by Meredith Schneider | Oct 19, 2018 | albums, review
Alternative musician Novo Amor may have written and recorded the entirety of his new album in his home studio in Whales, but the sound is so polished and ethereal in its disposition that you would think it came to be in a garden somewhere. Beginning with tranquil, tone-setting track “Emigrate”, the album slowly layers in like a delectable dream sequence. “Birthplace” brings in more staccato notes – invoking a sense of excitement during parts of the song – and percussion that will change the rate of your heartbeat. “Utican” can be described as nothing if not as a freeing, energetic anthem, while “Seneca” dances delicately along the edges of your shoulders, as if to wrap you in an other-worldly hug.
“Anniversary” is largely instrumental, ushering in an energy and sound that feels like everyone you know is singing along. “13494” follows a similar feel to its predecessor, though darker in tone in a way that makes the track feel more robust. “State Lines” falls into the more conventional “folk singer-songwriter” category, and we’re eating it up like there’s no tomorrow. Seriously, turn this one on, turn your most twinkling lights on, and gaze out the window for a while. Pure bliss.
“Sleepless” is a more conventional anthem in its composition, but equally ethereal as the vocals maintain their light as a feather tone. Even “Repeat Until Death” doesn’t have the negative or dark tones to it as implied in the title, but to categorize it as anything other than melancholic would be a miss in our minds. And that’s fine, as the range of emotion and writing styles allows us a more intense peek into the creative mind of Novo Amor. He ends it all with “Oh, Round Lake”, a simplistic by impactful track that leaves you wanting to dance in that fairy-lit garden, breathing in the autumn night air.
Novo Amor kicks off his UK tour tonight. Head out to one of the dates below to check it out!
NOVO AMOR INTERNATIONAL TOUR DATES:
Fri 19 Oct – Brudenell Social Club, Leeds UK
Sat 20 Oct – The Haunt, Brighton, UK
Mon 22 Oct – Union Chapel, London, UK
Tue 23 Oct – Union Chapel, London, UK
Wed 24 Oct – La Maroquinerie, Paris, FR
Thu 25 Oct – Kulturhaus Karlstorbahnhof, Heidelberg, DE
Sat 27 Oct – Vega, Copenhagen, DK
Sun 28 Oct – Kagelbanan, Stockholm, SE
Tue 30 Oct – Botanique Orangerie, Brussels, Belgium BE
Wed 31 Oct – Paradiso Noord, Amsterdam, NL
Thu 1 Nov – Gruenspan, Hamburg DE
Fri 2 Nov – Funkhaus Berlin Nalepastrasse, Berlin DE
Mon 12 Nov – Atlanta GA, US
Wed 14 Nov – Union Stage, Washington DC, US
Thu 15 Nov – Bowery Ballroom, New York NY, US
Sat 17 Nov – The Sinclair, Cambridge MA, US
Tue 20 Nov – Theatre Farimount, Montreal, CA
Wed 21 Nov – Velvet Underground, Toronto, CA
Fri 23 Nov – Lincoln Hall, Chicago IL, US
Sat 24 Nov – Cedar Cultural Center, Minneapolis MN, US
Tue 27 Nov – Bluebird Theater, Denver CO, US
Wed Nov 28 – The Commonwealth Room, Salt Lake City UT, US
Fri 30 Nov – St. James Hall, Vancouver, CA
Sat 1 Dec – Columbia City Theater, Seattle WA US
Sun 2 Dec – Doug Fir Lounge, Portland OR, US
Tue 4 Dec – Swedish American Hall, San Francisco CA, US
Thu 6 Dec – Lodge Room, Los Angeles CA, US
Birthplace is available now. Keep up with Novo Amor here.
by Meredith Schneider | Oct 16, 2018 | albums, review
Indie pop-rock collective Roaming Herds of Buffalo releases their new album Mountain Rabbit today, and we’re blown away by the way the entire collection induces an energy field no matter what setting you listen to it in. Beginning with the fast paced “Does NOT Exist”, second track “Judgment Day” brings the pace down, but not the crashing of cymbals nor the hard guitar chords that we’ve come to know and love of this band. By “Into The Void”, we’re pleased to realize the vocal nods to the 60s and 70s will be a mainstay, indulging in the soft and glittering instrumentals of the third track.
