Los Angeles-based musician Jordan Vincent released an alluring, intense beauty of a track in latest single “Sister Jill”, which seems to be his version of a soulful rock ballad. Vincent displays his gorgeous, multi-faceted vocals while crooning, a hint of 50’s sock hop sauntering in while the guitars whir with bravado. Soft, endearing, without ever losing its rock roots.
We’re impressed, and you will be too.
Keep up with Jordan Vincent here.
Grand Rapids-based rock quartet The Legal Immigrants – comprised of Boots, Ben Taber, Kevin Kitsch, and Marcus James – has created a pretty substantial fanbase since 2015’s Drugs to Roses, and rightfully so. Latest track “Hang On” tells the story of a band that has only gained momentum and broadened in talent since then, as the toe-tapping beat and whirring guitars get you moving. After yesterday’s election especially, this track should be on everyone’s soundtrack, as it is a call for unshakable perseverance.
Put it on, play it loud, and amp up your day!
Keep up with The Legal Immigrants here.
imagine coming out of the haze induced by an hour long drive in the middle of nowhere Kansas after a long day at work and being met by Anthony Gomes‘ insane guitar skills. That type of energy can be a blow to your brain and your ego, honestly. But it’s true. And from the very first chords of his set on Friday, October 26th, members of the crowd were up and dancing. Gomes, his bassist, and his drummer went from one song to the next, just rolling through his catalog, almost to the point that the untrained ear might not notice the difference between one song and the next. In that regard, this was a beautiful journey, and a night that easily inspired our weekend.
To say Bets‘ new album Future Color plays with dark and light like crazy would be an understatement. With each track comes a new feeling, some eery and inescapable, others lift your soul to a place you hadn’t been in a while. The entirety of the album – all 10 tracks – entices its listener to feel something, and that’s what we’re so fond of.
“Another Night” starts us immediately with frantic instrumentals, the first line “dance with me” coaxing us into a frenzy while “Out of View” slows everything down a bit and darkens the instrumentals to an eery octave fit for October. Third track “Left My City” is the perfect anthem for anyone who has ever experienced a slight thrill at seeing someone leave their immediate vicinity, be it a former lover, an old friend, or someone who was bringing you down a bit. While “Da Da Da” has an experimental, robot vibe to it while Bets speaks simple truths, “Maybe” picks everything back up again and reintroduces the playful, light side to her vocals.
“The Daylight Beside Me” is slow, comprised of acoustic guitar and Bets’ mesmerizing vocals. It’s easily one of our favorites, though we’d take an argument for “All I Want” as it picks up the tempo – and transforms our mood – within seconds. “Fear Of” lurches us back into the darker side of Bets’ work, her vocals more mechanical, though no less appropriate at a club in Manhattan after 2am. The instrumentals of “Tunnel Vision” belong first in an action movie, then perhaps in a video game. The lyrics will play on in your ears for a while, though “Gold” will be the one that sticks with you, the instrumental layering something out of a gorgeous dream and Bets’ vocals more of an audible kaleidoscope than anything else.
Nashville-based rock collective Taco Mouth – comprised of Erica Sellers (Vocals/Guitar), Shawn Hammer (Guitar), Flip Cooper (Bass), and Angela Lese (Drums/BGVs) – releases their new, hard-hitting, 10-track full-length A Deafening Silence today. We’ve been particularly excited about this release, as it ushers in an energy we’ve been ready for.
Keep up with Taco Mouth here.
Having become a household name due to their unique sound and incredible live performance tactics, it is no surprise that the release of Young The Giant‘s new album Mirror Master was met with great excitement in the music community. The Los Angeles quintet – comprised of Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar/vocals), Payam Doostzadeh (bass), and Francois Comtois (drums/vocals) – has created 12 gorgeous tracks that will keep your ears perked and begging for more from the very first light, voluptuous lines of “Superposition”. Through the heavy guitar of “Simplify”, to the smooth sounds of “Call Me Back”, to the end of “Heat of the Summer” – which, to its credit, gives off that nostalgic, balmy summer vibe – Young The Giant has taken this opportunity to take you on a true audio adventure through genres, pulling inspiration from many soundscapes.
While “Oblivion” boasts a slight theatrical tinge to its rock roots, “Darkest Shade of Blue” slows everything down to a haunting, poetic crawl before picking up exponentially throughout “Brother’s Keeper”. “Glory” gives off a soulful vibe, a warmth not particularly noticed in its predecessors, as both “Tightrope” and “Panoramic Girl” re-introduce the head bobbing tempo we’re so fond of from this particular act. “You + I” has a glittery feel to it – perhaps most notable in the simplistic, puppy love-like lyrics – and the title track rounds out the collection with the most layered, danceable feel to the entire album.
Keep up with Young The Giant here.
Tracks like “Glass House” and “Hey Gorgeous” from Nick Talos have unsurprisingly gained him impressive numbers of both streams and fans. The Berlin based producer has now put out “Home To You,” which features his lilting vocals against an upbeat backdrop.
He is able to write both romantic and dance-ready singles, and this is another example of that. Folk-style flute and guitar patterns sound wonderful aside its dynamic beat, and Nick Talos has clearly drawn on personal experience to create this tune.
It’s available now to stream worldwide – give it a listen below.
Today, post-metal trio Shockpowder – expertly comprised of Joshua Scurfield (guitar/vocals), Alasdair Spence (bass), and Louie Watson (drums) – releases their latest track “Airy”. The track blends their normal grungier sound with a sound that is very much reflective of its title, opening with a lighter, more feel-good sound that then layers in some rougher, heavy-hitting instrumentals. It’s a dichotomy that translates gorgeously, and we’re big, big fans.
Keep up with Shockpowder here.
