by Veronica DeFeo | May 8, 2018 | albums, review
Nashville-based singer-songwriter Joel Levi has just dropped his self-titled album. Honest and down to earth, Joel Levi explores challenges and difficulties of life on an Americana/indie-folk soundscape.
Joel Levi:
1. “Middle of Everything” starts off the record on an upbeat note, setting the indie-folk tone of the album. Showcasing Levi’s great vocals, this first track sets the stage for the rest of the album.
2. “Will We Ever Change?” is up next, starting off with a smooth, angstier sound. As the title suggests, this track explores the fear of being stuck as you are.
3. “Honest Mistake” carries the listener into a more Americana sound, reminiscent of Springsteen. Featuring a great guitar solo towards the second half the song, the lyrics “I don’t wanna bring you down” echo throughout the track.
4. “Easy to Be Alone” is a more laid back folk song that moves along an emotional soundscape, encouraging the listener to hold onto their loved ones and fight for them.
5. “Harder Times” emphasizes perseverance, even through adversity. Well-placed guitar rounds out the track into a solid song.
6. “The Garden” brings the listener into a simple but touching melody, filled with well-constructed metaphors.
7. “All My Friends” changes it up, instantly upbeat and quickly moving into a feel-good chorus that will make any listener appreciative for the important friends in their life.
8. “Sweet Melinda” comes next, a beautiful love song that starts off with some acoustic guitar. An instant classic, “Sweet Melinda” encompasses what a romantic folk song should sound like.
9. “Blind Men Still Dream” is a painfully honest track that explores the challenges we face, and the support that we always can depend on.
10. “Hold On Me” closes out Joel Levi on a simple but touching note with a love song. “Hold On Me” shows just one of Levi’s many musical aspects and gently brings the record to an end.
Stay connected with Joel Levi:
Website I Facebook I Twitter I Soundcloud I Spotify I Bandcamp
by Meredith Schneider | May 7, 2018 | premieres, singles, wolf tracks
Today, San Diego’s
the color forty nine – a music group comprised of Phil Beaumont (Vocals & Tiny Guitar), Jason Hooper (Bass and Vocals), John Meeks (Drums and Vocals), and Matt Resovich (Violin, Tenor Guitar, Keyboards and Vocals) – releases a reverb-filled, lush new track titled “I Will”, and we happen to have the exclusive premiere. With the depth in range of Beaumont’s vocals, this track feels as though it has rougher, old country western vibes, sprinkled amidst a subtle modern alternative sound. Its pace and tone feel dark, though it’s certainly in a more robust and beautiful way than is often found with similar soundscapes. “I Will” is void of any coldness we might otherwise feel tempted toward without this particular collection of talent to deliver.
the color forty nine is doing some amazing things with their music, and we can’t wait to see what happens next in the lead up to their new full-length.
Join the band TONIGHT at The Casbah in San Diego with Acid Mothers Temple. It’s going to be absolute insanity. And their upcoming album is due out June 15th, via Darla. Keep your eyes peeled for all of that and more with the color forty nine here.
by Veronica DeFeo | May 5, 2018 | albums, review
Seattle-based artist Damien Jurado drops his 13th album, The Horizon Just Laughed, today. In his 20+ year career, Jurado has never self-produced a record – until now. The Horizon Just Laughed is being released via Secretly Canadian.
Jurado says of his record:
From the beginning I have approached this album differently than those in the past. I snuck away to record it without anyone knowing. I sat in the producers seat for the first time in years, where I followed creativity’s every turn. It was fulfilling to watch the things come to life before me with the help of some talented friends. I am so very proud of this album and I can’t wait to share it with all of you.
The Horizon Just Laughed track listing:
1. “Allocate” starts off the record on a mellow but strong note. Highlighting Jurado’s musky vocals, “Allocate” provides a glimpse into what is to come.
2. “Dear Thomas Wolfe” begins with a rhythmic guitar intro reminiscent of Jack Johnson. Featuring great lyrics like, “Was I faking trusting you?”, this song gets the ball rolling into the record.
3. “Percy Faith” takes a different approach instrumentally, and utilizes a storytelling manner to bring the lyricism a nostalgic feel.
4. “Over Rainbows and Rainier” is the leading single off The Horizon Just Laughed. A soft, moving track, this reflective song brings the listener gently along. Jurado has also put out a music video for this track. Check out the video for “Over Rainbows and Rainier” HERE.
5. “The Last Great Washington State” features some nice drum moments and steady vocals.
6. “Cindy Lee” is a beautiful interm track that has some well-placed harmonies, and moves the listener into the second half of the album.
7. “1973” perks up with a gentle but pointedly moving track.
