by ImperfectFifth | Nov 20, 2018 | perspective
If there is one thing we can learn from Shawshank Redemption, it is this: we have to either get busy living or get busy dying. Americana trio The Deep Hollow are firmly planted in the former. Through their sophomore record, Weary Traveler, Micah Walk, Liz Eckert and Dave Littrell dig into this sorrowful life of getting older, longing for a stable home and the sometimes unbearable weight of the open road. Sonically, the band fits somewhere between the pulse of Patty Griffin and John Prine and the adventure of Jason Isbell, The Lone Bellow and Brandi Carlile. Below, Dave Littrell shares the story of his first musical experiences and how they shaped him as a musician.
Growing up, like many, our home was filled with music. It seemed like the radio was always on, a record or cassette was always playing, or a music video was always on our TV. After all, I am most definitely a product of the MTV generation. When Sting sang “I want my MTV!” in the introduction to “Money For Nothing,” his declaration was powerful and something this 7 year old could rally behind!
I am so grateful to have grown up in a home where music wasn’t just entertainment or background noise, it was important. You could even say it was a family value. I remember walking into the house after school to the sounds of Otis Redding, The Temptations, Diana Ross, The Beach Boys, Simon and Garfunkel, James Taylor, Stevie Wonder, and on and on. The Beatles LIVED in our home as far as I was concerned. John and Paul sang me to sleep most nights. We even had a full jukebox in our basement where my parents and their friends would spend nights and weekends singing (loudly) to their favorites. My mom had this charming habit of taking anything you said to her and breaking into a song. If I was being annoying to my older brother and he said “Stop!” she’d burst right into “Stop, in the name of Love, before you break my heart…” She still does it this day. This pure love for music shaped me in a way I could never imagine. I was just a kid who liked dancing in the kitchen to Motown artists, never realizing what an influence those experiences would have on me as I grew older. As a father, I try to pass that love onto my kids and there’s nothing more fun than watching my kids sing and dance to those same songs.
With that said, it is a little difficult to write about my “First Record.” To be honest, I’m not exactly sure what that record specifically was, because there were so many. But, The Beatles were kings in our household so “My First Record” has to be a Beatles album.
My uncle owned a huge record collection AND a great stereo system, which means Uncle Del was obviously the coolest guy in the world. Our tight-knit extended family all lived in the same small town in central Illinois so naturally we spent a lot of time together. Anytime I was at his house I would run directly to his stereo and start poring over his records and cassettes. He had these expensive headphones which allowed the music to be directly implanted into my brain. It felt like these musicians were playing just for me. The music was so crisp and clear, much better than my little tape player at home. It sounded so amazing! My first experience with Michael Jackson’s “Thriller” and Billy Joel’s “52nd Street” were through these marvelous wonders of technology, but hearing The Beatles through these headphones was one of the most perfect memories of my young life.
“Beatles” was hand-written on this cassette tape and once I started listening I couldn’t stop. I think I had heard a lot of the songs before, because like I said, my Mom was a big fan. But this was different. Listening on headphones made these songs have more depth and they came alive. I couldn’t necessarily relate to the infatuated teenage lovesick lyrics or the heartache caused by my crush not answering the door or telephone in “No Reply.” (I would uncover those gems later as I experienced my own girl-crush drama.) But the melodies, harmonies, energy, and songcraft were undeniable. I distinctly remember swinging on the swing set in the backyard as the sun was setting and listening over and over. I couldn’t believe that I loved every song. With other artists, even artists I loved, I didn’t like every single song. My uncle gave me this tape (or I just kept it, who can remember?) and I became a life-long Beatles fan.
Later, I wanted to use some birthday money to buy my own, proper copy of my favorite record. (Uncle Del also said it would probably sound better if it wasn’t a taped copy.) After perusing through the cassettes at our Sam Goody at the local mall with my Mom, I realized I didn’t know the actual name of the album. It just said “Beatles” on my tired, worn-down copy. After looking at all the titles, we discerned that the tape I had listened to religiously contained the first side of “Beatles For Sale” AND the entire “Rubber Soul.” Just looking at the songs on these two records floods me with memories and remind me what incredible songwriters they were. I still play several of these songs, and “In My Life” was used in my wedding ceremony, for example.
