Savi Minds is the stuff of dreams. Literally, he’s bringing us “Dreaming” today. Just as the name implies, this brand new single is a sonic paradise that provides a getaway while you’re listening to it. Floating, moving, and filled with an ethereal sound, “Dreaming” will take your soul to new heights. Savi Minds (irl New Jersey native Mikale D’Andrea) is currently based in Los Angeles.
Says Mikale of his track: “’Dreaming’ is a powerful, down-tempo, and reverb drenched trip of a song; best experienced driving with the windows down.” He couldn’t be more correct. “Dreaming” is not only a joyride for the senses, but it also highlights his songwriting skills, with lines like “There’s endless music in my ears/my words are gone/I’m blissful in sound”. Every aspect of the song makes for an enjoyable listen. Nothing amazing is ever easy, and this track was not exception; it took plenty of time and hard work. Referencing the time he spent in creating “Dreaming”, Mikale says,
When I’m really deep in a song, I sometimes lock myself in my room for days or weeks, really neglecting other parts of my life. It’s easy to view the windows of my bedroom as the borders of my own world. Sometimes it’s a blissful experience to be in my own head, but it can be very lonely.
What are you waiting for? Treat your ears to “Dreaming”.
Transylvanian producer and singer Jinka has just dropped her fourth single, “Countdown Forever”, a wonderfully original and perfectly eccentric track. Jinka puts out what she calls “happy trip pop”, and that about sums up her sound. Original, eclectic, and thoroughly fun, Jinka knows how to make a song all her own. Having previously released a few more tracks, Jinka is back better than ever with her new single. Dripping with sonic color and upbeat electronic sounds, “Countdown Forever” will wake you up and shake off all the boring and mundane.
Says Jinka of her new single: “Countdown Forever is about an illusional state of infinite hedonistic experience. The title is paradoxical. But just because something is paradoxical it doesn’t mean you can’t explore the idea of it. I think, what I generally do when I’m writing is that I try to take a different perspective on the mundane, dip crude reality into some sort of surreal glossing, romanticize it without smoothening the contours.”
Jinka certainly pulls of her description of the song, and takes the listener for an journey on her original soundscape.
“Countdown Forever” is a track you won’t want to miss, so give it a listen today.
Not only did Philadelphia-based indie folk band Mt. Joy recently announced that they’re playing the incredible Atlanta-based Shaky Knees Music Festival in May, but they also released their self-titled debut full-length album. So while we’re over here saying, “Hell yeah!” repeatedly, we’re also not hoarders of the magic. We are all about sharing the best with you on a regular basis, so check out the thirteen track stunner in its entirety below! (Be sure to let us know what you think in the comments.)
But we’ve partnered up with Mt. Joy to bring you even more joy than you could possibly experience by listening to this album a couple of times. The guys are going to give away a vinyl copy of Mt. Joy to one lucky fan! To enter, follow the instructions below. (More chances to win the more you do!) Trust us, you do NOT want to miss out on the sonic ambiance that Mt. Joy sets, simultaneously raspy and rough vocally, while boasting a soft and beautiful instrumentation that will have you feeling fulfilled almost immediately.
Since their debut Shifty in 2015, shy kids have truly found their niche in creating music that is a mash up of old and new. Recently, they have released their second full length album, in a state which is sure to catch the attention of fans and critics alike. This success, however, was preceded by another path that eventually led them to where they are now. Originally, this wily quartet found their start in the animation and filmmaking industry. Things took a sharp turn when they realized that their boyhood dreams were turning into more of a nightmare. From pain and heartache grew the desire to write songs that addressed the current mental and physical states of each of the band members.
Coming from a visual background has aided this group and the transition of switching from a visual to vocal spectacle did not phase them whatsoever. In fact, these skills magnified their ability to make music and produce sonic sounds that have since become their signature. This new album has been a solidified their sound in the minds of their fans around the country. Now that they have all this experience under their belts, there is no telling what they have in store for us in the near future.
in a state is out on February 23rd. Keep up with shy kids here.
