L.A.-based trio LANY has released its soothing new single and music video, “you!.” The band first revealed themselves to the world with their self-titled debut in 2017 and secured their reputation with their 2018 album Malibu Nights which cracked the Billboard Album Chart. They have millions of followers and billions of streams from across the globe, which they follow up with by playing sold-out shows from L.A.’s Greek Theatre to London’s Brixton Academy. Now, they’re back with their upcoming album mama’s boy, set to release on October 2nd. “You!” is the third single to be released from mama’s boy, following “if this is the last time” and “good guys.” After finishing their Malibu Nights world tour, Oklahoma-born songwriter, lyricist, and producer for the band Paul Klein made his way to the country outside Nashville and began to outline mama’s boy. Working with several accomplished songwriters, Paul began to reconcile the differences between his newly found L.A. persona and his Great Plains heritage. “Someone asked me where I was from and somewhere, out of my spirit, I just said ‘Man, I’m from Oklahoma!’ It was a weird sense of pride, to be from the middle of nowhere,” he says, pointing to the inspiration behind the album. In the video for “you!”, we see this deeply rooted pride in Paul’s homeland come to life with nostalgic musical scene painting that ties in perfectly with the barren landscape.
Over the course of the video, the sun peeks over the horizon at varying degrees, sometimes shrouding the trio and revealing them only as silhouettes, sometimes shedding light onto them and their strikingly sincere demeanor. The music is straightforward and genuine, with a concise use of calm instruments and atmospheric harmonies that achieve the nostalgic sound without excess, matching perfectly with the secluded environment that is empty save for the band and their equipment. Each verse feels somewhat removed, consisting mostly of vocals and slightly muffled drums with comments from the guitar now and then. The chorus brings everything into focus, with each instrument part adopting a clean sound that resonates with the listener. The video, shot in the middle of nowhere, evokes a sense of eased isolation– and although it’s a nod to Paul’s memories of Oklahoma, it also reminds us that isolation isn’t necessarily a bad thing. In the context of the pandemic the idea of being removed from society is not ideal, but when you watch “you!”, you really feel the sanctity and peace that can come from taking a step back.
It’s always important to take a moment and let yourself breathe. Let “you!” and the perspective it brings be that moment for you. Listen here.
NYC-based brotherly duo Eighty Ninety’s latest single “Know Me” is an understated love song that is tinged with woe but overcome with sweetness. It talks about how love inspires hope, meaning, and possibly even absolution when faced with tragedy. Formed recently in 2016, Eighty Ninety has been making waves in the music world. Their music, videos, and performances have been featured in prominent blogs and publications such as Ones To Watch, Alternative Press, Billboard, and NME. Their debut single “Three Thirty” reached #2 on Spotify’s Global Viral Chart, and since then they have curried favour with the world, including superstar Taylor Swift, who chose Eighty Ninety’s single “Your Favourite Song” as #13 on her official Spotify playlist “Songs Taylor Loves.”
While “Know Me” stays true to the band’s 80-90’s indie-pop aesthetic, its twangy guitar rift introduces a fresh touch of Americana, a style that the band has not yet explored. The uncomplicated guitar and soft atmospheric background music feels completely genuine. This song isn’t trying to be something it’s not, something that’s quite refreshing in today’s world. The simplicity of the music is also reminiscent of the minimalistic pop productions that the duo is known for creating. Abner James’ refined falsetto is embraced by backing vocals in the chorus, giving the effect of a breeze: easy and carefree. The hills and valleys of his vocal lines are a serene treat for the ears to traverse. Even with the twinge of sadness in the lyrics, the story of this song is beautiful and uplifting, and its universal topic infuses the song with a sense of timelessness.
Eighty Ninety is currently working hard to finish their next full-length album, coming out this Summer. You can pre-save their upcoming single “Happier” here, coming out on August 21st. The down-to-earth clarity of “Know Me” is just the beginning. Be sure to check it out.
