by Meredith Schneider | Jul 14, 2020 | singles, soundtrack
I don’t know how it happens, but every month I am more and more impressed by the talent that ends up in my inbox. In fact, since I’ve been largely holed up in the apartment since March, I look forward to diving into said inbox more often and even scrolling through Spotify to find new sounds. With the lack of chatter around me, less driving music, and experiencing new music by happenstance in everyday situations, it has been easier to really curate my environment and create an ambiance. And it feels like all of the new music coming out is insightful, artful, and speaks to my soul.
This month, our soundtrack is stacked. And don’t expect that to slow down. Hunker down for newbies from Lotus, Madison Olds, Baker Grace, KNIFEY, Dream Nails, Kaisha, Digital Monx, Racquel Jones, Koe Wetzel, Gold May, Gabrielle Current, HARLOE, and more!
Check back all month long for some of the most random and gorgeous new music selections you’ve ever heard!
by Meredith Schneider | Jul 13, 2020 | albums, review
Close your eyes and press play. The lush, tranquil sounds that burst forth from your speakers make it feel like there is another layer to your reality. And that is all before the smooth-as-honey vocals cut in, compliments of Los Angeles-based songwriter & producer RYTERBAND. In a world where everyone’s timelines seem to be upside-down and inside-out, this is the type of music we need. Songs like “Stay Awake” have the propensity to offer an escape, as well as a reminder on how to handle yourself in your current atmosphere.
As his debut offering, Undefended boasts catchy hooks, a vibrant disposition, and twinkling after-effects. Lines like “You move like dust in the sunlight” – found at the beginning of second track “Brilliant Eyes” – are absolutely drenched in poeticism. But delve into how RYTERBAND plays with dissonance in “Lighthouse,” and I dare you not to be moved to tears.
Take a dive into any one of these tracks. The layers that exist, the way the sound seems to encapsulate you and carry you around on its back. There’s something primal somehow entrenched within this electro-infused set of tracks that tugs at you, something that makes it clear that if this is just the beginning, there is simply more intrinsic beauty to come from this talented musician.
by Leigha Stuiso | Jul 13, 2020 | singles, wolf tracks
Sometimes we face challenges in life and these struggles tend to be portrayed negatively or stereotyped. Artist Dan Croll is no stranger to the feeling and is upfront about how mental health has affected his life, showing the struggles he has faced. “Hit Your Limit” emphasizes the need for each of us to offer empathy to anyone who has run out steam. Now, artists are more open about their struggles, but not many tend to tackle these issues in their songs like Croll does. Not only does he give us these songs, but he has a Dial Dan line which provides an outlet for those who need help easing the pressures of loneliness. Embracing his emotions has created such a positive environment for not only him but for a whole community of people.
Croll’s soothing voice makes for easy listening, in addition to the light instrumentals. The track sounds like it could be a part of a coming of age movie when the main character is reaching their breaking point. “Everyone succumbs, everyone’s got their point/everybody bends and breaks/believe me when I say it’s as clear as night and day / you’ve hit your limit” These personal, yet encouraging lyrics are meant to calm people’s fears. Everyone needs this reassurance, especially in a time like the one we are in right now.
by Katy Mombourquette | Jul 13, 2020 | singles, wolf tracks
Cincinnati, 2003. “Heartless Bastards” was incorrectly answered when a multiple-choice trivia game question asked, “What is the name of Tom Petty’s backing band?” From this amusing origin Erika Wennerstrom’s band “Heartless Bastards” was born. It began as a recording project but eventually evolved into a live band backed by a revolving collection of musicians. After playing regularly in the Midwest, Heartless Bastards got into the game when Patrick Carney of the Black Keys was taken with the band and passed on their demo to his label at the time, Fat Possum Records. By 2009 David Colvin, Jesse Ebaugh, and Mark Nathan had joined on drums, bass, and guitar to complete the group. Between 2009 and 2015 the 4-piece recorded several critically acclaimed albums, but for the last 5 years, fans have been craving something new. Well, some good news: the wait is finally over! Heartless Bastards are back in the studio to record an album featuring the same tried and true musicality that their fans have come to know and love: Wennerstrom’s paradoxical vocals that simultaneously exist in the planes of sweetness and intimacy but also grit and depth, and the band’s smoky blues sound.
Wennerstroms describes “Revolution” as a lesson in self-love and how it’s the key to a more tolerant society. She believes that humanity needs to learn how to be satisfied with less and to stop needing to feel like they’re better than others in order to validate themselves. For her, “Revolution” is both a mantra and a reminder for herself to avoid playing the commercialism-driven game and to focus on connecting and helping people rather than “beating” them at this game. She states “Dave Chapelle said at a show years ago “Poverty is a state of mind.” That really stuck with me. I was in the Amazon several years ago, and it struck me how little people had materially, and children were running around and they all seemed so happy. Aside from the basic necessities of sustaining our lives I think giving and receiving love is really what we need the most. All the rest is just a bunch of noise.”
