by Elizabeth Schneider | Dec 17, 2019 | Featured, perspective
2019 has seen a plethora of music come through Kansas City, both large tours and one-off intimate shows. We are fortunate to live in an area that attracts artists of all musical genres.
Two of the shows I enjoyed most this year were Panic! At The Disco (February 2, Pray For The Wicked Tour) and Backstreet Boys (September 7, DNA World Tour). Before you think this is the opinion of someone who grew up on boy bands, understand that I am the mom of young women who listened to boy bands as a part of their musical repertoire. Road trip music did include the Backstreet Boys and Panic!, but playlists also consisted of Garth Brooks, P!nk, show tunes, The Temptations, and the Proclaimers among others. Music, and live music, are givens in our family.
When these two tours were announced, I knew that my two daughters and I had to go to both of them. I had never seen Panic!, but both of them had, so I was excited to see this show. It did not disappoint. The show was sold out and everyone was on their feet the entire time. Brendon Urie entered the stage by leaping out of a hole in the floor and the energy did not wane from there. With a full band that included strings and horns to back up Urie, the entire show was a musical gem. In addition to the songs, which everyone knew every word to, lights, pyrotechnics, and graphics were used to create an event, not just a concert. Brendon Urie also spent some time playing piano, both at the front stage, and an auxiliary stage which was then elevated over the crowd.
I can honestly say that I came away from that show hoarse from singing at the top of my lungs. It was so much fun to watch other people enjoy themselves. All 14,000+ of us were at a party together and no one left dissatisfied. Don’t threaten me with a good time!
Setlist
(Fuck A) Silver Lining
Don’t Threaten Me With a Good Time
Ready to Go (Get Me Out of My Mind)
Hey Look Ma, I Made It
LA Devotee
Hallelujah
Crazy=Genius
The Ballad of Mona Lisa
Nine in the Afternoon
One of the Drunks
Casual Affair
Vegas Lights
Dancing’s Not a Crime
This Is Gospel
Death of a Bachelor
I Can’t Make You Love Me (Mike Reid cover)
Dying in LA
The Greatest Show (Benj Pasek & Justin Paul cover)
Girls/Girls/Boys
King of the Clouds
High Hopes
Miss Jackson
Roaring 20s
Bohemian Rhapsody (Queen cover)
Emperor’s New Clothes
Encore:
Say Amen (Saturday Night)
I Write Sins Not Tragedies
Victorious
___
Backstreet Boys were another first time show for me. Once again, my daughters had seen Backstreet Boys, so I was looking forward to going with them. What I didn’t expect was for this show to sell out as well! Although the crowd was slightly older than the crowd at Panic! At The Disco, there were plenty of younger people in the audience as well. And once again, these were people who did not sit down during the show!
Backstreet Boys employed a more traditional stage, but were in constant motion to cover the entire area. This also allowed them to take turns singing lead. There was not band on stage, but no one seemed to mind – these fans were here for the Backstreet Boys. The Boys, which I hate to say since they are all married men with children, interspersed medleys with their full length songs to cover most of their broad catalog. Everyone knew all of the songs, regardless of whether they were 20 years old or on the newest album. And they sang every word.
And I sang every word and danced with my daughters, just like other moms in the audience danced with their daughters. Live music can help you create memories like none other.
Setlist
Everyone (First verse only)
I Wanna Be With You
The Call
Don’t Want You Back
Nobody Else (Brain Solo, First verse and chours)
New Love
Get Down (You’re The One For Me)
Chateau (Howie Solo, First verse and chours)
Show Me The Meaning Of Being Lonely
Incomplete
Undone
More Than That
The Way It Was (Nick Solo, First verse and chorus)
Chances
Shape of My Heart (No second verse)
Drowning (No second verse)
Passionate
Quit Playing Games (With My Heart)
As Long As You Love Me
No Place
Breathe
Don’t Wanna Lose You Now
I’ll Never Break Your Heart
All I Have to Give (Conversation Mix)
All I Have To Give
Backstreet Boys DNA Tour Remix
Everybody (Backstreet’s Back)
We’ve Got It Goin’ On
It’s Gotta Be You
That’s the Way I Like It
Get Another Boyfriend
The One
I Want It That Way
Encore:
Don’t Go Breaking My Heart
Larger Than Life
___
What was your favorite show of 2019? Let us know on Facebook!
by ImperfectFifth | Mar 19, 2019 | perspective, snapshot
Rising Taiwanese act The Fur. enjoyed galavanting around SXSW 2019. We know this because they shared a brief glimpse of the experience with us. Check out the view from their lens below, then head over to take a listen to their debut album Town.

