by Meredith Schneider | Sep 14, 2018 | premieres, videos, wolf tracks
Tel Aviv-based indie folk collective theAngelcy – comprised of Maya Lee Roman, Maayan Zimry, Uri Marom, Rotem Bar Or, and Udi Naor – is a jam band if ever we saw one. This is further proven in the brand new music video for their track “Mona Lisa (the song)”. Filled to the brim with a modern take on that 90s nostalgia – we can’t necessarily help it that fashion is going back in that direction now, but we CAN help an all-white background and group dancing – “Mona Lisa (the song)” will inspire you to move this weekend, and we’ve got the exclusive premiere.
Keep up with theAngelcy here.
by Meredith Schneider | Sep 10, 2018 | premieres, singles
Boston/Los Angeles-based surf pop collective Aüva has been making sweet, sweet tunes for us since they formed in early 2015 while studying at Berklee. Their second full-length album, All Good Things, shows the progression of their music, bathing its listener in beautiful harmonies and intricate guitar work. All Good Things hits the airwaves in its entirety on September 14th, but we’ve got a taste a little early with the exclusive premiere of “One Last Time”
Check out Aüva as they play Rec Center in LA on September 16th, and pre-order All Good Things here.
by Meredith Schneider | Sep 7, 2018 | premieres, singles, wolf tracks
We’ve been in the mood for a mid-tempo, semi-psychedelic track to really put us in the right mindset this weekend. Whether you’re experiencing torrential downpours like the midwest, or simply acknowledging the slow trudge into autumn, Canadian trio Fever Feel – comprised of Landon Franklin, Logan Gabert, and Thomas Platt – has a new track titled “Come To Me” that fits the bill. The soundscape is lush, beautiful in a way that an unexpected diamond in the rough would be, and we’re thrilled that we have the exclusive premiere to share with you!
Keep up with Fever Feel here.
by Aubrey Hanson | Sep 3, 2018 | singles, wolf tracks
Goth pop musician So Below has recently released new song “Drive” that includes a splash of upbeat indie pop. This song has a calm/mellow beat with smooth vocals sounding similar to the vocals of singer/songwriter Ingrid Michaelson. Madeline North, the sole creator of So Below, uses her unique vocals in each song to draw in listeners from any genre. You can also hear her vocal similarities to ‘Drive’ in her other tracks ‘Visions’ and ‘Close’. ‘Drive’ not only is the perfect song to play with your windows rolled down, but also the perfect song to play on a rainy day!
Make sure you check out all of So Below’s present and past music because you will not be disappointed!
by Meredith Schneider | Aug 31, 2018 | premieres, singles, wolf tracks
The first single from singer/songwriter Cristabelle Braden‘s upcoming EP is revving up for release, and we’ve got the exclusive premiere right here! The catchy pop track highlights the importance of beacons of light during dark times. “Light in the Dark” was inspired by Cristabelle’s own struggle with a severe head injury, and the time following that, during which she began her own organization called Hope After Head Injury. Though the song itself is sticky sweet at times, the lyrics bring out the melancholic tone and moments of self-evaluation that we all have at one time or another.
Allow yourself to get lost in a different world for a bit, and try “Light in the Dark” on for size.
“Light in the Dark” is available for pre-order now via iTunes and Amazon. For more about Cristabelle’s work with brain injury, visit hopeafterheadinjury.com. Keep up with Cristabelle Braden here.
by Meredith Schneider | Aug 24, 2018 | albums, premieres
Los Angeles-based visual artist, illustrator, zine-maker, and multi-instrumentalist Dakota Blue finally drops his insatiable 8 track Plaza to Plaza LP today, and we’ve got the streaming premiere! Starting in an eery way with what seems to be old opera music, “Plaza I” eases us into the emotional soundscape we are about to embark upon slowly and painlessly. “Private Car” keeps us at that tempo, blissfully floating through electric guitar notes and reverb for days. When we get to “Plaza II”, we aren’t sure if we should expect an extension of its predecessor or not, but it seems these two plazas exist in completely different atmospheres. Whereas the first gave us a taste for nostalgia in its entirety, the third track dances at a quicker tempo, layered with original vocals. “Game Show” brings the energy back down, but not quite to that of the first two tracks. In fact, it does continue with the “eery” theme, incorporating more of Dakota Blue’s vocals like its predecessor.
