On May 22nd, the legendary punk rock band Hawthorne Heights made an incredible appearance at The Granada in Lawrence, Kansas. Photographer Ashleigh Lee was on hand to nab some of our favorite moments.
Keep up with Hawthorne Heights here.
**by Ashleigh Lee
On Friday, March 25th, Day 1 of Sasquatch! Music Festival 2018 was incredibly hot, insanely gorgeous, and infinitely entertaining. Three acts we caught glimpses of were Son Little, Wolf Parade, and Whitney. Check out our highlights below!
Keep up with Son Little here, Wolf Parade here, and Whitney here.
Day 1 at Sasquatch! Music Festival 2018 was jaw-dropping. We started off our day at the Bigfoot stage, enjoying the musical stylings of Washington-based Giants in The Trees. The entire band was entertaining from the very first lines of the first song, to the end of the set. And we’re more than smitten with the way that Krist Novoselic danced while playing the accordion.
Keep up with Giants in The Trees here.
Slenderbodies headlined Brooklyn’s Rough Trade on May 7th. The indie/electronic guitar duo, made up of Ben and Max, were met with success quite quickly, scoring opening slots for both Passion Pit and PVRIS. For anyone who’s listened to Slenderbodies, it’s not much of a surprise. Not only is their guitar work deeply intricate, boasting a trademark wispiness that sets them apart from their peers, but they also sing, write, mix, and produce all their tracks. They fully own and control their creativity without anyone else interfering. It’s a rare feat in the music business, one that Slenderbodies deftly navigates with a seeming effortlessness.
Setting the mood prior to their set, two large lava lamps were placed to the right and left of the stage while a scarf swirled around a mic stand. The room was packed, and as Slenderbodies began to play in the near-darkness, the audience swayed and danced as the music gently wafted through the air. The only light came from brightly-colored, psychedelic graphics floating across a projector screen behind the band. The atmosphere was relaxing and peaceful; Slenderbodies delivered their fans a perfect ending to a Monday night.
Slenderbodies has a new LP coming out mid-late summer. Check out their latest single, “Anome,” here and for more Slenderbodies music, including a cover of MGMT’s “Electric Feel,” check out their Soundcloud here.
On May 25th – otherwise known as Day 1 at Sasquatch! Music Festival in Quincy, Washington – The Suffers made a phenomenal performance overlooking a beautiful crowd at The Gorge close to sunset. It was an invigorating set, adequately preparing us all for a long night of wonderful music. We got some photos of the set, as well as a couple of portraits with leader singer Kam Franklin and drummer Nick Zamora.
Keep up with The Suffers here.
Jeff Rosenstock is a household name in the New York area, particularly in Brooklyn. Touring in support of his new record, POST—, he sold out his Warsaw date so fast that another needed to be added. In his thirties, Jeff has fans both older and younger. Teens crowded the front row, pressing their bodies against the barricade to be as close as possible. Their eyes were on the band as they set up, smiles slowly creeping up their faces and eyes widening.
Before the band made their official entrance, the Foo Fighters’ “The Best of You” boomed over the speakers with only one line on repeat: “the best.” The entire audience chorused those words at the top of their lungs, fists pumping, invisibly puncturing the air.
Tearing into “USA,” POST—‘s first full track, the mayhem immediately began.
A Jeff Rosenstock show is like one collective headbang. The crowd sways and undulates back and forth like a wave with the force of fans crowdsurfing, jumping, pushing, and shoving. Beer dribbles down chins and over the mouths of metal cans in the midst of cheers while heads furiously nod to the beat, hair swinging like violent vines. Sweat beads across foreheads, bleeding down into soaked shirts. Rosenstock himself is a direct participant, a man of nonstop movement who spends more time in the air than he does with his feet planted on the ground.
The majority of the setlist consisted of both POST— and 2016’s WORRY. Every song was sung in unison, both band and crowd uniting in perfect harmony.
Towards the end, during “We Begged 2 Explode,” Rosenstock grabbed the mic and jumped into the pit, making his way down the front row where his youngest, most elated fans were located. He was not only singing to them, but with them. Their eyes sparkled while their grins shone in the light. They were hurriedly taking selfies and videos, excitedly waiting for Rosenstock to come to their particular spot.
At one point, Rosenstock suddenly disappeared. Everyone looked at each other in confusion. From the back of the crowd, there was a lot of noise and a brief clamor, causing the audience to turn around. Rosenstock had somehow gotten to the balcony in the very back of the venue by the front doors, saxophone in hand as he began to play. The crowd roared, and did so a few moments later, when Rosenstock jumped in and joined them, surfing on the weight of their hands.
Making his exit soon after, Rosenstock left the audience wanting more. That wasn’t a problem, however; many of them, as exhibited by a show of hands, were returning to see Rosenstock again the following night.
