The Barenaked Ladies are back at it with another feel-good song full of optimistic energy. “Lovin’ Life” is the Toronto rock band’s first musical release since 2021, and excitement for their comeback shines through in its accompanying rainbow-tinged music video. Band members Ed Robertson, Jim Creeggan, Kevin Hearn, and Tyler Stewart share their unhinged enthusiasm in appreciation of life’s highs and lows, reminding us to take a step back and smell the roses.
It’s hard not to smile while listening to “Lovin’ Life”. Even though it begins bleak, since “the world could end before the end of this song,” the band quickly jumps into why it is so important to not dwell on negativity and instead focus on living in the now. The chorus introduces keyboard synths and rockin’ guitar chords for a high-energy drop. Its catchy lyrics are an anthem to relishing the present moment and all the simple joys of summer. Life is not only “sweeter than a watermelon slice” but also as delicious as a gooey piece of pizza.
The MV’s visuals jump back and forth between the band’s in-studio sessions and their onstage performance of “Lovin’ Life” during their almost-annual Last Summer on Earth tour. As 2018 inductees of the Canadian Music Hall of Fame, the Barenaked Ladies have much to celebrate for across their 35-year musical journey. If you can’t get enough of this single, be sure to check out the Barenaked Ladies’ 2023 Last Summer on Earth tour.
In need of a pick-me-up? Have a listen to “Lovin’ Life” below:
The arrival of summer comes with the need for captivating folk-pop, and Jonah Kagen is here to deliver. In two short years, singer-songwriter Jonah Kagen has skyrocketed from TikTok fame to wider acclaim, lending his characteristic jazz-inspired guitar playing and personal storytelling to his music. His new single, “The Roads”, premieres today, and is a worthy addition to any summer road trip playlist.
A hallmark of Kagen’s music is his personal hue of melancholy and nostalgia, which “The Roads” wholly leans into. The universally-relatable lyrics detail the pain of an ended relationship, accompanied by the push and pull of dynamic musical contrast. Solo acoustic guitar verses are juxtaposed by the sweeping chorus, expanded with strummed guitar, cello, and violin. Kagan declares that “These roads are changin’ me, but they all lead back to you”, in a memorable and timeless melody.
The expansive rural landscape in the accompanying music video perfectly matches the song’s folk aspects. With truly stunning cinematography, we have a bird’s-eye view of the landscape as well as close-ups with Jonah Kagen on guitar. The sky is cloudy and gray, while the lush greens of the forest burst into view. The contrasts, both visually and musically, emphasize the undercurrent of doubt and regret on the speaker’s part, mourning the loss of love.
Represented by Arista Records, Jonah Kagen has amassed nearly 2 million Spotify listeners and more than 140 million global streams since the release of his debut EP, ‘georgia got colder’. “The Roads” builds upon this journey, as he crafts music full of heart and earnest. Stream the song today on all platforms, and check out the music video on Youtube.
Baby Got Back Talk’s G’Ra’s calm tone of voice as he sings, “Stop right there and don’t you dare tell me that I’m wrong,” in his song “I’m Sorry I’m a Moron, But Also, Help,” reveals he is coping with people talking down to him in a calm and collected manner. However, his lyrics contradict his tone of voice because he is direct and strong-willed. As revealed by the phrase “don’t you dare,” he is expressing anger and a barrier he puts up before anyone can tell him that he is wrong, which will emotionally scar him.
His lyrics further indicate that he has been told that he is wrong once or many times before. Thus, he is attempting to hide his pain through his tone when confronting people who he feels could scar him emotionally but wrote his lyrics when he was feeling emotional. If you listen to his lyrics, not his tone of voice, you will feel his pain.
G’Ra continues singing in a similar tone as he sings, “I’m a loss, an albatross, who dropped the baton.” He becomes vulnerable as he explains that he feels like a lost bird, as an albatross is a type of bird. Saying that he “dropped the baton” reveals he feels that while he is flying in his career, he has lost his ability to keep calm and in control emotionally because he is releasing all of his emotions into his lyrics. He feels he must keep a calm demeanor as he struggles to hold back revealing his true emotions.