I am constantly on the lookout for new music, and I hope to find an artist that can even come close to replicating that feeling I had listening to Rubber Soul for the first time. Unfortunately, I don’t think it can really happen. My adult brain inevitably gets in the way and I immediately decipher lyrics or chord progressions instead of listening to music the way I did as a kid. I think we should all try to listen like a kid, because it was magic.
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Keep up with The Deep Hollow here.
by Meredith Schneider | Oct 4, 2018 | 5 to 7
We’ve had a blissful courtship with indie rock/folk duo Seasaw since before Imperfect Fifth ever existed. Having had the opportunity to review an album of theirs at a previous publication, my mailbox experienced an unexpected and happy surprise when they shipped me a vinyl copy of said album with a personalized thank you note. The music industry is incredibly rewarding in most ways, but to get a hand written note is rather rare anymore. That particular memory stayed with me, and then when I got a chance to peep the material for their new album Big Dogs, I was floored.
Lucky for me, I got the unique opportunity to meet up with Meg and Eve on a balmy September day in Kansas City while they were on tour. We sat down while they tried some tacos from Mission Taco, and chatted a bit about that new album and their progression as artists. Check out the words below!
What’s the first song or record you remember hearing, and does it have any bearing on who you are as a performer today?
Eve: The first thing I probably listened to would be the Beach Boys because my dad is a huge Beach Boys fan. He would make me mix tapes of the Beach Boys that I would play on my tiny kid cassette tape player. He made me lots and lots of music like that. And we would listen to it all the time in the car too when I would drive around with my dad. I don’t know that anyone could live up to the amazing harmonies and chord progression that the Beach Boys produced, but of course it’s always in the back of my mind to choose something even a fraction of the beauty that they were able to create sonically. They did such cool things in the studio too as their albums progressed.
My dad also made me a mix tape that had The Kinks and included “Lola”, which is one of my all-time favorite songs. As you know, it’s a song that has a very adult theme. But I brought it in for show and tell in 2nd grade and I think the teacher called my parents and was like, “Did you know that Eve** brought ‘Lola’ in?” Of course they loved it. It’s an amazing song.
Meg: I remember listening to Billy Joel’s The Stranger a lot with my dad and dancing around the living room to that. My mom would always play Carole King’s Tapestry. I was a dancer when I was little, so I would put those two songs on and kind of go for it. I don’t think they shaped anything besides the fact that I still listen to those records today.
My parents didn’t listen to a lot of music. Eve went to a lot of concerts growing up, but I didn’t really. I think the first concert I went to was when I was in high school with my brother. Music was there. I played instruments and stuff and I sang here and there. But I really remember Billy Joel and I still listen to it all the time. I have my dad’s copy of The Stranger vinyl. They would all write their social security numbers on their records so they were safe, but that was when social security numbers weren’t as protected so now it’s blacked out on the copy of the vinyl. In hindsight, a pretty poor choice but kind of cool.
The inspiration behind the title track from Big Dogs – and much of the album – was brought on when the duo played a festival slot recently. A band member from the act playing after them jumped on stage while they were wrapping up their equipment and harassed them about moving too slowly. “If you want to play with the big dogs, you need to get the fuck off the stage,” he yelled at them. This caused a verbal altercation, and the ladies didn’t have security or stagehands to help them out. The power imbalance was notable, and bred some of their most alluring new work.
So from the last album to this one, there is a little more edge, and that’s for a variety of reasons including subject matter. When the – actually heartbreaking – event happened that inspired “Big Dogs”, did you dive in and write a song, or did it take a second before you were able to process and create material around it?
Meg: It was mostly me that the interaction happened with, but Eve came to bat for me and we both had an interaction with the person. So we had talked about it together and had brainstormed a list of all of the things that were funny because we wanted to be able to process it somehow. So we wrote some of the funny things that were said — some of the words in the song are actual direct quotes. Then I would say it was maybe a month later that I sat down and hammered it out and wrote “Big Dogs”.
Some songs take me a long time to write, but that one kind of just poured out really fast. It was done within an hour or two and then Eve helped me make some revisions. It was pretty quick that it happened after the event.
