stunner Friendly Animals unto the world. Laced with a psychedelic, garage rock feel, the trio somehow pulls off a brit-pop soundscape above it all. Each track is refreshing, and honestly something we would enjoy at an outdoor barbecue. (You know… IF the heat ever dies down anywhere close by!)
Feel free to check out Friendly Animals below, and then check out our quick interview with the trio, where we get deep into their production process and – of course – superheroes.
What was your first musical memory, or the first album or song you heard? Do you think that has any bearing on who you are as an artist now?
Samuel: My absolute first musical memory is sitting in the living room of my folks old apartment, and my dad had this little record player set up and was playing Money by Pink Floyd on it. And that memory has always stuck with me super strong. My dad and my mom showing me their music growing up definitely impacted the way I make music though.
Sam Love: My first musical memory that really really made me love music was Pink Floyd. Particularly the Syd Barrett era, which was a more spastic and creative-sounding time for Pink Floyd in my opinion. However Lonesome Crowded West by Modest Mouse was the most influential album on my drum playing.
Mahto: There was always stuff like the Grateful Dead, Augustus Pablo, Bad Brains, Neil Young playing at the house. My folks had a fairly wide taste. My first cd was Help by the Beatles. I feel like the set me up pretty well. I do remember going to see a stage production of beauty and the beast and suddenly being much more interested in the piano at the the house. All that said I’m sure it must be why I act in the way I do now.
What is this self-proclaimed “giggle-pop” genre you’ve come up with on Facebook? Where did that term come from? Don’t necessarily disagree — just SUPER curious.
Samuel: It’s to describe that lil giggle you let out when a pop hook sounds real good. And we found it just online I can’t remember where or who but some beautiful stranger described us with the perfect genre! We also crack a lot of jokes at the live gigs.
Sam Love: Our term “giggle pop” comes from how much fun we having playing and learning music together; I think Samuel and Mahto have great senses of humor and we always make each other laugh in between songs! Although we take the music we make seriously I think it’s important to also have fun with it and they are great fellas to have around for that!
Mahto: I think someone else called us that in a Facebook event. It’s pretty accurate though. We get pretty giggly pretty often.
Friendly Animals is so refreshing and upbeat. We hear it all happened in 2 days. (AMAZING!) Any fun anecdotes?
Samuel: Thank you! It was the most exhausting two days I’ve ever had, we as a group literally rehearsed the songs one day before recording them and a lot of the parts were actually written as we recorded. By the end of recording I couldn’t even redo guitar takes cause my fingers hurt so bad!
Sam Love: The recording process for our EP Friendly Animals was a blast! It’s was a lot of work, but working with Henry of Taped Records in Knoxville was absolutely amazing. He has done a great job setting up an environment where work and productivity explode like a volcano, but in a way that doesn’t stifle the creative process. I feel like it was refreshing for all of us.
Mahto: It was very hot. And very hard on the hands. I thought the improv jam was the most fun though. After spending all day trying to get the songs right, after learning them the day before, it was really nice to be able to turn the brain off and slip into the rhythm off this new thing.
Do any of you have a favorite track from the album, or perhaps a song you prefer to perform live? Why? What makes it something to look forward to for you?
Samuel: Mine would have to be “Breakfast w/ You”, seeing people smile and get excited that we’re playing it just makes me so happy. That or “Telephone P’lease”!
Sam Love: My personal favorite song from Friendly Animals is “Summer Sweater” because I really like how the grooves kind of take on a funkier sound. I always look forward to playing it live!
Mahto: I rather like playing “Telephone P’lease”. It makes me feel like a rockstar.
How do you want fans to feel after listening to the album in its entirety?
Samuel: That they feel like they know us! By the end of the record I’d love it if people felt a little closer to what we’re doing and like they could come up after a show and talk like old friends.
Sam Love: Ideally, after listening to Friendly Animals for the first time, I would like the listeners to feel like they just heard something different in an interesting “fresh” way.
Mahto: I want listeners to feel like Samuel for a minute.
On a broader spectrum, what drives your passion to create music?
Samuel: The people and connections I make everyday doing it, the strongest and funnest connections you can make are when you become besties with another band or artist, that’s true love right there.
