by Meredith Schneider | Jun 24, 2019 | snapshot, visual
Saturday afternoon. Your phone has rarely been touched since your time on the farm began. It’s sweltering, and it’s just past 2pm on Saturday, which means there is still plenty of daylight left to mess something up. It’s a series of texts and a missed call by bands you’re scheduled to photograph soon. They’re both finished with previous engagements early, and both ready to take some quick photos.
Liily — an intriguing Los Angeles-based alternative quartet comprised of Maxx Morando – (drums), Sam De La Torre (guitar), Charlie Anastasis (bass), Dylan Nash (vocals) — has found one of the coolest areas on the farm, both in temperature and in vibe. It made it easy for us to round out some incredibly cool, relaxed photos.
Keep up with Liily here.
by Meredith Schneider | Jun 18, 2019 | premieres, singles, wolf tracks
Portland-based three piece Rum River Cult – comprised of Sarah Parson, Jed Overly, and Colin Ringkamp – is giving us a run for our money with their new single “Strangers Now”. We’ve got the exclusive premiere, and this smoky, fun, gorgeous sonic landscape is something you do not want to pass up on. As an edgy guitar riff sets in, Parson’s reverb-filled vocals make an impact. The song explodes into a beautiful, psychedelic journey that will almost intrinsically force you to dance. So get those moves ready, and check it out now!
Rum River Cult will play the Davis Music Festival this weekend. “Strangers Now” will hit all streaming platforms June 19th. Keep up with Rum River Cult here.
by Meredith Schneider | Jun 3, 2019 | albums, review
As you woke this morning and slowly blinked your eyes, I bet you were wondering just as much as we were. “Is it Sunday morning? Wait, is this the weekend that I’m blessed with or the dreaded Monday morning that my Sunday scaries highlight every week?” And here we are, surviving another solidly difficult and also incredibly wonderful Monday!
But if you truly want to celebrate in style, I’d consider checking out Sara Lew‘s new full-length, Sunday Morning. Comprised of nine tracks that pack a punch, she begins bass-heavy with “Does Anybody Listen” (No, they do not), which segues quite nicely into the deep sounds of the title track. “Same Old People” slows it down, beautiful percussion slowly building on top of the electric guitar chords. “Every Moment” has an almost haunting sound to it, while “Leave the Shed” gives more of a slow burn to its sound, and reminds the listener – as if they could forget – of Lew’s deep vocal range.
“Deep End” feels poetic in its existence, drawing a feeling of melancholy with it, while you get the distinct notion that the instrumentals are trying to lift you out of the melancholy. It’s distractingly beautiful, though the same can be said – perhaps, to a different degree – about the album in its entirety. While “The Balcony” is soft and plays a little more with dissonance than its predecessors, “You Said” picks up the pace and is perhaps the track we can see ourselves dancing most wildly to by an outdoor stage this summer, though each track on Sunday Morning is equally vibe-able. The “Sunday Morning” radio edit rounds it out, and leaves a taste so sweet that we can’t wait for more.
Keep up with Sara Lew here.
by Meredith Schneider | Jun 1, 2019 | snapshot
On Wednesday, March 29th, Billy Raffoul and KC favorite Jake Wells opened for Parachute at recordBar in Kansas City, MO. Through both of the first sets, the large crowd was more respectful than any crowd we have ever been a part of, a fact magnetized several times when Raffoul swapped out guitars and didn’t have to ask us to settle down before his next track. His witty banter on stage made the show that much more incredible, and his fan base has no doubt multiplied in Kansas City. His deep, gravelly, charming vocals stayed with us for hours after, and we are thrilled to name him as one of our favorite live performers of the season. Some photos from the intimate evening below.
Keep up with Billy Raffoul here.
by Meredith Schneider | May 21, 2019 | videos, wolf tracks
Seattle-based alt-country rockers Massy Ferguson – comprised of Fred Slater (keys), Dave Goedde (drums), Ethan Anderson (Bass/lead vocals), Adam Monda (guitar/vocals) – recently released the music video for their track “Maybe the Gods”, and we’ve got it here for your viewing pleasure. Fun illustrations basked in brilliant, contrasting colors make for a gorgeous and entertaining visual. Check it out now!
by Meredith Schneider | May 20, 2019 | premieres, videos
Indie rock outfit Manzanita Falls – Jeremy McCarten (Guitar, Vocals), Cameron Morris (Drums), Matt Robinson (Bass), Ross Barbieri (Guitar, Vocals) – releases their new music video for “Windows” today, and we’ve got your first look! Charming, well thought out, and visually engaging, the video follows the band members as they carry a red door around on an adventure. Watch it all unfold with the backdrop of this incredible song below!
Keep up with Manzanita Falls here.
by Meredith Schneider | May 17, 2019 | premieres, videos
Today, we have the insane pleasure of premiering alt-rock collective James World‘s latest visual gem for the title track off their upcoming album Funny Dreams. Beginning in a rural community walking down the street, you get a feeling that something is a-brewing if not only for the edgy vocals and guitar that lead in to the core of the track. Overlays of scenes enter the frame in black and white, creating a psychedelic space for the viewer, amidst flashing lights and a sense of confusion amidst the insanity. And yet, the adventure is somehow calming as the beautiful trees lead you out.
Check it out below and let us know what you think on Facebook!
Keep up with James World here.
by Meredith Schneider | May 17, 2019 | singles, wolf tracks
In the lead up to the release of Ryan Thompson & The Delicate Hounds‘ new album Waiting On a Ghost, we have a fresh new treasure to delve into. Their latest song “Stop” premiered recently, and it is one for the books. Coupled with Ryan’s robust vocals, the song is a mid-tempo dream. Rife with waning guitars that give it almost a surfer vibe, the track is the perfect amount of scrumptious for a warm weather barbecue. (Not that you needed a reason for a party, but if you want one, this is it.)
Waiting On a Ghost is out May 24th. Keep up with the band here.
by Karina Marquez | May 14, 2019 | albums, review
Ohio-based band The Shootouts’ debut album Quick Draw is the ultimate throwback to the age of honky-tonk in America. Every detail, from the lyrics to the vocals to the instruments to the album cover art, hearkens back to the good old days of classic country music. The band, consisting of Ryan Humbert (lead vocals, acoustic guitar), Brian Poston (electric & acoustic guitar), Ryan McDermott (bass), Dylan Gomez (drums, percussion) and Emily Bates (harmony vocals), create a wholesome album with heart that is sure to make their listeners feel as if they have travelled back to a much simpler time.
With the first track, “Cleaning House” jumps right in with a toe-tapping ditty that’s as fun as it is metaphorical. Other tracks like “Who Needs Rock & Roll” and “Reckless Abandon” have the same carefree, catchy vibe that almost guarantees its ability to get stuck in your head. They’re short, sweet, and incredibly charming. Even a song called “Alimony” is full of charm and humorous lyrics:
Alimony, oh alimony,
I thought I bought steak and it was old bologna.
Me oh my, oh goodness sake,
I’m paying for my mistake.
There’s a fair share of the album’s softer side with songs such as “California to Ohio,” “If We Quit Now, “Lonely Never Lets Me Down,” and “Losing Faith in Being Faithful.” These songs are pretty and emotional, bringing us back to traditional country ballads that are often hard to find in the current age of pop-country.
At first glance, Quick Draw may seem like just another country album, but it is entirely its own entity. The lyrics are sharp and well-written, the instrumentals are skillful, and even if this isn’t your kind of music, it’s quite an enjoyable listening experience.
Be sure to check out Quick Draw, which is out now, and keep up with The Shootouts here.