Maps & His Mothball Fleet have released “Visit Mississippi”, the second single off of their upcoming album GULF, due out on August 21st on Azteca Records. Matt Wanamaker, nicknamed “Maps” by a young niece who couldn’t pronounce his given name, was deployed to Afghanistan in 2013 and again to the Gulf of Mexico in 2018. During his time there, he wrote and recorded the rough demos of 50 songs to send back and forth to musician friends using only a handheld cassette dictation machine to record and a metal chair to keep time. Mothball Fleets are collections of rusting Navy ships that are no longer needed but kept afloat in case they may be needed later. The give and take process that ensued during Wanamaker’s time in the military rekindled old collaborations and strengthened Maps’ relationships with his friends, transforming them into his own mothball fleet.
“Visit Mississippi” is the product of Wanamaker’s nomadic exploration of Gulfport, Mississippi while the turmoil of an unresolved and fleeting love churned inside him. He explains, “I was living on the Gulf Coast but had left a relationship up North with unresolved issues and a lot of ambiguity. We had been having problems, but somehow we just didn’t talk about them leading up to my move.” “Visit Mississippi” was written as an almost completely autobiographical account of his experiences, from the lyrics to the music itself. Each verse, each chord change and melodic flourish that Wanamaker offers are a glimpse into his relationship. His tense love and the architectural aftermath of Hurricane Katrina that he observed on the streets of Gulfport moved him to explore a darker style of melodic pop in the single. He captures the feeling of living alone during a long-distance relationship through distorted, gothic guitar pop melodies and an unsettled church organ backbeat. Subtle touches such as the rebounding vocals, mysterious bassline, and minor key further augment the haunted feeling that the track embodies. Even the underlying chord progressions project an untethered wistfulness that ties in well with the subject of the song.
It’s abundantly clear how much thought went into every detail of this track. From content to origins, “Visit Mississippi” conveys an authenticity that is absent from a lot of today’s music.
You can read more about the humble and awe-inspiring story of Maps & His Mothball Fleet on their facebook page, and look out for GULF, arriving soon.
Singer-songwriter Elizabeth Young may only be 16 years old, but her wisdom and natural accessibility goes far beyond her years and translate beautifully into her music. Young has a remarkable ability to transform the life of a teenage girl into a universal experience. This sophisticated vocalist has spent years developing her musicality and playing local live shows outside of Washington D.C. where she grew up, but at last she’s ready to show the world her talent with her debut EP in September of 2020.
We had the honor of speaking to Elizabeth briefly leading up to this release.
Your new single, “I Won’t Fall,” is about anxiety. Could you give us some more insight into what inspired the song, and what you hope that people listening to it take away from it?
I Won’t Fall talks about how I can stand up to the difficulties of anxiety. Sometimes my anxiety can try to get the best of me and it can be hard to fight it, but I have learned that I can overcome, persevere, and not fall into the trap of my anxiety. My producer Chris Keup and I thought of factors in my life that help support me such as my family. My friends and family can help serve as a shield during inner battles with worries or anxiety. I Won’t Fall portrays an important message that means so much to me and I hope has an impact on others to help them feel stronger when fighting against inner worries or anxiety. With this song, I want to encourage others to stand tall and not to fear of being knocked down by their anxiety or have it stop them.
What is the Washington, DC music scene like? Do you have a favorite venue in that area that you loved to play or see shows at and why?
In Washington DC, I’ve been to the Kennedy Center several times where I have seen Lea Michele sing and other productions. I have played at multiple venues around my town one of which is the open mic night at The Old Brogue. I love playing at the Old Brogue because my family and I have been going there since I was little so it is a very comforting place. Since COVID-19, I haven’t been able to play at local restaurants which is sad!
You have a lovely voice, with a strong command over both soft and belted vocals. Did you have vocal lessons growing up? How did you cultivate your voice into what it is today?
