A meandering, beautiful piano intro? Check. An ethereal, intense voice dancing along staccato notes in an endearing and almost haunting way? Check! Teghan Devon has pulled out all the stops in new single “V.I.P.,” for which we have the exclusive premiere right here. Let yourself get lost in the building momentum of a song that feels like a warm hug. Singing of engaging with true, genuine friendship and “Good vibes only,” this is a song we can absolutely get on board with in 2022. Get your first listen below, and be sure to let Teghan know how much you love her over on Facebook!
Regardless of how much effort you put into a relationship, sometimes it’s just not meant to work out.
San Francisco-based songstress Floyd expresses this painful reality with the video for her latest single, “Shadow Self (The Best That I Can).” The alt-country pop track, produced by Ed Clare and Georgann Ireland for Nova Noir Productions, is the first offering from the singer-songwriter since she released the holiday-themed “Christmas (Baby Please Come Home)” last year.
As her musical influences range from feminist pop icon Tori Amos to new wave rocker Cyndi Lauper, it should come as no surprise that the visuals radiate a sense of vigor and determination as she performs the song in all-black attire.
Regarding the title of the single, Floyd says that the shadow self has to do with how everyone is doing the best they can in every moment and how sometimes their best is frankly not good enough for someone else. “That is a hard truth, but it’s an honest one,” she said. “And I think being honest should count for something.”
Watch the video for “Shadow Self (The Best That I Can)” below!
Minneapolis-based rock band Hurrah a Bolt of Light returns with their new video for AN/ANIMAL 3, the single from their upcoming visual album AN/ANIMAL. With a style described as “pop music for sad people”, Hurrah blends rock, prog, ambient, and other genres to create a dense concept album in line as a return to form after the sugary polish of their last album. In a 16-minute music video spanning four tracks within segments, the album brings a cinematic experience combining atmospheric visuals with cryptic lyrics and a murky vibe. AN/ANIMAL 3 represents the darkest portion of the album’s narrative.
The track combines a visceral clash of garage-rock-inspired guitars with instrumental breaks reminiscent of progressive rock, spawning a beautiful yet eerie sound enhanced by its content centered on despair and death. The music video reflects its macabre vibe, featuring a man kidnapped and attempting to escape his captor, ultimately facing brutal consequences. The cinematography is a perfect complement to the song’s horror-esque tone with a sense of surrealism as the video’s events occur in a loop. Admits the artist of the track:
“An/Animal 3” is the third piece of the four part puzzle that is AN/ANIMAL. For this point in the story, I wanted to create a song that was frantic, frenetic, confrontational and wild. Key changes and mood shifts run amok, land, and then veer off elsewhere. The video mirrors those vibes as well and shows both the protagonist and antagonist in various states of distress and agitation that conclude with their violent meeting. The visuals only scratch the surface of what the story as a whole might mean. It’s a bit unclear on purpose.
I wrote the music and recorded nearly all the instruments for this song and AN/ANIMAL in general. Except for the drums and some keyboards because I am not that good at drums and some keyboards. This part of the movie was particularly difficult to film and execute because I had to a) be in my underwear for the majority of the film and b) be chased outside in late fall wearing said underwear. It was very cold.
Check out the premiere of the new video below and stay tuned for AN/ANIMAL, which is slated to drop in January 2022.
With her Subject to Change album due out any minute (OK, ok. It’s actually slated for November 12th. You have to wait a minute here.), Katelyn Tarver has just released an earworm of a track with her new single “Hurt Like That”. We’re big fans of the release, as its sound is contrasted by a vengeful message.
Soft, expertly controlled vocals dance ethereally over a guitar riff, deceptively sweet. Drums layer in at the 43-second mark, as we experience even more of a mid-90s vibe to the composition. The vengeful attitude of a woman scorned by a narcissistic ex-lover presents itself, and the listener finds themselves gently – but swiftly – moved to empathy. After all, how many times have we, too, survived broken hearts, lowered expectations, and empty promises? How many times have we wanted to make the person who broke our hearts feel the same shitty way we felt around them? In some ways, this track is an anthem for the broken-hearted.
Tarver’s recent, heartache-induced releases do make us wonder: Who would abandon anyone with such an angelic voice? (That last line is of particular interest if you need help understanding how absolutely fantastic Tarver’s vocal control is.)
Aside from revving up for a full-length release, Tarver will be joining JOHNNYSWIM on their spring 2022 tour. Check KatelynTarver.com for dates.
