a conversation with i am casting

a conversation with i am casting

Today, we have the pleasure of sitting down with Cole Guerra. The brainchild of musical project I Am Casting, his latest release “Carnival Barkers” gained widespread praise. We get to chat a bit about the album and its inspiration, as well as some offbeat topics like what aliens might think of America today. Keep listening for more.

Keep up with I Am Casting here.

“my first record” by dave littrell of the deep hollow | perspective

“my first record” by dave littrell of the deep hollow | perspective

If there is one thing we can learn from Shawshank Redemption, it is this: we have to either get busy living or get busy dying. Americana trio The Deep Hollow are firmly planted in the former. Through their sophomore record, Weary Traveler, Micah Walk, Liz Eckert and Dave Littrell dig into this sorrowful life of getting older, longing for a stable home and the sometimes unbearable weight of the open road. Sonically, the band fits somewhere between the pulse of Patty Griffin and John Prine and the adventure of Jason Isbell, The Lone Bellow and Brandi Carlile. Below, Dave Littrell shares the story of his first musical experiences and how they shaped him as a musician. 

Growing up, like many, our home was filled with music.  It seemed like the radio was always on, a record or cassette was always playing, or a music video was always on our TV.  After all, I am most definitely a product of the MTV generation. When Sting sang “I want my MTV!” in the introduction to “Money For Nothing,” his declaration was powerful and something this 7 year old could rally behind!

I am so grateful to have grown up in a home where music wasn’t just entertainment or background noise, it was important.  You could even say it was a family value. I remember walking into the house after school to the sounds of Otis Redding, The Temptations, Diana Ross, The Beach Boys, Simon and Garfunkel, James Taylor, Stevie Wonder, and on and on.  The Beatles LIVED in our home as far as I was concerned. John and Paul sang me to sleep most nights. We even had a full jukebox in our basement where my parents and their friends would spend nights and weekends singing (loudly) to their favorites.  My mom had this charming habit of taking anything you said to her and breaking into a song. If I was being annoying to my older brother and he said “Stop!” she’d burst right into “Stop, in the name of Love, before you break my heart…” She still does it this day.  This pure love for music shaped me in a way I could never imagine. I was just a kid who liked dancing in the kitchen to Motown artists, never realizing what an influence those experiences would have on me as I grew older. As a father, I try to pass that love onto my kids and there’s nothing more fun than watching my kids sing and dance to those same songs.

With that said, it is a little difficult to write about my “First Record.”  To be honest, I’m not exactly sure what that record specifically was, because there were so many.  But, The Beatles were kings in our household so “My First Record” has to be a Beatles album.

My uncle owned a huge record collection AND a great stereo system, which means Uncle Del was obviously the coolest guy in the world.  Our tight-knit extended family all lived in the same small town in central Illinois so naturally we spent a lot of time together. Anytime I was at his house I would run directly to his stereo and start poring over his records and cassettes.  He had these expensive headphones which allowed the music to be directly implanted into my brain. It felt like these musicians were playing just for me. The music was so crisp and clear, much better than my little tape player at home. It sounded so amazing!  My first experience with Michael Jackson’s “Thriller” and Billy Joel’s “52nd Street” were through these marvelous wonders of technology, but hearing The Beatles through these headphones was one of the most perfect memories of my young life.

“Beatles” was hand-written on this cassette tape and once I started listening I couldn’t stop.  I think I had heard a lot of the songs before, because like I said, my Mom was a big fan. But this was different.  Listening on headphones made these songs have more depth and they came alive. I couldn’t necessarily relate to the infatuated teenage lovesick lyrics or the heartache caused by my crush not answering the door or telephone in “No Reply.”  (I would uncover those gems later as I experienced my own girl-crush drama.) But the melodies, harmonies, energy, and songcraft were undeniable. I distinctly remember swinging on the swing set in the backyard as the sun was setting and listening over and over.  I couldn’t believe that I loved every song. With other artists, even artists I loved, I didn’t like every single song. My uncle gave me this tape (or I just kept it, who can remember?) and I became a life-long Beatles fan.

Later, I wanted to use some birthday money to buy my own, proper copy of my favorite record.  (Uncle Del also said it would probably sound better if it wasn’t a taped copy.) After perusing through the cassettes at our Sam Goody at the local mall with my Mom, I realized I didn’t know the actual name of the album.  It just said “Beatles” on my tired, worn-down copy. After looking at all the titles, we discerned that the tape I had listened to religiously contained the first side of “Beatles For Sale” AND the entire “Rubber Soul.” Just looking at the songs on these two records floods me with memories and remind me what incredible songwriters they were.  I still play several of these songs, and “In My Life” was used in my wedding ceremony, for example.

