Nashville-based singer-songwriter Joel Levi has just dropped his self-titled album. Honest and down to earth, Joel Levi explores challenges and difficulties of life on an Americana/indie-folk soundscape. Joel Levi: 1. “Middle of Everything” starts off the record on an upbeat note, setting the indie-folk tone of the album. Showcasing Levi’s great vocals, this first track sets the stage for the rest of the album. 2. “Will We Ever Change?” is up next, starting off with a smooth, angstier sound. As the title suggests, this track explores the fear of being stuck as you are. 3. “Honest Mistake” carries the listener into a more Americana sound, reminiscent of Springsteen. Featuring a great guitar solo towards the second half the song, the lyrics “I don’t wanna bring you down” echo throughout the track. 4. “Easy to Be Alone” is a more laid back folk song that moves along an emotional soundscape, encouraging the listener to hold onto their loved ones and fight for them. 5. “Harder Times” emphasizes perseverance, even through adversity. Well-placed guitar rounds out the track into a solid song. 6. “The Garden” brings the listener into a simple but touching melody, filled with well-constructed metaphors. 7. “All My Friends” changes it up, instantly upbeat and quickly moving into a feel-good chorus that will make any listener appreciative for the important friends in their life. 8. “Sweet Melinda” comes next, a beautiful love song that starts off with some acoustic guitar. An instant classic, “Sweet Melinda” encompasses what a romantic folk song should sound like. 9. “Blind Men Still Dream” is a painfully honest track that explores the challenges we face, and the support that we always can depend on. 10. “Hold On Me” closes out Joel Levi on a simple but touching note with a love song. “Hold On Me” shows just one of Levi’s many musical aspects and gently brings the record to an end.
Seattle-based artist Damien Jurado drops his 13th album, The Horizon Just Laughed, today. In his 20+ year career, Jurado has never self-produced a record – until now. The Horizon Just Laughed is being released via Secretly Canadian.
Jurado says of his record:
From the beginning I have approached this album differently than those in the past. I snuck away to record it without anyone knowing. I sat in the producers seat for the first time in years, where I followed creativity’s every turn. It was fulfilling to watch the things come to life before me with the help of some talented friends. I am so very proud of this album and I can’t wait to share it with all of you.
The Horizon Just Laughed track listing: 1. “Allocate” starts off the record on a mellow but strong note. Highlighting Jurado’s musky vocals, “Allocate” provides a glimpse into what is to come. 2. “Dear Thomas Wolfe” begins with a rhythmic guitar intro reminiscent of Jack Johnson. Featuring great lyrics like, “Was I faking trusting you?”, this song gets the ball rolling into the record. 3. “Percy Faith” takes a different approach instrumentally, and utilizes a storytelling manner to bring the lyricism a nostalgic feel. 4. “Over Rainbows and Rainier” is the leading single off The Horizon Just Laughed. A soft, moving track, this reflective song brings the listener gently along. Jurado has also put out a music video for this track. Check out the video for “Over Rainbows and Rainier” HERE. 5. “The Last Great Washington State” features some nice drum moments and steady vocals. 6. “Cindy Lee” is a beautiful interm track that has some well-placed harmonies, and moves the listener into the second half of the album. 7. “1973” perks up with a gentle but pointedly moving track. 8. “Marvin Kaplan” gets an almost samba sound going, as Jurado is accompanied by soft female harmonies. 9. “Lou-Jean” is closer to tracks like “Percy Faith”, telling a meaningful story through song. 10. “Florence-Jean”, the penultimate track on this record, takes an upbeat take on the tales that Jurado tells in The Horizon Just Laughed. 11. “Random Fearless” closes out the album on a fun note, unafraid of the future.
Together, Laura Larson, Corrie Harrigan, and Liz Elton have come together to form the shape shifting and ever evolving minimalistic punk trio Kitten Forever and have just released their fourth and latest album, Semi-Permanent. One of the greatest attractions that this trio can offer is their seamless ability to switch instruments as well as roles mid-performance and deliver a stunningly complex and dynamic show. United by their equal abilities in each area of their performance, it is no wonder that this band has come produce four successful full length albums together. As these three friends continue to develop both their skills and talents, not only will they develop a stronger presence in the punk/pop world, but they will also gain priceless credibility among their peers.
