After their fresh and nuanced first album, the indie-rock trio Bad Bad Hats are back with “Write It On Your Heart,” the lead single from their sophomore album Lightning Round, which is set to be released on August 3. Frontwoman Kerry Alexander delivers a sucker punch of a song. She pairs her pure vocals with defiant, edgy lyrics about the end of a relationship:
“Love was growing teeth You were spitting blood Write it on your heart, dear You were never mine.”
The lyrics hold a personal significance for Alexander. “I haven’t always stood up for myself in situations like this,” she shared. “So this song is an ode to the version of me that does.” The lyrics’ realistic grittiness paired with the song’s softer instrumental tones from Chris Hoge and Connor Davison embodies the band’s sound – a balance of hard and soft, of pop and rock, of simplicity and complexity. “Write It On Your Heart” is a single that showcases their sound as well as their personality in an honest way. This is surely something we will see in Lightning Round, resulting in a new album that is bound to inspire and surprise their listeners.
Be sure to check out on their website for updates, and catch them on their summer tour.
Tancred is excited to release their latest album, Nightstand. The release of Nightstand follows up on the well praised 2016 album Out of the Garden. The album rounds out with eleven tracks, the first fittingly titled “Song One.” It is slow, sweet, and at 1:44 it is all too brief. Jess Abbott (Tancred) shows off her vulnerability on this track. “I will not lie to you, these words will be true,” leads the first line of Nightstand. “Why must she love someone else?” wonders Tancred. “Apple Tree Girl” has a folk indie vibe to it, with some interesting lyrics. “Drink my heart out, drink it up,” and “send me a photo, the two of us in the unknown,” make for interesting and almost emo lyrics.
I really enjoy Tancred’s “Underwear”. The song starts off slow and self-loathing, almost punk. “I don’t want to fight you, I’m already fighting me…and I’m losing,” sings Jess before the guitar comes in. The quirky title comes from the electric song line: “Remember when we were in the halls at 5am in our underwear running from ghosts and in my room I was learning that you were soft.” “Rowing” the last track on Nightstand, equally mirrors “Song One” and again shows the artist’s honesty and vulnerability. “I am crude and sweet in bed, I am gentle in a dress,” sings Tancred. With a taste of rock and tambourine, tinged with Tancred’s simple vocals, “Rowing” is a series of positive, gentle thoughts.
Nightstand, in one word, is diverse. It shows Tancred’s ability to navigate through a series of genres and styles, while remaining true as an artist.
Look for Nightstand which will be out June 1st 2018. Keep up with Tancred here.
It’s a great day for a new EP! Toronto-based Century Thief is back with their new self-released EP, Deaf Beneath the Waves, which is their second release since their debut record, Reverie. Century Thief is made up of vocalist/guitarist Omar Shabbar, bassist, Dante Matas, drummer Colin McNally, guitarist/vocalist Michael Legere, Kathryn Kearns on keys, wind, and vocals, Adam Reid on brass. Says Century Thief about the creative recording process for Deaf Beneath the Waves,
We found it very important to have a bigger hand in the recording process, and decided to self-produce this material. In the spring of 2016, we isolated ourselves at a farmhouse in Northern Ontario for a week and a half to begin tracking, and then finalized the recordings at The Root Down Studio back home in Toronto. The result was songs that are darker, and more spacious, incorporating more electronic sounds, synthesizers, ambient noise, and effected guitars and vocals.
Deaf Beneath the Waves tracklist: 1. “406” starts off Deaf Beneath the Waves on a dramatic note. With full instrumentation and great vocals, Century Thief does not waste any time getting their EP going. Read more about “406” here. 2. “You Are Here” picks up where “406” left off. A bit mellower, but simply showcasing a different kind of strength. Century Thief clearly has an excellent hold on their composition, and knows how to display their well-crafted sound in the best way possible. 3. “Science of Solace” closes out the EP on a more upbeat tone. The most indie-rock of all the tracks, “Science of Solace” is filled with excellent harmonies, guitar, and bass. Til the last moment, Century Thief will have the listener hooked, holding onto every last note of the moving, soaring song.
Ever wanted to watch someone in an animal mask play electric guitar with a saw? Look no further! Indie-rock band Stardust Creatures has just released a new video for their single, “Spaced Out”. Stardust Creatures is made up of lead vocalist/guitarist Colin Coogan, George Sarpola on drums, Colin O’Rourke on bass, Kristen Mita providing backing vocals, synths, bells, and Adam Marks bringing keys and vocals to the mix. The Brooklyn-based five-piece’s new video brings quirky and honest visuals to the viewer. Balancing ethereal and realistic scenes, “Spaced Out” is one-of-a-kind.