This album truly leads you on an audible journey, a storyline attached at every turn. It’s colorful and interesting, bouncing from topic to topic while treating its listener to a soundscape unlike most others. The change of tempo after the intro in “Ray Gun” is sublime, the throwback punk feels of “Brain Stem!” really rev you up, and the title track feels like its from another world. “Dressed Like Sheep” brings it to a simpler acoustic sound, allowing the album to round out in a more delicate and light-hearted way. But the subject matter is another thing altogether…
Keep up with Roaming Herds of Buffalo here.
by Christie McMenamin | Oct 15, 2018 | show review, snapshot, visual
Acclaimed singer/songwriter Greg Holden made his return to New York City on September 23rd. Opening for Butch Walker, who produced his single, “On The Run,” Holden’s performance was like a homecoming. It’s a rare thing for an opener, especially one singularly armed with an acoustic guitar, to hush Irving Plaza from front to back, but Holden managed to wield this uncanny power with effortless ability.
When Holden first emerged from the side of the stage, the crowd’s vigorous, impassioned applause was astonishing. He strolled out with an unassuming, quiet confidence and began strumming as the audience quickly fell silent. As his 7-song set kicked off, Holden was oftentimes chatty between songs, lending an affable familiarity with a room of people whom he’d never met, treating them like valued friends. Constantly encouraging the crowd to sing and clap during parts of his songs, Holden’s set was interactive, a joint, group effort.
On “Home,” Holden issued a command for the audience to stop their feet in time to the beat. In turn, he received an eager assent as the stomps echoed throughout the venue and shook the floor. Holden’s newest track, “The Power Shift,” was prefaced by a quick lament, noting Donald Trump was currently in the city. The audience loudly booed, prompting Holden to launch into this political song, calling others to recognize the link between power and inequality, and one that was more than well-received in New York City.
“Boys In The Streets,” arguably Holden’s most moving song, showcases his lyrical prowess, one that is omnipresent throughout his work. Telling the story of a father struggling with his son’s sexuality, it’s only on his deathbed that he makes a confession: his intolerance was due to what he was taught growing up. He finally understands and encourages his son to be himself. Holden’s live performance evoked the pathos and pain of both son and father, and cheers went through the crowd as Holden reached the uplifting conclusion.
Lastly, Holden performed “Hold On Tight,” a triumphant, empowering song that bursts into a big, gleeful chorus as he sang an urgent warning: “don’t take your life for granted.”
It was an awe-inspiring set from a seasoned musician, one who will no doubt be back to New York City in the future.
by Meredith Schneider | Oct 5, 2018 | albums, review
After her riveting performance of “Woman” on Colbert, Cat Power releases her 11-track album, Wanderer, in its entirety today. The luscious, soft sounds of the title track lead us into the piece, slowly and confidently building up sound and backing instrumentals to provide the robust, ethereal sound that continues through second track “In Your Face”. Third track “You Get” has a bit of a punk edge to the instrumentals, while “Woman” provides a more soulful sound, reflecting the strength of an entire gender. “Horizon” stays at that level, while “Stay” slows things down a tad bit more and seems to play more with dissonance and vocal placement than its predecessors.
“Black” is hauntingly beautiful, the vocals presented akin to Imogen Heap, while “Robbin Hood” simplifies the instrumentals a little more for us. Cat Power’s raspy vocals in “Me Voy” are alluring, drawing you right into the mood and sounds of last track “Wanderer/Exit”, which provides quite the closing to the album.
The journey you go on with this album is at a manageable pace for you to slow down your thoughts and take a break from the hustle and bustle of the outside world. We advise you to take advantage of the soothing soundscape this week.
Keep up with Cat Power here.
by Meredith Schneider | Oct 1, 2018 | albums, review
On September 28th, New York-based trio Isla Invisible – comprised of Rebecca Adorno, Julian Brau, and Ryan Correira – released four track collection EP1, and we’ve got some thoughts. From the first, slow, almost trepidatious lines of initial track “Pillow”, EP1 seems to glide through the atmosphere, leaving showers of slow motion glitter in its wake. Even with the deeper, surf-friendly sounds of “Outward” – check out the lyrics that match the vibes of the instrumentals perfectly – and its punk-tinged follow-up “Frail Devices”, the collection boasts an ethereal yet raw sound that will stick with you hours past listening to it. “If All Is” rounds it all out with that same soft sound provided by the vocals in “Pillow”, though there’s much more intent behind this track. It might actually throw you into a state where you’re not entirely sure which emotion you should evoke, but that’s the beauty of EP1. It brings us to a place where we can lay our emotions bare and feel what the music has to offer.
