by Meredith Schneider | Sep 14, 2018 | albums, review
Are you into quirky, emotional, indie rock music? Because Active Bird Community – and their brand new album Amends, out today – could really do the trick for you. The Brooklyn-based collective has been creating their brand of alternative music together since 2005 when the guys were in middle school, and the evolution has been impeccable, as they hone their sound into something 90’s babies will cherish, perhaps, more than anyone else. Amends is direct evidence of that.
Beginning with the title track, Amends establishes that slacker sound to a T while it meanders through with rough guitars, perfectly sometimes-whiny vocals, and a robust, head-bobbing energy. This carries well into second track “Holier”, though third track “Sweaty Lake” – as memorable as that name is – picks up the pace immensely, and understandably so. (See: the title “Sweaty Lake”.) Things slow again in “Unwind With Me”, which is, again, a direct reflection of the song title.
Once we get to “Baby It’s You”, I don’t think anyone is expecting a horns section. But there it is, an intro that wakes you back up with its differentiation from its predecessors. The pace takes that of a Weezer track, and we’re on board with the energy again. .”Virginia” feels more 90s grunge than others thus far, ragging on people for being “just a cliche” and challenging the object of their attention. “Blame” slows down to a ballad-like crawl, emotional in its disposition, while “Downstairs” adds some more quirk back into the feel of the album with light percussion and a rough, beautiful bass line.
“Metrics” starts with a toe-tapping, pop-like feel, and then delves back into the whirring guitars, hard percussion, and upbeat attitude of the majority of Amends. “Silver Screen” begins slow, simple, and then bursts into this kaleidoscope of sound that we didn’t necessarily see coming. “Lighthouse” rounds it all out quite beautifully, performed on acoustic guitar to really enhance the lovely, soft feeling of the lyrics.
You know, until it gets a little rowdy toward the end. But we really couldn’t have hoped for anything different.
Keep up with Active Bird Community here.
by Meredith Schneider | Sep 5, 2018 | albums, review
On August 31st, Dangerbird Records brought us a stunner of an EP to enjoy over the holiday weekend. Joel Jeronimo – aka Joel Jerome from the Los Angeles band DIOS and very well-known recording collaborator in the Southern California scene – and Jimi Cabeza de Vaca – aka Jimi Camaro, ex-member of DIOS – teamed up to create a three track mini album called Atlantis Airport 1982. A culmination of realism and fantasy – with a bed of synthesizers to frame it all – the album is pure otherworldly magic.
From the very first airplane-takeoff-sounding notes of “Atlantis” – which makes us feel like we are on an intergalactic spacecraft, if we’re being completely honest – to the slower, more tribal sounds of “Airport”, through to the last lines of far more experimental and jarring track “1982”, we’re smitten. In fact, we are given the impression by this album that we just went back in time to 1982, and hopped into their forward-thinking minds to their idea of the future, and then were spit back out again. It was a quick ride, but well worth it!
by Aubrey Hanson | Sep 4, 2018 | albums, review
You may have already heard of emotional singer/songwriter Harry Myers, also known as Thoreau from his interviews, reviews, works, or playlists with popular music accounts such as Billboard, Trap Nation, and many more, but you’re going to want to make sure you listen to his new EP Reflections that was just released. This entire EP is built up of the emotions that you may feel throughout a relationship which makes his music not only enjoyable, but also relatable.
“In For” and “Afraid” are the most upbeat tracks that you will hear on the album, and also some of the most emotional. These songs describe fear, weaknesses, and emotions that you have to push through and learn how to live with throughout life and relationships. And every single track has this smooth, intense and robust soundscape that makes the EP an easy listener with a few friends, or the backdrop at a big party. It fits into so many environments sonically that we’re actually impressed by it. This EP resembles some aspects from the pop genre, but also R&B which gives it a different feel from the usual singer/songwriter likeness.
Make sure to check out the new Reflections EP, and you will not be disappointed!
Keep up with Thoreau here.
**co-written by meredith schneider
by Karina Marquez | Aug 28, 2018 | albums, review
Toronto-based artist Marlon Chaplin has just released his full-length debut album and it is, to put it simply, a powerhouse record. Chaplin clearly has the range of a true rock performer and these ten tracks embody his style flawlessly. It is diverse, passionate, and an inimitable listening experience that will leave you wanting nothing more but to see the live performance (and to play the album on a continuous loop).
