Parker Bossley, a soulful singer from Canada, with many past music experiences such as playing in Hot Hot Heat and The Gay Nineties, recently released the song ‘Chemicals’ on June 14, 2018. This song combines the likes of indie rock music mixed with alternative feels that gives it the right combination for a perfect 2018 summer song. The instrumentals used in this song – such as tambourine and the steady drum beat – give this song a modern, yet classic, style so that it is not set to one specific genre, style, or category. This makes it enjoyable for everyone to listen to.
Admits Parker, “‘Chemicals’ is me writing about my relationships with drugs and love. The hook was spawned in my head on the 3rd day of a festival when the drugs just literally didn’t work anymore.”
Make sure to keep and eye on up and coming music star Parker Bossley for more soulful and modern music along with a new music video for ‘Chemicals’ coming out on July 13th!
Australian psych collective Psychedelic Porn Crumpets really elicits a reaction with their band name alone. Then you turn on their music, and the excitement mounts. But there’s nothing like the strange, truly psychedelic energy in their new music video for “Cornflake”. Imagine some of the most kaleidoscope-like visuals you can, ripe with alien fights on hover boards, and a storyline you won’t soon forget. That’s “Cornflake” for you, animated bu Mike Wyatt (Attack Animation).
Another impressive original soundscape from this group, infinitely more mind-blowing than we expected.
Though Adeline is known as the voice of celebrated band Escort, the work she has produced on her own is something of a dream as well. The video for her single “Emeralds” is out now, and we’ve watched it several times this morning already. Who else needs a breath of fresh air injected into their day? This is it. The video plays off contrast, dark and light emphasized with each new frame while Adeline sings soulfully into the camera. The song itself is seductive, and the way the video has been pulled off is pure art. Check it out below!
Los Angeles-based alt-indie trio The Habits – comprised of Wolf Bradley, Chance Famighetti, and Andrew Macatrao – has been attracting a pretty solid fanbase since just last year, when they released their debut single “Feeling It”. Their new track – “Calling Me Up” – is just as catchy and beautiful as its predecessors, and we have the exclusive premiere of its accompanying music video, which just so happens to be their first ever as well.
Clear, precise visuals. This video encapsulates the trio’s live performances tactics, while allowing them to partake in a short film-like storyline, singing to a romantic interest over the phone. Relatable, intense emotions are thrown into a bubbly soundscape, making the true hurt delivered in the song a little less painful. The guys make sure to throw in a little humor toward the end, and now we kind of want to get sushi with them.
Explains the band:
We wanted our first music video to be simple and reminiscent of the types of videos we grew up on. It was inevitable the video would end in heart break, but the back and forth was all improvised. I’ve never had so much fun singing into a phone hanging from the ceiling or getting rejected on camera. Honestly, at some point it’s a little much to keep calling and singing to the same person. Get the hint.
Recently, alternative indie rock collective Arms Akimbo – expertly comprised of Colin Boppell, Chris Kalil, Peter Schrupp, and Matt Sutton – released their 6 track EP The Wrong Kind of Dance Party. From the leisurely, pleasantly upbeat soundscape, to the relatable lyrics, we’re surprised by how much we’re captivated by their sound. It’s like the audio manifestation of summertime, and the best part is that there is now a music video for their track “Velleity” to enjoy as well.
“Velleity” feels like summertime as well, though it’s a little more melancholic in its representation. Waking up after the party makes for a slightly sluggish day, filled with recuperation and true discovery of what happened the night previous. The guys of Arms Akimbo perfectly act the sluggishness out, between frames of them performing the song, petting a dog, playing Jenga, and more.Directed by Christopher Kalil and Will Houlihan, it’s definitely an enjoyable visual, bright and fun while casual and relaxing.
Brooklyn-based alt-dance/pop duo Glassio – comprised of Sam R. and Charles Pinel – recently unleashed the music video for their latest single “New York, New York II” unto the world, and we’re floored by how visually attractive it is. Hard angles, color blocks, insane contract, a technical yet natural flow to how everything fits together. A projector plays video of New Yorkers singing pieces of the track on the streets of the phenomenal city that they live in. The striking visuals match the lyrical content for impressiveness, and there’s a cool as a cucumber vibe emanating from it all that makes “New York, New York II” perfect as the backdrop to your next summer party.
Nashville-based rock outfit Creamer – led by brainchild/soloist Philip Creamer – has really been making the rounds in the short time they’ve been making music. Though he is a veteran in the music industry itself, he’s really been enhancing the Nashville music scene, especially since his North American tour spot opening for Wilco.