I am constantly on the lookout for new music, and I hope to find an artist that can even come close to replicating that feeling I had listening to Rubber Soul for the first time.  Unfortunately, I don’t think it can really happen. My adult brain inevitably gets in the way and I immediately decipher lyrics or chord progressions instead of listening to music the way I did as a kid.  I think we should all try to listen like a kid, because it was magic.

___

Keep up with The Deep Hollow here.

astralingua, “plunge”

astralingua, “plunge”

Space folk duo Astralingua – comprised of Joseph Andrew Thompson and Anne Rose Thompson – recently released a captivating, artful black and white visual to accompany their single “Plunge”. The video depicts people of all cultures dancing, while the song plays in the background. “Plunge” has been explained as a track about having courage no matter what, which aligns perfectly with the title and the fun dance moves utilized. The instrumentals have a bit of yesteryear flavor, with a dash of “Eleanor Rigby”-era Beatles to accompany them. We’re big fans of the sound, as it’s a fresh take on confidence than what we have heard as of late.

Keep up with Astralingua here.

swimming bell releases the golden heart ep, talks essence of her music,

swimming bell releases the golden heart ep, talks essence of her music,

Today, Brooklyn-based folk musician Swimming Bell (Katie Schottland) releases her first solo EP, titled The Golden Heart. Over the course of five tracks, she takes us on an almost magical journey through beautifully picked guitars, slight sound effects, and light as a feather reverb to last for days. Quite frankly, it might be the best road trip ready EP we’ve heard all year, and we’re thinking about taking it on our next autumn excursion.

We’re so impressed with the work this lady has accomplished and by the beauty of her art that we wanted to ask her a few questions, to which she happily obliged. Below, find a quick interview in honor of the EP release.

What is the first song or album you ever remember hearing, and who introduced it to you?

There was always a lot of Beatles, Beach Boys, and Eagles played in my house. “Lucy in the Sky with Diamonds” sticks out in my mind. My mom in particular loved Peter Paul and Mary and used to sing it to us as kids. I think I get my love of harmonies from her. She’s the master harmonizer… a rap song comes on and she’ll find the major 3rd.

You have quite the resume with a host of other musical projects. With your own solo project, how difficult was it to find your own voice or to hone your sound? Is the process very different for you from working with a band?

I think in any musical project I’ve been a part of, that my voice has always been there, but the more chefs you add, the wider the flavor. With the solo venture, there wasn’t much conscious thought about a particular sound or voice. We took the songs at their essence and built on them. That’s my voice I guess. This process was very different than recording with a full band. It felt way more relaxed, and in turn more creative to me. There was no right or wrong to it. Just experimenting.

We know you recorded The Golden Heart in the London home studio of Oli Deakin, whom you met in NYC. How did you two meet, and how did the decision to fly to London to record come about?

How does anyone meet these days? I was training as a horse surgeon, and he used to be a professional jockey. He was new in town and we met through the classifieds of Equestrian Weekly. 😉 Then we discovered we both love music.

As for recording in London, it all seemed to fall into place. He was going back home to London for a few months and I had a window of time that lined up. We recorded in his parents house where he has a home studio set up. We just got to play and create for hours. For me it was a dream since I’d never been able to have that kind of freedom in recording before.

As we played the EP for the first time, we came to the conclusion that we’d like to listen to it lying on a blanket under the stars in the crisp, autumn air. How do you imagine people listening to/enjoying the EP?

What you just described sounds lovely to me. Can I come? I’m just happy if people listen to it, wherever they are. 🙂

What are you most excited about with this release?

I’m most excited to be sharing something that is very much from my own imagination, and learning to own it. To be less insecure about my lack of musical training. I started playing music about 3 years ago, so I’m new to all of it and it’s all very exciting to me.

You have a couple of dates coming up in California. How stoked are you to play the west coast, and – be honest – was it an excuse to get out to Joshua Tree for a little R&R? 

I’m very excited to be playing in California. Should be fun! I have friends in all the towns I’m playing in, so it’ll be good to connect with people and play to a different kind of audience. I don’t think I’ll have much time to R&R in J-Tree, but I’ll be in Yosemite for a night and looking forward to that.

If you could collaborate with any artist or musician, who would it be and why?

I wish I could collaborate with Nick Drake, or at least let me sing some harmonies on his songs, but alas. 🙁 Living artists? Beck, Thom York, Sia, Neil Young, etc. Too many to name. I really love what Nicolas Vernhes does as a producer.

Upcoming Events
10.7.17 at Pete’s Candy Store (EP Release)
10.10.17 at Hotel Utah, San Francisco, CA
10.13.17 at Joshua Tree Saloon, CA
10.14.17 at Hotel Cafe, Los Angeles, CA
10.29.17 at Muchmore’s, Brooklyn, NY

The Golden Heart is out today via Adventure Club Records. Keep up with Swimming Bell here.