by Kira Cappello | Jun 27, 2019 | albums, review
For fans of Hayley Kiyoko, Sia, Carly Rae Jepsen, Dua Lipa, Charli XCX
Punchy, deliberate, and honest: On 6-track EP Uni-Fi, we meet many sides of X. ARI. Never holding back from her truth, X. ARI tells stories of her most confident and vulnerable moments alike over glittery soundscapes full of synth, undulating basslines and pounding club beats. The work covers a handful of essential topics for young people today: mental health, gender and sexuality, and of course, heartache.
Early on in the EP, X. ARI characterizes her “I don’t give a f—“ attitude that many, many artists have learned to embody over the years as a means of making a name in pop. This declaration, paired with a glicthy chorus peppered with onomatopoeic vocals, blast X. ARI through her own video-game-sounding world on track two titled La La La
ARI is well known as a fierce advocate for mental health, and this EP addresses her daily battles directly; specifically on tracksBreak-Point, Uni-Fi (ft. IRA X.), and Yin Yang (ft. IRA X.) The first track, Break-Point, is an effective invitation for listeners to dive into an alt-pop experience that could be characterized as an interpretive dancer’s dream come true.
Title track Uni-Fi feels wistful and hopeful, both sonically and lyrically. X. ARI explains her feelings of displacement, confessing, “I’m a little bit damaged…I’m together in fragments, a mosaic I’m trapped in”; but the tone of this song is optimistic, especially through the resounding chorus. While IRA X.’s contributions on the EP aren’t necessarily overwhelming, they complement X. ARI’s vocals nicely; adding dimension and even more synth, as well as highlighting notions of living in a gendered world. She divulges, “I’ll tell you a story of a girl and a boy trapped in the same body, just fighting for some space”.
The most telling narrative of X. ARI’s personal journey with mental health has got to be Yin Yang, also featuring IRA X. Considering how sensitive and emotional of a topic this must have been for X. ARI to write, one is almost left wishing that the song’s dynamic conveyed just a little bit more of those extremes than it does. That said, sometimes the pen is mightier than the- well, synth, and X. ARI scores a 10 for the vulnerability of Yin-Yang’s lyrics.
Perhaps one of the most enticing melodies on the EP lie in the token heartbreak track of the work, titled Everywhere. Contrasting the thrust of her alt-pop anthems, X. ARI uses a slightly softer vocal inflection and a floaty, oscillating hook that mates perfectly with the twinkly, echoing backdrop. The track is punctuated by muted, reverberating beats that could be a slowing heartbeat, or an explosion off in the distance. The most expressive song by far, it seems that on Everywhere, X. ARI is experiencing the feeling of both.
You can keep up with X. ARI on Facebook, Twitter, and Instagram below.
http://www.xariofficial.com/
www.facebook.com/xariofficial
www.instagram.com/xariofficial
www.twitter.com/xariofficial
by Meredith Schneider | Jun 10, 2019 | singles, wolf tracks
“Wine & Roses” might be alt-pop musician Viana‘s debut single, but that fact isn’t something you could tell from the production quality of the song. The carefully woven lyrics over beds of instrumentals and a hard bass line make you want to dance and slow things down all at once.
Viana’s vocals bring out an edge that make us feel even more powerful as the song goes on. We’re big fans, and cannot wait to see how her career unfolds in the coming months and years!
Keep up with Viana here.
by Meredith Schneider | Apr 2, 2019 | singles, wolf tracks
Los Angeles-based alt-pop duo Rainne – comprised of Annie Dingwall and
Justin Klunk – recently released their dark and brooding new track “Psycho Killer”, which will make anyone feel like they have an edge. Not only are the instrumentals heavy – a tinny sound layered in to make it all the more eery – but the practiced vocals add a feeling of insanity to it all. One thing is for sure: Annie’s vocal range is off the charts.
Explains Annie of the track, “‘Psycho Killer’ is based on our passion for psychological thrillers and true crime. The song’s story is set during a passionate moment between two lovers, when one realizes that the desire that’s taking over may be too intense to handle.”
Keep up with Rainne here.
by Ian Schneider | Feb 22, 2019 | singles, wolf tracks
Alt-pop artist Ships Have Sailed have a new single “Escape”, and it will make you feel what the title suggests. The LA based duo has been diligently working since their debut EP in 2013, releasing a slew of projects over the years. Indie rock, pop, and alternative sounds ring out in all of their works, and those genres are put on full display in their new single “Escape”.
