London-based singer/songwriter Phildel possesses a voice that is absolutely magnetic, a trait especially noticeable in her new track “Electric Heights”, released today. Let her lightweight vocals set the tone for your day, creating an ambiance that is absolutely splendid, despite moments of melancholia. It’s absolutely entrancing, and definitely worth a few listens.
Keep up with Phildel here.
I’m an Aquarius. We are spontaneous, free thinking, innovative, sometimes aloof and obstinate (!) and we don’t like to follow the crowd. This playlist represents a period in time that was so inspiring for me as a musician and fledgling producer. I spent a lot of time between London, New York and Los Angeles, the hip hop and RnB of that time was everything. These were the artists that carved out their own paths, with respectful nods to jazz and classic soul, which, combined with taste maker producers like J Dilla, influenced a genre of music, that some considered ‘neo-soul’, but with a dash of spirituality and a heartbeat that made you screw your face up and nod your head hard, became my ‘good place.’
Keep up with SJae here!
Dallas-based songstress Emmeline sets the stage for her most recent single “Superheroes” with the sound of rolling thunder and rain, her vocals easing into the track in a very Jessica Rabbit way, if we do say so ourselves. Emmeline’s vocal range makes her perfect for the stage, the song itself incredibly theatric and layered in a fun and powerful way.
If it had been up to us, this would have been the anthem for the Women’s March, but who are we?
Keep up with Emmeline here.
Pop artist Ella Vos has created yet another earworm with new track “Temporary”. Coming from her new EP titled Watch & Wait, out January 25th, the song itself is like a shot of adrenaline in a quiet, meaningful, and ethereal way. Ella’s vocals alone could carry your energy for a few days off of one song, but her consistent reminder throughout that “Time is solely temporary” reminds us to take it all in stride as well. You’ll want to keep this one in your back pocket.
Keep up with Ella Vos here.
KONGOS ‘ groovy appeal is almost enigmatic. Their fun melodies and the band’s chemistry might stem from the fact that the four-piece is comprised of brothers Johnny, Jesse, Dylan, and Danny Kongos. Now based in Arizona, the band released their latest full-length – a 10-track project titled 1929, Pt. 1 – on January 18th. “Something New” speaks of things we can all relate to, whether political, music-wise (And if you are, this new album hits that spot!), or in our relationships. With a percussion-led instrumental section, “I Am Not Me” is a self-reflective song, infused with a fun beach feel, despite its melancholic lyrics. While “Stand Up” has more of an ethereal soundscape, “Pay for the Weekend” reeks of rock n’ roll.
“Wild Hearts” slows it all down quite a bit, simplifying the landscape for us and injecting every line with the deepest intention of emotion we’ve yet to be exposed to. Ever. While “Real Life” speeds the pace up a bit, “Keep Your Head” is the obvious party track of them all, working guitar licks in and around a pop-rock vibe we are 100% on board with. “Everything Must Go” goes into a very obvious U2 direction. A ballad, if you will. “When You’re Here” breaks it all down into an easy breezy soundscape – worthy of the warmest of weather – and the album is rounded out nicely with the robust, intense sounds of “4543”. Quirky enough to keep our ears perked, we’re probably going to be spinning this title for the remainder of the day.
Keep up with KONGOS here.
Pickathon returns to the woods outside Portland, Oregon from August 2-4, 2019, with an initial lineup to be released January 21. Pickathon has built a reputation over the last twenty years as the best festival experience, combing groundbreaking programming focused on discovery, sustainable ethics, and a lineup that pushes the boundaries of genre. This vision is clear in Pickathon’s initial lineup, which brings together key headliners like Nathaniel Rateliff & The Night Sweats (Rateliff’s first time playing Pickathon and he’ll be bringing two different bands), Khruangbin, Mandolin Orange, Tyler Childers, Lucius, Preservation Hall Jazz Band, Fruit Bats, and Mountain Man with a voraciously broad cast of other performers like well-loved Americana outsiders Caamp, Lambchop, and H.C. McEntire, doom metal band YOB, North African desert blues artist Mdou Moctar, new supergroup Bonny Light Horseman, Northwest indie royalty Damien Jurado, Laura Veirs, and Courtney Marie Andrews, returning favorite Julia Jacklin, psych soul outfit The Marías, Polaris prize winner Lido Pimienta, Congolese experimentalists Jupiter & Okwess, and word-of-mouth newer artists like Sudan Archives, Miya Folick, B Boys, The Beths, and Black Belt Eagle Scout, among many others.