8. “Marvin Kaplan” gets an almost samba sound going, as Jurado is accompanied by soft female harmonies.
9. “Lou-Jean” is closer to tracks like “Percy Faith”, telling a meaningful story through song.
10. “Florence-Jean”, the penultimate track on this record, takes an upbeat take on the tales that Jurado tells in The Horizon Just Laughed.
11. “Random Fearless” closes out the album on a fun note, unafraid of the future.
Jurado will be on his “Over Rainbows” tour from May-June. More info HERE
Read more from Damien Jurado here. Stay connected with Damien Jurado:
Website – Facebook – Twitter – Instagram
by Christie McMenamin | May 3, 2018 | show review, snapshot, visual
The audience at White Eagle Hall was already rapt before Julien Baker began her sold-out show. As she carefully stepped out onto the stage, sparsely illuminated with a background of lamps that resembled streetlights, the quiet was immediately enveloping; you could hear a pin drop in the dead silence between the faint clacks of camera shutters. Beginning with “Appointments,” the first full track off 2017’s Turn Out the Lights, feathery wisps of white light were strewn across the stage as Baker was suddenly blanketed in a shaft of soft purple lighting, as if a lavender-colored sun was leaking through a hole in the ceiling.
A Julien Baker show is mesmerizing; she holds everyone’s eyes in the palms of her hands. Her presence is almost ethereal; her gentle voice, at times fragile and delicate, can suddenly, grandly rise, soaring up into a vast melodic expanse. Small of stature and soft-spoken, Baker is solitary yet powerful, commanding the stage all by herself; a one-woman orchestra who can spin symphonies with just a guitar and piano.
Moving seamlessly through her set, Baker wasted little time between songs for banter, focused solely on her performance. The bulk of tracks played were from Turn Out the Lights, along with a smattering of Sprained Ankle. “Red Door,” an unreleased track, and “Funeral Pyre,” off an untitled EP, rounded out the show.
Towards the second half of the set, Baker invited her friend and violinist, Camille Faulkner, to accompany her, added a further layer of feeling and pathos.
“Something,” one of Baker’s most upbeat tunes, made up the encore with the whole venue singing. The moment she exited the stage, fans rushed to the front in an attempt to grab the setlist. This is the kind of fervor Baker inspires in her audience.
She makes her way back to the New York/New Jersey area in July, providing support for Courtney Barnett in Prospect Park.
by Veronica DeFeo | May 3, 2018 | singles, wolf tracks
Cornwall-based four-piece ENNOR has just dropped their brand new single, “Wave After Wave”. ENNOR is made up of drummer Adam Williams, frontman Tom Elliott, guitarist Jack Rennie and bassist James Creed. The quartet is known for their summery sound that has earned them the label “Californwall”. Now, they’re back with new track “Wave After Wave”.
Moving guitar work gently brings the listener into “Wave After Wave”, a truly oceanic track that mimics the energy of water. Gradually picking up speed, intensity, and complexity, the song peaks about three-quarters in with some killer guitar. A closer listen will reveal that the track is about climate change and the idea of “how far is too far”. If you’re looking for an escape to the water’s edge, check out “Wave After Wave” today.
Stay connected with ENNOR
Facebook // Soundcloud // Instagram // Twitter
by Ron Boling | May 2, 2018 | snapshot, visual
Semi Automatix ripped through a set at El Cortez in Bushwick Brooklyn. The five piece group led by Tim “TC” Cribben on vocals played the punk set with a charm and charisma thats hard to match in the genre. Bassist Matt Gevaza and drummer JR Jensen synced and throbbed through a set that almost shivered with energy. Guitarists Mike Gevaza and Greg Odette traded lead harmonies seamlessly across the stage. Semi Automatix is a punk band by definition, the set however showed more depth and emotion in the songs than we have come to expect from the genre. If you can imagine the mid 90’s Long Island Punk sound and meld it with soaring classic rock solos from the 60’s and 70’s you might have an idea what Semi Automatix sound like. The set was a beautiful mix of punk energy and Marc Bolan-esque tenderness that just worked. You can check out the latest single “Never Fading” below.
by Veronica DeFeo | May 2, 2018 | singles, wolf tracks
Rockin’ and rollin’, Language is back at it with a brand new single titled “Game Piece”. Language is made up of guitarist/vocalist Omar Afzaal, bassist/vocalist Charles Sloan and drummer Wes Black. The Brooklyn-based trio has self-released two EPs, and will drop their first EP Plymouth on May 18th via Good Eye Records. Their new single “Game Piece” will appear on Plymouth, and offers a first glance into the upcoming EP. Thoroughly fun and unapologetic, “Game Piece” includes a killer guitar solo and great vocals. It is evident through the instrumentation of the track that Language knows how to make every aspect of a song work together.
