by Veronica DeFeo | Jan 22, 2018 | albums, wolf tracks
Some artists have difficulty reinventing themselves or putting out new content after being in the world of music for awhile. However, in James Mercer’s lengthy music career, this has yet to happen. Following the 2017 release of Heartworms – an album five years in the making – Albuquerque-based rock group The Shins just dropped The Worm’s Heart on January 19. The Worm’s Heart is a flipped album that discombobulates the track listing, instrumentals, and mood of Heartworms. The Shins as a band has always metamorphosed throughout the years, and The Worm’s Heart is only more proof of Mercer’s ability to appeal to a variety of genres and ears while maintaining an authentic sound.
It ends with “Name For It”, while Heartworms starts with that track. “Fantasy Island” changes from nostalgic and slightly morbid to a completely different, upbeat sound – almost as if Buddy Holly and David Bowie remixed it together – and it totally works. As one might expect from a guitar rock group, the guitar on the flipped version of “Mildenhall” is absolutely spectacular, and is one of the best reinventions on The Worm’s Heart. It’s the perfect jam sesh song, whether you’re stuck in traffic or rocking out with friends. “Name For It” is flipped from an upbeat bop on Heartworms to a moody, synth-filled track on The Worm’s Heart. The flipped version of “Cherry Hearts” sounds Beatles-esque, while the original on Heartworms is a definitively 21st century, light electronica song.
By retaining the original lyrics but providing each track with a completely new sound, The Shins display their versatility, talent, and ability to put forth quality content to appeal to a variety of ears. If you already had trouble picking a favorite track on Heartworms, get ready for even more competition for your most-loved song on The Worm’s Heart. The Worm’s Heart is a treasure trove of synth, retro vibes, and a touch into various genres. It’s an absolute treat for the ears, and a fantastic tribute to The Shins’ ability to reincarnate their own music. Last, but certainly not least, the album art for both Heartworms and The Worm’s Heart is AMAZING! Who doesn’t love a good ol’ dark-floral-and-skulls thematic landscape? Mixing the perfect amount of edgy with wistful, The Worm’s Heart is sure to please both old and new fans of The Shins.
The Worm’s Heart
- The Fear (Flipped)
- So Now What (Flipped)
- Heartworms (Flipped)
- Dead Alive (Flipped)
- Half a Million (Flipped)
- Rubber Ballz (Flipped)
- Mildenhall (Flipped)
- Fantasy Island (Flipped)
- Cherry Hearts (Flipped)
- Painting a Hole (Flipped)
- Name For You (Flipped)
Check out The Worm’s Heart now, available to stream on Spotify and for purchase on iTunes.
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by Veronica DeFeo | Jan 22, 2018 | albums, wolf tracks
Performing under the name Tishmal (“hummingbird” in Luiseno), San Diego native Rachel Brockbank’s is gearing up to release her debut solo EP, Tishmal, on January 24.
The tracks on the EP masterfully juxtapose electronic pop beats with Brockbank’s natural vocal talent. Beyond the instrumentals, the lyrics are perhaps the most riveting part of the album, lending at times unexpected depth to the tracks. Tishmal wastes no time hiding behind a first release, and carries the whole album with refreshing self confidence.
Tishmal revs up with the already released single, “Underneath”, a tantalizing track that provides a delicious contrast of lyrics dealing with unsureness and questions with confident vocals. There is also a phenomenal music video for “Underneath”, which you can see above. It provides riveting visuals alongside Tishmal’s hauntingly beautiful track. “Underneath” is available now and can be streamed on Soundcloud and Spotify.
While “Underneath” offers a wonderful taste of Tishmal’s music, it is far from all she’s capable of. Up next, “Concrete” provides a great blend of conflict and resolution in love. If you’re needing a song to listen to when you’re torn, look no further. It has just the right amount of ‘standing up for myself’ feels alongside “I have no idea what to do.” Fans of Halsey or Tove Lo could easily find themselves vibing to this track.