Eve: So we were going to name the album Big Dogs before the song and then Meg wrote the song so we were like, “Oh, great. That’s even better.”
So when the theme of the music video for that song came up, how did you guys decide to go tongue-in-cheek?
Eve: I came up with the idea just after hearing what Meg had written. The image of a dog is kind of tricky in a song because of the language involved and we think the phrase is funny. So, we were trying to figure out a delicate way to be kind of cutting with the idea of what a big dog is. Because it is someone who is kind of a sad person who doesn’t have self confidence and is a bully and has to call themselves that to feel important. So we wanted to portray that in a more artistic and creative way so there wasn’t just dogs on everything.
It came about after trying to be very thoughtful about how to portray that idea. And then I came up with the invisible dog and it fits. We a kind of tongue-in-cheek and sarcastic with everything we do, and I like how it makes you have to think about it a little harder so it’s not as obvious. Even the front cover to the back cover forces the listener to wonder who the Big Dogs are. Is it the women on the cover or the image of the dog on the back? I like how it makes people try to figure it out and dig a little deeper to understand the meaning. That’s wha we did with the video too.
How did your recording process differ this time than with the last album?
Eve: There’s definitely a big difference. With the last album we did everything ourselves. I engineered everything so I couldn’t put my whole mind into the playing piece of it because there was still that hindrance of about 10% brain energy. This time we had a friend engineer the whole thing for us so we really got to go all-in. We also spent a lot of time demoing the songs. It was probably about a month before we started recording so we were able to go through many iterations of the pieces to get them to a more full state. We didn’t have as much time to do that with the last record. I think that really helped inspired a lot of the full and different sounds you hear. We were able to have fun with it.
As for your live performance, you guys do such a wonderful job. Was that something that just came naturally to you? How did your performance style come to be?
Eve: Well, we’ve been working on our presentation for as long as we’ve been recording. We’d start sitting on two chairs and Meg would play the bongos and I would quietly cower near the guitar. So we just had to grow into the confidence to do things that are more thoughtfully laid out for the audience’s sake and for the flow of the music that we’re performing. So there is a lot of thought that goes behind the flow of what we’re doing. We’re constantly tweaking things and trying to make it better because it’s just the two of us in the moment so anything can go right or wrong and throw something off. So there’s a lot of energy in our performances because we can only rely on each other to make the music. So I think that pressure gives us the reason to act the way we do.
There’s a lot of thought that goes into our social media and the esthetic on our stage and the esthetic in our album and the fact that it’s blue. Every little piece has been made cohesive to grow into this more thought out and developed product that you’re going to hear on this album, all the way from the recorded version to the final piece to the performance.
In these 8 years that we’ve been together, we’ve been stepping towards something we can stand behind. Each piece is more 100% than we could in the past because we just didn’t have the experience at that time.
When you were here in June, did you get a chance to experience KC at all? I know it was a pretty quick trip.
Eve: No, and there’s a lot to see. It looks beautiful and we need a tour guide to show us the inside scoop. (wink)
Is there anything specific that you have planned for the rest of this tour for your off time?
Meg: We only have like one off day but it will be in D.C. so we’re hoping to hit some art museums. We’re meeting some friends in Baltimore so that’s what we will be doing as well. I think we are going to the restaurant at the top of The Revival there too. This tour is going to be a lot of fun.
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Keep up with Seasaw here!
by Veronica DeFeo | Apr 27, 2018 | singles, wolf tracks
Searching for your new favorite song? Trust us, we’ve got just the track for you. Los-Angeles based Oddnesse has just dropped “Trust”, a perfectly delightful song that will take you to a sonic paradise. Oddnesse is the musical project of musician Rebeca Arango and producer Grey Goon. This new track displays their vision for beautiful, meaningful songs that provide a getaway from the frenzied world we live in.
Says Rebeca Arango of the new song: “The first four bars are for meditation. What follows is for your imaginary pleasure. A song is a frivolous way to collect your thoughts and experiences, but the results are pretty. I’ve long been fascinated by belief and belonging. I’ve struggled with both from a young age. Dozens of grey hairs later I still don’t “know” what I believe. I’m at peace in a world with more questions you can’t answer than answers you can’t question. But after a lifetime of overthinking, I’ve found that optimism is the only sensible way to proceed. This song causes me both glee and embarrassment. I’m aware, it may be experienced as, A) watered down new age nonsense in a neat millennial package, or B) a grand ol’ time.”