Sam Love: I always find myself in and around musical environments, and being able to play music with good friends and musicians like Samuel Bowman and Mahto Browder really helps drive my passion to create music. I also love how music can bring so many different people together, and even serve as a sort-of medicine.
Mahto: It just something I have to do. I think there is something primal that makes people want music.
If you could be any superhero – “existing” or made up – who would you be and why?
Samuel: Definitely Hellboy, coolest hero ever! Also the best graphic novel hands down.
Sam Love: If I could be any superhero, pre-existing or otherwise, I firmly believe I would be Father Captain Doctor Love. The man who, of course, had humble roots in a church eventually becoming a Priest. After seeing the ugly underbelly of religion and understanding religion’s sinister and corrupt nature in his town he quit the church to join the army. He quickly became a Captain, but after seeing the unjust conflicts and unspeakable horrors of war he left to further his academic career and reflect on his experiences. He decided to become a heart surgeon, and graduated at the top of his class successfully becoming a doctor. It was then he learned he could just also read minds and become temporarily invisible for 10-15 minute intervals on Thursdays.
Mahto: Batman. He just does what he wants. No powers or anything.
Seattle-based shoegaze/post-punk/dream rock collective Nostalgist – comprised of Asa Eisenhardt and his cohorts in music – has been dazzling crowds since 2012 and, with the release of new music and their journey only gets brighter from here. March’s Disaffection gave us even more reason to keep our eyes peeled for live performances, its raw sound and instrumentals often giving us chills.
Check out the new album in its entirety below, as well as a quick interview with frontman Asa Eisenhardt about it all.
While writing music, has there ever been a time where you have experienced a severe case of writer’s block? How did you resolve it?
Yeah, constantly. If I have enough time I’ll just try to play through it as best I can– let my mind wander and hope for the best. I might also try working from a basic theory concept as well, like chord inversions, where relevant. In the bigger picture, as with most songwriters, I just make sure to write down and/or record whatever idea I’m working on as it might click into place at a later point. This question has reminded me to consult Eno’s Oblique Strategies cards more often.
During your time as an artist, have you been able to accomplish your goals or are you still working towards them?
Ideally, in my mind, it’s both: taking stock of and expressing gratitude for one’s opportunities and accomplishments while also keeping steady sights on the proverbial road and goals ahead.
When you are touring and performing on different stages, how do you pass the time?
We’ve only done one tour, which was down the West Coast about 3 years ago. In transit, time was passed with pretty standard stuff like conversation and listening to music. During venue downtime, I’m usually doing vocal warmups and/or trying to get in a good headspace.
Apart from music, what would you say your true passion is?
I have a number of other interests, but music is absolutely my true passion.
What can your current and future fans expect from you before the end of the year? Is there any exciting news that you can share with us?
I’m slowly figuring out a remix release. One of them is finished, a few others are in a nebulous state and some are still yet to be determined. These will be complete reinventions using the componentry of a certain track on our new MLP. I’ve also acquired multitrack audio from our record show for a possible live album of some manner, but haven’t listened back in a proper studio environment yet.
Performance-wise, we’re playing two local shows this summer — a serious goth banger on July 5th with Nox Novacula (Seattle goth ‘n’ roll that’s taken the city by force in just a handful of months) and Twin Tribes (synthy jams, on tour from New Jersey). The other one is August 2nd and we’ll be revealing more about that one as the date approaches.
Is there one thing that inspires your music, or is there a wide variety of things that help you come up with the lyrics and accompanying music?
I’ve taken to the phrase “love and lack thereof” as being the central inspiration/subject matter. Film always plays a role as well, usually in how I mentally envision the imagery I’m trying to capture with words or atmosphere. In the first few years, that always meant classic noir, but I’ve branched out a bit. Really, it’s anything I can aesthetically repurpose. For instance, the cover still of our new record comes from L’Avventura. I stumbled across it on the internet and the vibe I got from it, along with the water imagery capturing an identical and ubiquitous lyrical element I often refer to, was so immediately perfect for these songs. While I enjoyed the film, I found it to be a bit different than what I was expecting. Presented alone, however I still love what the image does.