Tracks like “Connections” and “River” offer a different sound, while still adhering to the thematic landscape of the EP. “River” provides a mellower sound, perfectly placed after “Concrete”. The track itself sounds like it is cloaked in mist, and provides great natural imagery for the song. “Connections” reminds to keep a bond with one’s past, and childhood in particular. Closing the album, it repeats the question, “are you making connections?”
Be on the lookout for Tishmal, coming January 24. You won’t want to miss it. Keep up with Tishmal here.
by Meredith Schneider | Jan 19, 2018 | albums, wolf tracks
Today, Amsterdam-based indie folk singer/songwriter VanWyck released her latest, an eleven track gem of an album titled An Average Woman. But, from the very first notes of the title track, the listener is aware that VanWyck does not fit the “average” mold. In fact, it begs the listener to question what “average” is, and allows us the reminder to be cognizant of calling anyone or anything “normal”. After the beautiful trickle-slow intro that is “An Average Woman”, “Red River Girl” provides a little more mellifluous composition instrumentally, really utilizing the strings to pull at your heartstrings.
By “Listen to You Breathe”, it is quite obvious that this album is going to largely exist in a slow soundspace, which we are completely on board with. We have noticed a lot lately that bands have been bringing more upbeat tempos in to more introspective tracks to give them a dimension of feeling fun. What’s beautiful and alluring about VanWyck is that she sings the songs as she means them. There is depth and immense emotion in her vocals, something you certainly can’t teach.
This entire album is a keeper, moreso for a day when you feel like sipping a hot cup of tea and journaling, or you’re looking for a playlist for your family dinner. It brings up key concepts about confidence, freedom, and being a damn badass as a woman, in a smoky and intense way that only VanWyck could accomplish. With the spotlight on so many issues regarding women recently, it feels nice to cocoon inside art that understands the complex nature of the human female.
“Europa Escapes” might be one of our favorites because it is more theatrical and feels like the Wild Wild West, yet with a woman at the forefront on vocals, which you almost never find. In fact, we would compare this track to one of our favorite male vocalists Radiator King, edgy and drawing a different attitude than its predecessors. We are also completely enamored by last track “Whole Again”, which seems to be more about VanWyck’s personal journey, tying the piece together in only a way that she can. It’s uplifting, conscientiously empowered despite the careful, quiet nature of the instrumentals that lead us out and onto another musical journey in our day.
An Average Woman is available here.
by Meredith Schneider | Jan 19, 2018 | albums, wolf tracks
UK-based musician Ian Parton has developed a new and invigorating sound in this second iteration of The Go! Team, live players Simone Odaranile (drums) and Angela ‘Maki’ Won-Yin Mak (vocals), as well as two original members, guitarist Sam Dook and rapper Ninja. With the help of a few more friends, the project releases its brand new album Semicircle on Friday. Just ahead of its release, we got a little listen to what’s to come and, boy, were we blown away!
From the very first notes of “Mayday” to the very end of twelfth song “Get Back Up”, you’ll be mesmerized by their energy and affinity for creating a fun and uplifting soundscape for us. Though the vocals in “Chain Link Fence” feel slightly like turn of the century bubble gum pop-meets-Jackson 5, we’re certainly not knocking it. In fact, it’s what drives the song and keeps our ears glued to what’s next. It isn’t until third track “Semicircle” that we notice how intense the musicianship is in the album. (Trust us, you’ll understand when you listen.)
Fourth track “Hey!” exists, for us, behind the montage scene of a chick flick, most likely when a shopping spree is taking place. But, boy, does it bring a vitality to the album that makes us want to play it everywhere! “The Answer’s No – Now What’s The Question?” – though one of the more hilarious titles we’ve seen in a while – demonstrates the band’s ability to create depth with an often addicting, sweet-as-candy sound to it. “Chico’s Radical Decade” takes us right back in time, no vocals to be heard to distinguish it as more modern. Close your eyes and picture the brown carpet, the fun hats, people probably saying “Groovy” whether it’s culturally relevant or not…
“All The Way Live” is as sticky sweet as its predecessors, which makes us realize we’re not getting out of this one without dancing. (And we thought we could fool our coworkers into thinking we were being productive!) But doesn’t the island vibe in “If There’s One Thing You Should Know ‘If There’s One Thing You Should Know'” make you wish that it was time for some warm weather around North America at the moment? (That’s OK… this album will still be ripe for the pickin’ once spring rolls around, we guarantee it.)