If you need an escape, put on “Trust”.
Stay connected with Oddnesse:
Facebook // Twitter // Instagram // Website // Soundcloud // Spotify
by Veronica DeFeo | Apr 27, 2018 | albums, review, wolf tracks
After nearly a decade since his last release, Clint Michigan has just released his brand new LP, Centuries. Following several difficult years struggling with sobriety and other issues, Clint Michigan (irl Clint Asay) is back and better than ever. Clint Michigan has displays the strength he possesses and the difficulties he has faced since 2009’s Hawthorne To Hennepin.
“Knickerbocker Street” starts off Centuries with a mellow, and emotional folk-pop track, highlighted some well-composed guitar playing and vocal harmonies.
Next up is “Beg for It”, a hauntingly beautiful track that follows up “Knickerbocker Street” in the perfect manner, alternating soft, nostalgic vocals with an irresistible, off-kilter beat.
“Steven Says” follows “Beg for It”, starting off with the trademark guitar playing that makes Centuries so excellent. Bringing in some violin towards the second half of the song, “Steven Says” explores many of the issues and despair that we face.
“The Way Out” will give you goosebumps from its astonishingly beautiful piano intro to its touching lyrics. Filled with a childlike, yet adult sound, this song is truly a treat.
“Centuries”, the title track of the record, is found in the middle of the album, and invites the reader along a nostalgic sonic journey. You won’t be able to help looking back on your own life as this track plays.
“Tired of Being Kind” is a unique track that lends itself more the folk side of Clint Michigan’s sound. Relevant and honest, “Tired of Being Kind” voices what many of us have on our minds but never say. “Shirt Off” muses on some memories of growing up as well as the present, again including some excellent instrumentation. “Eager to Leave”, the penultimate track on Centuries, takes a look at some of the stupidity of modern experiences (like unnecessarily taking pictures of our food before we eat it) through a timeless sound.
Appropriately, “That Is All, That Is It” closes out Centuries, along a simple beat that gradually brings in more instruments. When the piano and bass come in about 1:00 into the song, this song really gets going, creating the bittersweet goodbye of the record.
Centuries is truly a beautiful record. Check it out today.
Stay connected with Clint Michigan:
Official Website | Facebook | Instagram | Twitter
by Veronica DeFeo | Apr 18, 2018 | premieres, singles, wolf tracks
Savi Minds is the stuff of dreams. Literally, he’s bringing us “Dreaming” today. Just as the name implies, this brand new single is a sonic paradise that provides a getaway while you’re listening to it. Floating, moving, and filled with an ethereal sound, “Dreaming” will take your soul to new heights. Savi Minds (irl New Jersey native Mikale D’Andrea) is currently based in Los Angeles.
Says Mikale of his track: “’Dreaming’ is a powerful, down-tempo, and reverb drenched trip of a song; best experienced driving with the windows down.” He couldn’t be more correct. “Dreaming” is not only a joyride for the senses, but it also highlights his songwriting skills, with lines like “There’s endless music in my ears/my words are gone/I’m blissful in sound”. Every aspect of the song makes for an enjoyable listen. Nothing amazing is ever easy, and this track was not exception; it took plenty of time and hard work.
Referencing the time he spent in creating “Dreaming”, Mikale says,
When I’m really deep in a song, I sometimes lock myself in my room for days or weeks, really neglecting other parts of my life. It’s easy to view the windows of my bedroom as the borders of my own world. Sometimes it’s a blissful experience to be in my own head, but it can be very lonely.
What are you waiting for? Treat your ears to “Dreaming”.
Stay connected with Savi Minds
Facebook | Instagram | Twitter | Soundcloud
by Veronica DeFeo | Mar 29, 2018 | singles, wolf tracks
Transylvanian producer and singer Jinka has just dropped her fourth single, “Countdown Forever”, a wonderfully original and perfectly eccentric track. Jinka puts out what she calls “happy trip pop”, and that about sums up her sound. Original, eclectic, and thoroughly fun, Jinka knows how to make a song all her own. Having previously released a few more tracks, Jinka is back better than ever with her new single. Dripping with sonic color and upbeat electronic sounds, “Countdown Forever” will wake you up and shake off all the boring and mundane.
