by Elizabeth Schneider | Apr 16, 2021 | perspective, review
There was an interesting conversation tucked between movie premiers and music showcases at this year’s South by Southwest. Carole King is a Grammy Award®-winning singer, songwriter, author and environmentalist. She was joined by Jon Platt, Sony Music Publishing Chairman & CEO. Entitled Carole King & John Platt: Notes on Inclusive Leadership, the two titans of the music industry discussed their career paths and their viewpoints on inclusion in leadership.
There were several takeaways during this conversation between friends. It was interesting to hear that King, who began her career by writing songs with her then-husband Gerry Goffin, “…didn’t feel obstacles as a woman, but instead in my personal life.” Even though she entered the music business in 1960, she didn’t see barriers. Her tact was to keep her feet on the ground and do the task at hand. “If I have inspired people, I am glad and I’m glad I wasn’t conscious of it. When you are conscious, you are creating barriers to overcome.”
Jon Platt grew up in Denver during a time that there was no Black FM station. His brother listened to rock, so he grew to like it. He liked all types of music – a song is a song. When asked about the past obstacles in his career, Platt didn’t view himself as a victim. Obstacles were treated as a reason to work harder and smarter. He developed a thick skin. Additionally, he said he wouldn’t trade his journey for any other – good, bad and the ugly.
King then iterated, that when you have a goal, do the homework, be confident in it and go for it. “Like my dad, I acknowledge everybody. I didn’t get where I am without other people. Jon respects writers.” Respect the roles in bringing music to the people.
King also said that she works with a spirit of can-do – “The journey itself is amazing!”
Platt related that he tells young people when things are hard, you probably need to lean into that. At some point, it’s going to work out for you. That’s where the magic is. At 30 years old, I got the job at EMI, the lowest person at the company. I almost stopped, I was going to leave LA, go back to Denver and DJ before I got that job. The magic of leadership is do you have the ability to put others before you? When you are including people, you don’t think about what it’s doing for you – you think about what it’s doing for them. If you want to lead a team, you have to be inclusive and trust people. “My responsibility is to do a great job. When I do a great job, then I create opportunities for a lot of people.”
by Elizabeth Schneider | Apr 7, 2021 | perspective, review
As we all emerge out of quarantine and into what will be a more normal existence, a panel discussion at South by Southwest moderated by Andy Gensler of Pollstar broached the topic of what is next in the world of live music in independent venues. Joined by Grace Blake from Iridium, Amy Madrigali, a Troubadour agency associate, and Dayna Frank, CEO of Minneapolis venue First Avenue, the conversation offered frank ideas of what has happened and what is coming down the road.
All three venues were coming off fantastic showings for 2019 and were looking forward to great things in 2020. In fact, First Avenue was due to celebrate its 50th anniversary in April of 2020. And then, as Andy Gensler put it, “The gut punch was South by Southwest canceling.” Although talks of forming an industry association between Rev. Moose (eventual NIVA co-founder and Executive Director) and Hal Real had begun a little earlier than when the pandemic hit, the SXSW cancellation gave an urgency to the situation that led to the formation of NIVA (National Independent Venue Association). From an initial steering committee of about 30 people, NIVA has grown into an organization that has kept independent venues front of mind during lobbying efforts (#SaveOurStages Act) and fundraising, all with the goal of financially shoring up the independent venues and all of the people who are dependent upon them. Blake and Madrigali both serve on the NIVA board and Frank is the current president.
When asked about their takeaways from this year, all were quick to answer. Blake said, “We were really able to provide some comfort into how to navigate the system. We were able to say to Congress, you really need to step up and help these venues who have never asked for anything. For me, it was a lifesaver.”
Madrigali related, “To echo what Grace said, we came together. Sending 2 million letters to Congress. Showing the power of what we can do in our cities and our country. We can communicate with our government. My first lobbying call was with Representative Adam Schiff – myself and my GM. In his world, LD is Legislative Director and in my world, it’s a Lighting Director. We had great support from our representative and we are really lucky.”
