A little after 2:40pm PST, talented songstress Jenny March graced our screens for Cancelled Plans Music Fest 2020. We know she was itching to play more, and we are still dying to see more… perhaps she will be willing to partner with us on a future project? 😉
Until then, here is her angelic voice! And feel free to tip her here.
We were joined by an artist with the most extraordinary – and borderline believable – backdrop. Sam Himself allowed us all a little space to pretend we were deep breathing in the mountains. The music wasn’t too bad, either. If you like what you hear, as always, please consider donating!
**Apologies for the modest screen shots that were taken as the cover photos for these features. We did what we could with what we had.
About 30 seconds after Rocker Stalker (Meijin) logged off Cancelled Plans Music Fest on Friday, we got a notice that her video had been taken down by a giant in the music industry because of the use of some music in the performance. Little did Facebook know that they had been approving similar performances pretty much every night all quarantine over on her Instagram page, so without further ado, here is the video that came back to life. MEIJIN, WE LOVE YOU!
TIP HER. Watch her always and TIP HER.
**Apologies for the modest screen shots that were taken as the cover photos for these features. We did what we could with what we had.
Nicole Kiki Jaffe was one of the celebrated artists who donned our “stage” during the Cancelled Plans Music Fest on April 17th, 2020. Celebrate her set below, and feel free to donate to her virtual tip jar if you love what you see and hear as much as we did!
(Yes, we did screen cap the main photo. This one – though blurry – is so delightful, we couldn’t resist!)
With the release of their second full-length Cry All The Time, Impulsive Hearts delve into darker themes of love and loss, while keeping true to their bright and fierce style of songwriting.
The album opens with “MELODY” is a look at a relationship that fell apart where one knew it was coming and the other didn’t. This uses the idea of creating a melody of music to capture one’s love for the other, “I could build a melody, it’s in a song u would write it down all summer long, oh I would build the world you love, who you waiting on?” and the realization that person wants out of the relationship with: “you took it back what you said / … / you said forget the rest, the rest of what we said.”
The album ends with the track “some heartbreakers” a slower and slightly upbeat tempo track that encompasses the theme of Cry All The Time, love, heartbreak, and loss.
Impulsive Hearts creates music that has a touch of sadness to the world of neo-girl garage rock bands. With Danielle Sines providing captivating vocals and fuzzy guitar, Doug Hoyer (bass) and Dan Julian (drums) hold down the rhythm section bringing each track to its peak moment, and Fallon McDermott (saxophone) and Jess LeMaster (violinist) add a depth to these tracks. All parts come together to create the larger than life sound of Impulsive Hearts.
Cry All The Time comes full circle from its start to finish, with “MELODY” presenting an example of heartbreak and loss while “some heartbreakers” shows that we all have stories of heartbreak, each song on this record is a story of heartbreak.
Non-binary Texas-bred rapper Ben McGibboney (who operates under the moniker of Love-Sadkid) has just released their first full-length project, entitled Growth. The young rapper just turned 18 but has already committed to pursuing their music dreams full time. A former star running back, McGibboney had garnered interest from top schools in the SEC before discovering their love for rap. At that point they made the decision to quit football to commit to chasing their new dream.
Love-Sadkid has been steadily releasing new music and EPs, building a strong online fanbase and racking up over half a million monthly listeners on Spotify. Despite their young age, Love-Sadkid has quite a bit under their belt already; they’ve released two EP collabs with Dahm and have a tour as an opener for Hobo Johnson under their belt. Growth displays the young artist’s knack for combining old school rap aesthetics with the modern problems and world outlook of a reluctant member of Gen Z.
Album opener Ta/Pe kicks things off and sees Love-Sadkid rapping with an admirable level of sincerity over a soft piano track before moving into the lo-fi like production style that the young artist seems to have an ear for.
Habits leans and rocks into R&B territory with a vibey hook, complete with a thickly-textured chorus of voices. Love-Sadkid’s knack for production continues to shine through, a myriad of colorful sounds adorning this (and every other) track.
The title track picks up the pace alongside cool toned beats and tinny effects. Sadkid raises intensity here, letting his speed and lyricism show through. Here they prove their versatility through their clear ability to make more traditional rap along their (very well done) vibey and sunshiny tracks.
The young rapper shows off a lot of range and colors on his first full-length which will surely continue to expand. Full of potential and talent, Love-Sadkid seems to have a bright future ahead of him.
Growth is now available everywhere for your streaming enjoyment.