by Jai'Tyria Hatton | Jan 29, 2018 | videos, wolf tracks
Indie rock band Smoke Season recently released the official video for their new single “Wolves”. From the moment ‘play’ is pressed, the song displays a deep seductive beat. “Wolves” is a catchy song, especially when it gets to the chorus portion. The beat behind the song sounds like a heartbeat that increases speed when the song gets to a certain point in the chorus. The video is just as exciting as the track, and starts off with scenes of mountains and a rose that is prominent throughout. There is a somewhat vintage/grainy filter over the scenes which makes the work look stunning.
The music video for “Wolves” then moves to a city strip for a chorus that shows the lead female vocalist Gabrielle Wortman singing along to the chorus. The video mostly takes place out in the nature and looks like fun based off of the artists’ energy and the creativity that went into its production. With mesmerizing music videos like “Wolves”, Smoke Season will continue to have a successful career in music.
Keep up with Smoke Season here.
by Meredith Schneider | Jan 26, 2018 | videos, wolf tracks
Berlin-based indie rock collective Un âne gonflable might be a band that always surprises with the way they pull off trilingual lyrics and catchy, quirky melodies, and this next chapter in their musical journey is something we all need in our lives. We’ve got the exclusive premiere of their music video for “Stupid Kids” right here. While the title would indicate that they are simply singing about “Stupid Kids”, the video is layered and has more of a serious and introspective tone to it. When a group of friends is no longer just risking their pawns in a game – when the game becomes real – what happens? How will they manage a life of violence in this world that have somehow ended up in?
Their self-titled debut is due out on May. It is available for preorder here.
by Veronica DeFeo | Jan 24, 2018 | videos, wolf tracks
Exploding out of Madrid, Spain, the indie rock girl group Hinds has released the official music video for “New For You”, a single from their upcoming album I Don’t Run, out April 6th. Comprised of vocals and guitar from Carlotta Cosials and Ana Perrote, Ade Martin on bass and backing vocals, and Amber Grimbergen on drums, Hinds has been around since 2011 and already has a devoted fan base.
The video is, thematically, based on Hinds (and friends) playing football (American soccer), and full of feel-good, “I don’t care” vibes. Tossing around feelings and fun sounds as well as a ball, the authentically youthful and carefree Hinds bring their unique sound to a fun-loving video, amping their followers up for the release of I Don’t Run. While definitely not as staged and structured as some of their previous videos like “Warts”, the video for “New For You” perfectly accompanies the song. Full of 90’s-esque vibes and a vibrant color scheme partnered with the bold vocals of the girl group, “New For You” will have you bopping along to it in now time.
Keep up with Hinds’ new music and more on social media.
Instagram: http://instagram.com/hindsband
Twitter: http://twitter.com/hindsband
Facebook: http://facebook.com/hindsband
YouTube: http://youtube.com/hindsVEVO
by Katie Pugh | Jan 22, 2018 | singles, videos, wolf tracks
Cue raw, psychedelic vibes and soothing vocals with Former Faces’ latest single “Forc# Fi#lds” from their debut full-length album Foreign Nature. Vocalist and founder Ryan Parmenter explains the meaning behind the song stating, “it’s about letting your guard down and being wide awake to new relationships, ideas, and endeavors.” This description seems fitting as the groove-indie rock quartet was rejuvenated just last year when Parmenter added three new musicians to the band.
“Forc# Fi#lds” creates a groovy vibe within seconds of the music beginning; the first strums of the guitar are reminiscent of a classic 1960s indie anthem. Rock meets ethereality creating the quintessential tune for an epic adventure.
Parmenter also describes the song as “steeped in sentimentality,” which flawlessly depicts the energy emitted from a song that I feel is dripping in nostalgia yet somehow generates feelings of majestic escapades and explorations.
Former Faces’ first full-length album Foreign Nature is set to release in Spring 2018. Keep up with the band here.
by Meredith Schneider | Jan 9, 2018 | singles, wolf tracks
This week, indie rock/bedroom pop musician Soccer Mommy announced that her debut album – titled Clean – is expected to drop on March 2nd. While we wait ever-so-patiently for what is to be one of this year’s most spectacular releases, here’s a fun addition to her catalog… the official music video for her track “Your Dog”. Feisty and in-your-face, the first line of the song is “I don’t want to be your fucking dog.” While we watch a series of sensitive, beautifully portrayed, and oftentimes comical scenes involving twenty-year-old Sophie Allison herself, we’re distracted enough to forget that this song is about freedom.
Admits Sophie about the track:
The song comes from a feeling of being paralyzed in a relationship to the point where you feel like you are a pawn in someone else’s world. The song and the video are meant to show someone breaking away and taking action, but at the same time, it’s only a quick burst of motivation. It’s a moment of strength amidst a long period of weakness.