“Revolution”, however, is anything but noise. It begins with a soft acoustic guitar that rivals the passionate title. Then it builds steadily, layering heavy guitar and marching band-like drums under Wennerstrom’s unique vocals that remind one of Colin Meloy (The Decemberists). It continues on like this until it revolts into this classic blues-rock song decorated with short guitar licks. The chorus’ recurrent phrase “the Revolution is in your mind” recalls the quote from Chapelle, “Poverty is a state of mind,” perhaps nodding to its sentiment. This is a song that is immediately gratifying on the first listen, but if you dig a little deeper there’s a whole lot of insight to be found.
The track is out on Bandcamp, and a portion of the proceeds will be going to the ACLU in support of civil rights. Listen here!
by Leigha Stuiso | Jul 10, 2020 | albums, review
Rapper ToBy is back with his new six track EP, THE OUTSIDE. ToBy incorporates daydreamy lo-fi beats mixed with booming trap sounds, similar to the likes of Travis Scott, in this release. He is not afraid to dive into his personal life and create something completely true to his style. He explains, “It achieves unity through specificity … In the hope that my life and my interests resonate with the next artistic soul or creative pundit trapped inside the every-man; yearning to escape, yearning to taste life’s cool breath, yearning to finally go outside.”
Inspired by Frank Ocean’s “Pyramids”, “Osiris” dives straight into the EP and ToBy’s style.
With a natural soundscape, the rapper’s flow fits perfectly and complements the different sounds. The track chronicles the mythic tale of betrayal and murder of the Egyptian god at the hand of his own brother. Meanwhile, his track “New Car” deals with freedom and yearning. The flow is more relaxed here, where his voice floats through the song. In an attempt to escape monotony, he comes out strong with the productions and vocals in this track.
Coming from dangerous upbringings can be a struggle, but if you do take on success, there is a psychological toll it can have. “Southside” is a think-piece about all of this, tackling issues that typically aren’t covered in music. But, in “Play Out,” ToBy’s single off the EP, he glorifies all things that come with the high life. Whether it is sex or money, he praises the fun lifestyle. With a constant flow and a well-rounded beat, ToBy has a hit on his hands. “Cascades” has a similar sound that you might hear from Rex Orange County, showing his versatility. It feels intimate and poetic, a switch up from some of the other tracks on the EP. Finally, “Wishes” is a solid choice to end the collection. Written and recorded on his 26th birthday, ToBy opens up about death and the fears he has relating to it. When you open up like this, there is nothing anyone can have, but respect for honesty. His thoughts may be in the clouds, but he brought his a-game here.
Blending tranquility, chaos and dystopia, ToBy has created his best collection yet. Dealing with a mix of emotions and other feelings, his tracks contain many different layers. Take a look into his life by giving this album some of your time. Take a walk outdoors.
by Katy Mombourquette | Jul 9, 2020 | singles, wolf tracks
Toronto-based producer, songwriter, and singer Kennen first wrote “City Lights” at 16, but recently decided to use his production talents to really bring the song to life. It depicts an idealistic romance– the picture-perfect relationship that eludes him even now. Thick textured, soft-edged samples create this sense of complete ease under city lights and the night sky. The young artist shares that as someone who feels like he’s missing out on those “main-character moments” you see in coming-of-age films, that “City Lights” is a chance for himself and his listeners to immerse themselves in a life of young and carefree moments, if only for 3 minutes. One thing that caught my ear is that the music, even Kennen’s voice, sounds somewhat removed, creating the dreaminess of an imagined scenario. Aside from the imagery and mood, there are several features in the track to listen for, one being the stop and go music around the chorus, creating a beat in the silences. It gives the effect of a Tokyo street, at peace in the nighttime, and basking in the soft glow of the stars.
Don’t miss out on this charming piece of musical cinema, and listen to “City Lights” on your preferred platform.
by Leigha Stuiso | Jul 7, 2020 | videos, wolf tracks
Electronic duo Divine Astronaut released their new single and music video for “Voices”. This is the group’s second track off their debut album, Made Not In Berlin, set to release sometime in 2020. Inspired by artists such as Radiohead and Bjork combined with the absence of electronic acts, the duo came to fruition in August 2019. Their music is downtempo, alternative electronica with trip-hop and industrial elements weaved in. The track has a menacing feel with airy vocals and deep guitar riffs.
With toned-down colors, singer Livvy Holland walks around an ominous castle. The video was actually shot at Dracula’s Bran Castle in Transylvania, Romania, capturing the haunting nature of the track and the mythology of Dracula. The duo tackles how haunting our own voices and inner demons can be. As Warm Audio Featured Artists, Divine Astronaut are partnering with the pro-audio manufacturer on the release of the track to give audiences a chance to win a Warm Audio WA-47JR microphone. The microphone is featured multiple times in the video and you can sign up here for your chance to win. Don’t forget to take a look at the “Voices” video now.
by Leigha Stuiso | Jul 6, 2020 | singles, wolf tracks
Neo-soul artist Ego Ella May released her debut album Honey For Wounds, an album of honest lyrics backed by smooth instrumentals. A year after the release of her debut EP, So Far, this comes as the first release off of John Boyega’s UpperRoom record label. The album has a solid foundation to be a hit with May’s effortlessly warm vocals taking you through a journey of pain, love, and power. The South London artist took to Instagram to share her feelings about the release saying, “I made it to heal myself, but in turn my intention was and is to provide music to heal to for you as well! I hope I’ve done so. I hope it helps you feel validated, and held.”