Throughout their track, it is clear that they have clung to their roots as each song is infused with anthemic rhythms, fast and furious beats and melodic tendencies all within two minutes. Each song is laced with powerful drums and exciting bass loops that keep the toes tapping and bodies moving. If nothing else, one thing is clear-it is hard to stay still while listening to such enthusiastic and exciting music. Overall, Kitten Forever has found their niche within the realm of punk that is cleverly mixed with pop sensibilities which enhances and creates a unique sound that is specific to this Minneapolis-based band. Another notable aspect is their incredible ability to mimic the beautiful growl of the base and drums with their voice, truly becoming the third instrument in this tricky trio. This album as a whole explores the juxtaposition of all things with its lyrically dynamic tracks that discuss self-trust in a world of dishonest decay. As this budding group continues to garner success from the general public they prove over and over again that the punk genre is alive and thriving with each beat of the drum and strum of the bass. In a recent review of Semi-Permanent, an author wrote, “Kitten Forever is proof, once again, that punk is in fact not dead.”
Elke – the beautiful moniker for musician Kayla Graninger – has been quite buys preparing for the release of her brand new EP Bad Metaphors. Elke was raised in different cities around the United States, discovering art in different places, until she dropped out of boarding school and moved to New York.
The EP consists of three songs that are inspired by past relationships and the hurt from the breakups that come with that. Each song on the EP sounds different from the other, resplendent in nature. The EP’s lead single “Without The I” is about someone saying “love you” without the “I” in front of it. The song gives the listener enough confidence to walk away from the person they love that does not love them the same.
Each of the songs set Elke apart as an artist, with “Two Lives” being a rock song and “Black and Blue” giving the EP a dark ending. The entire album explores what it is like to start over and the loss of relationships.
Elke’s debut EP “Bad Metaphors” is available now. Keep up with her here.
Rock group Rad Horror is on the brink of success with the recent release of their four track EP Anti-Teenage Sensation Part 1. The collection of quirkily beautiful pop/rock tracks takes you back to that casual, laid back, feeling that we all crave from the 90s. The first track is called “Dark Times”, and is a song that takes you on a journey addressing people who act fake while making you feel like an outcast. Endearing as all hell, it paves the way perfectly for second track “Teenage Love”, which looks at the thin line between love and lust.
The album comes around full circle, touching on a variety of topics with “Stay Out” – which talks about all-too-relatable mind games – and “Only When You’re Lonely”, which seems to bring each topic element of the album together. Anti-Teenage Sensation Part 1 is a future classic at its finest, preparing us all for the ups and downs of summertime love.
Coming from a background that includes a mixed bag of past careers–including children’s book author and fine artist–Scott Mickelson has finally found root in a career in music that suits him perfectly. Since moving from Massachusetts to the Bay area in the 80’s, Mickelson has been known to be seen performing on big name stages such as the Filmore and Great American Music Hall. No small feat for an artist that took a break from the music world after producing five full length releases with his band Fat Opie. Since his return to stage, Mickelson has released one full length album and in now preparing to drop his second on May 4th. This album, A Wondrous Life is a compilation of songs that overall tell the story of everyday life in stark and, at times, uncomfortable detail. “No Such Luck,” a track found on this album is a perfect example of this lifestyle clarity. “We tend to keep ourselves in a state of stress, many times by choice. We seem to take on more than we can comfortably handle, then blame ourselves for not doing it well enough.”
Not only does Mickelson perform some of his finest vocals in this album, but unlike his last album, A Wondrous Life was a solo effort meaning that Mickelson performed all of the instrumental components ranging from drums to horns. With all of the effort that went into producing such a meticulous and intricate album, it is clear that this set of tracks fall among some of the greatest work that Mickelson has every has his hand in. Throughout each individual song, the listener is walked through the reality of several aspects of daily life experiences. Not only does this add the Mickelson’s credibility, but it will also allow his music to maintain relevance over the coming years. Unlike some of the one-hot-wonders of the 00’s, Scott Mickelson has the staying power to be known throughout the ages.
Coming off of one of their most successful tracks to date with their latest LP, Parallel Person is Chicago based, garage-pop band, Varsity. Not only is this group composed of some of the most complex, yet beautiful soundscapes in the industry today, but fans are picking up on their unique talents and can’t seem to get enough of their psychedelic rhythms and beats. Before the release of Parallel Person, their last single, “So Sad, So Sad,” racked up a killer 14 million views and is continuing to grow in popularity as word of them spreads throughout the country at a rapid pace. However, more than just garage-pop fans are catching on to their success. Their past work has also awarded them praise from acclaimed critics and was named one of the, “Best Songs of 2016” by TIME. Looking forward to the release of Parallel Person, there are high expectations, but this rising band is sure to deliver.
