Considering the band members that comprise psych-tinged alt-rock quartet Liily – Dylan Nash (Frontman), Sam De La Torre (Guitarist), Charlie Anastasis (Bassist), and Maxx Morando (Drummer) – are all artistic in a variety of ways, it comes as no surprise that the video for single “Swallow” off their fresh drop Liily was so fully ideated and realized by the band, who directed it. The song – which is very specifically about their disdain for trauma porn – is, according to the band, “a pretty simple rock tune, we wanted to keep it straight forward along with the rest of the EP, no bells and whistles! We saw it as our chance to be musical vs over-intellectualizing something that is meat and potatoes.”
About the composition, they are correct. A little bit of a dirty edge to it, with a steady rhythm most can get into, the song is more catchy than one would assume when they think of the subject matter. With both vocals and a video that are sprinkled with the stereotypical bored demeanor of a true rock outfit, the build of energy in the song is almost unexpected, but equally welcoming.
“Swallow” was shot by members of Liily in 2022 with a little help from Keegan James Hurley, Justin Billings, and Andie Jane. Guitarist Sam De La Torre edited it, giving it an admittedly engaging finish.
If you didn’t know who Goose was already, then you could have gotten the full run-down from any man found within a 4 block radius of The Midland on Tuesday evening. “Do you know who Goose is?” a man in a gray tie dyed shirt excitedly asked me as I walked up to the box office to nab my photo pass. “Yes, I’m photographing them.” (And I do know their music. And they’re fantastic.) “Oh.”
But I didn’t have to worry about taking this man’s shine for too long. Almost immediately, he turned to a woman walking from the other direction and excitedly asked, “Do you know who Goose is?” She didn’t, and he was aghast. Immediately he launched into a tale about a young jam band that he and his friends championed from the beginning. I laughed at her expression, got my pass, and went inside.
But that’s what Goose does – they fire up the crowd. They are, in essence, a feel good band with an open, excitable fan base. Walking in, it felt like I was headed to camp. Everyone was complimenting each other’s shirts and looks, asking about strangers’ favorite songs, taking photos with signs and posters.
And that’s another thing… I’ve never seen so many banners and posters in this venue before. I’ve never felt the nostalgia of summer camp inside a venue in Kansas City. In my life. And I’m a native.
That was the vibe they brought. With an enchanting stage set, some quirky accessories (hello stuffed Luigi on a keyboard), and a crowd that was ready to be best friends, Goose brought everyone together on a perfect 70 something degree evening in the midwest.
Today, Boston-bred singer/songwriter Arto Vaun releases the third single from his upcoming July debut release Stuck Inside a Map. If the singles so far are any indication, Vaun’s solo project is bound to take flight, on the wings of self-awareness and a proclivity for word magic.
“Build My Own Fever” is a mid-tempo track, incorporating Vaun’s dreamy vocals over shimmery guitar. Explains Vaun, “I wrote ‘Build My Own Fever’ partly as a response to feeling overwhelmed by all the uncertainty in the world lately, and the sensory overload we’re all dealing with. It’s about trying to stay grounded even when things feel untethered and chaotic, and finding perspective to see the universality and connectedness between and around us all”.
If you can relate, you’ll want to get a listen to this relatable – and, honestly, beautiful – track below.
It’s already June, and if no one tells you how they can barely believe it in the next few days, then you got away with murder, essentially.
That said, it is June. And with June comes PRIDE. Big Hassle – one of our favorite companies in the otherwise questionable and interestingly chaotic music industry – has curated a playlist featuring some of their most prominent talents. We got our hands on it so that you can get to know the Big Hassle roster… and party down all month long.
imperfect Fifth really is committed to celebrating LGBTQ+ joy and rights every month of the year, and will do what we can to uplift marginalized voices where we can. Please email meredith@imperfectfifth.com if you have any brands or talent you’d like us to highlight, projects to talk about, or something else that can help us support and uplift our community!
In March, indie darling duo Byland – comprised of husband/wife talents Alie and Jake Byland – released their entrancing, 10-track full-length Heavy For A While. One of our favorites was a very emotional track for Alie, titled “Two Circles.” The music video was released today, and we are massive fans of the use of color to tell a story with the artful visuals.