Though they certainly named a few of our faves in “Tangerine / Satsuma / Clementine”, it has a little more of a mellow tempo to it, bringing our heartbeat down just slightly and adding a head bob into our awkward back and forth dance movement. And with the sentiment of the title alone of “She’s Got Guns”, we’re groovin’ around the room. While we’re on board with both the title and the percussion in “Plans Are Like A Dream U Organise”, “Getting Back Up” is so inspirational in title, instrumentals, and chorus music, that we’d be surprised if a one of you didn’t end the album with a smile on your damn face.
Says Parton of the project:
It’s about reminding yourself of the good things in life. We don’t want to be dumbly optimistic and say, ‘Hey, isn’t everything great!’ but there’s something to be said for just getting on with it, for getting organized and not letting the fuckers get you down. Party for your right to fight!
Be sure to catch The Go! Team on tour soon if you’re in the UK!
Instore dates:
01/18 – Kingston, UK @ Banquet Records
01/19 – London, UK @ Rough Trade East
01/22 – Bristol, UK @ Rough Trade Bristol
01/23 – Nottingham, UK @Rough Trade Nottingham
Headlining/Festival dates:
* with GURR
# with Neon Saints Brass
+ with The Daniel Wakeford Experience
02/09 – Glasgow, UK @ QMU *
02/10 – Leeds, UK @ The Wardrobe *
02/11 – Brighton, UK @ The Haunt *#
02/15 – London, UK @ Electric Ballroom *+
02/16 – Newcastle, UK @ Riverside *
02/17 – Manchester, UK @ Gorilla * SOLD OUT
02/22 – Amsterdam, NL @ Paradiso
02/23 – Dunkirque @ Les 4 Ecluses
02/24 – St Malo @ Route Du Rock Festival
03/02 – Cologne, DE @ Gebäude 9
03/03 – Hamburg, DE @ Nochtspeicher
03/04 – Berlin, DE @ Bi Nuu
03/24 – Los Angeles, CA @ Teragram Ballroom
03/25 – San Diego, CA @ Casbah
03/27 – San Francisco, CA @ Independent
03/29 – Portland, OR @ Doug Fir
03/30 – Seattle, WA @ Neumos
03/31 – Vancouver, BC @ Fox
04/03 – St. Paul, MN @ Turf Club
04/04 – Chicago, IL @ Lincoln Hall
04/05 – Detroit, MI @ El Club
04/06 – Toronto, ON @ Great Hall
04/08 – Boston, MA @ The Sinclair
04/09 – New York, NY@ Le Poisson Rouge
Keep up with The Go! Team here.
by Meredith Schneider | Jan 16, 2018 | albums, wolf tracks
Sheetal Singh – former bassist for San Francisco noise pop wonder The Stratford 4 – is going in a different direction with her music, revving up to release a self-titled mini-album under her moniker Forest Bees. Originally driven by her desire to incorporate her familial history into her work, Forest Bees morphed into this beautiful – punk pitchy in its presentation, but almost earthy in tone – piece that gives the listener the impression that the musician is simultaneously experiencing an awakening of sorts.
