by Meredith Schneider | Jun 12, 2019 | soundtrack, videos
Alright. You all know what we do around here by now. Mid-month, we release genre-inclusive soundtrack features that are jam packed with new music videos specifically for your viewing pleasure. We know that people exist in the world that curate playlists to evoke a specific emotion, or to bring people back to a specific point in time.
These soundtrack pieces are not specific. These soundtrack pieces will jump from hip hop to indie rock to alternative to gospel and back again, and there’s not much we’re truly willing to do about it. Because, as the month’s cause would suggest, love is love. Music is music.
Bring me everything new, no holds barred!
Check back all month for new music videos throughout the end of June 2019!
by Karina Marquez | May 30, 2019 | premieres, singles
Indie rock band Wrinkles puts an emphasis on carefree fun in the music video for their latest single, “Thunderstorm.” In the depths of a Montana winter, we see the five-piece band put their house to the test as they gather every blanket, pillow, tool, and instrument possible to create some sort of musical fortress. The video has a very exciting, TV-sitcom vibe that focuses on who Wrinkles is as a band and highlights their talent as well as their obvious camaraderie. While this is a lighthearted video, it shows the importance of a band’s strong connection not only as musicians, but as friends. As a result, the video – directed by Kendall Rock – perfectly matches the upbeat and catchy qualities of the track.
“Thunderstorm” is the first single off Wrinkles’ sophomore album Other Days, which comes out on August 14th. Check out the music video, and keep up with the band here.
Other Days Tour Dates
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8.7 – Missoula
8.16 – Helena
8.17 – Bozeman
8.22 – Seattle
8.23 – Vancouver
8.24 – Bellingham
8.25 – Portland
8.26 – Corvallis
8.27 – Eugene
8.28 – San Francisco
8.29 – Oakland
8.30 – Los Angeles
8.31 – San Diego
9.1 – Phoenix
9.2 – Tucson
9.3 – El Paso
9.4 – Marfa
9.5 – Austin
9.6 – Houston
9.7 – Baton Rouge
9.8 – New Orleans
9.9 – Memphis
9.10 – Nashville
9.11 – Athens
9.12 – Asheville
9.13 – Richmond
9.14 – Baltimore / DC
9.15 – Philadelphia
9.16 – Asbury Park
9.17 – New York
9.18 – Amherst
9.19 – Albany
9.20 – Montreal
9.21 – Toronto
9.22 – Hamilton
9.23 – Detroit
9.24 – Chicago
9.25 – St Louis
9.26 – Kansas City
9.27 – Omaha
9.28 – Denver
9.29 – Ft Collins
9.30 – Bozeman
by Meredith Schneider | May 21, 2019 | videos, wolf tracks
Seattle-based alt-country rockers Massy Ferguson – comprised of Fred Slater (keys), Dave Goedde (drums), Ethan Anderson (Bass/lead vocals), Adam Monda (guitar/vocals) – recently released the music video for their track “Maybe the Gods”, and we’ve got it here for your viewing pleasure. Fun illustrations basked in brilliant, contrasting colors make for a gorgeous and entertaining visual. Check it out now!
by Meredith Schneider | May 20, 2019 | premieres, videos
Indie rock outfit Manzanita Falls – Jeremy McCarten (Guitar, Vocals), Cameron Morris (Drums), Matt Robinson (Bass), Ross Barbieri (Guitar, Vocals) – releases their new music video for “Windows” today, and we’ve got your first look! Charming, well thought out, and visually engaging, the video follows the band members as they carry a red door around on an adventure. Watch it all unfold with the backdrop of this incredible song below!
Keep up with Manzanita Falls here.
by Karina Marquez | May 14, 2019 | albums, review
Ohio-based band The Shootouts’ debut album Quick Draw is the ultimate throwback to the age of honky-tonk in America. Every detail, from the lyrics to the vocals to the instruments to the album cover art, hearkens back to the good old days of classic country music. The band, consisting of Ryan Humbert (lead vocals, acoustic guitar), Brian Poston (electric & acoustic guitar), Ryan McDermott (bass), Dylan Gomez (drums, percussion) and Emily Bates (harmony vocals), create a wholesome album with heart that is sure to make their listeners feel as if they have travelled back to a much simpler time.
With the first track, “Cleaning House” jumps right in with a toe-tapping ditty that’s as fun as it is metaphorical. Other tracks like “Who Needs Rock & Roll” and “Reckless Abandon” have the same carefree, catchy vibe that almost guarantees its ability to get stuck in your head. They’re short, sweet, and incredibly charming. Even a song called “Alimony” is full of charm and humorous lyrics:
Alimony, oh alimony,
I thought I bought steak and it was old bologna.
Me oh my, oh goodness sake,
I’m paying for my mistake.
There’s a fair share of the album’s softer side with songs such as “California to Ohio,” “If We Quit Now, “Lonely Never Lets Me Down,” and “Losing Faith in Being Faithful.” These songs are pretty and emotional, bringing us back to traditional country ballads that are often hard to find in the current age of pop-country.
At first glance, Quick Draw may seem like just another country album, but it is entirely its own entity. The lyrics are sharp and well-written, the instrumentals are skillful, and even if this isn’t your kind of music, it’s quite an enjoyable listening experience.
Be sure to check out Quick Draw, which is out now, and keep up with The Shootouts here.
by Meredith Schneider | May 7, 2019 | soundtrack
We made this playlist thinking about what inspired us during the album production time or simply what we listened too and maybe indirectly inspired us. The result, is that we actually and apparently listened to different kind music from different style and different historical period. Most part of the music is rock or came from rock, another part is electronic or contaminated by it , for example, we enjoyed some classic song from icons like Rolling Stones, but we have been impressed by some young and fresh artists like Tom Vek. We jumped from the “Dark Country” of the Builders and the Butchers to the Industrial sound of Ministry, or from the City And Colour melancholy to the energy of the English Architects!