Additionally, I do have clinical depression, and while I am almost always a happy, goofy individual, things can sometimes be difficult. Once I bounce back from these periods and have time to reflect, I can often lyrically channel those feelings in a healthy way. I’m definitely drawing on my own experiences and filtering them through the aesthetics and influences I hold near and dear, but I also try to keep things just vague enough so other people can relate or maybe project them onto the song to their own cathartic end.
Has there been anyone in particular that has helped get you to where you are today?
Broadly speaking, I’d say a large number of people have, including past and present bandmates, my encouraging parents, and so forth. But to be more specific, in terms of magnitude, Evan Foster’s mentorship from both a musical and production standpoint has been unquantifiably beneficial– without him, this band would be nothing. Similarly, all four members of Agalloch were supportive from the getgo, not least of which Aesop. His guest drumming on the new record put some serious fire underneath the songs, and set a standard for the future.
Portland-based alt/pop My Brothers and I might be busy prepping for the release of their EP material, but the next piece in that EP puzzle belongs to “When You’re Ready”, for which the music video has been taking center stage since its release in late May.
We’re absolutely smitten with this quintet, so we decided to do a quick interview to celebrate all their (amazing!) release news as of late. Check it out below!
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How did you all meet?
Scott, Erik, and I (David) are really brothers, so we met because we had to. Then Jordan and Scott have been besties since 2nd Grade and Jordan held me when I was a baby. So he is basically our brother.
Your song “When You’re Ready” has a very unique sound, what inspired that?
For the entire EP coming soon, we wanted to write pop music and have it feel like it could be on Top 40 radio, while also staying true to what makes us different. In most of our new songs, we have a mixture of real instruments and samples. We wanted to create a hybrid that competes with a lot of the digitally created pop music you hear, without going full-blown digital. We have a lot of real piano, real guitar, real drums, and real bass, while also throwing in some synths and 808 drum beats. This is especially shown off in When You’re Ready. The vibe may feel familiar, but the execution is what we feel sets it apart. It’s organic pop!
The video for “When You’re Ready” has an interesting story that revolves around a dissatisfied model. How did you come up with the concept for the video?
The “When You’re Ready” music video idea was actually brought to us by the producer of the video. He reached out and pitched his idea and we really liked it right away. We knew we didn’t want the video to just be a direct narrative of the lyrical content and his idea felt like a pretty cool metaphor that makes sense with the lyrics without being a direct representation. We had a blast working on it and are super happy with how it turned out.
Who inspires you as artists?
We are all a bunch of music sponges. We love to listen to music and are constantly listening to the New Music Friday playlist on Spotify. So more recently we have been vibing on that new Shawn Mendes album (no shame). In general we have always been inspired by bands and artists like John Mayer, OneRepublic, Justin Timberlake, Michael Jackson, Coldplay, The Roots, and so many others.
Where to you hope to see yourself musically in the next five years?
I think we would love to be settling into a nice career and a nice rhythm of being full time musicians. This journey has been so much fun and taken a ton of work and will continue to take a ton of work, but I think if we could be releasing a 3rd or 4th album by then and have a solid foundation and fan base, that would be a huge blessing. For us, we just want to change lives. It sounds cliché but we aren’t just doing music because it’s fun. We want to make a difference in people’s lives and touch people’s souls with our music. Make them feel something deeper than just surface level. If we get to a place where we can be playing and releasing music and use our platform to be a light in this world, that would be reaching our ultimate goal.
If you could describe your sound, what would it be?
I think organic pop is probably the best way to describe our sound. We love all types of music. We grew up on jazz and rock and hip hop and blues. We try to just be ourselves when we write and not stray away from that jazzy guitar lick, or that fat hip hop drum beat. We find ways to implement the past in a pop way with real instruments.
What is your favorite part about working together as a band?
Collaborating in everything we do is so much fun. Whether its ideas for live shows, writing songs, or what to do for an Instagram story, we all just love being around each other and goofing off. We try not to take things too seriously and just stay true to who we are. If you ever get a chance to see us live, we think this shines through. We just have a blast and I basically view every transition as a chance to make the crowd laugh or smile… and occasionally cry (in a good way).
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Keep up with My Brothers & I here, and preorder their EP here.