The initial lineup shows the kind of deep curation and wide-ranging musical interests that have made Pickathon a key tastemaker event in the American music scene. It’s a lineup based on discovery, not draw, a diverse lineup intended to represent the best contemporary snapshot of music across more than a dozen genres. With many artists requesting to return each year, Pickathon has become a kind of pilgrimage for artists looking to renew themselves at a well of creative inspiration. Walking onto the festival grounds at Pendarvis Farm in the small town of Happy Valley, OR, you can see what draws artists back year after year. Pickathon is a riot for the eyes, a festival that takes a holistic view to the music. Each stage is visually spectacular, from the woven branches that make a towering shell of the Woods stage to award-worthy architecture of the Treeline stage, using renewable resources in a different array each year. The Mt. Hood Stage, the mainstage of Pickathon, was ringed with living gardens in 2018, and the festival makes use of rustic, picturesque existing buildings like the late-night-raging Galaxy Barn, or the interview-focused Lucky Barn. Each artist’s sets are curated specifically to each stage and the timing of the festival meticulously planned, all to inspire the artists to new heights and historic performances. An army of over 600 videographers and audio specialists record Pickathon, pushing for a spread of nearly 200 videos that will be released between festivals. It’s a wildly ambitious project that involves so many people because each person has come to realize that Pickathon represents our best vision for how music and community come together.
LINEUP
Nathaniel Rateliff & The Night Sweats
Khruangbin
Mandolin Orange
Nathaniel Rateliff
Tyler Childers
Lucius
Preservation Hall Jazz Band
Fruit Bats
Mountain Man
Caamp
YOB
Damien Jurado
Lambchop
Laura Veirs
Julia Jacklin
The Marías
Miya Folick
Sudan Archives
Bonny Light Horseman
Mdou Moctar
Courtney Marie Andrews
Lido Pimienta
Cedric Burnside
Town Mountain
Jupiter & Okwess
The Beths
B Boys
Our Girl
JJUUJJUU
Sneaks
Young Jesus
Sam Evian
Black Belt Eagle Scout
Flasher
Mike and The Moonpies
Nap Eyes
Soft Kill
H.C. McEntire
Helena Deland
The Cordovas
Lauren Morrow
Bodega
David Nance Group
The Po’ Ramblin’ Boys
Virginia Wing
Garrett T Capps
Martha Scanlan
Gold Star
Colton Turner
&more (Chill Moody & Donn T)
David Bragger & Susan Platz
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St. Petersburg-based trio Polyenso – comprised of Brennan Taulbee, Denny Agosto, and Alexander Schultz – recently released their new EP Year of the Dog, and we’ve got some thoughts. Beginning with a swirling, ethereal energy in “Neon Mirror”, the cacophony of sound these musicians create together is poetic in its existence, only further so with the addition of vocals woven throughout with an electricity that is undeniable. “Bastard” has a bit more of an experimental feel to it, but the percussion makes us want to dance down the street, essentially turning our walk into a musical number. That’s got to say something, doesn’t it?
“Happy” has a bit of a melancholic feel to its soundscape, further perpetuated by the lyrics. While “I Go You Go” definitely has the charm of a late night dance track, to be enjoyed in a sweaty underground somewhere in Manhattan, the instrumental versions of each track take us back through a host of emotions, living through the same pattern twice over the course of one EP. We’re pretty impressed, and know you will be too!
Keep up with Polyenso here.
Toronto-based electro alt-pop songstress X. ARI has done it again with edgy new track “Break Point”. With her signature robust, strong vocals, she takes on emotions we can’t all express correctly. Everyone’s breaking point is different, and we’ve all been in similar scenarios. To have it vocalized for us – and in such a vulnerable and beautiful way – is another step closure to collective healing.
“Break Point is about PTSD and it describes the moments right before I broke down late 2016,” explains X. ARI. “Having a mental health breakdown doesn’t just happen overnight. There’s a build up and a splitting point where you crack and you’re not really yourself anymore. This song describes that process and experience.”
Thank you, X. ARI.
Keep up with X. ARI here.
Electro avant-pop act Strawberry Mountain might be based in New York City, but they are taking over the west coast starting this week! Join this effervescent band on an other-worldly journey at any of the dates listed below. But before you do, give their new track “Racer” a spin (or twelve!). With a blend of nostalgic space-y sounds and their matter-of-fact vocals, the track is definitely an earworm.
Upcoming Shows
January 23rd 2019 // Portland, OR // The Liquor Store
January 24th 2019 // Eugene, OR // Old Nicks Bar
January 25th 2019 // Salem, OR // The Space
January 27th 2019 // San Francisco, CA // Milk Bar
January 28th 2019 // Santa Cruz, CA // Bocci’s Cellar
January 30th 2019 // Los Angeles, CA // Harvard & Stone
January 31st 2019 // Long Beach, CA // Alex’s Bar
February 1st 2019 // San Diego, CA // Til Two Club
February 2nd 2019 // Phoenix, AZ // The Lunchbox
February 3rd 2019 // Las Vegas, NV // Bunkhouse
February 7th 2019 // El Paso, TX // Love Buzz
February 8th 2019 // Tucson, AZ // Cans Deli
Keep up with Strawberry Mountain here.