by Meredith Schneider | Jul 20, 2018 | albums, wolf tracks
Cinematic synth rock trio Von Grey – comprised of Atlanta-based sisters Kathryn (Cello, Moog bass pedals, Mandolin), Annika (Lead Vocals, Violin, Synth, Banjo), and Fiona (Lead Vocals, Guitar, Violin, Synth, Percussion) – has graced our ears with the release of their brand new EP In Bloom. We’re incredibly smitten – and how can you not be with this musicianship? – so we had to get these six tracks in your ears before we signed off for the weekend. Drench your environment in the ethereal, laid back vibes induced by first track “Plans”, through the acoustic beauty of “6AM”, all the way through the last chords of “Dawn”.
If you’re traditionally not into family bands, don’t let the fact that they’re (SUCH TALENTED!) sisters throw you off. Their style, grace, and musicianship truly precede them, and we’re going to keep In Bloom on repeat for a while.
Keep up with Von Grey here.
by Meredith Schneider | Jul 13, 2018 | albums, review
Cincinnati-bred indie pop collective The Ophelias – comprised of Spencer Peppet (vox, guitar), Grace Weir (bass), Micaela Adams (drums), and Andrea Gutmann Fuentes (violin) – drops their latest masterpiece today, and we’re so jazzed about it, we almost can’t explain it in words. Delicate vocals, overlaid with (largely) light percussion and mellifluous strings make this album what it is, and largely describe the band’s soundscape. Not only is there a delicacy in the vocals, but there are quirks that make the effect much more striking than the word “delicate” would lead you to believe.
From the elegant beginning of first track “Fog”, through the equally leisurely pace of “General Electric”, into “Lover’s Creep”, you come to find the entire album feels ethereal and intense in a very unique way. “Night Signs” slows the pace down exponentially, the instrumentals slightly lower, and paints a darker-feeling audio feed. “O Command” is different, in that the vocals rise to a higher octave, the instrumentals maintaining a low, luscious feeling. “Lunar Rover” and “Bird” continue into an increasingly experimental place, picking the pace back up again with eighth track “House”.
While you can’t expect the pace to pick back up again over the last two tracks of Almost – “Zero” and “Moon Like Sour Candy” -, you can expect to nab deep, meaningful vocals that make for an introspective night on your back patio, music playing softly over the sound of the trees rustling above you.
Get started below.
Keep up with The Ophelias here.
by Meredith Schneider | Jul 13, 2018 | videos, wolf tracks
In May, indie pop act The Ramona Flowers – comprised of Dave Betts (keys/guitar), Steve Bird (singer), Ed Gallimore (drummer), Sam James (guitar), and Wayne Jones (bass) – released their third full-length album, 11-track stunner Strangers. And, though we are impressed by each track and the way it tells a story as a whole, we are even more impressed by the new visual representation that goes along with single “Ghost”.
The video takes place in a large, modern home nestled amongst the trees. If you’ve ever seen the Twilight series on the big screen, then imagine the band performing in the dark, uninhabited halls of Edward’s family home. Voyeuristic frames of a woman, with more artistic, visceral shots thrown in as well to keep the entire 3:44 captivating.
Keep up with The Ramona Flowers here.
by Christie McMenamin | Jul 12, 2018 | show review, snapshot, visual
Ciaran Lavery, an Irish singer/songwriter, performed an intimate solo set at New York City’s Rockwood Music Hall on June 22nd.
Playing to a small, darkened room, a reverent silence took hold of the audience the moment Lavery began his first song. Switching back and forth between acoustic guitar and piano, his sparse accompaniments allowed his gentle, hushed voice to soar. With introspective, narrative lyrics, Lavery is a poetic storyteller. His ballads pull at your heartstrings, his words run the gamut of emotional experience. As a performer, he makes meaningful eye contact with each member of his audience, drawing his listeners further into his world.
In-between songs, Lavery continued his stories, revealing his sense of humor. Speaking of nervousness on an airplane, he once tried to relax by watching, as a dog lover, Marley and Me. He wasn’t, however, aware of the ending. Lavery also had a revelation while listening to the radio on a long drive, attempting to figure out the meaning of the genre “soft rock.” With a creeping sense of dread, he put it together: he is soft rock. Lavery easily pulled laughs from his listeners’ throats as he framed simple, universal experiences as ones of casual mirth.