The record opens up with “The Circle.” As the attention grabber, the title track is very high energy, complete with a full-bodied opening instrumental. It is the perfect opening, capturing the adrenaline of that momentous first song of a rock concert. It sets the pace for other similar rocker tracks, such as “Drain Me,” “Imaginary Mary K,” and “Elevation.” The album slows down with two acoustic ballads: “Back to the Start” and “Take Me There.” They are dreamy and buoyant, complete with pretty harmonies. Chaplin’s more vulnerable side is at the forefront of these songs, making them even more beautiful.
“A Single Drop” is a cool song with a biting edge. It swings us back around from the romantic ballads, showing Chaplin’s diversity in sound and genre. Listeners are treated to yet another change of pace with “One Man Show” and “Where Did We Go.” Their upbeat sound reminds me of the band Bleachers, with the vintage upbeat aesthetic and catchy guitar riffs. And the final track, “Out on the Wing,” brings a flawless ending to a very well-rounded album. It’s slower and sad, but full of life, focusing on the magnificent sound of strings.
The amount of work put into this strong debut is clear. Released via Möbius Recordings, the album was produced by Chaplin, mixed by Chris Shaw (Partner, Weezer, Bob Dylan) and mastered by Joao Carvalho. With such a stand-out debut, The Circle is bound to impress anyone and everyone who listens to it.
The Circle is out now, and is available for purchase here.. Keep up with the latest on Chaplin here. Also, be sure to check him out on tour, including the album release show in Toronto on August 30th.
by Aubrey Hanson | Aug 17, 2018 | albums, review
You may have already heard of the talented quartet My Brothers And I from their many features on popular TV shows such as ‘Pretty Little Liars’ which featured one of their well known songs ‘Nowhere To Run’. Their music has also been featured on commercials here and there, which helped the band get to the successful place they are at now. This quartet is made up of very talented artists including: Jordan Roach, David Wurgler, Scott Wurgler, and Erik Wurgler. These four have recently released their new EP Heartbeat today, August 17th! One of the reasons this quartet is so successful, is because they include aspects of many different genres. In their new EP Heartbeat, you can hear the likes of pop music with a blend of indie and alternative styles. Primarily in the songs ‘When You’re Ready’ and ‘My Heart’, you will hear many vocal similarities between My Brothers And I and fellow pop artist Troye Sivan. When comparing all of their other songs, ‘Temporary Love’ is one of the more darker tracks on the EP that includes more of an upbeat alternative style. With this EP, it is impossible to pick just one favorite song. Each track is completely different, but equally as great as the next. Just from the first listen, I can already that this EP will be on repeat everywhere around the world! In celebration of their new EP release, My Brothers And I will be going on a small EP release tour which you will not want to miss!
Keep up with My Brothers and I here.
by Karina Marquez | Aug 17, 2018 | albums, review
Pop punk is a genre that many of us identify as our first real musical love. It’s the music that blasted in our earphones as we tried to survive eighth grade . And for many of us, that love fades away as our own teenage angst forms into something new, something “mature.” Belmont’s new self-titled album reminds us of that first love and how that music has involved in itself, while still being as cool and emotional and punk.
This album is the epitome of what pop punk music is. Each song showcases the band’s youth and talent. Frontman Taz Johnson’s vocals are hypnotic, and combined with Brian Lada on drums, Sam Patt on guitar, and Alex Wieringa on bass, the end result is magical. The moment the opening track “Empty” bursts to life with an explosion of guitar and drums, I am flooded with nostalgia and the desire to head bang like crazy. As the album goes on, each song seems to give off that same vibe that only this music can give. There are also so many lyrics that stand out because of their depth and honesty. “Interlude” is a slowed-down song that, despite its cool beat, has you thinking instead of head banging:
Do you know what it’s like to be alone?
To live life feeling numb and cold,
It’s a ******* nightmare on its own
And it just gets worse as we grow old.
The second half of the album picks up speed once again, with powerful tracks like “Hollowed Out” and “Convalescence.” As the album comes to an end with “BMC,” Johnson asks the million dollar question: “Why do I pretend to keep caring?” Belmont’s talent is undeniable in both their music and their lyrics, showing the band’s inevitable rise as the next great act.
Keep up with the band here.
by Meredith Schneider | Jul 13, 2018 | albums, review
Cincinnati-bred indie pop collective The Ophelias – comprised of Spencer Peppet (vox, guitar), Grace Weir (bass), Micaela Adams (drums), and Andrea Gutmann Fuentes (violin) – drops their latest masterpiece today, and we’re so jazzed about it, we almost can’t explain it in words. Delicate vocals, overlaid with (largely) light percussion and mellifluous strings make this album what it is, and largely describe the band’s soundscape. Not only is there a delicacy in the vocals, but there are quirks that make the effect much more striking than the word “delicate” would lead you to believe.
