by Kira Cappello | Jul 16, 2019 | show review
With two stunning EPs and two singles under their belts – including one acoustic rendition – five-piece indie rock dream Flipturn has been taking east coast stages by storm while on tour with crunchy indie group *repeat repeat. I was lucky enough to catch them in Philly on the second night of their tour, following a DC performance the night before.
Flipturn has become one of my absolute staple favorites since discovering them in March – a discovery made from a particularly spot-on Spotify algorithm, might I add. Even as I’m sitting and writing this, I’m having a hard time accurately conveying my excitement for just how stoked I was to see Flipturn, and for just how tight of a show this group can put on. Let’s get into it.
Just as I was entering the upstairs of The Milkboy, Flipturn was launching right into “Cold”, the second-to-last song off their first EP titled Heavy Colors (2017). This song acted effectively as a primer; the base layer that Flipturn would swathe their canvas with, a rich and varying sample of their sound. Vocalist (and rhythm guitarist) Dillon Basse’s crystal clear, operatic bellows soar with a fervor unmatched alongside piercing leads from guitarist Tristan Duncan, the kind that drift away and carry you with them. Madeline Jarman’s bass grounds us, reminding us that we are still desperately running to keep up with our own heartbeats; all in harmonious contrast with Taylor Allen’s synth, which subtly lifts us to the dreamy stratosphere, filling the space as it floats by. Drums from Adrian Walker are compelling when they need to take the wheel, and subdued at all the right times, building captivating suspense as each song plays out.
Following “Cold” was “Churches”, which the band released as a single before its official release on second EP Citrona, out in 2018. This punchy, electrifying track is arguably the band’s angstiest, and it was an absolute headbanger – halfway through, I turned around to check out the crowd, and it had easily doubled. On the recording for this song, there is slightly more distortion placed on the vocals, almost like screaming into a 1930’s telephone (I say this genuinely and endearingly) – and Basse’s vigor and rasp as a live performer matched this intensity perfectly.
Next was a new song that hasn’t been released yet, but judging by its subject, I might guess that it will be titled “Eleanor”. The bass-heavy, disco feel of this song definitely piqued the crowd’s interest as much as the ones they knew and sang along to. Following that, a cover, and a modern classic at that: “Hold On” by Alabama Shakes. Flipturn’s insertion of their gritty yet uplifting indie glitter gave the song a fresh and welcomed twist. Basse made sure to shout out dynamic frontwoman Brittany Howard, as well as encourage the crowd to check out her new solo work, released earlier this year.
On Citrona, instrumental opening track “Fletcher” bleeds into “Six Below”– which is exactly how Flipturn played it live. “Fletcher” starts off minimally, adding layer and layer of perfectly syncopated lilting rhythms from Basse on guitar and Allen’s synth alike, topped with Duncan’s undulating lead guitar that yearns for another summer. The transition into “Six Below” feels like that brief, liminal space between dreaming and awareness, and it isn’t until the first chorus that you have to truly face the world, as Basse declares, “I know what everybody knows: Die young or you can grow old, until you’re buried six below”. The incredibly fast drum fills and solos from Walker were outstanding during this number.
“Hippies” haunts in all the right ways, and left me feeling nostalgic for memories that weren’t even my own. Basse’s ringing falsetto paints like an old film, reminiscent of all those who have loved and lost before himself. The buildup towards the end up the song held just the right touch of suspense, lifting up the audience just high enough to drop back off with a satisfied head nod at its break. The final line of each chorus, as well as the song, mourns: “I lost you”.
Between each song, Basse must have called out at least thirty different variations of “Thank you!” and “You guys rock!” following the eruptions of applause and “Woo!”s from the crowd (here’s hoping I was the loudest there). Then, he and Jarman playfully requested a name for their next song – another new and untitled one. Several jokes were called out, but we’ll have to wait and see what they end up deciding for it. On this track, the most dominant melody came from Duncan on lead guitar, heartily met by a much more frequent use of falsetto from Basse. Basse is also an unstoppable dancer; I swear, he never stopped jumping back and forth during the entire set. His buzz was infectious.