Keep up with Soccer Mommy here.
by Meredith Schneider | Nov 28, 2017 | 5 to 7
Winston-Salem-bred indie rock/alternative collective Foxture – comprised of Marlon Blackmon (Piano/Keyboard, Vocals), Eddie J Reynolds (Guitar), Andrew Irving (Drums), and Ross Barnes (Bass) – is showing us some pretty incredible chops with the release of their E D E N EP, a sparkling, six track collection that seems to bounce right out of the speakers with its energy. From the very beginning, there is no other way to describe what E D E N does better than to call it “groove-inducing,” as your hips are immediately swaying from the time you push “play.” Smooth percussion blends perfectly with Marlon’s ethereal vocals, and you’re transported to another place entirely.
In honor of the release of E D E N, we got a few words with Marlon, and a couple with Eddie. Check it out below, and let us know what you think of the EP!
What is the first song or album you ever remember hearing, and who introduced it to you?
Marlon: The first album I remember hearing was a Greatest hits compilation by the Temptations. I was very very very young, but they were my dad’s favorite artists collectively. I have always lived at least 25 to 30 minutes away from.
I guess there wasn’t really a striking moment beyond the first impression but after listening to those songs over and over, I began to learn the lyrics and their song “My girl” was the first song I learned lyrics to. From that point on I realized that I liked music, and became curious of what else was out there.
Eddie: Outkast’s song “Roses” from their The Love Below album was the first song I remember hearing. I heard that piano drop and 3 stacks yell out “CAROLINE” , and it changed my view on music with how it’s made and how versatile and unique it can be. My brother actually introduced be to it when I was nothing but a few years old. He pulled out a book of CDs, his full collection and asked me to select one of them, and that album stuck out to me. The second I heard it, my eyes lit up.
What is the Foxture origin story like? Was it a meet-cute?
Marlon: Well, Ross (bass) Eddie (guitar) and Andrew (drums) had already known each other from being in a band called Oceans Apart. I (Marlon, vocals and keyboard/synth) had been posting songs that I had recorded in my bedroom on bandcamp and Soundcloud, and people started contacting me for shows. I was just not interested due to stage fright and more specifically, the fear of not being able to replicate the layering of various parts and sounds from the recordings to a live setting influenced my interest on playing shows. So a few days after I released a solo version of our song “Surrealism” a friend of mine, who had been keeping up with what I had been working on, asked if I would be interested in playing her benefit concert for Louder Than Words, which is a benefit to help kids follow their music related dreams no matter their financial status. I thought about it, said yes, and took to a Facebook group for musicians in the area, and made a post asking if anyone wanted to help me out with full versions of songs that I already have (about 4 or 5 songs at this point). Eddie immediately responded and said, “Yo I have a bassist and a drummer” and we met up for practice and have been a band ever since.
Fast forwarding through the month that we had to prepare and learn all 5 songs, the show itself was the most awkward I have ever felt LOL. It was in this gorgeous concert hall at UNCG, under bright, bright, bright fluorescent lights. This was my first ever show, so I was super awkward and uncomfortable and we messed up pretty bad. But I remember walking fast backstage after that performance, sitting on the floor, and saying, “We need to book more shows.” I refused to let THAT performance define us and wanted to overshadow it so badly.
Your EP Eden dropped recently. If this collection of songs were a Thanksgiving meal item – whether it be an app like fancy cheese, the stuffing or cranberry sauce or turkey, or dessert – what would it be and why?
Marlon: Hmmm, I would have to say, red velvet cake. The icing would be reminiscent to the effects that we put into the album, and when you cut into the, soft, fluffy textures that seemingly melt in your mouth, its very satisfying.
Eddie: Mac & Cheese. Get lost in the gooey and cheesy goodness.
The music you make has always had a lightweight feel to it, but Eden has this almost translucent, otherworldly feel to it. Was this a noticeable and purposeful step in your sound, or did it just kind of happen organically?
Marlon: So, this is the sound that we have been trying to hone in on from the beginning. Emotions and feeling can be very abstract things, therefore we want our music to be as dreamlike as possible. We want people to have no choice but to fall into a lucid, hypnotic sense of thinking, and experiencing our music in general.
Any fun anecdotes from the recording process?
Marlon: We often laugh at the fact that I wrote “Understanding pt. 2” before I met the guys, and way before I wrote “understanding pt. 1”. Before I decided to change the name to Foxture, I recorded solo projects under the name “Lock & Key” and after realizing that a million bands and artists had that same name, I wanted something that was my own, that didn’t exist anywhere else. I liked the way foxes carry themselves in the wilderness, so because “Fox posture” didn’t roll off the tongue how I wanted it to, I merged the 2 words into “Foxture”, and “understanding pt. 2” was the first thing that I posted under that name.
What are you most looking forward to about this release?