I first found a love for singing when I auditioned for the musicals at my elementary and middle schools. I discovered how much I loved singing and I began taking voice lessons to grow and learn more about singing. I brought my guitar that my parents gave me to my voice teacher on a spree, and from there I learned how to sing songs with my guitar. I would practice all the time on my own, helping me to improve my guitar skills. I started performing at small live events and quickly discovered how much I loved performing and I wanted to get better at my music. I began to turn my interest away from musicals and found what I loved the most- singing songs with my guitar and creating music. From there I began jotting down some lyrics to some chords on my guitar. I began taking vocal lessons with Katie Talbot from Nashville over Skype where she helped me safely improve my voice. I also love to sing all around the house which can sometimes bug my family! I linked up with the amazing Chris Keup where we wrote songs together and created the EP.
Your upcoming EP deals with topics ranging from narcissism to toxic relationships. How does it feel to be sharing such intimate parts of yourself with the world? Do you feel nervous about revealing yourself or is it freeing?
It is difficult to open up and share yourself to the world. It’s important to me for my songs to be authentic and real therefore making me a little nervous to feel vulnerable. However, it is freeing to express myself and exciting for others to hear my thoughts through music and I hope people like them and can relate to them.
Was this your first time recording in a studio? How was that experience for you? Was it time-consuming and a lot of hard work? Did everything go smoothly? Give those of us on the outside a look into the studio life.
It was the first time I ever professionally recorded in a studio so everything was very new and exciting for me. I was so eager to learn how a song was created from an artist’s point of view. I discovered so many new things and working in the studio opened up a new world for me and I want to keep learning and improving. Chris is a talented producer and was very easy to work with especially for a developing artist like me. Working in the studio was hard work but very fun! I went down to Chris’s studio in Louisa VA on school days, after soccer tournaments, and on weekends to create the EP. The vibes in Chris’s studio made me feel creative and like a real professional! We spent hours each day recording, correcting, and adding to perfect the EP. Before my experience in the studio, I thought it would be quick and easy to record the vocals, but it took lots of time and hardwork to put them together. Creating the songs did go smoothly and I can’t wait to keep working in the studio in the future.
“I Won’t Fall” is a deeply moving song with personal lyrics that make the listener feel like they know you. What is your go-to method of writing songs? Do you have any advice for any budding songwriters out there?
Songwriting is all about authenticity and how the lyrics flow to the beat of the music. I love bringing out thoughts or worries on my mind into the songs to make them more relatable and personal. I really want to discover how to become my own artist and find my unique style to put into my music. I want to keep learning and growing! My go-to method is to take a regular idea on my mind or a topic that may be bothering me and string lyrics together. I use my guitar to find chords that fit my lyrics and the feel of the song.
What is your favorite song or album to listen to when you’ve had a hard week and you want to unwind and why?
The way I escape through music is to visit playlists I make on my phone. My playlist is made up of country and pop music. I really enjoy almost any music and I have a lot of variety in my playlists. Olivia O’Brien is an artist I love to listen to because I love the way she writes the lyrics in her songs. Taylor Swift is a classic artist but I love listening to her songs because I know most of the lyrics so it helps me to unwind by singing along.
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Pulling from the blues, R&B, and powerhouse female artists she grew up surrounded by outside Washington, D.C., as well as female artists and songwriters like Bonnie Raitt, Alicia Keys, and Taylor Swift, this EP deals with wide-reaching topics in a cathartic and carefree way. Young’s forthcoming single off the EP, “I Won’t Fall”, is a tender anthem about anxiety. It’s filled with rich guitar chords that embrace silence with warmth. Young’s skilled vocals earnestly sing on top of a strong, slow beat that feeds into the anthemic sound. Her sailing melody line on the words “I won’t fall” sweep you off your feet and lift you up, instilling a sense of hope within you. Young’s resolve and softness recall the feminine power that her female influences channel, and hint at what you can look for in the rest of her soon-to-come EP.
In the meantime, check out her latest single, “Ricochet” here.
Pop songs tend to be made for the purpose of going viral or just to get plays on the radio. Sometimes it makes you wonder if the process of making good or authentic music is even a goal anymore. If you look in the right places though, you will be able to find the diamond in the rough. “God Save The Queen” is Cali Rodi’s power move to pioneer pop back to its original feel-good roots. This empowering, punchy pop anthem is a breath of fresh air. The inspiration behind the song came after Rodi being physically assaulted in broad daylight, but no one jumped in to help her. It made her think about how hard it is to be a woman in this crazy world.