Despite the overwhelming response from fans and critics around the country, and the time consuming consequences of that measure of success, members of Still + Storm were able to answer some of the questions that we at Imperfect Fifth have been dying to ask. Not only have they had favorable outcomes from all of their releases, but this group has shined a new light on how people perceive melancholy melodies and boisterous beats. Check out the new music video for “All of These Things”, and then read our interview, where they talk about what has brought them to this point and where they are headed in the near future.
Throughout your career, have you ever felt like you reached your dream/goal or are you still reaching for something greater?
Dave and I consistently set goals for ourselves and for Still + Storm. We believe in this project and make sure to designate the time and effort to it. Our standing goal is to continue to create and share.
Have you considered going on tour anytime soon to share your music with a wider demographic of fans?
Our first set of shows we ever played was a tour, actually. It was a positive experience, and we made some new friends along the way. We’ll tour again when the time is right, but for right now we’re focused on Chicago and what we can do / be a part of here.
In your experience, is there a particular song of yours that really gets the audience moving?
I feel like we get a little more movement when we play In/Out – it cruises along and then swells up at the outro. It is a fun song to play, and I think the audience feels that.
When you’re off stage and out of the studio, what do you like to do with your free time?
Usually something music related, like attending shows or writing. I also enjoy Pilates and have instructed classes in the past.
If you could compare your sound to any famous artist in history who would it be and who? Did you intentionally model your music after this person or group?
We haven’t intentionally modeled our sound after any one artist, but I am personally influenced by Radiohead and the original Saddle Creek bands (Bright Eyes, Rilo Kiley, Azure Ray). We probably sound more like the latter. Our producer, J Hall is an enormous contributor to our overall sound. Historically, we’ve gone to his studio very open minded and together we’d dream on where to take the songs. It’s a unique relationship.
When did you realize that you wanted to pursue a career in music?
As soon as I wrote my first song on guitar, I fantasized about being a professional musician. I have a day job as an Occupational Therapist that affords me enough flexibility to fund and dedicate time to music. I think most artists would agree that it is difficult to pursue music full time, financially. I do believe that I will always dedicate the time and resources to it, though, in some capacity.
In five years, where do you see yourselves? What do you have planned for Still + Storm?
Because we’re partners, we’ve been able to create an environment in which we support each other. Musically, and otherwise. Still + Storm came to be in the most natural way possible, so I think that as long as we’re sharing our lives we’ll be making and sharing music. Meanwhile, we’re excited to premiere a new song and video called “All of These Things”.
Following the re-release of their Brain EP on Castle Face Records, Once & Future Band – the Oakland-based psych pop collective expertly comprised of Eli Eckert (bass, vocals), Joel Robinow (keyboards, vocals), Raj Ojha (drums), and Raze Regal (guitar) – sat down briefly with us for a quick interview. The EP is pieced together with four enigmatic, moody tracks that will make your tastebuds water with excitement as you stumble along the quirky and wonderful soundscape that the four piece provides. Check out everything they had to divulge to us about their musical lives below!
What was your first musical memory, and did it have an impact on the way you create now?
(Joel Robinow) My first musical memory was actually seeing les miserables on its first run when it came to San Francisco. It was with the ideal cast, Michael ball, the incomparable colm Wilkinson, lea salonga, and Tim Curry as Javier. I was electrified. I didn’t know that music was capable of making you feel emotions…I had butterflies in my stomach the entire time, the intricate arrangements, the opulence…it’s all still very clear in my mind. Dunno. That and the video for “steppin out” by joe Jackson.
Your Brain EP was just re-released, and we’re super super smitten. Any fun anecdotes from that original production process that you can share with us – or any new details in getting the re-release out?
(Raj Ojha) We do most of the production / recording ourselves, recording wherever our home studio is at the time. For some songs that need a larger space, we’ll record basics (drums, bass, some keyboards) at our buddy Phil Manley’s studio(s). For the Brain EP, we recorded two songs entirely (basics, overdubs) in Joel’s bedroom at the time. I remember shag carpet everywhere and low ceilings which really aided in the vibe and dry / tight sound we got for the bass and drums on those tracks. The drums, bass and keyboard for the other two EP songs were recorded in San Francisco, at Lucky Cat Studios (which is also where we mixed the EP). The room there was the literal antithesis of what we had at Joel’s.