Frida Sundemo, Swedish born rising pop star, has recently released a three track remix EP of her album Flashbacks & Futures as Flashbacks & Futures (Pure Version) EP, featuring acoustic versions of previously released songs, “Gold”, “We Are Dreamers”, and “Flashbacks & Flashbacks”. Each song features the clear vocals of Frida accompanied by subtle yet soaring instrumentation. These stripped versions, appropriately called “pure,” display Frida’s crisp vocals perfectly.
The floating melodies on “We Are Dreamers” will have you in a trance. “Gold” paints a musical landscape if a song ever did. It will leave you saying, just as the song does, “this is gold”. She has also released a 360 degree video of “Gold”, accompanied by a string quartet, Migdal Strings. If that sounds awesome, it’s because it is.
Prepare to be blown away, not only by the interactive experience, but also by Frida’s musical talent . The title song, “Flashbacks & Flashbacks”, a track teeming in nostalgia and bittersweet melodies, can nearly induce tears from the listener with its beautiful . The whole album sonically depicts feelings of nature, love, childhood, and other human experiences. Flashbacks & Futures (Pure Version) EP is purely perfect.
This month, Chicago-based duo Hobbyist – comprised of Holly Prindle and Marc Mozga – released a new album titled Sonic Cramps. The album is, admittedly, their take on events that occurred while they took up residence in Barcelona, Spain a year ago, focusing on their vantage point of what was happening politically in the United States at that time. But they didn’t release their gold mine of an album until they shared one last thing… the video for their track “Teeth of The Shark”.
The video itself has a very experimental feel to it, though comprised of what we assume are Holly’s normal, every day visuals. The experience is heightened when it is all thrown into time lapse, clear visuals blurring together and many settings becoming a single experience for the viewer. The song itself also feels very experimental, like beat poetry come to life.
Sonic Cramps is out now. Keep up with Hobbyist here.
**Originally published Oct 22, 2016. Reposted with permission from the author.
Yesterday, the Dean Ween Group unleashed their debut album under the direction of founding member and frontman Dean Ween (Mickey Melchiondo). Formerly of the notorious American alternative rock band Ween (begun in 1984) – and still pulling inspiration from past work – Dean Ween has brought a new flare and energy to his catalogue with this new work. A rotating cast of incredible musicians finds their home with the musical project, various talents displayed on the recordings that were created in the incredible new(er) space that Dean Ween built from the ground up.
Shortly before the release of The Deaner Album, we got to sit down and speak with Dean Ween himself. Here’s a little bit from one of the most influential alternative musicians of our time.
Tell me about the studio you’re working from today.
Sure. I’ve ran it – and no exaggeration – over 25 buildings since when we started. It’s very hard to find a place where sound is not an issue, you know, privacy, security, neighbors, all that. So finally after being at this for 32 years, my friend’s father owns 200 acres and offered to work with me on my own spot. He’s a younger father, like only in his 50s. I’m 46 as of today. Yesterday was my birthday actually.
Oh wow, happy birthday!
Thank you. So, he said if you build a nice place you can have it. So I did, and sunk about $150,000 into it. Borrowed and built this beautiful place that I call my forever studio. It’s in the woods, I’m here all day everyday and all night every night. Every instrument, cable, amplifier I’ve ever owned is all here, it’s all set up. It’s very hard to force a studio into a vintage house. You know, we’ve had to do that – use the living room as a recording room, control room. So, I have everything perfect. It’s a gigantic live room for a band to play in, everything is mic’d up. Then there’s a giant control room with monitors, talk back, kitchens and showers and bathrooms. Musicians can stay here. You could blow up a bomb in here and you wouldn’t hear it outside since its soundproof.
We built it with being a studio in mind. We made it totally perfect and right. It’s so relaxing when you come here. It’s like a second home. We’re so respectful of it. I do not- a lot of time over the years, studios were too close to the bar, and the place turned into a hang, after hours. So it was very important to me that never happen here. So the couple years I’ve been here I respect it, and we keep it very clean. It’s very relaxing when you walk in. It’s all esthetically fun to look at and play with. I tell people don’t bring your junk here. I’ll put it outside if you do. I don’t want your broken amps or guitars. No I don’t want that poster. Take it with you when you leave.