Says Jinka of her new single: “Countdown Forever is about an illusional state of infinite hedonistic experience. The title is paradoxical. But just because something is paradoxical it doesn’t mean you can’t explore the idea of it. I think, what I generally do when I’m writing is that I try to take a different perspective on the mundane, dip crude reality into some sort of surreal glossing, romanticize it without smoothening the contours.”
Jinka certainly pulls of her description of the song, and takes the listener for an journey on her original soundscape.
“Countdown Forever” is a track you won’t want to miss, so give it a listen today.
Stay connected with Jinka:
Facebook – Twitter – Instagram – Website
by Meredith Schneider | Mar 3, 2018 | review, snapshot
Not only did Philadelphia-based indie folk band Mt. Joy recently announced that they’re playing the incredible Atlanta-based Shaky Knees Music Festival in May, but they also released their self-titled debut full-length album. So while we’re over here saying, “Hell yeah!” repeatedly, we’re also not hoarders of the magic. We are all about sharing the best with you on a regular basis, so check out the thirteen track stunner in its entirety below! (Be sure to let us know what you think in the comments.)
But we’ve partnered up with Mt. Joy to bring you even more joy than you could possibly experience by listening to this album a couple of times. The guys are going to give away a vinyl copy of Mt. Joy to one lucky fan! To enter, follow the instructions below. (More chances to win the more you do!) Trust us, you do NOT want to miss out on the sonic ambiance that Mt. Joy sets, simultaneously raspy and rough vocally, while boasting a soft and beautiful instrumentation that will have you feeling fulfilled almost immediately.
a Rafflecopter giveaway
Mt. Joy is out now. Keep up with the band here.
by Madison Blom | Feb 21, 2018 | albums, wolf tracks
Since their debut Shifty in 2015, shy kids have truly found their niche in creating music that is a mash up of old and new. Recently, they have released their second full length album, in a state which is sure to catch the attention of fans and critics alike. This success, however, was preceded by another path that eventually led them to where they are now. Originally, this wily quartet found their start in the animation and filmmaking industry. Things took a sharp turn when they realized that their boyhood dreams were turning into more of a nightmare. From pain and heartache grew the desire to write songs that addressed the current mental and physical states of each of the band members.
Coming from a visual background has aided this group and the transition of switching from a visual to vocal spectacle did not phase them whatsoever. In fact, these skills magnified their ability to make music and produce sonic sounds that have since become their signature. This new album has been a solidified their sound in the minds of their fans around the country. Now that they have all this experience under their belts, there is no telling what they have in store for us in the near future.
in a state is out on February 23rd. Keep up with shy kids here.
by Veronica DeFeo | Jan 24, 2018 | albums, wolf tracks
Frida Sundemo, Swedish born rising pop star, has recently released a three track remix EP of her album Flashbacks & Futures as Flashbacks & Futures (Pure Version) EP, featuring acoustic versions of previously released songs, “Gold”, “We Are Dreamers”, and “Flashbacks & Flashbacks”. Each song features the clear vocals of Frida accompanied by subtle yet soaring instrumentation. These stripped versions, appropriately called “pure,” display Frida’s crisp vocals perfectly.
The floating melodies on “We Are Dreamers” will have you in a trance. “Gold” paints a musical landscape if a song ever did. It will leave you saying, just as the song does, “this is gold”. She has also released a 360 degree video of “Gold”, accompanied by a string quartet, Migdal Strings. If that sounds awesome, it’s because it is.
Prepare to be blown away, not only by the interactive experience, but also by Frida’s musical talent . The title song, “Flashbacks & Flashbacks”, a track teeming in nostalgia and bittersweet melodies, can nearly induce tears from the listener with its beautiful . The whole album sonically depicts feelings of nature, love, childhood, and other human experiences. Flashbacks & Futures (Pure Version) EP is purely perfect.
Frida Sundemo Social Media
Instagram: http://instagram.com/fridasundemo
Twitter: http://twitter.com/fridasundemo
Facebook: http://facebook.com/fridasundemo