Marlon: I felt like whatever the understanding series was going to be, THAT would be the second part of it. There was also a creative challenge of looking back at previous instances that inspired “understanding pt. 2” and trying to connect them for my own development as a person. We tend to understand (HAH) things better in hindsight anyway and, at that time, I was experiencing some serious writer’s block and that was a perfect way to open up and articulate the series more accurately.
With this release, we are looking forward to being able to communicate our vision more effectively and accurately. We are more than happy with this record and we had a lot of fun making it as well. I would say this ep is a perfect setup for a full length album, which we are currently working on.
___
And we can’t wait to hear it! E D E N is available now. Keep up with Foxture here.
by Meredith Schneider | Nov 22, 2017 | 5 to 7
Relatively new to the scene, rock trio
Invisible Candy – comprised of Jen Smith (cello), Carter Zumtobel (drums), and Colin Campbell (guitar/lead vocals) – often refer to themselves as “Brooklyn’s chamber rock sweethearts,” but might just be on their way to having the world believe them. The fact that a rock trio features a cello prominently is already alluring enough. Take three distinctive performers who proudly proclaim their newfound love for “flowers, German expressionism, fake blood, and obviously candy,” add the frenetic, romanticized sound that steadily flows from the speakers, and you’ve got genre-bending rock that encapsulates chamberpunk ditties like “Mental Hatchets” alongside sweeping indie rock tunes like “Simone”.
In honor of their latest single we got a few minutes to learn more about the band behind that intense, enigmatic sound.
What is the Invisible Candy conception story?
Jen Smith: We’re not a concept band, but I could see us going in that direction. We have divergent influences from the past that we could weave into a modern sound and build a narrative around that process … that’s the dream, right? But as of now, the origin story is three people met through mutual friends and started making music together. The name literally came out of a dream and since inception we’ve been challenging ourselves to write more freely … more psych, more garage rock, more experimental.
Colin Campbell: We’ve all been in bands that had several more cats to herd at once. So a trio, at least as the constant core to then ornament, was immediately appealing.
Carter Zumtobel: 
With your collection of bold personalities, what is the writing process like? Does it vary from song to song? Take us inside your process!
JS: Well, this EP we’re working on is somewhat “soaked” subject matter – heavy, drunk, woeful. Even though our original batch of songs is from Colin’s notebook, Carter brings a new element with the drums and we have to work as a collective to find what the cello will add. Nothing is set in stone. We revisit a lot of songs on a structural level just to see what happens. And it’s usually a fun jaunt, not at all a confrontational or frustrating process. We will have some new material soon too, and that might come from Carter’s writing and my arrangement or Colin on lead guitar and me on keys or any number of combinations. We’re all about the possibilities right now.
CC: I generally use simple pop structures with lyrical references from an otherwise useless liberal arts background. Part of me always wants to coax audiences into something sweet and entertaining, almost saccharine, then twist it with something a tad more sonically or lyrically demanding.
Your latest track “Mental Hatchets” is so, so good. Do you mind discussing the inspiration?
CC: It’s of course an unironic bullet-pointed list of why we’re living in a globalized urban utopia!
With so much good music being released right now – especially since a certain event last year – we’re falling over ourselves trying to keep up with it all! It makes me wonder, is there pressure with an up-and-coming band to have a message or stance with everything?
JS: For me, it’s important to have a stance and to have integrity, on stage and off. I’ve seen lots of bands lend their talents to benefit shows, and we are participating in that movement too. We’re donating a set to Thursdays for a Cause at Our Wicked Lady in Brooklyn on 12/14, for example. That’s something we’d like to do regularly, as well as put our resources behind artists from marginalized communities.
As artists, we’ve looked to the past for inspiration, like the antifascist movement Rock Against Racism, to see how musicians felt and dealt with such troubled times historically. And I think off stage, we’ve all taken steps to educate ourselves on structural oppression and we talk to each other pretty freely. The openness and acceptance in this band definitely helps me effect changes in my non-performer life.
If you could be a superhero, who would you be, and why?

JS: Superman, because I am a masochist and I want to know what it’s like to control your otherworldly strength in every human gesture, thereby taking notice of every delicate and unbearable human gesture.

CC: Professor Xavier because he does his ass-kicking under a cozy blanket on a levitating barcalounger.

CZ: Rod Kimble, stuntman extraordinaire.
BIGGER question… if “Mental Hatchets” were part of a Thanksgiving meal, what part would it be and why?
JS: I think cranberry sauce cause it’s a small portion with a lot of zing!
CC: The stuffing, just cause it’s all I can think about right now.
CZ: Keep on rocking in the free world.