More info about Lavery can be found here.
by Meredith Schneider | Jul 11, 2018 | 5 to 7
Johnson City, Tennessee-based self-proclaimed “giggle-pop” trio Achy – comprised of Achy (Samuel B.) (songwriter, composer) and his cohorts Mahto Bowder (bass), and Sam Love (drums) – just unleashed their seven track stunner Friendly Animals unto the world. Laced with a psychedelic, garage rock feel, the trio somehow pulls off a brit-pop soundscape above it all. Each track is refreshing, and honestly something we would enjoy at an outdoor barbecue. (You know… IF the heat ever dies down anywhere close by!)
Feel free to check out Friendly Animals below, and then check out our quick interview with the trio, where we get deep into their production process and – of course – superheroes.
What was your first musical memory, or the first album or song you heard? Do you think that has any bearing on who you are as an artist now?
Samuel: My absolute first musical memory is sitting in the living room of my folks old apartment, and my dad had this little record player set up and was playing Money by Pink Floyd on it. And that memory has always stuck with me super strong. My dad and my mom showing me their music growing up definitely impacted the way I make music though.
Sam Love: My first musical memory that really really made me love music was Pink Floyd. Particularly the Syd Barrett era, which was a more spastic and creative-sounding time for Pink Floyd in my opinion. However Lonesome Crowded West by Modest Mouse was the most influential album on my drum playing.
Mahto: There was always stuff like the Grateful Dead, Augustus Pablo, Bad Brains, Neil Young playing at the house. My folks had a fairly wide taste. My first cd was Help by the Beatles. I feel like the set me up pretty well. I do remember going to see a stage production of beauty and the beast and suddenly being much more interested in the piano at the the house. All that said I’m sure it must be why I act in the way I do now.
What is this self-proclaimed “giggle-pop” genre you’ve come up with on Facebook? Where did that term come from? Don’t necessarily disagree — just SUPER curious.
Samuel: It’s to describe that lil giggle you let out when a pop hook sounds real good. And we found it just online I can’t remember where or who but some beautiful stranger described us with the perfect genre! We also crack a lot of jokes at the live gigs.
Sam Love: Our term “giggle pop” comes from how much fun we having playing and learning music together; I think Samuel and Mahto have great senses of humor and we always make each other laugh in between songs! Although we take the music we make seriously I think it’s important to also have fun with it and they are great fellas to have around for that!
Mahto: I think someone else called us that in a Facebook event. It’s pretty accurate though. We get pretty giggly pretty often.
Friendly Animals is so refreshing and upbeat. We hear it all happened in 2 days. (AMAZING!) Any fun anecdotes?
Samuel: Thank you! It was the most exhausting two days I’ve ever had, we as a group literally rehearsed the songs one day before recording them and a lot of the parts were actually written as we recorded. By the end of recording I couldn’t even redo guitar takes cause my fingers hurt so bad!
Sam Love: The recording process for our EP Friendly Animals was a blast! It’s was a lot of work, but working with Henry of Taped Records in Knoxville was absolutely amazing. He has done a great job setting up an environment where work and productivity explode like a volcano, but in a way that doesn’t stifle the creative process. I feel like it was refreshing for all of us.
Mahto: It was very hot. And very hard on the hands. I thought the improv jam was the most fun though. After spending all day trying to get the songs right, after learning them the day before, it was really nice to be able to turn the brain off and slip into the rhythm off this new thing.
Do any of you have a favorite track from the album, or perhaps a song you prefer to perform live? Why? What makes it something to look forward to for you?
Samuel: Mine would have to be “Breakfast w/ You”, seeing people smile and get excited that we’re playing it just makes me so happy. That or “Telephone P’lease”!
Sam Love: My personal favorite song from Friendly Animals is “Summer Sweater” because I really like how the grooves kind of take on a funkier sound. I always look forward to playing it live!
Mahto: I rather like playing “Telephone P’lease”. It makes me feel like a rockstar.
How do you want fans to feel after listening to the album in its entirety?
