by Meredith Schneider | Dec 7, 2018 | albums, review
Pop-punk collective The Travoltas – comprised of Perry Leenhouts, Erik van Vugt, Jochem “Skokie” Weemaes, Wouter “Woody” Verhulst, Michel “Mikk” Meeuwissen, Daan van Hooff, Tim van Doorn – is coming at us hard this holiday season with their self-titled, 14-track full-length. With their quintessential pop/punk sound, the quintet has taken on a 60’s pop flare – much like that of The Oneders – that will get your toes tapping from the very first lines of “I Can’t Say No”, through to the very end of fourteenth track “Thing”. And though “Snowball” clearly nods at the cold weather of the days upon us, the soundscape feels very island-vibey, and we’re all for it. While “Work of Art” continues at a similar clip, “Ghost of Your Love” is slightly darker instrumentally, mirroring its name. They up the jazz factor with “Mail Ya To Australia”, and then get back to a pop/punk, Weezer-y vibe with “If You Could Be the Star”.
Seventh track “Making Out” once again occurs at a pretty quick pace, a notable love song, while “Blame My Baby” slows it down, and has a very Fountains of Wayne feel to it (in only the best ways). “Crying Shame” has a misleadingly upbeat instrumental piece, though the vocals tear through you and evoke the emotion fitting of its title. From the low lows to the very highest of highs, “Tower of Strength” comes next to bring the party levels back up. “I Was Dancing in a Lesbian Bar” and “Did I Lose You at I Love You?” have, perhaps, the most insightful titles, boasting catchy hooks that will easily get trapped in your head. “Hurry up!” has way less energy than you’d expect from its title, but that fact doesn’t detract from its endearing nature in the slightest. The Travoltas round out the album quite well with their quirky, hit single-worthy track “Thing”.
If you aren’t a fan of the band after reading our positive thoughts on their self-titled work, you might try giving it a spin. Actually, do that anyway. It’s quite the experience, and we’re big fans.
Tracklisting
01. I Can’t Say No
02. Snowball
03. Work of Art
04. Ghost of Your Love
05. Mail Ya To Australia
06. If You Could Be The Star
07. Making Out
08. Blame My Baby
09. Crying Shame
10. Tower of Strength
11. I Was Dancing In The Lesbian Bar
12. Did I Lose You At I Love You
13. Hurry Up!
14. Thing
Keep up with The Travoltas here.
by Gemma Harewood | Dec 7, 2018 | singles, wolf tracks
Giving us some much-needed summery sounds this week is PALASTIC, a production duo based out of Vienna. They are growing a solid fan base thanks to their richly musical tunes, and they have piano, drumming and guitar skills between them. This week’s track is “Goldmine,” and we’re hitting repeat on it.
Warm electronic notes support its pop-tinged vocals beautifully, and crisp notes of percussion in all the right places add some bite to proceedings. The pair says: “We love this track! Written in the first sunny days of spring surrounded by good vibes, the mood easily translated into this upbeat, contagious song that we are very excited to release!”
Hear it below.
by Meredith Schneider | Dec 5, 2018 | singles, wolf tracks
London-based rock collective Amber Run – comprised of Tomas Sperring, Joshua Keogh, and Henry Wyeth – just released their latest track “Carousel”, and we have to admit that we’re quite smitten. Opening with slow, careful vocals. In comes the instrumentals, notable percussion, and then that insane bass. The song has absolute staying potential, and Top 10 single” written all over it. (Just a note: I’ve literally never claimed that about a song.)
No words.
Keep up with Amber Run here.
by Gemma Harewood | Nov 26, 2018 | singles, wolf tracks
We’re still singing the catchy “Single-Minded” from Anna Mae. She has now treated us to a brand new single via the Swedish platform Snafu Records, “You Might Be Better.” There is something effortless about the Nashville singer/songwriter’s style, and it is pulling in an audience from across the globe.
This tune is deliciously melodic and has just enough natural groove to keep it moving forward. In the meantime, Anna Mae’s empowering vocals sit over the top and provide another engaging narrative to support its musical content.
Check out this one here.
by Meredith Schneider | Nov 21, 2018 | albums, review
Kansas City, Missouri-based garage rock psych pop band Eggs on Mars – comprised of Brad Smith (vocals, guitars, keys), Justin Longmeyer (bass), and Mason Potter (drums, percussion) – recently released a 10 track album titled Mama Pancake. As absurd and wonderful as the title is – and the name of the band – the album itself is so much more. First track “Sod is Good” is all types of amazing, from the realness of the track’s name to the calming mood that passes over us as we dwell in its slow, mellifluous glory. While “Placeholders” speeds up a bit and gives us a very 60s psych punk vibe, “Many Minds” brings more of a 90s feel to it. “Red Haired Darling” slows it all down a bit, a love song for all of the red headed beauties in our lives.