Every time we move out of a place we end up throwing out half the shit- it’s like stuff that doesn’t work or will never get used. Some junk someone left while crashing there.
Well it’s cool to have your own space and establish your own rules.
Yeah. It’s really gorgeous.
Before all this happened, Ween, The Dean Ween Group… what’s the first album or song you remember listening to, and who introduced it to you?
Wow. That’s going back too far- I can remember pivotal things. Radio was a huge thing for me. Just seeing that radio isn’t as important as it used to be. That’s where you went. Even MTV doesn’t show videos anymore – it’s like reality shows. The local station would play the top 5 at 5 every night. The 5 most requested songs. So the fans were actually choosing them. I remember buying the 45s and taped the songs at 5, and would use my tape decks to edit out the announcer talking. Which was really hard.
I remember watching Teen Tot with my babysitter on Saturday Night Live – Steve Martin doing it – and she worked at like Gimbles the old department store. She bought it for me and the next time she babysat me she brought it and I was so happy. I listened to them and I still have it actually.
Musically, my babysitter had a bad brother. He was a bad kid, same age, and had his older brother’s record collection and A-tracks. I remember going over there and hearing Sleeper and Ziggy Stardust. The first *record* record I got on my own that I really coveted and wore out was the Beatles Red Album 1962 – 1966. Then they put out The Blue Record, 1966 – 1970. They had the lyrics with them. That was the thing that changed it with me. Reading the lyrics you know, “Yellow Matter Custard”, “Lucy in the Sky with Diamonds”, all that. Just the visuals that went along with the lyrics are just so freaking great. I wore that record out until the needle went out the other side of the record.
Was that around the time that you decided you were going to pursue music?
I didn’t really know that until later. My father owned a car lot. There was a music store across the street. And I’ve learned this as a father, I don’t want to buy expensive stuff if I think it’s going to be a passing thing. And I want to be there to support him, but want him to appreciate it. So, my father bought me this guitar, it was probably unplayable. But I made it playable, made it look cool with stickers, painted it. Kinda sounded like a chord when you belted all six strings. I would play it with myself. Which meant I couldn’t play minor chords or you know, too much with it, but I was off to a start.
Then I really wanted a drum set after that. I had two cassette decks, so I would record the drums first, the foundation, I was like 11. And then I’d put the guitar on it. Of course I needed a bass but it was all cheap stuff. And then my father realized that I was really, really into this. And I started taking lessons, and at Christmas one year, I was like 13, he got me a real guitar, a Fender, and I started taking lessons, learning how to play without just that one chord. I was recording every day, starting to see concerts. I wanted to be that guy really badly. Not a singer, but a guitar player.
Yeah, my drumming was really good, still is. I played drums on the Ween records, people don’t realize that. You know I remember an interview once where Kurt Cobain said he wanted to be as big as Sonic Youth. That was his goal. And that really stuck with me. Because, it was the same thing with us, except, we wanted to be the Butthole Surfers. As big as the Butthole Surfers. I mean, that was my goal. I thought if we could get to that point, then we were really famous and really good.
I didn’t think about what I was going to do after high school. I wasn’t going to college, I knew Aaron wasn’t going to college, we figured we were just going to work. We wanted to get an apartment together, so we did the day we graduated high school. We made music there pretty much 24/7. We had been doing that in my parent’s bedroom for like 6 years already. So we had a lot of experience recording ourselves. We got a multi-track recorder, a 4 track, instead of just dubbing two tapes back and forth. I knew we weren’t going to go to college, I didn’t know where Ween was going to go, but as it turns out, we had put all our energy in the right places, and we got signed that summer.
So there was never really any guesswork to it. So that was in 1989, and our debut record came in 1990. It was a double record. It was almost to me like a greatest hit, of like 7 years of Ween. We had that much experience. So we got that one out of the way, the second and third ones were almost done already. The second one came out and we got signed. Then we were on Warner Brothers all of the sudden. So I never really had to think about it much. Like I said, we put our energy in the right places. We worked really, really, really hard on being good.
