Today is incredible. We made it to Friday, it’s the second weekend of the new year. Whatever trials and tribulations we have experienced in the last few days, we made it through the week and things are looking up! So now it’s time to celebrate, and we see no better way than with the transfixing sounds of Joshua Tree-based The Adobe Collective‘s new album All The Space That There Is.

“Carousel” reels you into the tranquil sounds of the band, while “Blind” begins a bit more frantically, and carries more energy with it. It is here that we realize the album is largely going to be a love piece, with relatable twists and turns and a reliable smooth as honey soundscape, regardless of how much the tempo and instrumentals vary. “To Ourselves” further proves this point, occurring at the pace of a 60s rock track. And that guitar? It melts our souls. But then when “You’ll Never Tell” sets in, it brings with it more of an old western vibe instrumentally, confrontational and beautiful in its message.

“Warm To Me” feels like a beach in the summertime, and we’re pretty sure that was on purpose so we’ll just leave it at that. (Ok we lied. Listen to it if you want to bring that chin up a bit, truly.) “All I Know” follows with more of a quick country clip, a simple and fun song you could certainly dance to. “Sky Starts At The Ground” leads with whirring guitars, and is perhaps the song most likely to be placed in a successful romantic comedy. (So do that.)

“Shine On” is a heavy song lyrically. As positive as it can be in its chorus’ message, the verses take shots at discussing life’s pitfalls. It’s bittersweet in its existence, highly relatable, but perhaps not the song to play at a party. “Taking Time” brings your heart rate back down, well-harmonized and beautifully framing the album, prepping you for the final track “So Happy That It Hurts.” The song’s title is endlessly uplifting. The song is slow, concerted, with very little melodically spoken words, blending into the instrumentals as though all are one, largely. Fragmented in its disposition, it is the perfect way to wind down from something so tragic, beautiful, and inspiring. In that way, it gives us time to reflect on the fragments that make up the whole.

Keep up with The Adobe Collective here.

Meredith Schneider

Meredith Schneider

Editor in Chief at Imperfect Fifth
Meredith is often referred to as an entrepreneur, photographer, writer, and multi-media maven. She is currently the Editor in Chief at Imperfect Fifth, Co-Owner/Co-Producer at DoubleTake Productions, a ticket seller at a concert venue in KC, and a freelance writer/photographer. In her free time, she likes to make baked goods and complete DIY projects alongside her trusty – OK, not so trusty – cat Schmidt. She loves Batman so much she named her car Bruce Wayne. You can find her random musings on Twitter and Instagram.
Meredith Schneider

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