Alie wanted to explore the idea of post-death limbo with this music video, which explains the stark contrast and richness in the colors chosen. “Chris Cunningham did a phenomenal job of imagining a weird, compelling visual concept and putting together an amazing team to bring it to life,” Alie says.
“As the protagonist (Alie) explores her home, she starts breaking through into this larger space that’s a little bit unfamiliar, but still populated with memories and objects from her past,” explains Cunningham. “She finds herself naturally searching for an exit, no longer content with just existing alone in her old familiar environment (perhaps unconsciously preparing to move on). Eventually, she finds an exit door that leads… well, somewhere else. Where the hell that is, I have no idea. Absolute death? A DMT fever dream in the final firework show of neurons in the brain? An afterlife? Who knows.”
The video has a haunting feeling to it, much like the song it was created to accompany. Check it out in full below.
VIDEO CREDITS: Music video for the Byland song, “Two Circles” off of the record “Heavy for a While.” Director: Dark Details Director of Photography: Dylan Priest Producer: Paul Breslin Gaffer: Matt Lindberg Photographer: Nick Ward Production Assistants: Ayla Cole, Brantley Duke, Marcus Chavez Special thanks to Kate Becker and Harbor Island Studios, as well as Chris Mosson and Retro Camera.
It is basically a prerequisite that you must love T-Pain if you work with imperfect Fifth. Whether you enjoy his vocal stylings – autotuned or his incredible natural vocal range -, his entrepreneurial brain, or his giggle, there is something about him that is so delightful. Just consider it: have you ever met someone who had beef with T-Pain?
If you’re looking for a wholesome, emotional departure (about an emotional departure) from T-Pain’s quintessential party anthem vibe, “On This Hill” is it. But, more than intensely different from prior singles, this one really envelops the listener in its captivating melody. Thought-provoking lyrics evoke bold thoughts, exploring boundaries, and a sense of acceptance in pain.
“On This Hill” truly captures what it is like to have competing values or opinions – interests that clash and red flags that no one can ignore. While there is a sense of loss and heartache in the song, there is also hope for new beginnings that you can actually feel through his empowering option to hold to his own values.
His drive to hold true to who he is and the song’s dedication to self-love brings “On This Hill” to us during Mental Health Awareness Month. In honor of this, T-Pain has teamed up with Talkspace to provide free therapy to his fans for up to a year.
The video is tastefully and purposefully intimate. A soulful live performance in a cozy setting with vocal accompaniment that feels as though its acoustic resonance could move mountains. Take a peek below, and be sure to see your favorite performer on tour this summer. (T-Pain will be EVERYWHERE!)
MANSION IN WISCANSIN PARTY TOUR DATES: May 29 – Houston, TX – 713 Music Hall * May 30 –Dallas, TX – South Side Ballroom * June 4 – Waukee, IA – Vibrant Music Hall * SOLD OUT June 6 – Windsor, ON – Caesars Windsor The Colosseum * June 8 – Milwaukee, WI – WISCANSIN FEST @ The Rave/Eagles Club ^ SOLD OUT June 11 – Columbus, OH – Kemba Live! * SOLD OUT June 12 – Pittsburg, PA – Stage AE * SOLD OUT June 13 – Doswell, VA – Meadow Event Park * June 19 – Los Angeles, CA – Juneteenth Celebration @ The Hollywood Bowl June 21 – Asbury Park, NJ – Stone Pony SummerStage * SOLD OUT June 23 – New York, NY – Central Park SummerStage * June 25 – Baltimore, MD – Pier Six Pavilion * June 26 – Charlotte, NC – Skyla Credit Union Amphitheatre * June 27 – North Charleston, SC – Firefly Distillery Lawn * June 29 – Atlanta, GA – Lakewood Amphitheatre * June 30 – Birmingham, AL – Avondale Brewing Company * SOLD OUT July 2 – Jacksonville, FL – St. Augustine Amphitheatre * SOLD OUT July 3 – Miami, FL – The Fillmore Miami Beach *