From the elegant beginning of first track “Fog”, through the equally leisurely pace of “General Electric”, into “Lover’s Creep”, you come to find the entire album feels ethereal and intense in a very unique way. “Night Signs” slows the pace down exponentially, the instrumentals slightly lower, and paints a darker-feeling audio feed. “O Command” is different, in that the vocals rise to a higher octave, the instrumentals maintaining a low, luscious feeling. “Lunar Rover” and “Bird” continue into an increasingly experimental place, picking the pace back up again with eighth track “House”.
While you can’t expect the pace to pick back up again over the last two tracks of Almost – “Zero” and “Moon Like Sour Candy” -, you can expect to nab deep, meaningful vocals that make for an introspective night on your back patio, music playing softly over the sound of the trees rustling above you.
Get started below.
Keep up with The Ophelias here.
by Meredith Schneider | Jun 29, 2018 | albums, review
Today, Louisville, KY-based musician Jim James releases his new 11-track stunner of an album titled Uniform Distortion. From the very first guitar riff of “Just A Fool”, you get a sense that this man has put every ounce of emotion he has into this work of art. Excuse us if we’re wrong, but to start with a riff so energy-infusing and raw is something that doesn’t happen often enough. And while he sings about being “just a fool getting by,” we’re certain that’s a bit of an understatement.
If you don’t see what we mean with the initial track, try the nasty guitar lick that introduces “You Get To Rome”, or the riff that underlies “Out Of Time”. It is only with fourth track “Throwback” that the pace slows for a more intimate and introspective five minutes and nineteen seconds of nostalgia. (Though we have found that James’ lyricism doesn’t lack an introspective quality, something we yearn for when seeking out new music to enjoy.) And while “No Secrets” keeps to a slower pace – and properly displays a little more of James’ vocal range – “Yes To Everything” might be one of our favorites on the album. His laughter, his sense of self, the upbeat way with which he addresses change. We’re here for it.
If you don’t realize by seventh track “No Use Waiting” that this man is – at his core – probably a rock god, “All In Your Head” will serve to prove you wrong. It is with the last three tracks – “Better Late Than Never”, “Over and Over”, and “Too Good to Be True” – that slight bouts of that truly upbeat Partridge Family feel hit you unexpectedly. It blends perfectly with the era his music seems to come from, an era more lush and filled with warmth.
And that’s how you’ll feel after encountering Uniform Distortion. It brings you to that warm, comfortable happy place while introducing more and more insightful lyricism with each track. So hit play, and see what this new release evokes for you!
Keep up with Jim James here.
by Abby Trapp | May 22, 2018 | albums, review
As a well known actor for 25 years on TV, film, and Broadway (receiving praise for the role King George in Hamilton) Jon Patrick Walker has leapt in the music scene of songwriting and singing after the release of his first album The Guilty Party . Soon after Walker released his second album People Going Somewhere. Now, the multi-talented artist is thrilled at the release of You & I, his latest EP. The EP is composed of six tracks, including the title track “You and I.” The first track “Your Open Hand,” is an innocent love song. Jon is joined by actress and his wife, Hope Davis. Their voices blend perfectly together and the lyrics are touching as Hope and Jon sing to each other “Your open hand- and in your open heart, a brand new start.”
“I Can’t Not Do the Robot (When I’m Dancing With You)” is drastically different from “Your Open Hand,” as the song pays homage to early rock and is a funky bop. “I can’t not do the robot when I’m with you!,” Jon enthusiastically shouts. Some tracks take a somber more reflective note like “I Won’t Sit Around & Cry.” Singing on the love that he wishes he had, Jon realizes that while he waits- he won’t be sulking in the meantime. “I want a real love…I want to feel love- but I won’t sit around and cry,” laments Walker. My favorite line is “Say it’s not the destination, it’s the journey no matter how lonely I am.” The folky song will have you feeling wishy washy but a little lifted as you listen to Jon patiently wait, with no tears in the meantime.
My favorite track is “You and I.” This jazzy title track has a little bit of everything; Jon’s soft airy vocals, love infused lyrics, the feeling of a live jazz band in a coffee shop, and even some whistling. “Raise the flag, just so long as it is black- I’ll make it green for earth, blue for sky, red for love- for you and I,” Walker sings on “You and I,” as his beautiful use of imagery shows not only his knack for writing but also for creativity. The EP holds a variety of folk, alternative, and jazz and has something for all music lovers alike.
You & I is available now. Keep up with Jon Patrick Walker here.