You know, it seems like a whirlwind thing, but it’s not. When Ween started out, it was very experimental and noisy. And it sounded like two twelve year olds, you know. But within a few years, we were happening. We were writing really clean songs. Choruses that you could remember, that were catchy, my parents were hearing it, they loved it. You know, I was still doing the same exact thing, it’s incredible. Really nothing has changed on the front end. I still work exactly the same way I did back then, you know, but with better music.
I heard there was about a year after Ween where you didn’t work with your guitar, really?
It was more like 6 or 7 months, I don’t really think that much about that. I’ve suffered from anxiety my entire life. Depression is something that was never in my vocabulary. I’ve never been depressed but when Ween split up, I lost everything. All I’d ever done was that. I mean, I’ve told you how long I’ve been at it, I just knew I couldn’t get out of bed, eat, shower, go out. The guitar was just another thing that got ignored during that 8 months. I didn’t mow the lawn either. I just didn’t do anything, just ran up debt. Only battle with depression I ever had. I was stuck. I really empathize with people who have it now.
If it weren’t for my friends, my friends saved my life, they were like, “You have to start playing again. You have to force yourself, even if you’re not into it. Go out. You don’t realize how much you miss it.” So I started and it didn’t feel right. But it took, and they were right. I got a band together, called it the Dean Ween Group, said “fuck it I’m still Dean Ween.” And when does Johnny Ramone cease to be Johnny Ramone? He dies, that’s the answer. Even when the Ramones broke up he was still Johnny Ramone. And with Ween being a duo and all that, I didn’t know who I was. Hard to explain, I lost my confidence, my career, my identity, sense of worth. Love. Hobby. Passion. I’ll never make that mistake again.
You’ve been working on The Deaner Album for a hot second. Any fun anecdotes from the recording process?
Yeah, it took a while to make, and then it happened like a tornado. When I got it going I really got it going. Up until that point, I had like two songs from like a year before and then it just like caught. I ended up replacing those songs with newer ones, when I was like totally back, when the group was happening and touring. People were commenting and fans wouldn’t go away, and good stuff like that. So the anecdotes have more to do with building the studio, and watching it go up, and really just visualizing it. Fantasizing about how long I was going to be in the studio. I swore I would come here every day, and do a song a day. All day, every day, all night. And I have for a couple years now. So I have this enormous catalog, just ready to go. The second Dean Ween record is done. It’s ready to go. It’s better than the first one, and I can’t wait to get it out there.
But for the touring, we’re playing everything. I don’t have to play Ween songs unless I feel like it. Which, I do, they’re mine too.
“Exercise Man” is pretty witty. What inspired that song?
I sang it to my son when he was like 2 or 3 in the car every time we saw some idiot jogging or riding his bike in the snow at 6 am. i would make up lyrics to songs and we’d sing them. Ironically enough I’ve recorded a few of them, he’s 15 now, they were just funny ideas. A lotta people say ween makes children’s music and I guess that’s partially true. evidenced by how many kid’s shows we’ve been involved in—especially spongebob.
Do you have a favorite song off of this album, by chance?
YES. “Bundle of Joy” is my hands down favorite. It was one of the last songs I wrote for the album too.
You have a pretty extensive tour coming up.
Yeah, that’s the first leg of it. We’re going to be out all of next year. We might even go overseas.
What are you most looking forward to about getting out on the road?
The food. I eat much better on the road because normal people need to eat a few times a day. The restaurants where I live totally suck. Honestly, the music and the camaraderie, read the lyrics to Willie Nelson’s “On the Road again”, Willie has a way of summing things up perfectly and that song is about touring. traveling will always represent the epitome of the American dream, especially for a young man. Getting to meet people and play music for them, the road is where u get all the love back from the people you’re hoping to reach with your music.
You have a fishing charter business? HOW do you find time to do all of these things?
I am very busy, just leave at that. even having a few spare hours feels like a victory. I took some time off to go fishing two nights ago and I enjoyed every second of it.