After being discovered by country music star Keith Urban, Rodi moved from Nashville to Los Angeles and has been working hard to create an arsenal of unapologetic pop songs. She even teamed up with powerhouse producer Lindgren (Dua Lipa, BTS) and vocal producer Emily Wright (Britney Spears, Katy Perry) for the track. She calls out to protect women through the lyrics, “angels on our shoulders ain’t enough anymore / all they do is keep me between love and war / so God save the queen”. From a bad situation to a positive song for all, Rodi definitely has some tricks up her sleeve and we can’t wait to see what she does next.
The eclectic Whoa Dakota’s new single “Walk Right By” is an enlightened look both at the past and the future. Blending together disco with a modern R&B sound, this bop emboldens you to believe that you don’t need anyone besides yourself to reach your full potential. The lyrics are inspired by her experiences with pushy, manipulative business people in the industry who antagonize those around them. “Walk Right By” aims to empower those who listen to it to trust in themselves. The single has a classically funky bassline, infectious danceability, and nostalgic synths that sound like something out of an arcade. It’s far from sounding like an imitation of late 70’s disco music, however. There’s this compelling groovy but chill vibe in the verses that fit in well with the sound of modern R&B music, and atmospheric layers of synths that remind listeners of ambient indie-pop. Whoa Dakota’s stellar vocals are really something else. She effortlessly handles the sultry, smooth vocals in the verses, and the powerful belting in the enthralling chorus that is a perfect sonic representation of self-liberation.
It’s no surprise that this mesmerizing artist has such an innovative grasp on her music as a 2017 Tiny Desk Concert favorite and the “Best Pop Artist” in the Nashville Scene’s Best of Nashville 2018 awards. You can (and should) also check out her “Spill The Tea with Whoa Dakota” podcast featuring Lilly Hiatt, Airpark, Laura Reed, and more, and her twitch streams every Friday at 6 pm CST.
July honestly passed in the blink of an eye, and I bet if you speak to anyone they would agree. This timeless vortex we are all in might not feel consistent, but it is keeping some of us empathic for each other in a heightened way. Why not continue in that vein, and share our favorite new tracks of August 2020? Goth Babe, The Happy Fits, Saya Gray, Manu Grace, Claire Frazier, Narrow Head, and more make an appearance, and we will be adding to this feature all month as submissions roll in!
It’s all about moving on and letting go of the past for Kamber in her acoustic single, “West”. Recorded at Gnome Studios in Nashville, the indie artist finds closure over a heartbreak. Instead of dwelling on the past, there is a hopeful outlook for the future in the lyrics. Kamber is classically trained in piano and voice and is a band called Raviner, while pursuing solo work and teaching students in the studio. Her sound is influenced by an array of artists including Tori Amos, Chris Cornell and more.
The level of vulnerability is at an extreme high, taking listeners through her process of coping with a loss in her life. The struggle gets easier as time goes on and as the song progresses, as most heartbreaks do. The biggest example of focusing on herself is with the lyrics:
All this time I held the key / open door in front of me / I never thought that you and I would bleed / well it’s the first time I know that I can breathe
The Nashville-based indie singer is not afraid to lay it all on the line here and tell her truth. From being worn out and broken to wishing this person all the best, this person is moving West while Kamber is moving on.
Today, captivating folk artist Marlene Oak releases her new track “Sailing Home.” With enticing, sprawling vocals, she seems to captivate us with a simple soundscape almost immediately. The way her “ooohs” almost seem to get momentarily caught in her throat, with the hitch of a rasp that is contagious as all get-out… mesmerizing. For someone with as magnetic a vocal range and beautiful a soul, we are surprised this is just our introduction to her catalog of work.
Spend a couple of minutes with this release. It’s going to bring your heart rate down and your soul connection way, way up.
