by Tiffany Czech | Oct 5, 2020 | singles, wolf tracks
Constant criticism about the way you live your life suck, and Philadelphia-based rock group Humilitarian want listeners to know that they understand the feeling on their new track, “She Said”. It happens to be one of the first songs the band completed together. As a band, Humilitarian are influenced by indie rock, which is clear from the moment you press play on their latest release.
“She Said” paints the picture of someone who struggles with letting go of any negative feelings that come with opinions that were not even asked for in the first place. It makes it clear how it feels to be fed up with being told everything you are doing is somehow a misstep. Throughout the emo-rock track, we learn that this person struggles with defending herself against unwanted commentary and that she knows she deserves to live her life unapologetically. Nearing the end, the song becomes an anthem for those who feel the same way as the listener is encouraged to reject these criticisms and just live. With clever lyrics and catchy melodies, it is easy to put on replay. It empowers and comforts while also getting out some frustration in the process.
Instagram: @humilitarian_phl
Facebook: @humilitarian.phl
by Tiffany Czech | Oct 2, 2020 | albums, review
Portland, Oregon-based rock band Last Giant have just released their stunning new body of work Let the End Begin. With influences like Led Zeppelin and Thin Lizzy, the album acts as a bridge, allowing the listener to time travel back to the 1970s and 1980s rock scene. Here, we find songs like “Sunset Queen”, which relies on an infectious guitar riff to draw the listener in. The guitar paired with the catchy chorus melody and heavy drumming help make this one of the best songs on the album. The title track “Let the End Begin” ensures you don’t forget what you’re hearing by providing a memorable hook that has the potential to stay in your head for days after hearing it. It also makes clear why the album shares the same name as it defines just what it means for the end to begin. Each song has the ability to connect with the rock fan in a real way. Whether it’s the guitar solo in “Followers” or the commanding vocals in “Letters to Lennon”, there is no shortage of rocking out to be found.
Last Giant have created a modern rock and roll triumph. While many people depend on earlier decades of music to get their rock fix, they have made it clear that the current decade has more than enough to offer.
by ImperfectFifth | Oct 1, 2020 | albums, review
by: tiffany czech
Leave behind the life you know wherever you are for just thirty minutes and take a trip to Cuba with La China De La Gasolina. The self-titled album is the product of a trip to Havana, the capital of Cuba. There, Charlie Garmendia would use a multi-track tape recorder to capture the rich musical culture that the island has to offer. It was with the help of the young musicians and artists he met that the late-night jam sessions turned into a collective body of work.
With 11 tracks, the listener can dip their foot in many parts that all come together to form a sonically cohesive whole. That whole begins with “Edro”, an electrifying track that seems to signify the beginning of a breaking news story, or maybe even the opening credits to the latest buzzing film. In just 23 seconds, the song manages to captivate the listener, thus beginning their Cuban journey. Then comes “La Gasolina”, one of the standout tracks. Using prominent synthesizers, one finds themselves transported to the middle of a busy Cuban street filled with only the best dancing and music. That feeling continues throughout the whole album, all the way until the final track, “El Terror”, which relies heavily on percussion to signal that the journey is finished. This is the song that puts the picture of a small group gathering around a campfire at the end of the day in your mind, satisfied with everything that day has given you. From the Cuban jazz moments of “Año Nuevo” to the Latin pop spectacle that is “Demonio Bongo” and everything in between, there is certainly a lot to be satisfied with.
by ImperfectFifth | Sep 30, 2020 | videos, wolf tracks
by: tiffany czech
In a world where material possessions meet spiritual growth, one may find themselves just as conflicted as the character in Sir Sly’s music video for “Material Boy”. Here, the material boy is someone who appears to be in a state of distress as he works through his emotions to leave behind any care in the world about material items. Through watching him chew up wads of cash and hide from all of the expensive things he owns; the viewer comes to understand that he yearns for more in his life. He yearns to be free from the material chains that are constraining him. The catchy chorus of the song reminds the listener that our material boy has found a spiritual void within himself and he strives to fill it.
What is great about what we see in this video is that it doesn’t need to follow one meaning for everybody who watches it. It could mean struggling to come to terms with the current political landscape, as the second verse alludes to, just as much as it could represent the struggle to leave an unfulfilling job that pays well. The common theme amongst the profuse number of possible interpretations is the yearning to find something that makes one feel whole. “Material Boy” both fascinates and perplexes, as well as provides the best form of entertainment for the viewer. Lead singer Landon Jacobs notes: “My highest hope is that this video can mean something a little different for anyone that watches it, but at the very least, I hope it is entertaining.”
by ImperfectFifth | Sep 29, 2020 | singles, wolf tracks
by: tiffany czech
Finding the perfect song to play while driving with the windows down and music loud is an enthralling experience that can be found immediately after pressing play on rock trio Lone Kodiak’s new song, “PDX ‘97”. The band was formed in East Los Angeles, but met in Portland, Oregon, which is where this story takes place.
A true story, “PDX ‘97” takes the listener on a stirring journey through the streets of Portland alongside teenage runaways. It would be hard not to picture oneself as one of the characters in the song. Lovestruck and adventurous, the teenagers embody the very type of love that seems to only play out on film screens, except the listener doesn’t have to experience it through a screen as the song brings the story into the car, bedroom, or shower of anybody who listens.
What Lone Kodiak has done with their latest release is to take a personal story and help each listener see some version of themselves in it. While resonating with the 17-year-old high school student experiencing love for the first time, it also can resonate with the 65-year-old retiree who is reminiscing on her first love during her teenage years. Transporting people is one of the greatest things music can do, and Lone Kodiak does it well. Member Dainéal Parker explains:
I normally shy away from writing anything too personal or plainly autobiographical, but the vibe of this song just took me right back to those hot days and cold nights I spent wrapped around the finger of a girl, and our summer trying to find couches to crash on but often settling for cardboard.
Check it out on your preferred platform here.