Americana indie folk musician B.R. Lively recently released his eleven track stunner of an album, titled Into the Blue. Packed from start to finish with textured, alluring sounds and B.R.’s signature lackadaisical vocals meandering along, the album experienced conception during a moment of pure growth for B.R. an serves as an inspired departure from his past work. Check out the album below, then peek a little playlist B.R. curated exclusively for Imperfect Fifth in celebration of Into the Blue!
Into the Blue is the result of finding a lot of peace within myself. Here are some tunes that have brought a peaceful feeling to me over the years. There are themes of nature, love, loss… mostly slow-burners that are perfect for chasing down sunsets or a long meditative drive.
Place To be, Way To Blue (Nick Drake):
– I put a lot of Nick Drake on here because he was the biggest influence on this record. We tried to capture the warm, mellow guitar tone by putting flat-wound strings on my guitar. He’s such a percussive player, which I feel I take from. Also, his use of strings prompted our similar approach to using them on ours, sweeping in an out giving it a 3rd dimension.
Simple Twist of Fate (Bob Dylan):
– My favorite track off this record. It’s one of the records that got me messing around with different guitar tunings, like “The Day That I Die.” Also, Bob’s style of storytelling found its way in my writing very early on, so I had to show him some love on here.
So What (Miles Davis):
– Definitely get my laid back feel from Miles on this record; the way he sits back in the groove behind the beat. I’ve always identified with slower tempos which is why I write more ballads than anything. Miles has also taught me a lot about the importance of using space in music; that most of the time not playing something is better than playing something.
Trapeze Swinger (Iron & Wine):
– I used to fall asleep to this song every night after I discovered it. It’s rolling stream of imagery has such a dreamlike quality to it. I love the progression of instruments, textures, and counter melodies that get introduced throughout the song. It keeps a steady consistent soft beat that is very meditative and pleasant to listen to.
Orange Sky (Alexi Murdoch):
– A tune we took direct influence from for the record sonically. It’s also got that meditative rhythm and constant beat with a myriad of instruments and textures flowing in and out yet kept very sparse at the same time.
Canadian-based artist management company and record label Forward Music Group has had quite the year. Celebrating 10 years of helping artists bring their music into the world, they’ve taken it upon themselves to release an official 2017/2018 sampler – which is phenomenal, by the way – amongst some other really fun celebratory things, including a mess of live dates in October titled the “10th Year Anniversary Revue.”
And we’re totally on board, as this company certainly has a lot to celebrate. Their discography is extensive and includes artists like Michael Feuerstack, Gianna Lauren, Paper Beat Scissors, Sleepless Nights, and many more, while the amount of artistry they’ve brought to the world out of Canada makes them a standout for the country at large. Luckily enough, we stole a few minutes to chat with Owner/Operator Kyle Cunjak, who has quite the view of the industry, and a little bit of insight on the last ten years.
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What is the first album/song you remember hearing, and who introduced it to you?
I’m going to approach this two ways and cheat a bit by giving you two experiences and three albums:
1 – Talking Heads’ Stop Making Sense was a constant throughout my childhood. My dad loved this album and would play it non-stop. We’d both sing ‘Burning Down The House’ together and I was transfixed by David Byrne’s dance moves and style.
2 – The first albums I remember REALLY hearing, and I mean they had a profound influence on me, were Rancid’s …And Out Come The Wolves and Beck’s Mellow Gold when I was around 10-11 years old. They both blew my mind. I had no idea music could sound like these records. The former my aunt Cathy gave to me for my birthday because my older cousins were into them and I’m sure she had no idea what the music was like. The latter I heard at my friend Victor’s and remember BEGGING him to dub me a copy before a family vacation. When he wasn’t able to do this fast enough, I convinced my folks to drive me to the record store so I could buy Stereopathetic Soulmanure.
Of course I had been heard music prior to these and been to concerts (Bob Dylan, quite boring to an 8-year-old but also when I first remember smelling marijuana and likely got contact-high) but nothing stands out like those three, quite polarizing when put back-to-back, albums.
Any fun anecdotes or interesting memories from Forward Music, as you celebrate 10 years?