“Yes, we are so happy to play at SXSW.”

We got hair done at artist lounge and felt cool and ready to be on stage.

Edit.

Ren made a new friend.

Zero is at Walmart.

We saw someone wearing the same shirt as Ren’s, so took a secret photo with him. Nobody noticed.

It’s challenging to finish a stage setting within a short period of time at B.D. Riley’s. We yelled at each other in Mandarin and moved so quickly to get the change-over done as fast as possible. It’s so much fun to recall how we did the show.

We shopped at a toy store. How we wish to bring all the Rick and Morty toys back to Taiwan but we can’t.
Keep up with The Fur. here.
by ImperfectFifth | Feb 13, 2019 | Featured, perspective
In an era of computer-made, beat-driven music, Grand Canyon is the antithesis of modern pop music. However, by focusing on musicianship and timeless songwriting, and drawing on the inspiration of the classic sounds and arrangements of the 70s, it is the kind of pop music that will be wafting through the canyons for a long time. Here, guitarist Joe Guese shines looks back on a rock legend that inspired his career, as well as countless others.
My journey with Tom Petty began like many others did, with a road trip.
It was the summer of ’92. I was 10, and my family was taking our annual road trip. California was that year’s destination. I had just recently purchased, or more likely my parents purchased, Into the Great Wide Open. We set off on our journey for the west coast. Little did I know then, it would be a road trip for the rest of my life. I put Into the Great Wide Open on my discman, letting it be my soundtrack through the endless canyons and expansive horizons of the west. The music always seemed to have a vision of hopefulness, positivity, and pure rock ‘n’ roll. I picked up the guitar two years later and never looked back.
He provided the soundtrack for my youth. I’ll never forget my first Petty concert at Red Rocks, the soundtrack to high school parties, hearing “Room at the Top” the day Columbine happened, and his music present at many other seminal events in my life. Tom Petty led to some of the best and longest lasting friendships I’ve ever had. Fast forward to the winter of 2002, I had just finished up a rehearsal with my college band who was trying out a new bass player. That bass player was Ethan Mentzer. We decided to make the long walk back from the rehearsal space to the Berklee dorms. On that fateful walk, we discussed our love of Petty, girls, anything rock ‘n’ roll, and more Petty. We would go on to become lifelong friends and start a band that would tour the world. He taught us everything: cool guitars, cool amps, great songs, how to record, and most importantly the attitude and feeling of rock ‘n’ roll music. He was the embodiment of “cool”.
Petty has led me down some pretty strange and wonderful roads. I had the pleasure of playing “Running Down a Dream” with three members of the Heartbreakers and two great friends Jamie Arentzen and Matt Pynn (the Elmbreakers) a couple years ago at a Grammy party. That road also led me to Casey Shea who would also become a lifelong friend. Our mutual admiration of Tom Petty pushed us to start Grand Canyon in our mid 30s. Talk about running down a dream!
So cheers to that summer of ’92 in the back of a suburban, where I’m at now in Los Angeles, wherever that road may lead, to all the bad girls, and those boys who play that rock n roll.
Good fortune comes our way
And we ride down the Kings Highway”
Thanks, Tom, and Rest In Peace.
___
Keep up with Grand Canyon
here.
by Meredith Schneider | Jan 17, 2019 | perspective, premieres, wolf tracks
New Jersey-based pop/rock collective The Ones You Forgot – comprised of Jenna Bruno (Vocals), Matthew Thompson (Guitar), Ferdinand Benauro (Guitar), Justin Rodman (Drums), and Lance Nelson (Bass) – has a beautiful new video for their track “Luna”, and we’ve got the exclusive premiere. Against a simple backdrop, allow Bruno’s 90’s-inspired vocals (think Liz Phair) to to croon this acoustic love song to you, with smokey contrast and artful dance. In addition to the video premiere, the band was wonderful enough to provide some date night ideas. As we approach the month of love – and every day – with bigger hearts, let’s see if we can’t integrate a few of these ideas!