Says Colin Coogan of the new song: “I’m a distracted, fidgety person. I zone in and out, I have a hard time sitting still for long periods of time, and I lose things pretty often. As people like me grow older, we quickly discover the need to work out survival strategies- you can’t make excuses forever. You get better as you work at it, but sometimes it feels like you’re just treading water, and you end up learning a lot of lessons the hard way. There’s always a tension between the desire to be unapologetically yourself and the need to make compromises to get by. I still haven’t fully figured it out. Writing music is part of how I process things, so a lot of those frustrations ended up inspiring this song.”
Brooklyn-based indie funk/rock act Cosmonaut Radio – consisting of Austin Deyo (drums, back up vocals), Russell Castiglione (lead guitar, back up vocals), and Freddy Millan Jr (lead vocals) –
Austin:
Peg-Steely Dan – Could’ve chosen any of their songs honestly. And although we don’t sound like them (I don’t think anyone ever will), the way they wrote music, and found success with strange vocal melodies and crazy jazz chords is inspiring.
The Chicken-Jaco Pastorius – Arguably the best ever, this song paved the way for fusion music and bands like Snarky Puppy. It’s so catchy and the band is so top notch.
Thing of Gold-Snarky Puppy – Some of the best music I’ve ever heard, and the Moog solo will change your life.
Sharon Jones and the Dap Kings-100 Days, 100 Nights – Brooklyn based, funk revival, powerful vocals, groovy horns. It’s the best of like 5 different kind of musical genres combined. They’re one of the biggest reasons that funk and funk based music is popular again.
And I’m Telling You I’m Not Going-Jennifer Holliday – Jennifer hudson’s version is also impressive. This song is so epic. Musically, it’s interesting, and complex, vocally, it’s out of this world.
Love On The Rocks-Sara Bareilles – I love everything Sara Bareilles does.
Miss You-The Rolling Stones – This is one of my favorite songs, and we used to cover it. I put it on this list because it also symbolizes the end of “The Cosmonauts” and the beginning of Cosmonaut Radio. Although rock, and more specifically, blues, will always influence our music, this new record is an evolution and graduation to the next level for us. And I know you can’t graduate from the stones, but this song specifically signifies the next chapter for me and and for the band.
Another Kind of Green-John Mayer Trio – Steve Jordan, Pino Palladino, and John Mayer. Come on. The pocket is as solid as solid gets. And everything else about this song is fantastic.
Freddy:
1. “Daylight” by Failure
“Daylight” is a weird but great song to jam out to while pondering life and the universe, and it serves as the final song (and bookend) to my favorite album of all time.
2. “Dance, Dance” by Fall Out Boy
The song that originally made me want to join a rock band, the appeal of “Dance, Dance” is right there in the title, with an energy and style that always makes me want to get up and move.
3. “Ogre Battle” by Queen
One of the best songs by one of the best bands of all time, “Ogre Battle” is a microcosm of everything that made Queen great: experimental yet catchy songwriting, intensity and energy bred from tight and layered musicianship, and the inimitable vocal stylings of Freddie Mercury.
4. “Emotions” by Mariah Carey
What else can be said about Mariah Carey? Her insane range and riffing abilities were big inspirations to me as a vocalist growing up, and this song is a showcase of those talents at their peak.
5. “Greedy” by Ariana Grande
Ariana Grande is one of very few A-list pop artists right now who I think is bringing anything interesting to the table, and this song combines her pop, R&B, and theater sensibilities, powerhouse voice, and knack for insanely catchy hooks and key changes into something that’s arguably better than any radio single she’s ever released.
6. “Run Away With Me” by Carly Rae Jepsen
Carly Rae Jepsen is what I wish more radio-friendly pop sounded like, and “Run Away With Me” perfectly tinges her overt sentimentality with slightly more melancholic tones to produce a song that’s somehow both romantically fleeting and timelessly grounded.
7. “Dorothy Dandridge Eyes” by Janelle Monae
As far as I’m concerned, Janelle Monae is almost single-handedly carrying on the musical legacies of Prince and David Bowie in the mainstream, and she’s doing justice to both of them. I debated between a lot of songs to put here, but few songs demonstrate Monae’s effortless cool and subtle sensuality as well as this one.
8. “Starship Trooper” by Yes
Yes is one of my favorite bands to put on and just chill out to, and “Starship Trooper” puts their unusually long song runtimes to good use by constantly changing while remaining consistently catchy and engaging from start to finish.
9. “Glory Box” by Portishead
I love Portishead because they are a seemingly very sad band with certain songs that speak to an inner torment that I never knew I had, but I decided to go with the vaguely more upbeat closer to their stellar first album.