Samuel: That they feel like they know us! By the end of the record I’d love it if people felt a little closer to what we’re doing and like they could come up after a show and talk like old friends.
Sam Love: Ideally, after listening to Friendly Animals for the first time, I would like the listeners to feel like they just heard something different in an interesting “fresh” way.
Mahto: I want listeners to feel like Samuel for a minute.
On a broader spectrum, what drives your passion to create music?
Samuel: The people and connections I make everyday doing it, the strongest and funnest connections you can make are when you become besties with another band or artist, that’s true love right there.
Sam Love: I always find myself in and around musical environments, and being able to play music with good friends and musicians like Samuel Bowman and Mahto Browder really helps drive my passion to create music. I also love how music can bring so many different people together, and even serve as a sort-of medicine.
Mahto: It just something I have to do. I think there is something primal that makes people want music.
If you could be any superhero – “existing” or made up – who would you be and why?
Samuel: Definitely Hellboy, coolest hero ever! Also the best graphic novel hands down.
Sam Love: If I could be any superhero, pre-existing or otherwise, I firmly believe I would be Father Captain Doctor Love. The man who, of course, had humble roots in a church eventually becoming a Priest. After seeing the ugly underbelly of religion and understanding religion’s sinister and corrupt nature in his town he quit the church to join the army. He quickly became a Captain, but after seeing the unjust conflicts and unspeakable horrors of war he left to further his academic career and reflect on his experiences. He decided to become a heart surgeon, and graduated at the top of his class successfully becoming a doctor. It was then he learned he could just also read minds and become temporarily invisible for 10-15 minute intervals on Thursdays.
Mahto: Batman. He just does what he wants. No powers or anything.
___
Keep up with Achy here.
by Karina Marquez | Jul 9, 2018 | singles, wolf tracks
Ed the Dog’s new single from his debut album Shame is an ode to the simpler times which, in this case, is the television era. Ed Wettenhall has created a song that is reminiscent of 90s pop. Its catchy chorus paired with an upbeat guitar gives off a song-of-the-summer vibe. While “Television Era” is incredibly charming, it also references the angst of nostalgia, growing up, and living in the modern world. But despite that, it still makes you want to dance.
Be sure to check out Ed the Dog’s album, and keep up with him here.
by Meredith Schneider | Jul 8, 2018 | perspective, show review
I write this, now, in the early morning, mere hours after Hayley Williams, Taylor York, Zac Farro, and their cohorts in Paramore walked off the stage at Kansas City’s picturesque Starlight Theatre. I have always – since I was blessed enough to go to my first show at age 9 – preached the importance of live music in all of our lives. I took many of my friends to their first concerts growing up, have had some stellar moments myself, and have had the joyous opportunity to experience live performance consistently in my life. I won’t go more in depth into it all, but I think you get the picture. I’ve been around this block once or twice.
I’ve even seen Paramore before. Albeit, it’s been years since I was able to introduce the magic of Hayley Williams to a handful of my friends at Warped Tour 2007. And perhaps that magic wore off a bit, as I became slightly more jaded by my experiences, and didn’t feel the need to pursue Paramore’s musicianship as they climbed in popularity. It was never out of disdain for the band, or even a dislike of the music. In fact, as singles like “The Only Exception”, “Still Into You”, “Ain’t It Fun”, and others surfaced, I found myself enjoying them insanely in rotation on the radio. Because Paramore has that pop appeal, their songs incredibly catchy and produced to perfection.
But the words are what really get me. At the core of it all, I am a big believer in lyricism. If you miss the mark instrumentally, but you have a mellifluous chorus full of double entendre, intelligent verbiage, or raw emotion, then I’m likely to listen. Hayley Williams does that.
Hayley Williams did that last night. Songs the band had written at differing points in life, songs that others have been into since the moment the album dropped in 2017, those songs reached my ears last night. Perhaps I’ve heard them once or twice, perhaps more. But last night, I was prepared. Last night, I listened.