Anyhow, we personally don’t think that there is a huge gap among those 48 songs , they have something in common and I challenge you to find this point. Maybe is a matter of frequency or just the mood or maybe all of them have the same roots, you can find it or maybe just listen to the playlist and have fun jumping from a romantic acoustic sound to an extreme electronic metal.
Keep up with SOAWARE here.
by Phlis | May 6, 2019 | albums, review
Dead Girls Corp. recently released an album. So what’s it like? Read on and you shall discover.
The album starts with Dead Girl, the feel of the track is very much 90s metal. It has nice droning chugging guitars and potent vocals. I also like the industrial feeling you get on this one.
From The Bottom is next, this has a gorgeous old school industrial start and feel, I must admit the feel of the music is nothing new but it’s amazing just by being what it is. This track has a lot of power behind it both vocally and musically, some very nice potent and energetic drumming here.
X’s No O’s again has that classic industrial start, the music is very packed full of sound which can sometimes detract from each angle of the music but this is not a bad thing. Again this track is nothing different from the previous two tracks in any way, but the music is one you find yourself moving to.
Alleys Of Death is by far the most melodic of all the tracks so far with great placement of each part of the music, it doesn’t feel as slightly too full as the previous three tracks do. This has a cock rock feeling to the track vocally and also the way that the guitars screech.
Ask For It is really a track that has very prominent vocals and guitars, they just seem to dual with each other yet compliment each other at the time. Though at points when both are full on they tend to drown each other out somewhat which is a shame as it detracts from the feel of the song.
Flesh For Fantasy again has a cock rock feel but this time it’s melodic and very sexy, almost orgasmic industrial metal. On this track the vocals sound like a sensual but aggressive David Coverdale. I like the music on this one, the backbeat is good but the guitars seem to tell part of the story which is quite clever.
Can’t Change does what some of the other tracks on this album don’t, it harmonizes the clutter of the music. It’s full on sound but with etiquette and emotion, I do love the slight echo on the vocals here as it adds a slight excitability to the feel of the music.
Promise Me is a track that is something different to other tracks on this album, this has more a late 90’s nu metal feel yet with a more slightly classic guitar sound. It’s almost a homage to the greats of that era like Stabbing Westward as it has that slight feel to it.
VDay comes next and to me as the album is winding down then so is the music, VDay is a lot more mellow than the other tracks but yet it does slightly peak at points. It has them chugging guitars again but yet there is something about this track, so far from what I have heard VDay is my favourite so far. It’s heavy, melodic, light and a true belter of a track.
Just The Same does similar to VDay, it winds down from the other tracks. Again this track is lighter, it’s less cluttered than some of the other tracks and I must admit this one is very harmonic. It just seems to fit well together, for the first time here you can hear the bass perfectly. Liking this track a lot.
Dynamite is again quite light compared to the beginning tracks, David Coverdale esq vocals make a return here. The music ebbs and gets a bit more heavier than VDay and Just The Same but then it calms down again, I think it’s perfect for the setting lyrically here.
And last but not least we have Worth, oh the bass here is very sexy. Only issue here is at points the music becomes cluttered again which kind of spoils what is a very catchy track, it’s just a little bit too much I feel.
Overall I feel this is not a bad album but there are quite a few tracks where the music is just too full and it becomes very cluttered which detracts from the actual talent of Dead Girls Corp. As the album comes to a close the music mellows and shows the true expertise of each of the musicians, vocals are amazing but they do get overpowered by the music sometimes.
If you like decent industrial then this album is for you, it’s nothing new but it does keep alive a genre that we don’t tend to see much of these days.
https://www.youtube.com/watch?v=Qqnfz5NzvOw
http://deadgirlscorp.com/
https://www.facebook.com/deadgirlscorp/
by Meredith Schneider | Apr 25, 2019 | 5 to 7
Today, we sit down for a lengthy chat with Michael Mehalick, who is a music industry extraordinaire. He’s the Editor in Chief at Speak Into My Good Eye, the Owner and CEO of Good Eye Records, a freelance writer, and music marketer. Essentially, he IS the industry and our time together reflects that.
0:00 Intro
0:11 EZVisibility.com
0:22 Dbl-take.com
0:33 imperfectfifth.com/merch
0:46 Michael Mehalick intro
1:10 Tight knit industry
4:03 Rock n’ Roll Hall of Fame
7:15 Speak Into My Good Eye
9:17 Good Eye Records
11:36 Cathedral Bells
13:00 Makeunder
13:13 Moniker
13:30 Quiet Kids
13:33 Looms
14:24 Carriers
15:22 Aliens
18:27 Captain America
20:10 Marvel
20:25 Disney
22:18 Home on The Range
29:31 “Lead with integrity”
35:32 @GoodEyeRecords
36:50 Michael@GoodEyeRecords.com
by Karina Marquez | Apr 25, 2019 | videos, wolf tracks
Self-proclaimed grunge pop baby talker’s latest venture is a cover of an iconic mid-2000s rock track – TV on the Radio’s “Wolf Like Me.” It’s a high energy, lyrically passionate song that talker manages to make her own. The music video is quite simple, showing talker and the band recording in a studio, which allows for the music to be the focal point. talker’s voice brings a unique, edgy femininity to the song. Her cover is cool and effortless, and it makes you want to dance around until its time to press replay again.
For more talker, check out her latest EP Horror Films, and keep up with her on Facebook or Instagram.
