Earlier this month, the incredible indie pop duo Seasaw opened for Har Mar Superstar at recordBar in Kansas City. Justin Kibbel caught some amazing photos for those of us who had to miss it.
Keep up with Seasaw here!
**photos by justin kibbel
On June 17th, Bayside hit the stage at House of Blues Anaheim. Photographer Nicole Thomas caught some incredible kaleidoscope shots of it all for us.
**By Nicole Thomas
On June 11th, the illustrious Middle Kids took the stage at recordBar in Kansas City to a packed room of fans. Photographer Ashleigh Lee got into the grit to nab some photos for us of the fun Australian trio.
**photos by ashleigh lee
SunGhosts‘ band members compiled some of their keystone musical influences. These songs and artists helped to shape the way they channel their energy into their instruments and create something new & completely original on an individual basis. Once you listen to what has inspired each band member, then you can see how SunGhosts’ sound is like sedimentary rock n’ roll (geology pun!) Be sure to pick up our album which is due out next week. It is available here.
On June 7th, Dropkick Murphys and Flogging Molly entertained the masses on a warm summer-like evening in Bonner Springs, Kansas. Photographer Ashleigh Lee was on-hand to get us a glimpse into the madness.
Keep up with Dropkick Murphys here and Flogging Molly here.
**photos by Ashleigh Lee
Based with roots all the way in Hong Kong, multi-talented music group Blood Wine or Honey are currently celebrating their new album Fear & Celebration released on June 8th, by playing shows in Hong Kong. Consisting of members Shane Aspegren, Joseph von Hess, and James Banbury, this act ties in aspects of electronic, African, and dance style instrumentals. Blood Wine or Honey uses African drums, a wide variety of additional instruments, and trendsetting electronic vocals that will make you want to get up and dance to the music. When comparing the band to other musicians, there is no talent quite the same, so I suggest that if you ever find yourself in Hong Kong while they are on tour, you make your way to one of their shows to experience an electro-based sensation.
Keep up with Blood Wine or Honey here.
**Words by Aubrey Hanson
While Colorado-based indie/blues rock group Dream Feed – comprised of Miguel Dakota (Lead Vocals, Guitar), Ryan Wagner (Lead Guitar, Vocals), Will Gaines (Bass), and Brian Nolan (Drums) – is busy crushing it, they’ve somehow found time to create a playlist just for Imperfect Fifth. We’re digging the vibes, and hope you integrate this one into your “must listen” list.
“These are songs that inspire us to be more creative writers, performers, and musicians. And they‘re just straight up jams!” – Miguel Dakota
Keep up with Dream Feed on Facebook, Twitter, Instagram, and at their website.
I think it was 93 or 94, I must have been seven, we lived in an old mill town on the Willamette River, outside of Portland, Ore. It rained a lot. It was melancholic and beautiful.
I had my own CD player, I loved it, I painted it with glitter nail polish. I had two CD’s only at first. One of which deserves no mention (some Disney movie BS) and the other, Magical Mystery Tour by The Beatles. I remember buying them at the mall.
Listening and playing music inside while it rained outside was a big part of my childhood. I remember feeling like my CD player and my CD’s were gold. They were sacred. I would save up my allowance and go to the Mall and buy CD’s. My brother was always trying to sell me things. Once he sold me a nearly dead Lizard, it died within hours of me buying it. But when I could dodge his tempting sales pitches, I bought CD’s.
My Dad was a classic rock guy all the way. He was an elementary school music teacher, and mostly a pianist. When my brother and I were young though, I remember him listening to music more than playing. He would spend weekends rearranging the garage or the living room in our old farmhouse, listening to Fleetwood Mac or The Band or The Beatles or something at top volume. Our house was always uncluttered and I was exposed to a constant stream of really killer music.
I was taught to worship the Beatles at an early age, but my choice to go with Magical Mystery Tour over another record was partly the influence of a friend, and the fact that it was probably the only album my Dad didn’t have. Surely he had every other Beatles Record.
I can’t remember the name of this said friend, but my memory of her is like something out of a David Lynch film – but a kid-friendly non-violent David Lynch film. Play dates at her house were always unsupervised and bizarre. We would sit in her basement listening to her copy of Magical Mystery Tour. I think it was a tape. She was the only other 8-year old around who also dug the Beatles. I remember The Hanson’s and The Spice Girls being all the rage amongst my friends. I only knew her for that year, was it second or third grade? I can’t remember. She claimed to see ghosts and wore a lot of black for a seven or eight year old. I thought she was the coolest, jamming out to the Beatles in her basement, hoping for the ghosts to come.
My Dad (Like so many others) regarded the Beatles as the best band EVER; Of course I was massively influenced by them, I think it’s hard to find someone who hasn’t been influenced by the Beatles. I think it’s important to mention how into black music they were – John Lennon was the one who named Chuck Berry “King of Rocknroll”. Was it appropriative? Sure. Rocknroll was, as we all know now, created by black people. Some of their songs feature some sexist language. You have to see them in their context, growing up in post-War England. But what they did with it all – using the Indian music and western classical, all woven together with the power and magic of this Black American idiom. With acid! So in 2018 I could look at some lyrics and think they are less cool… But their musical genius is undeniable, and their work is canon.
Keep up with Heart Hunters here.
Keep up with Charlie Smyth here.