Along with the bubbly, jangly feel of their music, Varsity brings a lighthearted feel into each of the tracks on their newest LP. Lately, it has been difficult to find a collection of songs that brings such an overall feeling of carefree release that is as infectious and catchy as Varsity’s latest release. One of the aspects of this release that really makes all the difference is the stellar twangy guitar skills that are overlaid with dreamy vocals. As listeners take in the meaning of each song, they will be transported back to the days of the easy 80’s and be enveloped in the artistic anthems that Varsity has put together. No doubt, fans and critics a like will soon be raving over this next release with great enthusiasm.
After nearly a decade since his last release, Clint Michigan has just released his brand new LP, Centuries. Following several difficult years struggling with sobriety and other issues, Clint Michigan (irl Clint Asay) is back and better than ever. Clint Michigan has displays the strength he possesses and the difficulties he has faced since 2009’s Hawthorne To Hennepin.
“Knickerbocker Street” starts off Centuries with a mellow, and emotional folk-pop track, highlighted some well-composed guitar playing and vocal harmonies. Next up is “Beg for It”, a hauntingly beautiful track that follows up “Knickerbocker Street” in the perfect manner, alternating soft, nostalgic vocals with an irresistible, off-kilter beat.
“Steven Says” follows “Beg for It”, starting off with the trademark guitar playing that makes Centuries so excellent. Bringing in some violin towards the second half of the song, “Steven Says” explores many of the issues and despair that we face. “The Way Out” will give you goosebumps from its astonishingly beautiful piano intro to its touching lyrics. Filled with a childlike, yet adult sound, this song is truly a treat. “Centuries”, the title track of the record, is found in the middle of the album, and invites the reader along a nostalgic sonic journey. You won’t be able to help looking back on your own life as this track plays.
“Tired of Being Kind” is a unique track that lends itself more the folk side of Clint Michigan’s sound. Relevant and honest, “Tired of Being Kind” voices what many of us have on our minds but never say. “Shirt Off” muses on some memories of growing up as well as the present, again including some excellent instrumentation. “Eager to Leave”, the penultimate track on Centuries, takes a look at some of the stupidity of modern experiences (like unnecessarily taking pictures of our food before we eat it) through a timeless sound. Appropriately, “That Is All, That Is It” closes out Centuries, along a simple beat that gradually brings in more instruments. When the piano and bass come in about 1:00 into the song, this song really gets going, creating the bittersweet goodbye of the record.
Centuries is truly a beautiful record. Check it out today.
Toronto-based musician Bossie is set to release her latest album Not Pictured on April 27th. Not Pictured covers a wide variety of topics including modern culture, consumerism, and social media, among others. Bossie sparked public attention when she released her first single “Meteror” in 2015. Now, with her debut album, we are reminded of that infectious and beautiful sound that we have been falling in love with over the last couple of years. The album places emphasis on the sound of bubblegum pop with Boosie’s amazing, robust vocals.
First tack “Mild At Heart” discusses the mild nature in a relationship. “Take your headphones off we need to talk” says Bossie. Pondering the relationship she says, “What if we need to grow up?/Maybe we’re just mild at heart.” “Mild At Heart” really digs into the frustrations of a relationship. Bossie sings on falling in and out of love, not moving forward, and not having that “zest” in a relationship. “Strawberry Moon” shows off the artist’s quirky side. With the funky beat and electronic sounds, “Strawberry Moon” shows off Bossie’s diverse style. “Don’t set fire to the strawberry moon,” proclaims Bossie. What does it mean? Luckily enough, she leaves that up for interpretation. On “There Will Be Time,” Bossie takes a stab about the timing in life. A track about there being a time and place for everything, Bossie is transparent on “There Will Be Time.” “Yeah there will be time…there will be time to decide,” we hear on “There Will Be Time.” Bossie recognizes that whether it be a relationship, career move, or personal, not everything in life needs an immediate decision.
We are enamored by Bossie’s new album, and KNOW you will be too! Not Pictured is out everywhere April 27th. Keep up with Bossie here.