Hope builds up like our protagonist is metaphorically climbing a mountain, with feelings of passion and excitement, as he sings “‘Till the hallway’s bathed in moonlight, and you saunter in and it always made me think twice when I am wandering.” Singing of bathing in the moonlight is depicting him bathing in hope.
As he wanders in this moonlight, he thinks twice about his friendships and becomes the moonlight, allowing him to be a shining light above other people. As he becomes the moonlight, he encounters people from different backgrounds. “Against all the odds,” as he sings, he is able to integrate himself with people who are unlike him. He continues to persevere to learn about other types of people until all the odds are stacked against him. His inability to overcome these odds is temporary, as he “gets his knuckles bruised” from struggling through barriers to be with people who have given him emotional baggage. (As articulated in the lyrics, “Stop right there and don’t you dare tell me that I’m wrong.”)
As the song concludes, it bubbles with excitement and energy. This energy circulates into the stressed emotions of uncertainty and doubt as it uplifts and brings hope to these negative emotions. This entire song fluctuates from feelings of uneasiness and doubt to confidence and hope.
The newly released music video uses tone, color, and shape to evoke the emotions associated with the song. The visual representation is somehow spot on. View it below.
The opening punchy power chords of Meg Myers‘ new single “Me” announces not only the forthcoming album T/IA but the importance of self-love. Waking from a fretful sleep, Myers opens her eyes to a sunny day with enlightenment on transcendent love. The simple solid bright colors of Myers’s little room create a happy vibe for its inhabitant despite its limited space, and it echoes a childhood imagination reminiscent of a grade school party this Valentine’s love season. Like the kids and Myers, we all yearn for love and acceptance. “Me” shows us how we can first love ourselves and always have this inner strength.
The part of one continues as Myers gazes out the window, not in lonely longing but in a happy daydream. Unafraid, she looks into the camera to assert her “someone else” is “me.” We see her lean into her mirror to kiss her reflection, demonstrating a joyful acceptance. From forehead to looking glass forehead, we see the singer enjoy her own company. She knows the transcendence of this relationship, and she claims this level of greatness for a potential romantic one.
Banging out those steady chords on a little blue piano, she maintains this love foundation. A mascara-covered eye opens over the lens so we can see from Myers’s perspective. We too can transcend the lies lobbed at us about dating culture so we can be rooted and ready to accept a suitable someone else. No more will Myers be a victim of manipulation. As she basks in her presence, she will carry on as strong as the “Me” beat, bright as her single room and transcendent of her self-love. Romance can take it or leave it.
You People has been the talk of the town, as the cast has been on a larger-than-life press tour. Most late-night talk show hosts have been clinging to the idea of an Eddie Murphy revival. The stacked cast stands on its own even without the comedic talents of one of the most storied celebrities of our time. Shelley (Julia Louis-Dreyfus) and Arnold (David Duchovny) are the parents of Ezra Cohen (Jonah Hill), who has recently met and fallen in love with Amira (Lauren London), the daughter of Akbar (Eddie Murphy) and Fatima (Nia Long). The supporting cast includes Molly Gordon, Rhea Pearlman, Taco, and Sam Jay, among others.
The Humor in You People is Often Clunky and Uncomfortable
The plotline centers on the way people of different racial, religious, and ethnic backgrounds look at each other. Everyone has preconceived notions of the way the world is and how it should be. While none of the characters are outright racist, microaggressions that they may never have intended can rear their ugly heads. And this movie created plenty of opportunities to observe this behavior.
Ezra finds himself experiencing a series of unfortunate events stirred on by inherent racism, as does his betrothed. Akbar always imagined his daughter marrying a black man, and his disapproval of Ezra is palpable from the moment they meet at Roscoe’s to discuss the idea of marriage.
