Keep up with Brooke Moriber here.
It’s time to get some smooth, easy listening in those ears of yours. Perfect timing, since London-based alt pop duo Vōs just released new track “Serious”, which wreaks of 90s R&B influence. As the strong, intense vocals, implore, “Do you wanna get serious?… Are you gonna treat me right?” part of you wants to challenge someone, and the other part of you just wants to dress up and go dancing.
So go. Get ready to this. And challenge someone on the dance floor. (Yeah, we said it. So do it!)
Keep up with Vōs here.
Everyone’s favorite roots rock n’ roll duo Larkin Poe recently released a 10-track stunner, packed to the brim with badassery paired with subtle delicacy that only these ladies could pull off. Starting with the military-like drum line first track “Sometimes”, Rebecca and Megan Lovell bring every ounce of soul that they can to each and every track. As evidenced in “Bleach Blonde Bottle Blues”, “Honey Honey”, “Mississippi” (ft. Tyler Bryant), and “California King”, as well as what follows, lead vocalist Rebecca makes us swoon with a gorgeous, far-ranging, robust set of vocals, that comes with a bit of smoke here and there that makes us feel like everything about this album is a mystery. (I mean, check out those instrumentals in “California King”!
“Blue Ridge Mountains” is very much a country track, following suit of the other upbeat, “proud of my hometown” tracks that we’ve become partial to over the years. And if you think “Fly Like an Eagle” is going to be a remake of the Steve Miller Band classic (mad respect to Space Jam), you would be incorrect. This track is far more stunning, though you probably wouldn’t find it in a cartoon-riddled movie starring LeBron James anytime soon. (Or will you?) “Ain’t Gonna Cry” is one of those “knock your heart right out of your chest” songs, as it’s highly relatable and such a raw, matter-of-fact anthem. “Hard Time Killing Floor Blues” is far more classic blues than many of its predecessors, with a boot-stompin’ beat you may just find yourself repeating. The ladies round out this album with 10th track “Good and Gone”. Clearly placed for its title, we were curious to see if we thought it actually belonged as the wrapping on this new gift of an album. That answer is yes. It sounds like something you could play at a funeral or celebration of life, with a little of that quintessential Larkin Poe edge oozing out of the edges.
Keep up with Larkin Poe here.
There’s no doubting the undeniable talent pouring out of Sweden’s very own Samuraii. Hailing from Stockholm and co-signed by the behemoth that is Ultra Music, he first came to prominence with his single “On Me” (also released on Ultra) and his huge remix of Tove Lo’s “Moments.”
The up-and-comer is back again with another fire track titled “Changed My Mind.” This banger incorporates the best elements of styles like trap and dubstep and merges them with a pop sensibility. With a solid vocal from Loote’s lead singer Emma, there’s no doubting this will be another hit for Samuraii.
It’s out now, and you can check out the track below.
Jealous of The Birds doesn’t actually fit into one box, if you’re looking for an honest answer. A bag of tricks, you can hear hints of 60s punk and indie rock and roll in her work, vocals deep and emotionally evocative. The new music video for “Marrow” follows suit, a visual dream basked in a glow that warms you while the artist galavants around in a garden. Demonstrating theatrics and a sound that The Beatles would be proud of, you’re in for a visual treat with this one. Peep it below!
Keep up with Jealous of The Birds here.
The dreamy pairing that is Wild Culture have just released a new single through RCA/SME. Titled “Together Alone,” this is a powerful and reflective piece of power pop that has a rich electronic tip.
With millions of plays to their name and known for their fusion of styles, Wild Culture keep to a refined vibe with the track. Interlacing piano melodies and searching drum beats, the vocals of Loren Nine are left to work their magic. The duo says: “We are so happy that it is finally available and everyone can listen to it! It is about a facet of life which we think most people have experienced.”
Listen here.
Aria Pullman Ostrander – who goes by AO in the music community – just released her latest track, a swirling beaut called “Lonely Hunter”, this morning. Sound effects make it all feel a bit otherworldly, her raspy, edgy vocals adding a hint of soul to a track that then feels more “old west” than anything else. Trust us when we say, this is something that will make you feel powerful. It’s definitely a must in your autumn soundtrack, and might be the perfect thing to play as you walk into that unavoidable upcoming class reunion.
Keep up with AO here.
With baited breath we’ve awaited the arrival of indie rock collective Daisybones‘ 10-track album Gold. The Boston quartet has really provided us with the energy shot we’ve been needing, from the very first chords of the title track, through slightly slower – but just as otherworldly rock as its predecessor – “Choke”, and into “Drag”, which slows down exponentially but doesn’t quite drag, if you as us. (We’re full of jokes today.)
Daisybones performs with a hint of 60s British punk woven into lead singer Dillon Bailey’s vocals. This is especially evident in “Bang”, though “Crush” follows suit perfectly. “Beautymark” might be our favorite of the collection, the tempo changes alluring and the crashing cymbals providing a soundscape that we can both veg out AND dance our asses off to. Many fans might like “Daiquiri” for its tropical vibe, providing us an escape from our (now) snowy landscapes.
“Score” is the obvious head-bopper, frantic and staccato in its existence. If you’re looking for a slower rock track to nerd out over, “Heave” is your particular brand of ear candy, though last track “Lemondrop” might sound as such. “Lemondrop” is actually the perfect way to end the album, slowing everything down exponentially and providing an almost rock ballad-like atmosphere that will lord over you for the rest of the day.
And that’s not a bad thing.
Keep up with Daisybones here.
New Orleans-based Sexy Dex and The Fresh – comprised of Dexter Gilmore (Guitar, Vocals), Gabrielle Washington (Vocals), Andrew Landry (Bass), Evan Cvitanovic (Drums), and Ben Buchbinder (Keys) – has been winning awards left and right in the south, and we can see why. As a young band, their technique – and, truly, pure chemistry – is undeniable. Not to mention the alluring genre they’ve almost created unto themselves. You can witness this in their new EP Don’t Play My B-Sides.
Though you’ll hear some psychedelic influence amidst the funk in “SDTF”, hip hop makes its way in there, as well as some interesting pop-infused dance breakdowns. We could see ourselves dancing to “Play Me Birdie” at a sock hop, but there’s an 80’s flare to it as well as a quirky, fast tempo that is a total earworm. “These Young Charms” exists in a more quintessentially 80s soundscape, while “!Wait!” presents a cacophony of sound that is otherworldly in its disposition. Last track “Fotographs” begins with a speaking part that truly captures the otherworldly, as the song blossoms into another 80s-inspired dance track.
Check it out below!
Keep up with Sexy Dex and The Fresh here.