Jenna: I would love to go on a Zip line and ropes course date! Anything outdoors-y is fun (maybe not for a first date though). I’d also love to just get some dinner, see a movie and take a drive to the beach at night – a classic date!
Lance: My first idea for a fun date would be going out to some trails and hunting for geocaches together. Another idea would be ice skating and catching a hockey game!
Justin: My first ideal date idea is beer, hatchet throwing, philly cheese steaks, and insomnia cookie! A great combo. Another fun date would be going on a hike to a waterfall.
Ferd: My first ideal date idea is going record shopping and going to the arcade!
My second date idea would be going
to the beach, hiking and top golf (all in one day)!
Matt: A fun date idea for me would be going record store hunting.
I would also love to go to the arcade and have a nice dinner. I’m thinking Ferd and I should just date already.
Keep up with The Ones You Forgot here. Too Afraid to Say is available now.
by ImperfectFifth | Nov 20, 2018 | perspective
If there is one thing we can learn from Shawshank Redemption, it is this: we have to either get busy living or get busy dying. Americana trio The Deep Hollow are firmly planted in the former. Through their sophomore record, Weary Traveler, Micah Walk, Liz Eckert and Dave Littrell dig into this sorrowful life of getting older, longing for a stable home and the sometimes unbearable weight of the open road. Sonically, the band fits somewhere between the pulse of Patty Griffin and John Prine and the adventure of Jason Isbell, The Lone Bellow and Brandi Carlile. Below, Dave Littrell shares the story of his first musical experiences and how they shaped him as a musician.
Growing up, like many, our home was filled with music. It seemed like the radio was always on, a record or cassette was always playing, or a music video was always on our TV. After all, I am most definitely a product of the MTV generation. When Sting sang “I want my MTV!” in the introduction to “Money For Nothing,” his declaration was powerful and something this 7 year old could rally behind!
I am so grateful to have grown up in a home where music wasn’t just entertainment or background noise, it was important. You could even say it was a family value. I remember walking into the house after school to the sounds of Otis Redding, The Temptations, Diana Ross, The Beach Boys, Simon and Garfunkel, James Taylor, Stevie Wonder, and on and on. The Beatles LIVED in our home as far as I was concerned. John and Paul sang me to sleep most nights. We even had a full jukebox in our basement where my parents and their friends would spend nights and weekends singing (loudly) to their favorites. My mom had this charming habit of taking anything you said to her and breaking into a song. If I was being annoying to my older brother and he said “Stop!” she’d burst right into “Stop, in the name of Love, before you break my heart…” She still does it this day. This pure love for music shaped me in a way I could never imagine. I was just a kid who liked dancing in the kitchen to Motown artists, never realizing what an influence those experiences would have on me as I grew older. As a father, I try to pass that love onto my kids and there’s nothing more fun than watching my kids sing and dance to those same songs.
With that said, it is a little difficult to write about my “First Record.” To be honest, I’m not exactly sure what that record specifically was, because there were so many. But, The Beatles were kings in our household so “My First Record” has to be a Beatles album.
My uncle owned a huge record collection AND a great stereo system, which means Uncle Del was obviously the coolest guy in the world. Our tight-knit extended family all lived in the same small town in central Illinois so naturally we spent a lot of time together. Anytime I was at his house I would run directly to his stereo and start poring over his records and cassettes. He had these expensive headphones which allowed the music to be directly implanted into my brain. It felt like these musicians were playing just for me. The music was so crisp and clear, much better than my little tape player at home. It sounded so amazing! My first experience with Michael Jackson’s “Thriller” and Billy Joel’s “52nd Street” were through these marvelous wonders of technology, but hearing The Beatles through these headphones was one of the most perfect memories of my young life.
