Swedish musician Robin Lundbäck, musically known as Boy In Space, has released a new single called “Caroline”. The single has been highly anticipated by fans since Boy in Space teased it on tour last year.
The name Boy in Space itself is highly symbolic to Lundbäck, who uses his musical alter ego as a place to express his darker feelings. Of the moniker, he says “to be “In Space” is to exist in the in-between. It’s not quite the beginning but it’s so far from the end. It’s standing apart from those who’ve found their conventional fit in this world, and recognizing that to be different is special. It’s the courage to depart the familiar to a destination unknown. The “space” is the intensity of youth. The cold sting of heartbreak. The suffocation of betrayal. And the fiery passion of young love”.
The release of “Caroline” is Boy in Space’s first release in 2020 following up a big year in 2019 as he surpassed 35 million streams on Spotify. Of the single, Lundbäck says, “Caroline is that girl that you’re crushing on but is completely out of your league and untouchable,” Robin said noting that, “we all knew a Caroline growing up.”
“Caroline” is the first of three singles set to be released in spring of 2020 and tour dates are to be announced soon.
In October, Brooklyn’s americana rock trio Animal Years – comprised of Mike McFadden (vocals, guitar), Anthony Saladino (bass), and Anthony Spinnato (drums) – released the music video for their widely praised single “Caroline” in the lead up to the release of their new EP, Far From Home. The EP – which is made up of five soulful, intricate tracks – was produced by Ryan Hadlock (The Lumineers, Brandi Carlile, Vance Joy) came out on October 27th via eOne Records.
“Caroline” begins the EP with an upbeat ring to it – despite the bittersweet, self-aware lyrics – allowing the listener to just about float over the country-tinged vocals and light, acoustic instrumentals. “Friends” slows everything down initially, but when it hits the beat it really gets your hips swinging as it addresses the importance of a warm and rich support system. And while “Give It Up” really gets you grooving, it paves the way for a slow down with “Corinth”, which is widely defined by its deeper guitar work, percussion, and flat out deeper vocals. Singing from a darker place (“I’m drowning in the deep end”), looking toward a silver lining (“I think I can win her”) will do that to you. “Home” is the perfect silver lining to it all, however, as the lyrics reflect on the darker times – perhaps in tandem with the flow of the album – while simultaneously appreciating any hint of good fortune. It’s the perfect place to land, truly tying it all together and making the sound space feel just like that. Like home.
Far From Home is out now. Keep up with the trio here.