10. “Fortress” by Queens of the Stone Age
I’ve always liked Queens of the Stone Age, but I was not expecting to love their newest album as much as I did, and this song about vulnerability and getting back up when life knocks you down is definitely one of its many highlights.
Russell:
1. People Get Up and Drive Your Funky Soul – James Brown
This song has definitely influenced me as a funk guitar player. It was one of the first James Brown songs that I fell in love with instantly.
2. What A Fool Believes – Doobie Brothers
I love this song because Michael McDonald has a hauntingly amazing voice, the harmonies are killer, the key change into the chorus is a lovely change, and the song itself is so happy! I could have the worst day, listen to this song, and instantly feel better.
3. Reckoner – Radiohead
This is my favorite song from Radiohead at the moment (it changes). Thom Yorke is a huge inspiration for me because of his high falsetto range and the melodies he chooses over the band’s interesting chord progressions.
4. Skate U – Snarky Puppy
This song has an incredible build up with great breakdowns and solos, one of the best by this band in my opinion.
5. No Quarter – Led Zeppelin
This is my favorite band of all time so I had to include this. This song in particular captures the expertise of each member so well and is just really a beautiful/powerful song.
RF Shannon just released their latest single “Tooth Ache”, which is off of their latest album, Trickster Blues, due out May 5th. “Tooth Ache” pays tribute to all things alternative-indie, but also throws in a western vibe. The intro gives us that western sound with an acoustic guitar, slow drums, and sounds of a classic piano. “I take it slow right in the back road,” hums the band.
Aside from the amazing instrumentals, the vocals are haunting and will capture you. My favorite thing about “Tooth Ache,” is its ability to put a new twist on a classic rock sound. Shane Renfro, of the band says, “I tend to feel like all is right in the world when I’m slowly driving down old country roads with the windows down, so this song is kind of an ode to that vibe. I wanted to write a good backroad song.” A vibe we have all felt, RF Shannon encompasses the feeling on “Tooth Ache.”
LGBTQA rockers Carry Illinois announce their new EP Work In Progress which will release May 25th. The band will hit the ground running with show release on May 25th in Austin, TX. In the meantime, the indie-pop rockers have released their latest single off of Work In Progress “Runaway.” “Runaway” dives into the synth-pop world of alternative indie with its electronic sounds. The lyrics tell of an uphill battle between anxiety, body image, and internal struggles. “When did you first begin to hate your body and your heart? I was six or I was seven…wasn’t I too young to feel that way?” proclaims the track. Diving into the chorus, Carry Illinois talks about the one thing that is familiar to them: “I know, I know how to runaway– I know, I know it’s not good to runaway.”
“Runaway” shows off a raw and open emotional narrative with no shame. Inspiration for many of Carry Illinois’ songs comes from the loss of a close bandmate, John Winsor. Frontwoman Lizzy Lehman explains this saying, “After John committed suicide in March of 2016, I decided that I no longer needed to shy away from the real struggles that I face. I decided that writing about it, singing about it, and performing with utmost strength and courage is what I need to do.” The cathartic writing that Lizzy touches on is present on “Runaway” and the latest Work In Progress.
Work In Progress is out May 25th. Keep up with Carry Illinois here.
Seattle based duo Prize the Wild have just released their debut track, “Go Nowhere”. Prize the Wild is made up of Ben Litwin and Eli Mueller, who met in Boulder, Colorado in 2014 and are now based in Seattle. The pair brings an organic element to electro pop, bringing in trumpet and a lively beat to a sprawling soundscape that is both diverse and concise. “Go Nowhere” is only a first taste of what Prize the Wild can do; their debut EP is coming soon, and looks to follow the same authenticity that “Go Nowhere” possesses.
In a world of increasingly mixed-genre music and interconnected sounds, Prize the Wild has clearly found their niche. Appealing to a variety of listeners, “Go Nowhere” includes both indie-rock aspects and a tinge of electronica. Whatever side of electro-rock-pop you’re looking for, Prize the Wild has got you covered. Their song may be called “Go Nowhere”, but Prize the Wild is certainly going somewhere, and we can’t wait to see where their musical journey takes them.
Self-proclaimed indie “space” rock duo Neverthere – comprised of Andrew Sclafani and Robert Ragosta – is hitting the ground running with the cinematic new music video for their single “Labs”. While raspy vocals encase the listener in this rich, indulgent sound, the video takes you through what looks to be a couple’s pretty insane romantic journey. What pulled the man in? What happened during the course of it all? What are they fighting about? And why did he just wake up on a beach alone?
Figure it all out during the course of the 3:36 video right now!
EP1 is out now. Keep up with Neverthere here. (If they’re ever there. HA!)