“Escape” kicks off a series of singles coming from Ships Have sailed that “promise to express a deeper level of sentiment than ever before”. The single is accompanied by a video that is all about escaping ones problems, doubts, and struggles. Sometimes all you can do is scream out and try to escape your reality through other activities, and even this new single from Ships Have Sailed can help one do this.
You can keep up with Ships Have Sailed through their socials listed below. Don’t be surprised when this alt-pop collective has a massive 2019.
Socials:
https://www.facebook.com/shipshavesailed/
http://twitter.com/shipshavesailed
http://instagram.com/shipshavesailed
by Meredith Schneider | Feb 13, 2019 | videos, wolf tracks
Alt-pop rock artist Haas comes at us today with a visual to complement her beautiful debut single “Behind Those Eyes”. With a tearful intro, the video gives us a glimpse into the live performance tactics we will surely come to expect from Haas, as she introduces her act to the world. The song itself is catchy and incredibly fulfilling, and the listener can tell that a lot of emotion was used to create this masterful piece.
Keep up with Haas here.
by Ian Schneider | Feb 1, 2019 | albums, review
The Moth & The Flame have returned to the forefront of alt-pop with the release of their new album Ruthless. The Provo, Utah natives have channeled immense depression and anxiety into their new release, and it comes through in waves of pop synths and harrowing vocals. Brandon Robbins (vocals, guitar), Mark Garbett (keyboards/vocals), and Andrew Tolman (drums) have been together since 2011, pushing their sound further and further with each release. With the release of Young & Afraid in 2016, which defined the trio by NPR Music as “channeling a pop sound, the group shows its resilience” while maintaining “a wonderful moodiness to the music that always lands right in the sweet spot”, the fans clamored for more from the musicians from Utah.
After a successful kidney transplant in 2016 between Robbins and Corey Fox (founder of Provo’s all-ages music venue, Velour) the band felt at the top of their game and began to release single after to single. All these releases led to the culmination of Ruthless, which embodies the fighting spirit of the group. The ebbs and flows of the album are intriguing to say the least. The opening track, “The New Great Depression”, has a lot more poppy feel than the title would suggest, but the lyrics behind said pop sound suggest otherwise. It is rare these days to listen to music that constantly forces you into contemplation and in-depth thought, and Ruthless is chock full of this thought provoking music. The use of voice distortion is used perfectly on the track “What Do I Do”, catching you off guard about half-way into the song, but it is a pleasant surprise. “Lullaby IV”, the closing track, is reminiscent of punk, but with a dash of voice distortion and a soft-pop outro.
Robbins had this to say about how the album came together through so much strife: “What we wanted to show people was the journey through anxiety and depression,” he says, “not just the lows but the highs as well.”
Ruthless is out now! You can also get more information about The Moth & The Flame here.
by Meredith Schneider | Jan 28, 2019 | singles, wolf tracks
We almost didn’t think it could get any better for Kat Saul after she released her poetically titled track “Nick Miller”, but she’s increased the WOW factor with brand new track “Middle Name”, out today. The Nashville-based alt-pop artist captivates with her robust, raspy vocals, as the song peels out into a party track, mellifluous and fun in its disposition. As she implores her love interest to “get on a middle name basis,” we’re rooting for her. This song will be perfect for all of your future flirtatious evenings, and equally belongs on your “getting ready to go out” and “new party” soundtracks.
Enjoy.
Keep up with Kat Saul here.
by Meredith Schneider | Jan 21, 2019 | singles, wolf tracks
Toronto-based electro alt-pop songstress X. ARI has done it again with edgy new track “Break Point”. With her signature robust, strong vocals, she takes on emotions we can’t all express correctly. Everyone’s breaking point is different, and we’ve all been in similar scenarios. To have it vocalized for us – and in such a vulnerable and beautiful way – is another step closure to collective healing.
“Break Point is about PTSD and it describes the moments right before I broke down late 2016,” explains X. ARI. “Having a mental health breakdown doesn’t just happen overnight. There’s a build up and a splitting point where you crack and you’re not really yourself anymore. This song describes that process and experience.”
Thank you, X. ARI.
Keep up with X. ARI here.
by Meredith Schneider | Sep 24, 2018 | singles, wolf tracks
Los Angeles-based alt-pop artist HighSchool Jacob is bringing his brand of layered, 80’s tinged sound to us with his new single “As Long As You Want Me”. Chock full of lush, vibrant soundscapes, “As Long As You Want Me” boasts the artist’s earnest vocals and sets forth a freeing, gorgeous attitude that will put you in the right frame of mind for the week to come!
Keep up with Highschool Jacob here.