Hayley explained that After Laughter is her favorite work of theirs to date, as long as they’ve been enchanting fans around the world. This struck me as odd, as the synthy, 80s-influenced work followed a current mainstream pattern that hit me wrong to begin with. But she explained that the album was about something deeper, their individual struggles – including her divorce and struggle with mental health – masked with this upbeat, insatiable soundscape. But she said she enjoyed that aspect, because it wasn’t fooling anyone but they could still have fun on stage during tour.
And, really, that was such an inspiring sentiment. Increasingly, people are coming out of the woodwork, detailing their struggles with their health, whatever form that may take. I, myself, have struggled immensely with diagnosed anxiety and other health issues, and find it so incredibly refreshing when an artist who has experienced success becomes vulnerable for the benefit of the world around them. If only everyone could be that courageous.
The band slowed their set down for “26”, Hayley’s ode to her 26th year that she wrote for After Laughter. I focused on the lyrics. And I identified with them. This song was me when I was 26. I was scared, I felt limited creatively and emotionally, and I felt alone. Hayley’s inability to hold it all completely together during this song increased its vulnerability, deepened her connection with the audience. Because, after all, I believe everyone can relate to that song on some level, and it made for a beautiful moment during the show.
You best believe Paramore rallied into the evening, bringing out fan favorites like “Misery Business”, “crushcrushcrush”, “Hard Times”, and “Ignorance”, and – though they chose not to regale us with my personal favorite, “For a Pessimist, I’m Pretty Optimistic” – I realized that I’m on a very similar journey in my life. If we take time to open our eyes, we really all are. We are all “fake happy” sometimes. We go out of our way to please others, allowing ourselves to stay in dark places. We fall and we want to cry and we feel unsupported. We feel like there is no space for success in our lives. We have bad days.
But it’s live music, it’s that connection we all have to one another – enjoying musicianship and life in what can only be described as a sacred space – that keeps us all floating. We’ll all hit “26”. We’ll all have that “Still Into You” love. (I’m lucky. That’s the Paramore song I have been living out lately.) We all want “Ignorance” to be our best friends. We just need to be open to being vulnerable. And – without worshipping the artist themselves – we can find inspiration in what these musicians create.
I know I did. Since last night, I can’t stop writing. I had a dance party this morning to my two new vinyls (After Laughter, Riot!) already. And I feel awake.
***
Local band YOU MONSTER YOU opened the evening around 6pm, with a performance at the Applause Club inside the venue. As Paramore fans streamed in, they welcomed them with their fun and upbeat brand of alt punk rock. “This is a song that sounds like it’s about leaving a small town behind and moving somewhere else, but really it’s about crippling depression,” frontman Trent Munsinger explained to the crowd about their track “Dodge”, which perhaps opened up the mental health theme of the evening.
The band was full of quips, quite the entertainment to get the crowd ready for an evening of Jay Som, Foster The People, and Paramore. A couple of songs into their set, You Monster You performed one of their original songs for the first time in front of a crowd, with a stand-in guitarist. They hit all the right spots with it, and at the end Trent confessed he was happy it wasn’t a train wreck, while the band noted it was “a solid B+.”
Keep up with You Monster You here.
by Meredith Schneider | Jul 6, 2018 | premieres, singles, wolf tracks
Portland-based musical project Schaus continues to bring his inventive, ambient brand of electro-pop to the world in the form of his upcoming release, an EP set for mid-month titled Quite Okay. Playing guitar, piano, bass, electronic drums, and computer, and producing and singing all of his own songs, Schaus is just the type of refreshing, well-rounded musician that we’ve been waiting for. Today, we’ve got the exclusive premiere of his new track “Choosy”.
Light electronic sounds – something along the lines of a kind robot or your favorite video game – give way to Schaus’ dark and luscious vocals, the overall mood light and fun. But his lyrics are actually something to ponder, the actuality of the track not as innocent and light as the soundscape would allude to. So make sure to focus on those words to get the full story, and keep your eyes peeled for Quite Okay next week!