Take a listen below.
Keep up with Isla Invisible here.
by Gemma Harewood | Sep 28, 2018 | albums, wolf tracks
There is something special out for release by BLVTH right now. With his influences ranging greatly from bass to hip-hop and everything in between, the mysterious producer has just delivered his eight-track EP blut. It’s an enticing listen for many reasons, but we love the way that BLVTH refuses to stay within the constraints of one or two genres.
Standouts on the EP have to come courtesy of “Pusher” (we particularly love the version featuring vocalist Soiceytrap), and “Disney,” which really hits hard with its moments of sharp contrast.
You can now listen through each eight tracks in full, check them out right here.
by Meredith Schneider | Sep 19, 2018 | albums, review
Toronto-based trio The Trews – comprised of Colin MacDonald, John-Angus MacDonald, and Jack Syperek – continue to enthrall their fan base with a rotating bevy of new material. Their new album Civilianaires – which dropped on September 14th – hits with lighthearted energy in “Vintage Love”, throwing you into that puppy love that only this band can re-instill with every new record release. And while “Leave It Alone” is a little more hard-hitting, “The New US” continues at that pace, with a bit more of a commentary on civilization as we know it. I think we can all get on board with the sentiment in fourth track “Time’s Speeding Up”, while “Bar Star” throws itself into an introspective atmosphere, allowing the listener to question what they think about during last call.
“Harder To Love” feels incredibly primal in its disposition, “Is It Too Late” mirrors the title’s sentiment, a question plaguing anyone who isn’t sure about the choices they’ve made in life, and “Up sweet Baby” implores the object of the singer’s affection to stay awake until he gets home to be with them. The title track and its follow-up “No More Saying Goodbye” are filled to the brim with nostalgia, influences from past decades palpable. “Amen”, “Let The Great World Spin”, and “Jericho” are perhaps the best ways to round out the album, discussing forgiveness and elevating the world.
As a piece of artwork, this album really shows up for the introspective crowd. While the instrumentals stay energetic, layered, and freeing, the lyrics bounce from topic to topic, often with the melancholy glazed over by the gorgeous melodies provided. We’re big fans, and we think you will be too!
Keep up with The Trews here.
by Meredith Schneider | Sep 5, 2018 | albums, review
On August 31st, Dangerbird Records brought us a stunner of an EP to enjoy over the holiday weekend. Joel Jeronimo – aka Joel Jerome from the Los Angeles band DIOS and very well-known recording collaborator in the Southern California scene – and Jimi Cabeza de Vaca – aka Jimi Camaro, ex-member of DIOS – teamed up to create a three track mini album called Atlantis Airport 1982. A culmination of realism and fantasy – with a bed of synthesizers to frame it all – the album is pure otherworldly magic.
From the very first airplane-takeoff-sounding notes of “Atlantis” – which makes us feel like we are on an intergalactic spacecraft, if we’re being completely honest – to the slower, more tribal sounds of “Airport”, through to the last lines of far more experimental and jarring track “1982”, we’re smitten. In fact, we are given the impression by this album that we just went back in time to 1982, and hopped into their forward-thinking minds to their idea of the future, and then were spit back out again. It was a quick ride, but well worth it!
by Aubrey Hanson | Sep 4, 2018 | albums, review
You may have already heard of emotional singer/songwriter Harry Myers, also known as Thoreau from his interviews, reviews, works, or playlists with popular music accounts such as Billboard, Trap Nation, and many more, but you’re going to want to make sure you listen to his new EP Reflections that was just released. This entire EP is built up of the emotions that you may feel throughout a relationship which makes his music not only enjoyable, but also relatable.
“In For” and “Afraid” are the most upbeat tracks that you will hear on the album, and also some of the most emotional. These songs describe fear, weaknesses, and emotions that you have to push through and learn how to live with throughout life and relationships. And every single track has this smooth, intense and robust soundscape that makes the EP an easy listener with a few friends, or the backdrop at a big party. It fits into so many environments sonically that we’re actually impressed by it. This EP resembles some aspects from the pop genre, but also R&B which gives it a different feel from the usual singer/songwriter likeness.
Make sure to check out the new Reflections EP, and you will not be disappointed!
Keep up with Thoreau here.
**co-written by meredith schneider