Basse announced they had two more songs. The group was met again by cheers not lacking in volume, but, knowing that it would inevitably end, the celebratory air that begins every night of excitement had shifted slightly, preparing itself to begin missing the experience. The first twinkling strums of one of Flipturn’s biggest hits began, “August”. To say that this song is sweet or nostalgic might be cliché, but not out of line. The first line is an invitation to open the storybook: “August, honey, tasted sweeter with you.” Every summer love, every youthful flashback, every ray of sun entering your teenage bedroom is captured in this song. The perfect song to fall in love to, to have your heart broken to, to fall apart to – and it happened live, all at once, for about fifty of us in that room. “I loved you from the start,” Basse wails, each note rising to surpass the last – eventually leading up to a perfectly stacked buildup that meanders at first, then meets you face to face, as if to settle matters for the last time. The crowd went wild.
The final song of the night was “Nickel”, paralleling its closing on Citrona. On this upbeat, choppy anthem, Basse demands the truth. “Was I just told a lie my entire life, thinking I’d be great?” The song carries out with a chant that Basse invited the entire crowd to chant, clap, eventually scream along with many times over, as the intensity increases: “I give it all up for a bottle of wine, about two feet tall, three inches wide; I’d rather be drunk, or out of my mind, than trade my soul for nickels and dimes.”
After graciously accepting the mountainous applause and cheers following this track, Basse’s and Jarman’s eyebrows raised as the crowd began chanting unanimously, “One more song!” Jarman made a slashing motion to her throat as Basse stepped to the mic, jokingly exasperated with palms extended at his sides and an ear-to-ear grin, to remind the crowd, “We’re the opener! We can’t play another, we’re the opener,” The cheering finally subdued, some music began on the speakers overhead to fill the space, and fans flocked together to discuss what they had just heard.
Flipturn put on one of the more solid shows I’ve seen of any indie touring group, touring or not, and I will definitely be seeing them next – and hopefully every- time they come to Philly in the future.
Setlist
1. Cold
2. Churches
3. New – Unreleased
4. Hold On by Alabama Shakes
5. Fletcher
6. Six Below
7. Hippies
8. New – Untitled
9. August
10. Nickel
You can keep up with Flipturn here:
http://www.swamprecordsuf.com/flipturn
https://www.facebook.com/flipturnband/
https://www.instagram.com/flipturnband/
https://twitter.com/flipturnband
by Caitlyn Champ | Jul 15, 2019 | singles, wolf tracks
For those looking to escape the monotony of the corporate world and lose themselves in a universe of bouncing bubbly beats PETRA’s new single, “Into the Sun” is the perfect track. With honest vocals exclaiming the need to break free of corporate chains and pursue a life of creativity and freedom this song will have you nodding along to the beat in no time. A catchy tune with easily learned lyrics you’ll want to have this song on your playlist for the rest of summer. Plus, as the debut single from the upcoming album, Dancing Without You, listeners are able to get their first taste for what magic PETRA will bring in the future. Available for streaming on July 15, “Into the Sun” reminds us to take the leap of faith into our creative dreams and not let fear hold us back from doing what it is we love the most in the world.
For more on PETRA click here.
by Meredith Schneider | Jul 15, 2019 | snapshot, visual
The strong scent of incense wafted over the audio gear. We had been standing in the barricades of the photo pit, anxiously awaiting Carlos Santana, for all of three minutes when I realized the footage being played above stage was from Woodstock fifty years ago. This footage was being played to lull us into a gorgeous start of a wonderful and nostalgic evening with the one and only Carlos Santana, who is taking the time on his tour to acknowledge his 20 year old album — the one I know the best — Supernatural.
He played songs like “Put Your Lights On”, “Black Magic Woman/Gypsy Queen”, “Breaking Down The Door”, “Maria Maria”, and he didn’t leave out fan favorites “Oyo como va” and “Smooth”. And that’s exactly how I would describe his energy on the stage. The performers made it feel as though they were jamming together in someone’s basement or — better yet for a crowd this big and this dedicated to the ambiance (HELLOOOOO 420!) — perhaps a backyard on a warm summer’s night.