Upcoming Shows:
July 10 – Portland, OR. – Holocene (EP Release Show w/ Amenta Abioto)
August 24 – Portland, OR. – Mississippi Studios (w/ Wild Ones and Blossom)
Keep up with Schaus here.
by Meredith Schneider | Jul 5, 2018 | 5 to 7
On July 12th, Austin-based indie pop act Carry Illinois – comprised of Lizzy Lehman (Lead Singer/ Rhythm Guitar), Andrew Pressman (Bass), Rudy Villarreal (Drums), Darwin Smith (Guitar), and Benjamin Rowe Violet (Keys) – will make a much anticipated appearance The Rino in Kansas City, MO. But before we head out to celebrate the summertime with this impressive quintet, we wanted to ask brainchild and front woman Lizzy Lehman some questions. Below, she delves into her inspiration and the development of the band.
What was your first musical memory? Do you think that memory has any bearing on how you create music now?
My first musical memories are of watching The Beatles’ “Yellow Submarine” and Maurice Sendak’s cartoon musical “Really Rosie” (with music sung by Carole King). Hearing the music from both artists absolutely inspired my love of singing and a deep desire to create truthful, emotional, and relatable music that reflects the journey of navigating the challenges and triumphs of life.
What unique flare do you think performing and creating in Austin, TX has given to your music?
Austin is a very accepting and supportive city where it is ok, and even encouraged, to be different and loud and proud about being yourself. Performing and creating here has made it possible for my music to fully represent my awkward, wonderful, painful, scary, and hopeful personal experience without fear of being judged.
Music lovers in Austin want to see artists expressing themselves in the most authentic way possible. My music has been embraced by people from all walks of life, even by those I would never expect to connect to it, and that is truly rewarding and validating.
What’s the story of how the musical project started and expanded? Was it a meet cute?
After the break up of a previous band, I knew I did not want to go back to playing solo. I had grown to love the power that comes with having a full band behind me. I set to work recruiting some of my favorite musicians- some old friends, and some new friends of friends. Darwin and Rudy have been with me from the beginning, through all the experiments, and the ups and downs. I am so grateful for their love and support. Following the painful loss of our bass player and dear friend John, we brought on Andrew, who has been a good friend and part of my chosen family for a long time. We lost our former keys player to the domestic life, but it made us think more about the sounds we want to hear, and we were very lucky to find Benjamin. He has added depth and sparkle to our sound in all the right places, with his array of synths and keys. We’ve made some changes to our sound over the years, with me “going electric” and accepting my love of pop and rock music. I couldn’t ask for a more supportive and creative group of guys. It wasn’t exactly a meet cute but the love is strong!
Your new EP Work in Progress is so vulnerable and honestly provides such a kaleidoscope soundscape. What was it like, making that EP?
Making the new EP was a highly creative, visceral, and fully collaborative experience. It was amazing to have several days to build up the instrumentation, allow my band members to flex their creative muscles by experimenting with different sounds, and then record my vocals with a fully realized and rich musical context already in place. I was able to engage my emotions in a much deeper and connected manner while recording this EP because I was singing my most revealing and brutally honest lyrics to date.
How do you feel your music has progressed since you started?
My music has become much more personal, honest, and revealing. It has also gone from having a very rootsy/folk feel to fully embracing my unabashed love for pop music. While the subject matter of the songs has become more earnest, the music itself has gained a more driving, catchy, and relatable feel. I have gone from making up songs about things I have never experienced, to confronting my most painful insecurities and challenging life experiences. I have become a truth-teller who is no longer afraid to tell my story.
What is your favorite part about live performance?
I love getting to belt my heart out, and in doing so I am able to share my true voice with the audience. Singing is my first instrument and my greatest musical passion. When I sing live I feel alive, and it is extremely fulfilling to see people engage in both the intimate and dramatic moments throughout our set.
What do you hope people take away from your music, and from seeing you live?
I want people to know that we are all connected by a need for love, support, and understanding. I want them to know that it is ok to feel their feelings and process their own pain. I hope that they feel comfortable enough to come up to me and let me know that they share a common experience, and that my music helps them to not feel alone in the struggle for self-acceptance.
If you could be any superhero, who would you be and why?
I would be Wonder Woman because she is strong, powerful, confident, and can face any challenge that comes her way! I would love to be able to stand tall even when I am having a difficult time maintaining stamina to get through my toughest moments.
Anything else?
I’m looking forward to meeting you in Kansas City! Please come say hello!
___
Keep up with Carry Illinois
here.