“I’m The Mannequin” feels older, perhaps with the way dissonance is manipulated throughout. “Scorpion’s Theme”, however, feels exactly as it is described, with heightened sounds to indicate staccato moments of intensity, as though you are facing down with a scorpion in person. This track absolutely belongs in a stressful horror movie, along with many of its colleagues on this collection. (Should we throw that idea into the universe?)
“Beijing” is melancholic in sound, beautiful in its vocalization and the simplicity of the lyrics. Dakota Blue rounds out Plaza to Plaza referencing a third plaza, “Plaza III”. This track begins so quietly, you almost have to focus on nothing but the music. Which is a testament to the way this musician creates, his experimental functions so pronounced that it is most admirable to find time to enjoy these tracks with your mind, body, and soul.
But don’t just take our word for it. Check it out in all of its freshly release glory below!
by Aubrey Hanson | Aug 24, 2018 | albums, review
Talk about an empowering new album! Artist Whoa Dakota has recently released her new album ‘Patterns’ on August 17th! Jessica Ott, who you may know better as the artist of Whoa Dakota speaks out about her new album saying, “This album is about everything that made me. Patterns weaves two main narratives: breaking free of our own destructive cycles through accountability as well as reconciling how our roots continue to shape our identity.”This multi-genre album with 80’s inspired vibes is all about becoming who you are and finding yourself throughout your life while also breaking through the same vicious routines that may hold you back. Growing up with her parents and grandmother, Ott learned many valuable lessons and stories in which she uses in her music nowadays. The track ‘Patterns’ is an upbeat and catchy yet teachable song that inspires you to break away from your unhealthy patterns. “Patterns” is the one song that sets the mood for what you can expect on the whole album. Songs such as “Animal”, as well as countless other tracks on the album also refer back to the same old cycle that you do not want to get caught up living in; you just need to break free of all the cycles and patterns. While listening to Whoa Dakota’s new album, you may hear many vocal similarities when compared to alternative/indie artist, St. Vincent. Both artists are strong female singers that you do not want to pass up.
Take the time to go listen to Whoa Dakota’s new album Patterns‘, and you will not be disappointed! If you have the chance, make sure you also go to see Whoa Dakota live!
by Meredith Schneider | Aug 23, 2018 | premieres, singles, wolf tracks
New York-based R&B artist Kash brings a certain badass attitude with her wherever she goes, and we are soaking it up as if it’s our last rays of summer sun. Today, she brings us the exclusive premiere of her gorgeous new track “Don’t Let Me Go”, which boasts her voluptuous vocals glossed over bluesy instrumentals. The song serves as a warning to a significant other that life doesn’t get better after her, and she’s far more convincing of that fact than we could ever begin to explain. So let yourself get lost in the soulful, intense soundscape of “Don’t Let Me Go” below!
Keep up with Kash here.
by Meredith Schneider | Aug 20, 2018 | premieres, singles, wolf tracks
Charlotte-based rock trio The Eyebrows – comprised of Jay Garrigan, Shawn Lynch, and Jon Lock – are hitting a trending topic with new track “Avocado”. The song hits with a vintage, Munsters-like intro, with quirky vocals and massive amounts of reverb lacing everything together. Whether singing directly to an avocado or singing of someone who reminds them of avocados, it is clear that these men either greatly love avocados or greatly enjoy making fun of people who do. Perhaps both. And that’s the magic of it all.
Keep up with The Eyebrows here.
