by Karina Marquez | Jul 9, 2018 | singles, wolf tracks
Ed the Dog’s new single from his debut album Shame is an ode to the simpler times which, in this case, is the television era. Ed Wettenhall has created a song that is reminiscent of 90s pop. Its catchy chorus paired with an upbeat guitar gives off a song-of-the-summer vibe. While “Television Era” is incredibly charming, it also references the angst of nostalgia, growing up, and living in the modern world. But despite that, it still makes you want to dance.
Be sure to check out Ed the Dog’s album, and keep up with him here.
by Meredith Schneider | Jul 8, 2018 | perspective, show review
I write this, now, in the early morning, mere hours after Hayley Williams, Taylor York, Zac Farro, and their cohorts in Paramore walked off the stage at Kansas City’s picturesque Starlight Theatre. I have always – since I was blessed enough to go to my first show at age 9 – preached the importance of live music in all of our lives. I took many of my friends to their first concerts growing up, have had some stellar moments myself, and have had the joyous opportunity to experience live performance consistently in my life. I won’t go more in depth into it all, but I think you get the picture. I’ve been around this block once or twice.
I’ve even seen Paramore before. Albeit, it’s been years since I was able to introduce the magic of Hayley Williams to a handful of my friends at Warped Tour 2007. And perhaps that magic wore off a bit, as I became slightly more jaded by my experiences, and didn’t feel the need to pursue Paramore’s musicianship as they climbed in popularity. It was never out of disdain for the band, or even a dislike of the music. In fact, as singles like “The Only Exception”, “Still Into You”, “Ain’t It Fun”, and others surfaced, I found myself enjoying them insanely in rotation on the radio. Because Paramore has that pop appeal, their songs incredibly catchy and produced to perfection.
But the words are what really get me. At the core of it all, I am a big believer in lyricism. If you miss the mark instrumentally, but you have a mellifluous chorus full of double entendre, intelligent verbiage, or raw emotion, then I’m likely to listen. Hayley Williams does that.
Hayley Williams did that last night. Songs the band had written at differing points in life, songs that others have been into since the moment the album dropped in 2017, those songs reached my ears last night. Perhaps I’ve heard them once or twice, perhaps more. But last night, I was prepared. Last night, I listened.
Hayley explained that After Laughter is her favorite work of theirs to date, as long as they’ve been enchanting fans around the world. This struck me as odd, as the synthy, 80s-influenced work followed a current mainstream pattern that hit me wrong to begin with. But she explained that the album was about something deeper, their individual struggles – including her divorce and struggle with mental health – masked with this upbeat, insatiable soundscape. But she said she enjoyed that aspect, because it wasn’t fooling anyone but they could still have fun on stage during tour.
And, really, that was such an inspiring sentiment. Increasingly, people are coming out of the woodwork, detailing their struggles with their health, whatever form that may take. I, myself, have struggled immensely with diagnosed anxiety and other health issues, and find it so incredibly refreshing when an artist who has experienced success becomes vulnerable for the benefit of the world around them. If only everyone could be that courageous.
The band slowed their set down for “26”, Hayley’s ode to her 26th year that she wrote for After Laughter. I focused on the lyrics. And I identified with them. This song was me when I was 26. I was scared, I felt limited creatively and emotionally, and I felt alone. Hayley’s inability to hold it all completely together during this song increased its vulnerability, deepened her connection with the audience. Because, after all, I believe everyone can relate to that song on some level, and it made for a beautiful moment during the show.
You best believe Paramore rallied into the evening, bringing out fan favorites like “Misery Business”, “crushcrushcrush”, “Hard Times”, and “Ignorance”, and – though they chose not to regale us with my personal favorite, “For a Pessimist, I’m Pretty Optimistic” – I realized that I’m on a very similar journey in my life. If we take time to open our eyes, we really all are. We are all “fake happy” sometimes. We go out of our way to please others, allowing ourselves to stay in dark places. We fall and we want to cry and we feel unsupported. We feel like there is no space for success in our lives. We have bad days.
But it’s live music, it’s that connection we all have to one another – enjoying musicianship and life in what can only be described as a sacred space – that keeps us all floating. We’ll all hit “26”. We’ll all have that “Still Into You” love. (I’m lucky. That’s the Paramore song I have been living out lately.) We all want “Ignorance” to be our best friends. We just need to be open to being vulnerable. And – without worshipping the artist themselves – we can find inspiration in what these musicians create.