“Beatles” was hand-written on this cassette tape and once I started listening I couldn’t stop. I think I had heard a lot of the songs before, because like I said, my Mom was a big fan. But this was different. Listening on headphones made these songs have more depth and they came alive. I couldn’t necessarily relate to the infatuated teenage lovesick lyrics or the heartache caused by my crush not answering the door or telephone in “No Reply.” (I would uncover those gems later as I experienced my own girl-crush drama.) But the melodies, harmonies, energy, and songcraft were undeniable. I distinctly remember swinging on the swing set in the backyard as the sun was setting and listening over and over. I couldn’t believe that I loved every song. With other artists, even artists I loved, I didn’t like every single song. My uncle gave me this tape (or I just kept it, who can remember?) and I became a life-long Beatles fan.
Later, I wanted to use some birthday money to buy my own, proper copy of my favorite record. (Uncle Del also said it would probably sound better if it wasn’t a taped copy.) After perusing through the cassettes at our Sam Goody at the local mall with my Mom, I realized I didn’t know the actual name of the album. It just said “Beatles” on my tired, worn-down copy. After looking at all the titles, we discerned that the tape I had listened to religiously contained the first side of “Beatles For Sale” AND the entire “Rubber Soul.” Just looking at the songs on these two records floods me with memories and remind me what incredible songwriters they were. I still play several of these songs, and “In My Life” was used in my wedding ceremony, for example.
I am constantly on the lookout for new music, and I hope to find an artist that can even come close to replicating that feeling I had listening to Rubber Soul for the first time. Unfortunately, I don’t think it can really happen. My adult brain inevitably gets in the way and I immediately decipher lyrics or chord progressions instead of listening to music the way I did as a kid. I think we should all try to listen like a kid, because it was magic.
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Keep up with The Deep Hollow here.
by ImperfectFifth | Nov 19, 2018 | perspective
One part June Carter sassing Johnny Cash along with two dashes of Itzhak Perlman on a midnight hayride, Mad Crush’s songs contain theatrical, back-and-forth performances between their singing protagonists Joanna Sattin and John Elderkin. Complete with humor and heartbreak, their songs are in fact bright little dramas about fussing, fighting, and occasionally making up—universal truths sprinkled with brand-new magic dust. Below, Elderkin discusses his first musical influences, which are readily apparent upon listening to Mad Crush’s recently-released debut LP.
I have a habit of dismissing great albums on my first listen. I had friends with an advanced copy of Nirvana’s “Nevermind” who freaked out when they heard it, but when I listened, I thought it sucked. Later, I gave it another try and realized I was way wrong. Like the rest of the world, I ate it up. I had a similar reaction to R.E.M.’s first EP, called “Chronic Town.” Friends I respected said that it sounded unlike anything they’d ever heard anywhere. I listened and shrugged. It was different, but what was it? But when I pulled the record out again a few months later, I was flabbergasted. Those guys were speaking my language!
The one time I got it right came before these albums, on my first listen to The Clash’s “London Calling.” I was a teenager but I’d never heard of The Clash, and I bought it because I liked the cover picture of the bass player smashing his guitar on stage. I turned on my record player and by the end of the first song I was jumping up and down on my bed like a maniac. When my younger brother came in to ask what the hell was going on, I pointed to the record player and sure enough, he jumped on the bed, too. The only time I got down was to turn over the sides. I didn’t own a lot of records yet, and afterward I probably assumed that most albums would knock me out this way, that life would be one “London Calling” after another. Maybe that’s why I wasn’t so impressed later with other records that were supposed to bowl me over. Or maybe it’s just that great…
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Keep up with Mad Crush here.