The filmmakers chose to have Ezra want to impress them so badly that he missteps and comes off as insensitive as well. This begins with his choice of eatery and the fact that he is proposing the idea of marriage during his first meeting with the family.
While Ezra struggles to level with Akbar throughout the movie, Amira has similar issues with the Cohen family. Ezra’s sister takes a romantic liking to her and his father – who has an affinity for Xzibit and wants the world to know about it – chooses to serenade her with John Legend’s “Ordinary People” in an awkward first meeting moment. His mother? Well, she is on a whole other level, leaning into the “diversity” the family is engaging in a little too much.
Admittedly, the Plotline isn’t Entirely Believable
The plotline goes a little bit too far when Shelley and Akbar take it upon themselves to attend the bachelor and bachelorette parties for their in-laws. These scenes actually make the viewer think, “Why didn’t their significant others or children put a stop to this?” This is the piece of the movie that came off as too wild, too unhinged. The discomfort felt during these scenes could have easily been portrayed in other, more believable ways. Plenty of moms have made themselves seem off-the-rocker on the hunt for a bridal gown or at a bridal shower, for example.
But that might be the exact point the writers are trying to make. These ideals are antiquated. The atmosphere they create is uncomfortable. And sometimes you have to sit through the discomfort to truly understand the message of a movie. Race struggles are still at the forefront of the conversation in America, still. It can be difficult to find humor in it, and it is something we should all be working to fix. This commentary and this perspective are necessary because change doesn’t come unless we get uncomfortable.
Have you gotten a chance to check out You People yet? Maybe you can help me find a new discourse for it… and get it out of its lower-rated category on Rotten Tomatoes.
Did we ever think we would address a Jennifer Lopez romantic comedy as an “adventure rom-com?” The answer is, indeed, no. But after watching her latest – an incredibly ludicrous but equally entertaining wedding comedy set in the Phillippines – it seems like that is the best way to describe this action-packed film.
While the idea of a JLo rom-com feels frilly and predictable, the only frills you will find in the new Amazon Prime film Shotgun Wedding would be in the layers of her dress. And only after she rips it into shreds to escape and defeat pirates.
Yup. It’s kind of like that.
So, what makes this film more entertaining than other new releases? Why should you give it the time of day at all? Here are three reasons to indulge in the ridiculousness that is Shotgun Wedding.
Cheech Marin is a Zaddy
Yup. You read that right. The storied Cheech Marin plays Robert, Darcy’s (Lopez) wealthy father. He shows up to her wedding, not only as the lost one true love of her mourning mother Renata (Sōnia Braga) but arm-in-arm with his yoga instructor girlfriend Harriet (D’Arcy Carden), who is decades younger and hiding a few surprises up her sleeves.
Lenny Kravitz Wears Pearls
Lenny Kravitz makes his way into the fold as Sean Hawkins, Darcy’s sexy, alluring ex who works for her father. The kicker? The man shows up in a helicopter after a pity invite, blindsiding the happy couple having never RSVP’d to the wedding. His presence throws more than a wrench into things, but his endless pearl necklace and unbuttoned shirt at the ceremony almost make up for it.
Jennifer Coolidge is a Badass Moonlighting as an Overbearing Mother
Jennifer Coolidge has been on a magnificent acting streak as of late. It seems as though she appears in everything, and you won’t hear us complaining. The woman who made the “bend and snap” a reality now stars as the mother of the groom (Josh Duhamel), whose unappreciated, rusted cake knife gift to the couple may just come in handy when battling pirates on international soil. Her overbearingness is made up for in time, especially when it comes to her surprise ability to handle weaponry.
While we certainly don’t want to provide too many spoilers, we can say that this film took a drastically different course than we initially imagined. Plus, the behind-the-scenes experience for this all-star cast seems to have been an extremely fun and memorable time.
If you’re looking for a movie with romance, golf cart crashes, live grenades, giant diamond rings, and maybe an insane yoga instructor or scorned ex, Shotgun Wedding should be your next movie night go-to.
