lydia, “red lights” ft. lauren ruth ward

lydia, “red lights” ft. lauren ruth ward

Have you ever been through a breakup, riddled with fresh feelings and not wanting the relationship to end, necessarily? Ambient indie trio Lydia – comprised of Leighton Antelman, Matt Keller, and Shawn Strader – and rock ‘n’ roll musician Lauren Ruth Ward have teamed up to create a soundscape filled with both parties’ tumultuous thoughts from a last night together. Is it the right thing to do? Are the emotions raw enough to make you want to keep that person with you? Was it all bad?

Relationships are complicated, and Lydia and Lauren Ruth Ward address that fact in a seemingly upbeat, but equally tortured, single filled with hope and anticipation for the future. It will be available on Lydia’s upcoming album Liquor.

Liquor will be available July 13th. Keep up with Lydia here.

jim james, uniform distortion

jim james, uniform distortion

Today, Louisville, KY-based musician Jim James releases his new 11-track stunner of an album titled Uniform Distortion. From the very first guitar riff of “Just A Fool”, you get a sense that this man has put every ounce of emotion he has into this work of art. Excuse us if we’re wrong, but to start with a riff so energy-infusing and raw is something that doesn’t happen often enough. And while he sings about being “just a fool getting by,” we’re certain that’s a bit of an understatement.

If you don’t see what we mean with the initial track, try the nasty guitar lick that introduces “You Get To Rome”, or the riff that underlies “Out Of Time”. It is only with fourth track “Throwback” that the pace slows for a more intimate and introspective five minutes and nineteen seconds of nostalgia. (Though we have found that James’ lyricism doesn’t lack an introspective quality, something we yearn for when seeking out new music to enjoy.) And while “No Secrets” keeps to a slower pace – and properly displays a little more of James’ vocal range – “Yes To Everything” might be one of our favorites on the album. His laughter, his sense of self, the upbeat way with which he addresses change. We’re here for it.

If you don’t realize by seventh track “No Use Waiting” that this man is – at his core – probably a rock god, “All In Your Head” will serve to prove you wrong. It is with the last three tracks – “Better Late Than Never”, “Over and Over”, and “Too Good to Be True” – that slight bouts of that truly upbeat Partridge Family feel hit you unexpectedly. It blends perfectly with the era his music seems to come from, an era more lush and filled with warmth.

And that’s how you’ll feel after encountering Uniform Distortion. It brings you to that warm, comfortable happy place while introducing more and more insightful lyricism with each track. So hit play, and see what this new release evokes for you!

Keep up with Jim James here.

hirsh, going

hirsh, going

Alternative electro-synth pop artist HiRSH – the ethereal, enchanting brainchild of musician Beau Hirshfield – is releasing his new EP Going on Friday. If first track “Ready to Go” didn’t offer the expression of his readiness to take on this industry with strong instrumentals and luscious vocals in its soundscape, the lyrics tackle that question head on. “Beating Heart” brings the tempo down, though somehow maintains a “party anthem” feel to it despite its dark lyrical tones. And while “Feels Like” boasts enviable percussion, Last track “The Well” perfectly rounds out the EP, riling up every emotion a human soul is capable within its 3 minutes and forty-seven seconds of smooth vocalization.

Says Hirshfield: “Trial and error. Guess and check. Ebb and flow. Peaks and valleys. Go ahead and pick any cliché you like to describe this journey. We are all in a mad dash to get somewhere while nobody has any real clue where were actually going. Life.”

Going is out June 29th. The EP release show is at The Peppermint Club in LA on June 29th. Tickets are available here. Keep up with HiRSH here.

kahiem rivera, “sing about me”

kahiem rivera, “sing about me”

Kahiem Rivera’s new track “Sing About Me” is the result of a spur-of-the-moment, late night inspiration, and it is complemented with the beat of Kendrick Lamar’s song with the same name. Not only is the beat Kendrick’s – Rivera’s lyrics exude the same brutal honesty and harsh reality of growing up. However, the story that these lyrics tell is entirely his own. It is also extremely relevant to today’s society, even referencing the political discourse we talk about every single day:

“Fall of ’16, stuck inside and not seeing clear,
Plus we elected who?
Man, I need another beer.”

