Grunge-pop musician talker recently released her soft, mellifluous new track “Intimidated”. The robust range of her vocals is impressive, especially with the control she has over them. With a slight bit of rasp, she delivers the song in a heart-wrenching and infinitely relatable way. Wait for that instrumental buildup around the 2 minute mark, and you have a new anthem to jam to, speakers as loud as they get.
Pure honesty. What intimidates you?
Keep up with talker here.
I’m always inspired by songs that are filled with strong and seamless vocals. I love listening to stripped down pop songs where you can really hear the artist sing. It feels raw and intimate, almost like a private concert. So here are some of my favorite acoustic style pop tracks with a little R&B flair. You can only listen if it also involves wine, cheese and good company.
Daniel Caesar – Best Part (feat. H.E.R)
Camila Cabello – Real Friends
Kehlani – Honey
Noah Cyrus, MAX – Team
Ella Mai – Naked
Mila J – No Brakes
Elijah Blake – Mama Knows
Tori Kelly – Paper Hearts
Rihanna, Kanye, Paul McCartney – FourFiveSeconds
Lauv – The Other (Stripped)
Frank Ocean – Ivy
Cody Simpson – Home To Mama
Jorja Smith – Goodbyes
Troye Sivan – My My My! (Acoustic)
Rudimental, James Arthur – Sun Comes Up (Acoustic)
Keep up with Arlene here.
At a very important time, Kansas City-based alt garage rock band The UK’s – comprised of Noah Bartelt (Lead Vocals/Guitar), Scott Combs (Guitar/Vocals), Katelyn Miles (Bass), and Tarquin Eugene Kellough (Drums) – has released a 5-track EP, affectionately and poignantly titled American Way of Death. From the very first, melancholic sounds of “Why Don’t You Go” – which hits a stride that makes you want to add it to your “walking the streets of the city like a badass” playlist – through the 60s punk-influenced soundscape of “Wake Up”, all the way through third track “AWOD” which follows suit, there is an electricity that makes you realize that incredibly underrated music comes from the midwest. (Hello, Holy White Hounds and Mess!)
Cut to “The Poison Squad” and you’ve got a track we could easily find ourselves barbecuing to on a chilly autumn day, dancing to at a sweaty basement party, or driving to down the Kansas City streets. It all comes to a head with fifth and final track “Other Team”, which brings in that fun, vintage, upbeat feel again. If you’re not careful, you just might find yourselves on the ceiling too…
Keep up with The UK’s here.
Chicago-based shoegaze/pop collective Lightfoils releases new five track EP Chambers today, and we’ve got your first listen below! (Or fourth, or fifth, or twelfth… who’s counting?) The five-piece – comprised of Zeeshan Abbasi (guitar), Jane Zabeth (vocals), Cory Osborne (bass), John Rungger (drums), and Neil Yodnane (guitar) – wastes no time getting into the psych feels with the kaleidoscope intro to first track “The Bitter Over”, which layers into a cacophony of sound that seems to envelope your senses. “Duende” brings the same level of otherworldly vocals to it, a little more depth to the guitar parts than its predecessor. While “This Time Is Up” brings with it a punk garage band instrumental soundscape, we’re still left wondering how Zabeth can reach such insane places with her vocals. But I digress.
“Summer Nights” might, at first, make you feel a little bitter about the warm evenings being long behind us, but it also provides that whirring nostalgic feeling that makes it feel like summer might not ever end. (And it doesn’t have to if you don’t want it to!) Last track “Honeydew” brings with its title the same lust for warmer months, though we know we can relive those nights with this as the backdrop any time we damn well please.
Pick up this EP. It’s well worth it.
Keep up with Lightfoils here.
Keep up with Brooke Moriber here.
It’s time to get some smooth, easy listening in those ears of yours. Perfect timing, since London-based alt pop duo Vōs just released new track “Serious”, which wreaks of 90s R&B influence. As the strong, intense vocals, implore, “Do you wanna get serious?… Are you gonna treat me right?” part of you wants to challenge someone, and the other part of you just wants to dress up and go dancing.
So go. Get ready to this. And challenge someone on the dance floor. (Yeah, we said it. So do it!)
Keep up with Vōs here.
Everyone’s favorite roots rock n’ roll duo Larkin Poe recently released a 10-track stunner, packed to the brim with badassery paired with subtle delicacy that only these ladies could pull off. Starting with the military-like drum line first track “Sometimes”, Rebecca and Megan Lovell bring every ounce of soul that they can to each and every track. As evidenced in “Bleach Blonde Bottle Blues”, “Honey Honey”, “Mississippi” (ft. Tyler Bryant), and “California King”, as well as what follows, lead vocalist Rebecca makes us swoon with a gorgeous, far-ranging, robust set of vocals, that comes with a bit of smoke here and there that makes us feel like everything about this album is a mystery. (I mean, check out those instrumentals in “California King”!
“Blue Ridge Mountains” is very much a country track, following suit of the other upbeat, “proud of my hometown” tracks that we’ve become partial to over the years. And if you think “Fly Like an Eagle” is going to be a remake of the Steve Miller Band classic (mad respect to Space Jam), you would be incorrect. This track is far more stunning, though you probably wouldn’t find it in a cartoon-riddled movie starring LeBron James anytime soon. (Or will you?) “Ain’t Gonna Cry” is one of those “knock your heart right out of your chest” songs, as it’s highly relatable and such a raw, matter-of-fact anthem. “Hard Time Killing Floor Blues” is far more classic blues than many of its predecessors, with a boot-stompin’ beat you may just find yourself repeating. The ladies round out this album with 10th track “Good and Gone”. Clearly placed for its title, we were curious to see if we thought it actually belonged as the wrapping on this new gift of an album. That answer is yes. It sounds like something you could play at a funeral or celebration of life, with a little of that quintessential Larkin Poe edge oozing out of the edges.
Keep up with Larkin Poe here.
There’s no doubting the undeniable talent pouring out of Sweden’s very own Samuraii. Hailing from Stockholm and co-signed by the behemoth that is Ultra Music, he first came to prominence with his single “On Me” (also released on Ultra) and his huge remix of Tove Lo’s “Moments.”
The up-and-comer is back again with another fire track titled “Changed My Mind.” This banger incorporates the best elements of styles like trap and dubstep and merges them with a pop sensibility. With a solid vocal from Loote’s lead singer Emma, there’s no doubting this will be another hit for Samuraii.
It’s out now, and you can check out the track below.
Jealous of The Birds doesn’t actually fit into one box, if you’re looking for an honest answer. A bag of tricks, you can hear hints of 60s punk and indie rock and roll in her work, vocals deep and emotionally evocative. The new music video for “Marrow” follows suit, a visual dream basked in a glow that warms you while the artist galavants around in a garden. Demonstrating theatrics and a sound that The Beatles would be proud of, you’re in for a visual treat with this one. Peep it below!
Keep up with Jealous of The Birds here.