And perhaps she did. She transformed while creating this art, and you can hear it in the soundscape. “Independence Day” is a bit of a dance track, while “Hollow Bones” fills a deeper, more primal, place in your body with differing instrumentals. While “Golden Dream” is void of the vocal warmth we would otherwise deduce from the title, we’re mesmerized by how she can still evoke a beautiful instrumental section amidst the rough, almost static, sounds that overlay the entire track. “Off Color” comes in from left field, with a hard-hitting percussion section that comes off as wonderfully experimental in tone, though the song feels more mainstream-headed than its predecessors, and we do not mean that as a negative connotation. Singh expertly rounds out the album with “Dust”, perhaps the most alluring of the five tracks. Composed of several differing tempos, this song could be equally enjoyed on a long drive, sitting with friends during wine night, and dancing in a basement club in The Village at 2am.
Forest Bees’ record release show will take place The Hemlock, San Francisco on January 25th with N. Lannon and Alexsarah. Tickets are available here. Forest Bees is available for preorder now.
by Meredith Schneider | Jan 15, 2018 | albums, wolf tracks
The very end of 2017 brought us some stunner releases, and not enough time to get through it all. San Francisco’s rock outfit The Go Ahead – comprised of – Kyna Wise (vocals), Alex Mamelok (bass), Josh Hertz (guitar), and Chris Kelly (drums) – charmed us in December with the release of their latest, an EP titled In Harms Way. A six track EP birthed from struggle and existential questions, this work implores you to look deeper at your own life.
The Go Ahead wastes no time getting you right into the thick of it, beginning slowly with first track “Bones” and then luring the listener in with rough guitar and hard-hitting percussion. Wise’s vocals are like a siren, pulling you in despite your want to know – and to hear – more, at least for the first couple of minutes. Then, you might find yourself melting into her voice for the remainder of the work. (Warning: You will.) While “On My Side” slows things down, it bursts into this beautiful, mellifluous track, a pattern not dissimilar to next track “Bloodshot”. (If you don’t like the idea of blood coming out of your eyes, maybe skip this song.) “Coastline” has more of a pop feel to it, lyrics tinged with melancholy and a thirst for salt water. “About to Burst” feels just like the title might suggest, while final track “Fuel” almost drains you of your energy just by adequately enjoying the tempo and energy adjustments throughout the song.
It’s rare to find all of your own energy invested in a release from start to finish, but The Go Ahead has managed that feat with In Harms Way.
Keep up with The Go Ahead here.
by Meredith Schneider | Dec 20, 2017 | albums, wolf tracks
Rounding out 2017 as best they can, NY-based Israeli transplant quintet Seasonal Beast released a particularly entrancing eleven-track album titled Muscle Memory in October. From first track “I Can Make You Disappear”, you feel like your whole being is melting into another world, steered bravely by a largely electronic – and intrinsically beautiful – soundscape. Second track “Making Shapes” is instrumental, and almost emotes an extra-terrestrial feeling, as though you’re being abducted by some of the most fabulous aliens in existence. “Dry Bones” takes a turn for the delicate, but it isn’t misplaced in any way.
“This Is Where” is comprised of vocals that really feel like a chant, mellowing out the album to this monotonous but curiously otherworldly tempo. While “Take Me Back” pumps a little more into the tempo and hosts more robust vocals, “Another Day” brings with it more reverb, and a slightly unamused, punk, almost theatrical feel. It’s a darker side to the band, but it’s just as ethereal as its predecessors. “Heading to a Wall” seems to mellow it all out again, driven by the acoustic guitar. “Ungovernable” might have the most alluring title, and the vibe of the track is very “take charge,” full of strength in every note. This one is a standout favorite, hands down.
“Don’t Disappear” is another instrumental beauty, while “Playing in the Dark” has more of a nostalgic feel to it, if not only because the instrumentals between choruses remind us of the carnivals of our youth. (That’s a thing, right? Other people also attended carnivals and fairs?) Of course, it ambles right into the last track, aptly titled “No One Can Open the Door (Only I from the Inside)”, which is a soft and beautiful – almost lounge-like – in its disposition. It brings the tempo down, and rounds the release out perfectly, repetitive in lyrics but allowing the instrumentals to build and take center stage.
Muscle Memory is available now. Keep up with Seasonal Beast here.