I know I did. Since last night, I can’t stop writing. I had a dance party this morning to my two new vinyls (After Laughter, Riot!) already. And I feel awake.
***
Local band YOU MONSTER YOU opened the evening around 6pm, with a performance at the Applause Club inside the venue. As Paramore fans streamed in, they welcomed them with their fun and upbeat brand of alt punk rock. “This is a song that sounds like it’s about leaving a small town behind and moving somewhere else, but really it’s about crippling depression,” frontman Trent Munsinger explained to the crowd about their track “Dodge”, which perhaps opened up the mental health theme of the evening.
The band was full of quips, quite the entertainment to get the crowd ready for an evening of Jay Som, Foster The People, and Paramore. A couple of songs into their set, You Monster You performed one of their original songs for the first time in front of a crowd, with a stand-in guitarist. They hit all the right spots with it, and at the end Trent confessed he was happy it wasn’t a train wreck, while the band noted it was “a solid B+.”
Keep up with You Monster You here.
by Meredith Schneider | Jul 6, 2018 | premieres, singles, wolf tracks
Portland-based musical project Schaus continues to bring his inventive, ambient brand of electro-pop to the world in the form of his upcoming release, an EP set for mid-month titled Quite Okay. Playing guitar, piano, bass, electronic drums, and computer, and producing and singing all of his own songs, Schaus is just the type of refreshing, well-rounded musician that we’ve been waiting for. Today, we’ve got the exclusive premiere of his new track “Choosy”.
Light electronic sounds – something along the lines of a kind robot or your favorite video game – give way to Schaus’ dark and luscious vocals, the overall mood light and fun. But his lyrics are actually something to ponder, the actuality of the track not as innocent and light as the soundscape would allude to. So make sure to focus on those words to get the full story, and keep your eyes peeled for Quite Okay next week!
Upcoming Shows:
July 10 – Portland, OR. – Holocene (EP Release Show w/ Amenta Abioto)
August 24 – Portland, OR. – Mississippi Studios (w/ Wild Ones and Blossom)
Keep up with Schaus here.
by Meredith Schneider | Jul 5, 2018 | 5 to 7
On July 12th, Austin-based indie pop act Carry Illinois – comprised of Lizzy Lehman (Lead Singer/ Rhythm Guitar), Andrew Pressman (Bass), Rudy Villarreal (Drums), Darwin Smith (Guitar), and Benjamin Rowe Violet (Keys) – will make a much anticipated appearance The Rino in Kansas City, MO. But before we head out to celebrate the summertime with this impressive quintet, we wanted to ask brainchild and front woman Lizzy Lehman some questions. Below, she delves into her inspiration and the development of the band.
What was your first musical memory? Do you think that memory has any bearing on how you create music now?
My first musical memories are of watching The Beatles’ “Yellow Submarine” and Maurice Sendak’s cartoon musical “Really Rosie” (with music sung by Carole King). Hearing the music from both artists absolutely inspired my love of singing and a deep desire to create truthful, emotional, and relatable music that reflects the journey of navigating the challenges and triumphs of life.
What unique flare do you think performing and creating in Austin, TX has given to your music?
Austin is a very accepting and supportive city where it is ok, and even encouraged, to be different and loud and proud about being yourself. Performing and creating here has made it possible for my music to fully represent my awkward, wonderful, painful, scary, and hopeful personal experience without fear of being judged.
Music lovers in Austin want to see artists expressing themselves in the most authentic way possible. My music has been embraced by people from all walks of life, even by those I would never expect to connect to it, and that is truly rewarding and validating.
What’s the story of how the musical project started and expanded? Was it a meet cute?
After the break up of a previous band, I knew I did not want to go back to playing solo. I had grown to love the power that comes with having a full band behind me. I set to work recruiting some of my favorite musicians- some old friends, and some new friends of friends. Darwin and Rudy have been with me from the beginning, through all the experiments, and the ups and downs. I am so grateful for their love and support. Following the painful loss of our bass player and dear friend John, we brought on Andrew, who has been a good friend and part of my chosen family for a long time. We lost our former keys player to the domestic life, but it made us think more about the sounds we want to hear, and we were very lucky to find Benjamin. He has added depth and sparkle to our sound in all the right places, with his array of synths and keys. We’ve made some changes to our sound over the years, with me “going electric” and accepting my love of pop and rock music. I couldn’t ask for a more supportive and creative group of guys. It wasn’t exactly a meet cute but the love is strong!