While we did have a clear vision of what we wanted to achieve sonically, there was a lot of experimentation, a lot of trial and error. There were many long nights spent trying layered vocal harmonies, scrapping them, replacing them with synths, then guitars, and sometimes going back to mix all of them together just for a chorus or outro. It’s those parts of the recording process we enjoy the most, where we sculpt the song’s arrangement and sounds beyond what we initially had in mind. Deadlines really help us from going off the deep end when we go down those paths, usually because we never want to stop. Since then (about 5 years ago), we’ve gotten a lot better at knowing when a song is done, and when its final voice is apparent.
How does it feel knowing that your creation is finally out in the world – with wider distribution this go’round?
(RO) It feels great! We’ve been playing these songs for so long now, and they’ve changed over time in a live setting. It’s nice to show some our newer fans a little piece of our history. Hopefully it also helps tide over people while we work on a few other releases, including our next LP.
Do you have a favorite track from the EP, or one that you prefer to perform over others?
(RO) The song “Brain (Watching Your Eyes)” has been a mainstay in our live set since the beginning. It’s one of the first songs we started playing as a band and over the years has morphed into something that the EP couldn’t contain (we’ve been known to extend this song to over 15 minutes live). One reason for it’s longevity in our live show is because it really lets us stretch out, improvise and add new twists and turns that aren’t featured on other tracks of ours. Improvisation is an important aspect to our group, especially in a live setting and even though “Brain” has a tight arrangement, it allows us the freedom to do something new every night in the second half of the song. It’s nice to take chances in front of an audience, it keeps things fresh and allows us to communicate musically in new ways between each other.
How do you imagine people listening to your new EP?
(RO) I imagine it right now, probably because you suggested it…let’s see….there’s a guy, wait actually it might be a girl…hard to say, their back is turned. They’re holding something in their right hand, I can almost see it, it glints…a knife? No, that’s unlikely….oh…it’s a pen. Phew!!! They are bobbing their head in time with the music.
(EE) My dream scenario of someone hearing our EP is that it just feels to them like something they’ve been waiting to hear. It fits like a glove and they’re as stoked on what we created as we were to create it. They’re just all “Hell yes”.
If you could be any superhero – “real” or made up – who would you be and why?
(RO) I’m not a comic book head but great musicians usually fall under the category of superheroes for me personally. Wayne Shorter-For his stunning composition ability and otherworldly playing(Check out any of his work with Miles,Weather Report and any recordings where he’s the leader ie, JuJu, Adam’s Apple, Speak No Evil, Night Dreamer et al for the proof)
(JR) Yea Wayne is an inspiration…I dunno. Being a superhero seems like too much responsibility, I’d prefer to be one of those people pointing at the superhero when they are doing something cool
(EE) I know Wayne Shorter used to love to read comics (maybe he still does???) so this makes sense!
Now that the EP is out, what’s next? What are you most looking forward to? Tell us all the crazy details!
(RO) We’re about to embark on a North American tour in April, supporting Chris Robinson’s “As The Crow Flies” band, hopefully we’ll also get back to the UK and Europe (we just finished out first major tour of the UK) before the end of the year. We’ve also been working on a lot of new material which we’ve started recording ourselves. We have a lot of ideas for releases, videos, collaborations right now but it’s best that we keep a lid on those plans until the moment is right. We’ve also been playing out a lot recently which is our next favorite thing to being in the studio!
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Keep up with Once & Future Band here, and catch them out on tour at the performances below!