Riley Owens just released his newest single, “Camino!” From the composition of the music to the lyrics of the song, every aspect of this single mixes perfectly together!
The guitar in the back of this track is amazing. It really adds something extra special to the already lyrically enriched song. Not only do the lyrics fit perfectly with the sound of the song, but his voice is the perfect match for all of the above. Overall, the quality of the song is amazing. It makes you feel like you are sitting on a beach somewhere. It has a relaxing and almost soothing sound, and I definitely believe that the guitar in the background adds to that feeling.
The song being about an abrupt end to a new relationship, but still giving it this rather soothing vibe, is actually brilliant and I really like that! The song is almost like a warm blanket that is making you feel better during a hard time, such as a breakup, instead of making you feel angry and riled up.
Everyone should definitely be keeping an eye out for Riley Owens and his upcoming music. From his voice to his lyricism, he is a force to be reckoned with on his music journey!
New Jersey-based singer/songwriter Christina Nicole is not afraid to bare her soul to an audience if her music will linger as an emotional spark to others. Sculpting her vocal skills in school talent shows and academic programs from middle school to college, Nicole turned to songwriting as a special gift for her artistry.
Her sophomore single “Drifting” captures a range of different emotions washing over herself as if she’s going through a therapeutic experience shocking her system. The sparse instrumentation, with shades of Lorde’s minimalist ambient sonics, is eventually rocked by choppy spurts of synths and drums jabbing towards the back half of the track. This production choice induces a sense of disturbance of one’s moment of peace. Nicole’s pained contemplation, especially “Your oceans they took me, Your oceans they broke me/Your oceans they hurt me, Your oceans they’re too deep”, brings the song to life as an inner sensation of drowning when a special connection of love shifts from a fun ride to a turbulent one. Nicole explains:
This song is about an ocean ruining a person as they sink into it. I chose to use an ocean to represent this story using an ocean for specific reasons. Oceans appear absolutely stunning and entrancing when looking at them from a distance. But as you go in, deeper and deeper, you can no longer keep your head above the ruthless water. Something that appeared so beautiful could easily take everything from a person. This theme can apply to so many scenarios in a person’s life.”
“Drifting” by Christina Nicole is out on all streaming platforms.
Everyday is always the right time to get sentimental with a special loved one. In today’s age when sporadic hookups are common, events move at a million miles and people are wrapped up in their own world, it’s easy to lose track of who means the most to you. Jade Novah doesn’t lose sight of her outward affections with her latest single “I Just Wanna Know”. The Atlanta-based singer/songwriter shines on a silky smooth 1970s R&B groove produced by Devin Johnson, complete with girl group-esque backing vocals, finger snaps, and strings swelling throughout the track.
The soundscape of the track evokes a heavenly feel as Novah escapes into a special place to embrace the lover in her life. When she sings, “Got the voodoo and it’s good for you, I’m always in the mood, In the mood for you”, Novah emphasizes how much she’s head over heels in love and lust. The bluntness of her sentiments is intertwined with an earnest sweetness, fully capturing the aura of a true relationship that can envelop a person. Jade Novah explains:
‘I Just Wanna Know’ is about that point in a relationship when desire & love are in perfect harmony. When you’re in that honeymoon haze, you look at everything through the lens of love. Even the harmonies and vintage instrumentation in the music feel like a dreamy escape from reality.
If you’ve been looking for a new track with light as a feather vocals cascading over stunning – yet simplistic – guitar and piano, then Emily Frembgen‘s bittersweet new “He Held Onto Me” will be just up your alley. Truly a blues song at its core, Emily has recognized its topic as something highly relatable.
“He Held Onto Me” is obviously about some kind of relationship ending. I remember writing it really quickly as I was rushing out the door, it was a feeling that I urgently needed to express. I’m real proud of this one & Hugh Pool and Brian Mitchell’s evocative instrumental touches are so perfect here. I’d say it’s a good way to close a breakup album, wouldn’t you?
A song that almost relies on the silence between the notes for impact, “He Held Onto Me” is a sweet whisper of a song that will bring back feelings from loves past, if you choose to let it. Experience it for the first time below!
If you thought that new music hit a plateau this summer while you were taking some time off and really trying to find a self-healing routine… I’m sorry, but you’re wrong. Gritty, raw, beautiful music has continued to be created and released at a clip we almost can’t keep up with. So check back all August long to hear our favorite new releases of August, and be sure to “like,” “follow,” and “add” your favorites!