* with LARussell, NandoSTL & Young Ca$h ^ with Akon, Dillon Francis, Pink Sweat$, Soulja Boy, LARussell, Ying Yang Twins, Yelawolf, Waka Flocka Flame, Flyana Boss, Myaap, Young Ca$h, Chayo Nash, NandoSTL & Djay Mando
T-PAIN FESTIVAL & VEGAS RESIDENCY DATES: May 25 – Napa, CA – BottleRock Napa Valley May 26 – Las Vegas, NV – Ayu Dayclub (residency date) June 1 – Kansas City, MO – Tacos and Tequila Fest June 14 – Manchester, TN – Bonnaroo Music & Arts Festival July 11 – Las Vegas, NV – Zouk Nightclub (residency date) September 1 – Las Vegas, NV – Ayu Dayclub (residency date)
PARTY AFTER DARK TOUR DATES: Wed Aug 21 – Bristow, VA – Jiffy Lube Live Fri Aug 23 – Virginia Beach, VA – Veterans United Home Loans Amphitheater Sat Aug 24 – Hershey, PA – Hersheypark Stadium Sun Aug 25 – Queens, NY – Forest Hills Stadium Thu Aug 29 – Cuyahoga Falls, OH – Blossom Music Center Fri Aug 30 – Tinley Park, IL – Credit Union 1 Amphitheatre Sat Aug 31 – Milwaukee, WI – American Family Insurance Amphitheater Sun Sep 01 – Noblesville, IN – Ruoff Music Center Wed Sep 04 – Clarkston, MI – Pine Knob Music Theatre Fri Sep 06 – Buffalo, NY – Darien Lake Amphitheater Sat Sep 07 – Syracuse, NY – Empower FCU Amphitheater at Lakeview Sun Sep 08 – Saratoga Springs, NY – Broadview Stage at SPAC Thu Sep 12 – Wantagh, NY – Northwell Health At Jones Beach Theater Fri Sep 13 – Hartford, CT – Xfinity Theatre Sat Sep 14 – Bangor, ME – Maine Savings Amphitheater Sun Sep 15 – Mansfield, MA – Xfinity Center Wed Sep 18 – Burgettstown, PA – The Pavilion at Star Lake Thu Sep 19 – Cincinnati, OH – Riverbend Music Center Sat Sep 21 – Ridgedale, MO – Thunder Ridge Nature Arena Sun Sep 22 – St. Louis, MO – Hollywood Casino Amphitheatre Wed Sep 25 – Salt Lake City, UT – Utah First Credit Union Amphitheatre Fri Sep 27 – Ridgefield, WA – RV Inn Style Resorts Amphitheater* Sat Sep 28 – Auburn, WA – White River Amphitheatre Thu Oct 03 – Chula Vista, CA – North Island Credit Union Amphitheatre* Fri Oct 04 – Phoenix, AZ – Talking Stick Resort Amphitheatre Sat Oct 05 – Albuquerque, NM – Isleta Amphitheater
Genre-bending Americana artist Danielia Cotton is squaring up to release a tribute EP titled Charley’s Pride: Songs from a Black Cowboy Vol. I. In anticipation of that, she is sharing songs from the release in the lead-up. The first single came on Charley Pride’s birthday in March, and yesterday, the second hint of work was released with “Kiss an Angel Good Mornin'”.
Cotton’s spin on the song brings a bit of brightness to the classic, with her signature soulful crooning taking center stage.
Explains Cotton: “The lyric, ‘Kiss an Angel Good Mornin’, and love ‘em like the devil when you get back home,’ speaks to the dichotomy of a woman with respect to the parts of herself she displays within her relationship to keep things fresh and new. The playfulness of the track musically and vocally reflects this, while the hook is infectious as a summer hit you play to let your hair down.”
What a wild time to be exploring this dichotomy, and a beautiful time of year to release such an amazing cover.
The song in its original form is being recognized this month as it is inducted into the Grammy Hall of Fame at Grammy Museum’s inaugural Grammy Hall of Fame Gala and concert on May 21, 2024.
On May 1st, well-known Los Angeles Broadcast Music Journalist Nic Harcourt made a very special induction into the Guitar Center RockWalk. The Guitar Center in Hollywood hosted the special private event honoring four-time Grammy® Award Winner Gary Clark Jr. After the ceremony, he performed for the first time since his genre-bending full-length JPEG RAW dropped.