Although President Biden signed the American Rescue Plan into law on March 11, 2021, Frank reminds us there is much to be done, “We are waiting for the SBA to finalize rules and open up applications for grants. We are nagging them every day. We’re hopeful that an SBA administrator gets confirmed soon so someone from the administration can guide the process along. We definitely need the SBA to provide the safeguards.”
Gensler then asked about the future: “We’re seeing some southern routing opening up in New Zealand. Are things creeping back to your venue at all?
According to Blake. “New York has some of the strictest restrictions. We have to walk before we can run. I do look forward to the vaccination process to continue to happen so that, as we head to herd immunity, we can get closer.”
When asked about Live Streams, Madrigali said, “We had the SOS Fest (October 2020). Coming up, we are doing a TV show. It’s minuscule as compared to where we were before. In November 2019, we had booked 30 nights. In November 2020, we had booked 5 live streams.”
Frank hasn’t found it financially feasible to open for less than full capacity, so summer may not be in play, but fall may be a different story, “When the fall happens – and I am going to will it into existence – we will be busier than we have ever seen.” Blake is “cautiously optimistic”, and is looking toward the fall as well. “October is almost booked. November is getting booked, December. 2022 is looking good, especially for overseas acts.”
For those venues still trying to hang on until the fall, Madrigali recommended checking the SBA website to apply for funds. Frank recommended that artists try to get PPP loans as an independent contractor.
For more information about NIVA and the work being done, go to www.nivassoc.org. Since it can take time for grants to be issued, money is still being raised to help those venues in the most need. A donation link is provided on the website.
by Meredith Schneider | Apr 2, 2021 | albums, review, wolf tracks
Georgian-born American singer-songwriter NAINNOH hit the ground running with her self-titled full-length release this week. The 11-track collection boasts endearing, psychedelic sounds led by sublime vocals. Her accent alone seems to lend itself to the psychedelic feel, while introspective lyrics and beautiful instrumentals interweave for a truly transcendent experience.
While the pace of most tracks in this collection are slow, calculated yet somehow organic. At times, you will find yourself mesmerized by the cadence of the track. In other instances, you will be completely enamored by the way a sound or word is annunciated, as in tracks like “Water.” “Colors,” “Threads,” and “Break Apart” are the louder, faster track options to check out.
This is the perfect soundtrack to your next full moon circle or stargazing experience. Check it out in its entirety below!
by Meredith Schneider | Mar 26, 2021 | albums, review
Sweetlove’s origin story isn’t anything reminiscent of a meet-cute. The work that seems to burst and pour from the seams of this artist has resulted from a long road littered with several intense personal battles. 6 magical tracks come at us today with the release of her EP Goodnight, Lover.
Goodnight, Lover is packed with the self-discovery that comes along with growing into your skin. “Devil on Your Shoulder” should be more sinister, but as Sweetlove implores that it “feels good when you’re living free,” there’s less of a negative connotation to the aforementioned idea of anyone playing devil’s advocate in your court. The title track slows the pace of the project down a bit, a twangy love ballad that will bring you right back to your boots. (Er, roots.) It throws feelings of all-encompassing passion out into the ether, preparing you for the slow, sincere beauty of third track “The House.”
“Did You Even Know” comes rolling in with Garth Brooks-esque momentum, a song that calls for appreciation in the now. Circling back to the theme of devils, “Before The Devil Knows You’re Dead” comes in with the soft, assuring instrumentals of a light, summer song from our youth. The soundscape is simplified, a sense of loss, a beautiful song that allows you to mourn as you sing “it will get better.” “Things I Didn’t Say” perfectly rounds out the established feelings of loss through a lens nothing short of bittersweet. It’s the perfect testament to a love experienced to the fullest.