Your new EP Work in Progress is so vulnerable and honestly provides such a kaleidoscope soundscape. What was it like, making that EP?
Making the new EP was a highly creative, visceral, and fully collaborative experience. It was amazing to have several days to build up the instrumentation, allow my band members to flex their creative muscles by experimenting with different sounds, and then record my vocals with a fully realized and rich musical context already in place. I was able to engage my emotions in a much deeper and connected manner while recording this EP because I was singing my most revealing and brutally honest lyrics to date.
How do you feel your music has progressed since you started?
My music has become much more personal, honest, and revealing. It has also gone from having a very rootsy/folk feel to fully embracing my unabashed love for pop music. While the subject matter of the songs has become more earnest, the music itself has gained a more driving, catchy, and relatable feel. I have gone from making up songs about things I have never experienced, to confronting my most painful insecurities and challenging life experiences. I have become a truth-teller who is no longer afraid to tell my story.
What is your favorite part about live performance?
I love getting to belt my heart out, and in doing so I am able to share my true voice with the audience. Singing is my first instrument and my greatest musical passion. When I sing live I feel alive, and it is extremely fulfilling to see people engage in both the intimate and dramatic moments throughout our set.
What do you hope people take away from your music, and from seeing you live?
I want people to know that we are all connected by a need for love, support, and understanding. I want them to know that it is ok to feel their feelings and process their own pain. I hope that they feel comfortable enough to come up to me and let me know that they share a common experience, and that my music helps them to not feel alone in the struggle for self-acceptance.
If you could be any superhero, who would you be and why?
I would be Wonder Woman because she is strong, powerful, confident, and can face any challenge that comes her way! I would love to be able to stand tall even when I am having a difficult time maintaining stamina to get through my toughest moments.
Anything else?
I’m looking forward to meeting you in Kansas City! Please come say hello!
___
Keep up with Carry Illinois
here.
by Meredith Schneider | Jun 29, 2018 | albums, review
Today, Louisville, KY-based musician Jim James releases his new 11-track stunner of an album titled Uniform Distortion. From the very first guitar riff of “Just A Fool”, you get a sense that this man has put every ounce of emotion he has into this work of art. Excuse us if we’re wrong, but to start with a riff so energy-infusing and raw is something that doesn’t happen often enough. And while he sings about being “just a fool getting by,” we’re certain that’s a bit of an understatement.
If you don’t see what we mean with the initial track, try the nasty guitar lick that introduces “You Get To Rome”, or the riff that underlies “Out Of Time”. It is only with fourth track “Throwback” that the pace slows for a more intimate and introspective five minutes and nineteen seconds of nostalgia. (Though we have found that James’ lyricism doesn’t lack an introspective quality, something we yearn for when seeking out new music to enjoy.) And while “No Secrets” keeps to a slower pace – and properly displays a little more of James’ vocal range – “Yes To Everything” might be one of our favorites on the album. His laughter, his sense of self, the upbeat way with which he addresses change. We’re here for it.
If you don’t realize by seventh track “No Use Waiting” that this man is – at his core – probably a rock god, “All In Your Head” will serve to prove you wrong. It is with the last three tracks – “Better Late Than Never”, “Over and Over”, and “Too Good to Be True” – that slight bouts of that truly upbeat Partridge Family feel hit you unexpectedly. It blends perfectly with the era his music seems to come from, an era more lush and filled with warmth.
And that’s how you’ll feel after encountering Uniform Distortion. It brings you to that warm, comfortable happy place while introducing more and more insightful lyricism with each track. So hit play, and see what this new release evokes for you!
Keep up with Jim James here.
by Meredith Schneider | Jun 26, 2018 | premieres, singles, wolf tracks
Baton Rouge-born and Austin, TX-based musician Ben Millburn has been gracing the psych genre with his own brand of beautiful, kaleidoscope-like tracks. His most recent – a single titled “Call Me King” – touts the talent that we are to expect from his upcoming debut LP, Sunglass Moustache. And though we have to wait until the autumn months to get our ears on that release, we’ve got the exclusive premiere of “Call Me King” for you right now.
Layering in from simple guitar chords, Ben’s relaxed, 60’s vocals – though sometimes abrupt – lead you on . a journey through a soundscape that is absolute perfection for those lazy summer nights. (Or, perhaps more specifically, those nights in the warm months that you allow yourself to slow down for a beat.) We’re big fans, so much so that we might insist that you refer to us as “King.”