Rivera tells a very personal story – it is raw and real and quite dark at times. And with a little bit of help from Kendrick Lamar, he delivers an emotional, well-written track.

Keep up with the latest on Rivera here.

broken baby talks starting a band, premieres “pass the acetone”

broken baby talks starting a band, premieres “pass the acetone”

Relatively new duo Broken Baby – comprised of Amber Bollinger and Alex Dezen – is hitting the Los Angeles music scene hard with their unique and energy-inducing brand of post punk-rock. They’ve already brought social commentary to the forefront in first single “Year of The Fat Man”, in an endearing way that gets you moving, even if you aren’t necessarily a dancer. But their new single “Pass The Acetone” is set for release this week, and we’ve got your exclusive premiere of the upbeat, sassed-up track right now.

Of course, we had to throw a few questions at them as well. So while you enjoy the new tune, check out our quick interview below!

What was your first musical memory, or the first album or song you heard? Do you think that has any bearing on who you are as an artist now?

Alex: I don’t know if I can remember that. I think it was probably hearing Saturday Night Fever coming through the walls of my parents room. The next thing I remember is a vinyl copy of Let It Be by The Replacements that I broke. It was my sister’s. She was pissed.

What is the conception story of Broken Baby? Was it a meet-cute? Give us all the details!

Amber: We were on tour for Alex Dezen’s second solo record and we were bored in a van driving across the country. Alex suggested we started a band together. I thought it was a joke, but when we got back to Los Angeles we followed through. Yep. The EP was done two weeks later.

A recent post on Facebook gave us a glimpse into the raw beauty of being empowered, woman or man. What spurred on this beautiful and open post about double standards?

Amber: Alex and I have so many talks about music and life, and we agree that this is a very interesting time.

Alex: Someone had asked us about it, so we answered.

We have until September to wait for your next official release. While we wait, how do you think your sound has evolved since the beginning of Broken Baby? Has your process changed at all?

Amber: Actually, you only have to wait about a week until our next song is released. PASS THE ACETONE will be out June 29th!

I think our sound is constantly evolving and moving forward. In ways that I don’t care to analyze yet. It’s been spontaneous so far, and that’s been a good thing.

Do you believe in aliens? Why or why not?

Alex: No.

Amber: Hell YEAH, I do! You’d be a dummy to think we’re the only ones to exist in this ever expanding universe. Come on!

Keep up with Broken Baby and their new music (HELLO “Pass the Acetone”!) here!

snail mail @ vaudeville mews

snail mail @ vaudeville mews

Lindsey Jordan is touring extensively this summer under her more familiar moniker, Snail Mail. The Maryland native is promoting her new album, Lush, which dropped June 8. Snail Mail played to a capacity crowd at Vaudeville Mews in Des Moines on June 18.

seasaw @ recordbar

seasaw @ recordbar

Earlier this month, the incredible indie pop duo Seasaw opened for Har Mar Superstar at recordBar in Kansas City. Justin Kibbel caught some amazing photos for those of us who had to miss it.

Keep up with Seasaw here!

**photos by justin kibbel

ben millburn, “call me king”

ben millburn, “call me king”

Baton Rouge-born and Austin, TX-based musician Ben Millburn has been gracing the psych genre with his own brand of beautiful, kaleidoscope-like tracks. His most recent – a single titled “Call Me King” – touts the talent that we are to expect from his upcoming debut LP, Sunglass Moustache. And though we have to wait until the autumn months to get our ears on that release, we’ve got the exclusive premiere of “Call Me King” for you right now.

Layering in from simple guitar chords, Ben’s relaxed, 60’s vocals – though sometimes abrupt – lead you on . a journey through a soundscape that is absolute perfection for those lazy summer nights. (Or, perhaps more specifically, those nights in the warm months that you allow yourself to slow down for a beat.) We’re big fans, so much so that we might insist that you refer to us as “King.”

Sunglass Moustache is out this September. Keep your eyes peeled for it here.