The evening was absolutely magical, and of course we credit so many generations of love for Santana on this one. Peep some photos below.
by Meredith Schneider | Jul 12, 2019 | albums, premieres
Rock collective Model Citizen released their new album The Next Life this morning. The 18-piece band – under their leader Mark Ciani, with help from Josh Logan, Fernando Lodeiro, Alvaro Kapaz, Matt Musty, and Ryan Gleason – packed this release with as much grit and soul as possible, while injecting their own brand of indie-influenced rock into every track. Songs like “Hell Hath No Fury” and “The Next Life” give us pause to truly appreciate the breadth of the album, which was created to perfectly complement an evening breeze. Don’t believe us? We’re premiering it now, so check it for yourself!
Keep up with Model Citizen here!
by Caitlyn Champ | Jul 12, 2019 | singles, wolf tracks
California based indie-pop duo Soft People give off massive retro vibes in their new single “Tender” being released on July 12. In this track, the traditional husband-husband combination of Caleb Nichols and John Metz is met with the impressive drumming of Pat Spurgeon from Rogue Waves creating a timeless song to be enjoyed by all. With a roller-disco type feel this song will have you nodding your head in appreciation of its upbeat yet twisted melody. The angsty lyrics remnant of 80’s powerhouse bands such as The Smiths and The Cure remind listeners how important it is to stay soft in a world where being tough seems to be the only option. “Tender” influences listeners to believe that it’s better to show love every day than to give in to the hard times we are all living in. With creative masterpieces like “Tender” coming onto the scene, it’s hard to be anything but excited for the future of Soft People.
Keep up with Soft People here.
by Kira Cappello | Jul 11, 2019 | videos, wolf tracks
Grand Canyon has just released their newest body of work, an EP titled Yesterday’s News. The five-track collection covers enormous ground with explosive back road Americana, dreamy psychedelic storytelling, hard-hitting social commentary, and the sour wounds of heartache. The band’s spirited, defiant, D-I-Y attitude is captured in the music video for their single “Yesterday’s News”, as lead singer and guitarist Casey Shea struts solo through the bustling streets of London.
Filmed on an iPhone by guitarist-turned-cinematographer Joe Guese, the video is a prime example of an impromptu good time caught on tape: the members had a day off in London between shows and asked themselves if there was any way they could quickly engineer a much-needed video for “Yesterday’s News”. Creative energies aligned, and the grainy video, bubbling over with Shea’s individuality, was finished in the snap of a finger. Said Shea to Billboard, “There’s just a good vibe about the video. It has attitude. I love seeing the double decker buses everywhere. It seems like it was just meant to be.”
We can’t help but agree.
P.S.: Fate strikes the video at 1:17, when a truck drives by bearing the slogan, “Carrying you through the 21st century!”, a serendipitous nod to track four on the EP, “21st Century American Man”.
Keep up with Grand Canyon here.
by Meredith Schneider | Jul 10, 2019 | snapshot, visual
Last week, we prepped for the holiday of lights and showboating with a performance serene and gorgeous as the sound of a flowing stream after a good rain. Allison Gliesman’s voice is one of the most alluring we’ve ever heard, and with both their popular band Mess and their solo project sex ed, we are consistently floored by the quality of songwriting. We urge you to get out to a show, but until then, here are some highlights of one of our favorite performers. Period.
Keep up with Allison’s band Mess here.
by Karina Marquez | Jul 10, 2019 | singles, wolf tracks
Nashville-based alternative rock duo CITY SILOS have harnessed an effortlessly cool vibe in their latest single “Give It To Me Straight.” Also known as Chris and Kristen Butler, they work together as husband and wife to create a track that is as catchy as it is full of vulnerability and angst. Kristen’s voice is reminiscent of Paramore’s Hayley Williams with her powerful range and ability to bring a certain raw emotion to the song. What makes this song stand out is that it is something you can dance around your room to, but also relate to it’s revelations about being in a dead-end relationship. “Give It To Me Straight” is just a sliver of what’s to come — their debut full-length album Happy Thoughts is to be released on August 30th.
Keep up with City Silos here.