Sunglass Moustache is out this September. Keep your eyes peeled for it here.
by Kayla Hutton | Jun 26, 2018 | albums, premieres
Immigration Unit – formed in April 2017 – is comprised of four musicians that are sporadically located between Basel, Torino, Geneva, and Caracas. In such a short amount of time, they are already independently releasing their debut EP Sofa Heroes on June 29th, 2018.
This premiere – which we are hosting exclusively – will absolutely shake your soul to its very core.
Let’s get this straight. I’m not telling you to go out an do drugs. You don’t need to. Save your money. “Immigration Unit” is not only the drug itself, they are the trip, the atmosphere, the sights, and the sounds. Their brand of experimental psychedelic alternative unpredictably teases and borderlines loungey, intense, melodic stoner rock. In a way they’re comparable to Beck, but less spastic. Way less spastic. You could actually chill to Immigration Unit even though there are at times just so many sounds and things going on.
The title track, “Sofa Heroes” is subtly electronic and dreary. Its start may seem abrasive and noisy but just wait. The bass line has an off-key groove while the vocals just slowly weave in and out. From a spoken word to an overdriven noisy pre-chorus. Capturing every emotion the way a year holds 4 changes of season.
“Wasting Mornings” travels an unknown winding road. Anticipatingly frightening as without warning turning the corner and sustaining a bumpless cruising speed. Unblemished vocals radiate so delicately. being accompanied by a droning silky smooth guitar line. The only predictable aspect of “Immigration Unit” is their unpredictability. as another abrupt change from subtle becomes overtaken by a drab tone that sees the vocals evolve like the wind commanding the storm to commence.
The remixed version of “Sofa Heroes” hesitantly departs from the trippy original and has a much darker texture. A trap beat is later consumed by an almost industrial feel with the utilization of thicker electronics and dirty percussive sounds.
Overall the EP is a manic mix of an unmedicated rollercoaster, This has got to be one of the better releases I’ve heard this year. Why? Well, it’s original. It’s obscure. It’s not thrown together. It literally has a directional purpose and allows you to travel with it.
Get all the details about the official release of Immigration Unit, “Sofa Heroes” by visiting their website and don’t forget to follow them on Facebook.
by Janilisse Wahlstrom | Jun 22, 2018 | albums, review
On June 22nd, punk rocker Lenny Zenith released his highly anticipated album What if the sun. His influences are from New Orleans an New York City. The twelve track journey is one for the ages; my personal favorites are “Sunday Dress”, “What If The Sun”, “Whatever Stella”, and “Suddenly Someone”. This selection was made since they all have amazing guitar arrangements. “Sunday Dress”, with its indie rock feel, has a special twist with Spanish vocals. “What If The Sun” has a spectacular intro and hypnotic lyrics to jam to, as you ponder thoughts like, “What if the sun fell out of the sky?” Some cool guitar skills and a percussion-heavy track can be found in “Whatever Stella”. “Suddenly Someone” cools it all down for us, with lyrics talking about a lover that we can all get behind. Each single described has the possibility to relate to all audiences.
Lenny’s genre-bending style is well exposed in each song, a style he’s been harnessing since he got his start in music fronting the band RZA in the 80s. His musical prowess has further developed over the decades, as he’s lent his expertise to several incredible musical projects. What If The Sun holds clear influence from some of his own personal experiences, as well as from some of the acts he has worked with over the years.
by Karina Marquez | Jun 20, 2018 | videos, wolf tracks
English trio Muncie Girls are cooler than ever in their new video for “Picture of Health,” the lead single from their second album Fixed Ideals, which is set to come out on August 31. Lead vocalist/guitarist Lande Hekt, along with guitarist Dean McMullen and drummer Luke Ellis, create an anthem for friendship with a sound that is reminiscent of the early days of Paramore and 90s pop-punk. The video captures the song’s theme in a real and organic way, right down to the silver fidget spinner. This is a modern-day representation of what it’s like to maintain a friendship and how we tend to get in our own heads, worrying about problems that don’t even exist. “Picture of Health” is a song that everyone can relate to, with a poignant video that emphasizes the importance of platonic love that is very refreshing to see.
Keep up with the band here, and don’t forget to preorder their upcoming album.