2018 “AS THE CROW FLIES TOUR” – With Chris Robinson Apr 17 Capitol Theatre, Port Chester, NY Apr 18 Electric Factory, Philadelphia, PA Apr 22 Iron City, Birmingham, AL Apr 24 Thalia Hall, Chicago, IL Apr 25 Manchester Music Hall, Lexington, KY Apr 26 The Signal, Chattanooga, TN Apr 28 Joy Theatre, New Orleans, LA Apr 29 Ryman Auditorium, Nashville, TN May 01 The Pageant, St. Louis, MO May 02 The Truman, Kansas City, MO May 06 Ogden Theatre, Denver, CO May 08 Brooklyn Bowl Las Vegas, Las Vegas, NV May 09 The Wiltern, Los Angeles, CA May 11 The Fox Theatre, Oakland, CA May 12 Montbleau Resort & Casino, Tahoe Village, NV May 13 Crystal Ballroom, Portland, OR
On March 16th, The Jacks came strolling into our lives like old, familiar friends on the street. We were set to meet them at 6th and San Jacinto in downtown Austin, right outside of San Jac Saloon. We knew we were looking for four musicians – Johnny Stanback, Thomas Hunter, Scott Stone, and Josh Roossin make up this collaborative indie quartet – but we didn’t realize just HOW rock n’ roll the experience would be.
For example, Scott made it to the corner several minutes before the rest of them came meandering up, but every single one of them was donning dark wash jeans and black shirts, often layered with a black jacket. But let me put this into context for you: It was 88 degrees outside.
But that’s just how these guys handle it. They deal with the heat. They’re comfortable in tight spaces together, and they’re excited about expanding their reach and their audience, bringing their music to the masses. So let me leave you with a sweet little ditty by them, and the transcription of our time together in interview form!
Introduce yourselves please. Tell me your name and what you do with the band.
Johnny: We’re The Jack’s. I’m Johnny, and I sing and play guitar, rhythm.
Tom: I’m Tom Hunter and I play lead guitar.
Josh: I’m Josh and I play drums.
Scott: I’m Scott Stone and I play lead bass guitar.
And mother. We hear you’re mother of the band.
Scott: Yes, Momager.
I guess that is because of the fact that he was on time and we were already late.
He’s like ‘hey it’s me – the band’. So guys, how’s South By been for you? Is it your first South By?
Yeah. We got in Monday night… So we’ve been here for three full days now, three and a half. We’re headed off to Dallas tonight… Very excited. That will be a great crowd. We played two [shows] at South By and we’re playing one in Dallas, then heading back.
Awesome. That’s good – pace it a little bit. What have you guys seen here that you liked?
Lots of awesome fans. Lots of great food too. We just had breakfast at Moonshine and it was unreal. You learn not to use Yelp, you ask people. All our local Austin friends gave us good food suggestions.
What was your favorite aspect of South by Southwest as a band?
Both shows we played were really awesome, we had a great time. Obviously, it’s just hanging out, we have a lot of friends here performing, bands that we’ve played with before. It’s so good to see them and see how well they do and spend time. It’s just an amazing environment – it’s all artists and a great time. It’s like adult summer camp!
I like that! That metaphor makes sense! What’s coming up next that you want to tell people about?
Our next show is March 27th at the Peppermint Club in L.A. We’re excited about that one. Then we booked a Pacific Northwest tour for the end of May we’re really excited about. What else… We play Brick and Mortar in San Francisco on the 23rd of May… All the way up to Portland and Seattle so far. That’s what we have in store for the next month or two. And obviously a bunch of great new music hopefully coming.
It’s not up to us anymore, but we get to release it, hopefully in October… We recorded a new single, got a new music video for that.. Hopefully tour on that in the fall.
Fingers crossed it all pans out! Alright, you guys have really committed to the dark jeans, the boots, how are you faring today, although the weather has changed slightly and it’s at least breezy?
We took them off…the day was a little long…yeah…
Here’s a question I have – aesthetically, you guys tend to go toward the black and the jeans, how’s that going to happen when you’re in Florida? (laughter)
We’ll cross that bridge when we come to it .. We haven’t had that issue…Maybe Mexico? The Jack’s booty shorts… Make that our summer line.
How do you guys calm down or pump up before a show? Do you get nervous or do you have to rev yourself up?
It depends on the show. Like the Troubadour, the one we did that sold out – that was obviously a big one for us. It’s just kind of like we’re just so comfortable with each other, we’ve grown up together and we’re all best friends. When you get on stage, you kind of just into that element, you don’t really think about those things I guess.
We usually have one or two beers before a show, but that’s about it. OK. Eighteen. Maybe eight hundred.
We have a fancy palate. Actually, there’s this new beer coming out called Tower Park that they just opened in Anaheim, California. Really, really good.