There are so many to mention – getting stranded by a “snowstorm” in England and inventing the most insane/fun songwriting game, arriving in Berlin for the first time without knowing anyone and with no place to stay but somehow ending up on Nils Frahm’s floor for a few magical nights, travelling Canada by train for free playing music in the lobby cars, etc…
One of the best parts about playing music is that you get to travel with your friends. So important for character building and life experience. It’s something like a free vacation and when you’re in your early twenties you definitely get up to some shit, even as alt-folk bands. However, the problem-solving, logistical, and organizational skills you develop are incredibly valuable. I’m confident that any musician could win The Amazing Race with ease.
Your 2017/2018 Sampler was curated quite excellently. Who was involved in the process, was it difficult to narrow it down? Was there an overarching theme?
When developing samplers, we reach out to our artists and ask for suggestions. This one came together quite quickly under a deadline. I really enjoy sequencing records and have a lot of fun trying to make songs from multiple genre songs make sense together.
There are a number of instrumental-heavy tracks here due to the growth of our sister label Backward Music that we started in 2012 and which features primarily instrumental music. It’s our outlet for releasing one-off projects with a minimal budget on various formats and with no pressure. Surprisingly, it’s been one of the most successful parts of our catalogue. Go figure.
What made you choose to go with the horse drawing on the front by Gianna Lauren? Was it commissioned, or was it something pitched to you?
That horse is so handsome how could I not have put it on the cover? When compiling this sampler and beginning to think about art, I asked all the roster artists to draw their interpretation of a horse. We had a lot of submissions, some better than others, but Gianna’s horse stood out.
Right now you have a ton of shows scheduled in Canada to celebrate 10 years of Forward Music. Any chance we might nab something in the states?
Unfortunately not at the moment. It’ll spare you the dull legalities but it’s extremely expensive and difficult for Canadians to play in the USA right now, especially without agent/label representation as is our case. It’s a shame because we’re SO CLOSE geographically and we’d be in Portland (Maine), Boston, and New York every month spending money on food, gas, hotels, records, etc… if the terms were reciprocal between borders. Unfortunately it’s easier for us to get to Europe to play music outside of Canada.
Dan Misha Goldman has a green card and performs in LA from time to time. We’ve also done development in America with a few artists in the past and have plans for a couple others but it’s all quite far in the future I’m afraid.
Please send more US bands over to us in Atlantic Canada though, we’d love to have them and I’m always game to help out with promoting shows.
Both the live and recorded version of “Onwards” (Paper Beat Scissors) are incredible. What made you choose the live version to highlight, specifically?I’m glad you enjoy these! Tim has a very captivating style and voice – intense, unique, and beautiful. This live version of Onwards is from a special orchestral show that Paper Beat Scissors performed in Montreal last April at La Sala Rossa and will be released as a digital EP in the coming year.Dan Misha Goldman always has some of the most inspiring instrumental work in his music. What made you choose “Hollywood, Jerusalem” to work its magic on the release?
Another thing we try to do when compiling our samplers is to highlight songs that may not have gotten proper attention. This song, off his Champion of the Afterworld album released earlier this year, fit into that category. It’s sonically so beautiful, subtle, and interesting.
There is such a quirky collection of artists included on this mix. How do you imagine people listening to it? (Holding a glass of brandy, driving under the night sky? You can get detailed here!)
It’s definitely a eclectic mix of music. I like to think there’s something for everyone here and that a compilation like this might challenge people to listen to a genre they’d otherwise not seek out.
What I hope at least one person does when listening to this compilation is ride a horse. That would make things come somewhat full-circle with our branding.
If you could get any celebrity to promote the Sampler, who would you choose and why?
Probably Neil Young. He’s a hero, major influence, and fellow Canadian who I think would actually dig the music.
What is the biggest piece of advice Forward Music has for us now, in its tenth year?
If I’ve learned anything in ten years it’s that nothing is predictable so I’d prefer not to offer any advice because I don’t think it’s relevant. However, I will offer my personal motto when working within music, both in the “business” and when performing, which has saved me so much time, stress, and money. NEVER RUSH!
Anything else you’d like to add?
Keep fighting the good fight, damn the man, enjoy breakfast, appreciate nature, and submerge whenever possible.