“Doing Fine” gives off a bit of a melancholic feeling sonically for the first half, and the title isn’t quite convincing if you ask us. It gains momentum, though, and leads pretty nicely into simplified instrumentals with “Not to Regain”. The sentiment given off in the lyrics of “A Song” makes it feel a little more than “just a song”, while “Don’t Listen” speeds it up, giving us something fun to move our hips to. “Prayer for a Troubled Son” continues in that vein, a fun guitar riff to keep us on our toes throughout.
Eggs on Mars rounds out the album with “Meet Me in Hannibal” – Hannibal is a small town in Missouri where Mark Twain grew up, for those of you wondering – and anyone who has been carried away by a long(er) distance relationship can relate. It’s a beautifully bittersweet love song, slowly and carefully concocted to give us starry eyes as the music fades.
Mama Pancake is available now. Keep up with Eggs on Mars here.
by Meredith Schneider | Nov 20, 2018 | singles, wolf tracks
Grunge-pop musician talker recently released her soft, mellifluous new track “Intimidated”. The robust range of her vocals is impressive, especially with the control she has over them. With a slight bit of rasp, she delivers the song in a heart-wrenching and infinitely relatable way. Wait for that instrumental buildup around the 2 minute mark, and you have a new anthem to jam to, speakers as loud as they get.
Pure honesty. What intimidates you?
Keep up with talker here.
by ImperfectFifth | Nov 20, 2018 | soundtrack
I’m always inspired by songs that are filled with strong and seamless vocals. I love listening to stripped down pop songs where you can really hear the artist sing. It feels raw and intimate, almost like a private concert. So here are some of my favorite acoustic style pop tracks with a little R&B flair. You can only listen if it also involves wine, cheese and good company.
Daniel Caesar – Best Part (feat. H.E.R)
Camila Cabello – Real Friends
Kehlani – Honey
Noah Cyrus, MAX – Team
Ella Mai – Naked
Mila J – No Brakes
Elijah Blake – Mama Knows
Tori Kelly – Paper Hearts
Rihanna, Kanye, Paul McCartney – FourFiveSeconds
Lauv – The Other (Stripped)
Frank Ocean – Ivy
Cody Simpson – Home To Mama
Jorja Smith – Goodbyes
Troye Sivan – My My My! (Acoustic)
Rudimental, James Arthur – Sun Comes Up (Acoustic)
Keep up with Arlene here.
by Meredith Schneider | Nov 19, 2018 | albums, review
At a very important time, Kansas City-based alt garage rock band The UK’s – comprised of Noah Bartelt (Lead Vocals/Guitar), Scott Combs (Guitar/Vocals), Katelyn Miles (Bass), and Tarquin Eugene Kellough (Drums) – has released a 5-track EP, affectionately and poignantly titled American Way of Death. From the very first, melancholic sounds of “Why Don’t You Go” – which hits a stride that makes you want to add it to your “walking the streets of the city like a badass” playlist – through the 60s punk-influenced soundscape of “Wake Up”, all the way through third track “AWOD” which follows suit, there is an electricity that makes you realize that incredibly underrated music comes from the midwest. (Hello, Holy White Hounds and Mess!)
Cut to “The Poison Squad” and you’ve got a track we could easily find ourselves barbecuing to on a chilly autumn day, dancing to at a sweaty basement party, or driving to down the Kansas City streets. It all comes to a head with fifth and final track “Other Team”, which brings in that fun, vintage, upbeat feel again. If you’re not careful, you just might find yourselves on the ceiling too…
Keep up with The UK’s here.
by Meredith Schneider | Nov 16, 2018 | albums, review
Chicago-based shoegaze/pop collective Lightfoils releases new five track EP Chambers today, and we’ve got your first listen below! (Or fourth, or fifth, or twelfth… who’s counting?) The five-piece – comprised of Zeeshan Abbasi (guitar), Jane Zabeth (vocals), Cory Osborne (bass), John Rungger (drums), and Neil Yodnane (guitar) – wastes no time getting into the psych feels with the kaleidoscope intro to first track “The Bitter Over”, which layers into a cacophony of sound that seems to envelope your senses. “Duende” brings the same level of otherworldly vocals to it, a little more depth to the guitar parts than its predecessor. While “This Time Is Up” brings with it a punk garage band instrumental soundscape, we’re still left wondering how Zabeth can reach such insane places with her vocals. But I digress.
“Summer Nights” might, at first, make you feel a little bitter about the warm evenings being long behind us, but it also provides that whirring nostalgic feeling that makes it feel like summer might not ever end. (And it doesn’t have to if you don’t want it to!) Last track “Honeydew” brings with its title the same lust for warmer months, though we know we can relive those nights with this as the backdrop any time we damn well please.
Pick up this EP. It’s well worth it.
Keep up with Lightfoils here.