RockWalk is held to honor musicians who have fostered impactful growth in rock, blues, and R&B music. The induction included a handprint ceremony amidst other legendary prints and proof of artists like Queen, Carlos Santana, Marvin Gaye, Stevie Wonder, and others. This was the first time in 6 years that the RockWalk ceremony happened, with the last inductee being 2018’s Sheila E. As big fans of Gary Clark Jr. – whose work has similar energy to legendary musicians like Dean Martin, The Temptations, and otherwise – we were ecstatic to find out about the revival of this event.
“We are thrilled to welcome Gary Clark Jr. into the esteemed ranks of Guitar Center’s RockWalk inductees,” enthused Guitar Center CEO Gabe Dalporto. “His extraordinary talent and contributions to music make him a perfect fit for this honor. Gary’s induction is a testament to his incredible impact on the world of music, and we were pleased to celebrate his achievements at this year’s ceremony. His handprints are a prestigious addition to Guitar Center’s RockWalk, alongside the legends who have shaped the industry.”
I am honored to be the latest inductee into Guitar Center’s RockWalk. This recognition holds immense significance for me, as it not only reflects my unwavering dedication and love for music but also acknowledges the respect and admiration of my peers and fellow musicians, who I also equally love and admire.
It hasn’t been historically easy for me to figure out what to do for my birthday. Usually, I use the fact that I am an identical twin to find ways to celebrate. Plus, both my brother and brother-in-law have birthdays during the same week as us. April is a crazy time in our household!
But when I heard AJR was planning to be in my hometown on my birthday this year, it was a no-brainer that I would be there. Not because I’m a superfan. (Admittedly, I’m not.) Not because I know their catalog extensively. (Oops, I am a very casual listener.) Actually, it was because the band’s energy felt like the right one for my birthday. Well-paced songs, often dark honesty blended with pop hooks, quirky entertainment value. I had caught a glimpse of their live set at Bonnaroo in 2019, and had wanted to see their full creative capabilities. So, my mom and I got tickets together. (Because she has wildly good taste in music and is a phenomenal show buddy.)
AJR is another three-brother band comprised of Adam, Jack, and Ryan Metz. They are more than just your average “We tried choreographed dancing and it’s still stiff,” “We dress alike for our image,” or “We play instruments but we don’t use the space to entertain” groups. They have approached their work very differently than many others, to maintain their individuality and spark as a group the whole time. As their music catches fire with even more people, they acknowledge and appreciate their successes as it happens.
Dean Lewis opened the show for them, bringing his brand of Australian power ballad to the people of Kansas City. While he may have unbuttoned a few too many buttons on his shirt, his rendition of Goo Goo Dolls’ “Iris” was really well done, and his vulnerability on stage allowed him to connect with the early crowd.
As is the case when you head to a comedy show, be prepared for AJR to exist outside of the box a little bit. Crowd interaction, scripted stage moments, and behind-the-scenes glimpses into their creative process… So many more examples of dynamic storytelling aside from the incredible musicianship are in store for you. The show’s eco-impact – supported by Adam Met’s efforts as a climate activist – is notable alone, as they sell sustainably packaged water and donate a percentage of each ticket sold to Planet Reimagined. Their VIP experiences are almost as dynamic as the show itself. During an AJR show, they drive cars, dine in restaurants, skydive, do shadow puppets, and perform from unexpected heights. And that’s just some of it.
There is a performed breakdown of the song “Way Less Sad” during their set. This was one of the most fascinating elements of their show. It allowed AJR to play with prepared prose and do a little set work. Seeing this – and hearing them talk about having a theatrical musical style – was a super relatable moment as a child of the 90s raised on musicals and art. It seems these brothers had nurturing upbringings embracing the arts and they work really well together. I see myself in that, and want to lead a more collaborative existence like that.
If you are heading out to see The Maybe Man Tour and don’t have context, there is a sad piece to their set. They talk about the inspiring advice their dad gave them before he passed last year. It is fresh in their minds, their lyrics, and their hearts as they approach the topic. I warn you because waterworks are almost unavoidable. Even surrounded by confetti and giddy, happy hearts of almost every age. (It was kind of like a daycare in there at times.)