Bassist Charles Sloan says:
I started with of a couple ideas: a middle school project where I had to decide what I would take with me on a spaceship to a new world, and the story of Aeneas, one of the mythical founders of Rome, who took his father, statues of his gods, and his son and lead them out of a burning Troy. It’s all reduced to a few shouted phrases, which is where the desperation and irrationality enter.
“Game Piece” is a must-listen, so check it out today!
Stay connected with Language
Facebook // Instagram // Spotify
by Madison Blom | May 2, 2018 | singles, wolf tracks
Breaking out one of the greatest singles that is promised to get listeners dancing throughout the world is pop artist and producer WNT-AL-N (pronounced Went All In) who has just dropped his latest single, “Leave it on the Floor.” After being influenced by several cultures as a child, this up coming artist has found a way to mesh the sounds of his multi-faceted home experiences into one cohesive sound that is both infections and incredibly innovative. “Leave it on the Floor” is a melting pot that combines elements of Caribbean pop, funk, reggae, hip hop, and even a hint of jazz into a single that is promised to please across the globe. Throughout the single, listeners can enjoy the funky guitar twangs as well as vocals that are as clean as they are enjoyable to listen to. When speaking of his latest release, WNT-AL-N said,
“We all need an outlet from the stresses that society, family, finances, work etc. put on us. Picture a carefree childhood where you’re enjoying life to the fullest and you’re all about being in the moment. Growing up, music was my escape to a place where I could go all in. I think all we need is the ability to tap back into that as an adult. I always want my songs to have substance and tell my story even if it’s a turn-up record.”
Not only does this artist give something for fans to talk about on stage, but his off-stage life is just as impressive. While WNT-AL-N is not creating and producing more music, he often travels between Atlanta and Singapore in order to aid the homeless and victims of human trafficking and abuse through his work with Hanoi-based non-profit organization Blue Dragon. Without a doubt, his future music has promise considering the quality and impressive skill demonstrated in, “Leave it on the Floor,” making him one of the key players in the developing music community.
Keep up with WNT-AL-N here.
by Christie McMenamin | May 2, 2018 | show review, snapshot, visual
In the beginning, there was one person and one instrument. A man named Chris Carrabba wielded an acoustic guitar and managed to permeate the punk and emo scenes with his raw, lyrical candor. There were EPs, there were LPs. The second of those, The Places You Have Come to Fear the Most, scored Carrabba an MTV hit with the track “Screaming Infidelities.” And from there, his career exploded into full-fledged fame.
Dashboard Confessional later expanded. On Carrabba’s third LP, A Mark, A Mission, A Brand, A Scar, a full band was added, each instrument joining together to fill out his signature sound. The unparalleled strength of his voice was further heightened with this new musical intensity. Carrabba sings with such remarkable power and abandon, a hybrid of passion and fury that’s unmatched in his peers. He manages to hold notes for astonishingly long moments and can sing about love in hushed, delicate tones in the same breath as he can betrayal, unleashing the full force of his voice into an evocative wail. Simply put, Carrabba makes you feel, and he does so with a seeming effortlessness that enthusiastically resonates with his listeners. As Dashboard Confessional hasn’t stopped releasing records since their inception, Carrabba’s begun a veritable collection of fans, hoarding more and more of them with each successive release. His audience has now become intergenerational, and with Dashboard’s latest release, Crooked Shadows, it’s sure to speak to a new crop of teenagers while still delighting the fans who have been there since the beginning.
Embarking on a tour of comparatively smaller venues to promote Crooked Shadows, those who were lucky enough to score tickets to the sold-out show in New York piled into a packed Brooklyn Steel on March 29th. Fans rushed into the venue in swarms, making a fervent beeline to the floor in order to be as close to the stage as possible.
Carrabba walked out in his truest form, alone with his acoustic guitar. He asked if he could “play a deep cut,” to which everyone cheered as he launched into “This Bitter Pill,” the last track on the aforementioned The Places You Have Come to Fear the Most. When that ended, the rest of the band came out as they amped it up for “Don’t Wait,” off Dusk and Summer. The night was a family reunion. Carrabba vividly expressed his gratitude over and over again, not only thankful to be able to play music for a living, but to his fans, who allow him to do so. They responded wildly, their reaction signifying that the feeling was mutual.
Carrabba curated a setlist made up of songs off Crooked Shadows combined with some of his greatest hits from years past. Saving the best for last, Carrabba ended with three fan favorites: “Screaming Infidelities,” “Stolen,” and “Vindicated.” “Hands Down,” of course, made up the encore, leaving the crowd on the highest, most ecstatic note possible.
The future continues to shine on Dashboard Confessional.