“Alright” featuring Theo Croker is a great introduction for what is to come on the album. There are few vocals, but they stand strong alongside the delicate sounds of the trumpet. It is the most calming track off the album, although they all have this similar relaxing vibe. “Tonight I’m Drowning” is the end of a relationship, but still missing that person. The steady click of the drums keeps the song moving against the lyrics. Similar to “Song For Bobby” with light melodic patterns, May faces changes and deals with running through memories. Like many others after a relationship, there are these past memories that are haunting. Her vocals effortlessly float through lyrics like, “Raindrops, minimal light, and Etta James / Always the cure when you leave / You show up out of the blue, I cloud you with green / This distant thing still haunts me.” Not only does she reference Etta James, but in “Give A Little” she mentions Joni Mitchell’s “Big Yellow Taxi”, “Joni said You don’t know what you got / Til it goes away.” In the midst of her lyrics, she shows some of her music taste, while remaining graceful. Here May is trying to navigate a neutral ground and find her footing, after being down a familiar path of heartbreak.
However, she is not afraid to sing about things other than relationships and heartbreak. Both “Girls Don’t Always Sing About Boys” and “How Long Til We’re Home” bring up current societal issues like environmental pollutants, problems for same-sex couples, and with the government and media. Songs about love and breakups might be easy and what sells, but May is not afraid to go beyond those and she does it effortlessly. If one doesn’t listen closely to the lyrics they might end up liking the song without realizing the messages weaved into it. “How Long Til We’re Home” is a perfect example of creating a beautiful song with an important message, but not having it overpower the song. “In The Morning” is a fresh start, indicating the struggles of women with lyrics like, “Reading about trauma In our daughters / Has got me shook I got things to learn, / I got fears to burn … Been here before, kinda sick of myself / But also quite proud / It’s hard, being at the mercy of man / And dealing my cards with my wrong hand.”
“Never Again (Marlissa Interlude)” showcases May’s sweet vocals, with a repeated set of lyrics throughout. It echoes the struggles and feelings she has put into the other tracks. In “Science” the lyrics are very poetic and a personal look into her life. Mentioning little details like a blue Cadillac and her roots in Igbo, provide a clear background about memories in her life. “Table For One” might be the best song on the album. With all the right elements packed into a six-minute track, it shows her vocal range and unique style. May shines here brighter than ever before. She finds her way through all of this on “For Those Who Left”, coming out with lyrics at her most confident. It is simple, but a fitting ending to all the emotions in the tracks before it.
Honey For Wounds already is catching people’s attention and recently was Tidal’s Rising Album of the Week. The production on these 11 tracks is strong with graceful touches of horns and drums to match her delicate vocals. Ego Ella May released a powerful record that comes from navigating and experiencing the ups and downs in life. If you are looking for something new to listen to right now make sure to check out this album, you won’t regret it.
by Katy Mombourquette | Jul 6, 2020 | singles, wolf tracks
DC-based Soul and R&B project Summer Dennis & Rhymes address some hard truths about the US in their recent single “Ghetto Rona.” Rhymes is a composition and performance powerhouse spearheaded by Bill Moore and Summer Dennis. Moore brings with him a deep experience with performance in multiple genres. Together they produce powerful, independent songs interwoven with femininity. Rhymes has appeared on several media outlets, including EARMILK, Soulbounce, Celebmix, Great Day Washington, and Blog Talk Radio. “Ghetto Rona” is the product of the difficult lessons learned about America in the past year. It’s a soulful indictment of the country, and aims to redefine the idea of “ghetto.” About the underlying theme of the song, Rhymes says “For so long Black and impoverished communities have been referred to ‘the ghetto’ even though we live in a nation that can’t house its taxpayers, can’t feed its children, and imposes police brutality on its citizens. How can a society with so little to offer refer to anyone as ghetto? We all know where the ghetto really is now, and it’s not race-specific. We can see the truth as clearly as ever.”
The song itself begins with the spoken words “And now, this is America,” leaving no room to mistake what the track is going to be about. A funky bassline and drum beat and tensile surrounding harmonies provide the foundation for Dennis’ sleek vocals. Her soulful voice decorates the melody lines with deft runs that give us a taste of her wide range. However, the lyrics remain the focal point of the song, coming through clear and concise. Halfway through, harmonies join in, lifting Dennis’ voice and words up to augment their meaning.
Summer Dennis & Rhymes are a mighty duo who say what they have to say using a mix of rock, R&B, Latin, pop, and reggae music to appeal to a wide demographic. Check out their most recent album Second Summer to hear more of this eclectic pair.