We highly encourage a glass of whiskey or wine and a night on the patio under the stars with this new collection from Sweetlove. It will help you tap into feelings you won’t recognize, and many you simply haven’t felt for a hot minute. Check it out in its entirety below.
photo by Anna Azarov
by Meredith Schneider | Mar 25, 2021 | albums, review
For a rip-roarin’ good time, country singer/songwriter Charlie Treat’s new album is the perfect answer to your prayers. Beginning with the amped-up energy of “I Ain’t Gonna Be The One To Do It,” he finds a way to lure the audience in with wit and a bite of nostalgia in the instrumentals. Even the slow down of pace with the second track “Drink With Me” holds lengthy, rhythmic lines, with (what appears to me to be) clear nods to The Black Crowes. (“Hard To Handle,” specifically, for those of you asking. And yes, it did take me calling the insanely talented music journalist Elizabeth Schneider to pinpoint the exact sound. Kudos to her.) Just those two tracks will have your mind spinning, but there are ten more inspired songs left to enjoy past that with this new release.
“The Two Best People” really brings the energy down, while singing of “bringing each other down.” Bluesy, beautiful energy to launch you into a light, airy “Tune As Pretty As You.” “Steamshovel Blues” brings the pace up again, but “So Much Better” lulls us back into that slow, glittering, 70’s sound. “Rain Again” comes at you with an edge off the bat, with some quick bongos and even quicker lyrics.
“Drive My Blues Away” is the most melancholic track we have yet to experience on this collection. The vocals seem very inspired, at times Springsteen, and at others Steven Tyler. The piano and whirring guitar solo make the whole thing feel like it could have been recorded in the 90s.
Thank goodness “Dollar For Dollar” brings the pace back up, as the subject matter isn’t entirely something to celebrate. However, the idea of rallying for the working man is something we can all relate to, especially after the trials the last year has presented us with. “Dancing At The Bar (The Quarantine Song)” starts out with glittering synth, and honestly we could see this track being performed alongside anything by ABBA. (Can you hear it?) “Candi” plays with dissonance before the first vocals hit, making it feel almost calmer as the lyrics set in. The whole album is rounded out quite well with “Biggest Fool,” which somehow blendsseveral of the aforementioned genres into one song. (Is that sitar? Are we in a 70’s music video? Where did that trumpet come from?)
One thing is for certain. Charlie Treat has chops. His ability to write lyrics that somehow perfectly complement each instrumental, creating new sounds that simultaneously pay homage to genre-spanning predecessors, is actually quite unique and very appreciated. The Comet should be approached as an adventure and a very appreciated leap into nostalgia.
The Comet is out on March 26.
by Meredith Schneider | Mar 24, 2021 | perspective, review, videos
If you’re into intricate storytelling that involves a technological future that doubles as a dystopian society, then MADE FOR LOVE is made for you. Lucky enough to view the first few episodes of this upcoming HBO Max gem, this shit kicked off our SXSW 2021 in some type of crazy headspace.
Imagine: A scattered, confusing beginning as a woman hoists herself out of the ground, sopping wet as she splays out on a dry, dusty desertscape. She has escaped a cluster of shiny buildings, which you can see in the background.
Cut to a different time. What looks to be routine morning escapades with the most pretentious man you know, followed by watching him swimming laps with a dolphin in his pool. The man? Byron Gogol (Billy Magnussen), the owner of a tech company that is pronounced astoundingly familiarly. His advancements in technology seem to be changing the dating landscape, on top of many other big accomplishments in his career. But his empathy, his ability to communicate healthily, is obviously insufficient. Early on, you see a crazy in his eyes that makes you feel like this escape from reality might hit a little closer to our technological home than planned.
But the entirety of that first episode is dedicated to understanding this woman. Who is she? How did she get here? Why is she subject to invasive questions by a creepy algorithm? Why is her life being determined by someone that isn’t her? Why does everything feel cold in this strange, structured world?
The first episode of MADE FOR LOVE will throw you back and forth over a short window of time, a fun way to create mystery in the storyline. I was initially drawn to view the show by the listed cast. How I Met Your Mother fans will rejoice in the knowledge that Cristin Milioti is top-billed as the protagonist, Hazel Green (a naming choice that does not entirely evade us).
And when Ray Romano is introduced as Hazel’s father in a flashback? The unexpected (and somehow necessary) marriage of two favorite moments in pop culture united to create what we are sure will be our favorite television father/daughter duo of all time.
If the last scene of that first episode is any indication, things could get even weirder, too.
Our thoughts? Don’t miss the premiere of Made For Love, April 1 on HBO Max.