Creamer’s new video for “Drugs No More” is the perfect way to experience the band’s life performance tactics, though in an enhanced kaleidoscope way that ran rampant in decades passed. The mid-tempo tune is absolutely invigorating to enjoy solo, but the video adds that visual aspect that really puts you in a relaxing mood, the message of the song just as nurturing as Creamer croons, “I don’t believe in drugs no more.” The song is solace for people suffering from the effects of substance abuse in some aspect of life, whether it’s a personal struggle or as an observer. It’s an important conversation to have, delivered in a vivid, stimulating way.
Arthur King is a unique music and art collective, creating landscape art that enriches the senses. Last summer, they took a trip to the Grand Staircase-Escalante National Monument in Utah to create a visual experience unlike any other. During that trip, they created a short film that is as breathtaking in its detail as it is simple and endearing in its concept. With music by Arthur King, projection art by John Schlue, filming by Nash Howe, audio recording by Tim Conrad Horner, and editing by Alex Lee Moyer, the project came together quite nicely and is something we wouldn’t mind having on repeat for the rest of the day.
Not only do we have the exclusive premiere of the project, but we got the chance to take a few moments with Peter Walker, the driving force and visionary behind Arthur King.
What is your first musical memory, or the first album or song you remember listening to? Does that memory or that music have any bearing on your art now?
Drawing with chalk on my older brother’s Sergeant Pepper vinyl album. Eventually I evolved into recording said Beatles records onto cassette tapes. Today, I love manipulating instruments and sounds to make something perhaps unintended from the original design.
We understand the concept of the project, but what inspired it?
This project was born out of my pursuing a Ph.D. in mythology and depth psychology. The premise is exploring the role of the unconscious in creative expression, and more specifically how we experience a given environment both consciously and unconsciously, and how art might bridge that gap.
What made you choose the locations for the video?
We were focusing on BLM land (bureau of land management) where you can camp and do other things without any heavy regulation or government jurisdiction. There’s a lot of BLM land in Utah, as well as magnificent rock formations and somewhat pristine environments.
The visuals aspect of it all is very endearing. How long did the visuals process take?
The visual component has been a part of this project from the very beginning, with the idea that the sound informs the visuals and the visuals inform the sound, creating a feedback loop and an overall experience involving both realms.
Could you take us through the process of all of this in general? It’s such a unique way to display an array of creativity, and we’re enamored by it!
The idea is fairly simple: 1) Locate an environment. 2) Engage it, consciously—meaning explore it and listen and look and record these things with microphones and video cameras. 3) Take these samples and use them in a total improvisational “performance” within the same environment. the result is akin to what happens when we dream, where sounds and images from our waking consciousness are thrown into the stew of our psyche and come out in an unexpected way, often bringing to light connections you didn’t know were there all along. In the end, the performance allows for a different way of experiencing the environment.
Any fun anecdotes from the production process?
During the performance there was a little scorpion that was crawling next to Tim, who was sitting on the ground and operating a recording device. Tim put an empty plastic box on top of it, thinking that would temporarily solve the problem and allow him to focus on his task at hand. He would of course release it afterwards… and avoid getting stung. But when we were finished, the scorpion was gone and he realized it had probably dug its way out in a matter of seconds. all part of the fun of being in the desert!
What do you think is the most important topic to address with art, at least at this point in our progression as a society? Is there a topic that you think is misrepresented or under-represented by its art?
I think art is a tool for connecting with ourselves and with others. Most importantly, in my opinion, effective art connects us with the unknown in ourselves and the “shared unknown” in others (or as Jungians might put it the collective unconscious). Art is a connector. Fear of the unknown drives the worst in us as a species, and its omnipresent in our society today. I’d imagine there is no topic under-represented right now, it’s more likely a matter of accessing the art that might be an issue. Or maybe better put: I’m certain there are artists making vital art that are not getting the kind of exposure that is just. and that’s where you come in!
How do you hope people feel after viewing this?
Moved. Curious. There’s really no hope for a specific feeling, I suppose I hope it invokes some feelings at all, whatever they may be.
Something off the cuff a bit… What superhero do you identify the most with?
Might seem like an easy answer…but I don’t think there’s anyone more badass right now than wonder woman!?
Smart, smart man. Anything else you’d like to add about the project or anything else coming up?
In between these Changing Landscapes adventures we’ve been busy with other fun things like live improv movie scoring and large-scale interactive art installations… So i encourage those who might be interested to please come find us!
Austin Ward has already begun to make a name for himself with his signature sultry vocals and laid back atmosphere to his music. The brand new music video for his single “2 of Us” drops today, and we’ve got one of your first looks at the masterpiece, which is shot beautifully and follows him around while he interacts with a love interest. The video itself, directed by Elliot Wolf with creative direction by Wolf and Ward himself, seems to take place over a short period of time, acknowledging the back and forth of a relationship along the way, and incorporating mesmerizing dance and live performance tactics by both Ward and his female cohort, Mani Krishna (choreographed by Emily Duncan).
The video is soulful, and one you won’t soon forget.
Phenome is out June 29th. Keep up with Austin here.