___
Catch Invisible Candy at Gold Sounds Bar in Brooklyn on November 29th. Keep up with the band
here.
by Meredith Schneider | Nov 14, 2017 | wolf tracks
Acoustically-driven alt indie rock musician Michael Vickers might hail from Leicester, but the message in his music is universal. Thankfully, he is currently working on an EP to release in early 2018, and new tracks are emerging from this project to give us a little taste of what’s to come. Though his new track “Every Time We Meet” won’t be out until Friday, we actually have the official U.S. streaming premiere of it for you right now.
The tambourine and bluesy sound of the harmonica drive the track, as Vickers reflects on the good times and the feelings associated with those memories. A follow up to his track “Won’t Stop Believing” (which hit number 42 on the iTunes Singer Songwriter charts), Vickers has similar hopes for “Every Time We Meet”, and we can’t blame him. Co-written with Michael Tedstone, Vickers paid homage to his recently passed grandfather by playing his harmonica on the track, a sweet and heartbreaking facet to the song that gives it a bit more meaning for Vickers himself. His heart-wrenching vocals take you on a journey through the “butterflies” and insane positivity that comes with love. It will absolutely put a smile on your face, so why not take a quick break with it?
“Every Time We Meet” is out November 17th. Keep up with Michael Vickers here.
by Meredith Schneider | Nov 7, 2017 | wolf tracks
If you’ve got a pension for bands who come up with long, educated album and song titles and intricate lyrics that are both highly relatable and super specific to their own lives at the same time, then you’ll want to look no further than Boston-based psych/indie rock project Bad History Month‘s new album Dead and Loving It: An Introductory Exploration of Pessimysticism. The album itself was created out of a moment of inspiration when brainchild Sean Bean – who “Wrote the songs, played whatever’s not noted otherwise, pissed and moaned mercilessly, ended up doing some editing and arranging and having a lot of fun eventually.” – witnessed Dust From 1000 Years perform “Black Rot” in 2013 during a time when he was reading War and Peace. Because of this, a sense of triviality is sprinkled over the entire album, as we get a peek into Bean’s existential ponderings.
We begin our journey with a track called “The Church of Nothing Matters”, which is an instrumental cacophony of sorts that really starts out quite beautifully and then launches into an eery few stanzas of crashing cymbals and off-key, waling guitars. It isn’t until 2:04 that we get vocals, monotone and honest as lines like “nothing matters” and “I don’t go to church” jump out from the folds. While “Gazing At My Navel” certainly doesn’t evoke that exact feeling for its listeners, it is a calming track with quirky chords that don’t seem to want to fit into the track gently layered in every once in a while. The song picks up, and around 4:12 is when the vocals hit the track. “A Small Life” seems to play with dissonance, almost making you beg for the song to come forth. Which it does, but it’s closer to the 2 minute mark before jarring, sung/spoken vocals are inserted into the track.
“The Nonexistent Distance” is when we see vocals pick up at a more acceptable rate (Sorry, guys, we’re lyrics people!) about twenty seconds in, Bean asking simplistic, almost rhetorical, questions that trigger a jumping off point for a thought process in the listener. By the time you get to “The Imaginary Tone”, the entire album has mellowed out substantially and it seems as though each syllable comes out for this track as practices and defined as possible. It is here at we realize the precision with which this release was made, though not the first time the idea has occurred to us. “Being Nothing” certainly calls into question our existence, as it layers together and he quietly repeats “you are nothing.” The song speeds up as he echoes the same sentiment we’ve all been feeling as of late in the lyrics “I’m tired of wasting all my time talking the same shit to myself over and over.”
“A Warm Recollection” is adorable in its own way, discussing the ways that love is so intimate when you’re familiar and beautiful to one another without putting on a face necessarily. The instrumentals suggest a slight eeriness, but it’s beautiful the way he pairs simplistic ideas of love with layers of sound, almost “fumbling” in places as he expresses in the track. What we glean from it is that this is raw, this is real. And is that not what Bean meant for us, as we head into final track “A Platitude And A Final Understanding”? Slow, practiced, over ten minutes of instrumentals paired with bursts of narrative in which we witness Bean expressing the sentiment “I’m lucky” repeatedly. But he’s not wrong, and we’re all lucky in a way. Because our lives have led us to a space where we can share this music, – relatable or not in our current situation – and bond over the eery beauty that has been created in a world that is slowly reaching a spiritual awakening.
Dead and Loving It: An Introductory Exploration of Pessimysticism might be the next step in that collective journey.
DEAD AND LOVING IT TOUR
Nov 7 Burlington VT, SEABA, 404 Pine St
Nov 8 Cambridge, Elks Lodge w/ Pile, Ovlov
Nov 9 Portland ME Apahodion Theater
Nov 10 Hamden CT, Counterweight Brewery, 23 Raccio Park Rd. w/Stevia, Dave Go
Nov 11 Brooklyn, Alphaville (18+), 140 Wilson Ave
Nov 12 Jersey, New Brunswick, The Grand Exchange
Nov 13 Philly, Kung Fu Necktie w/Soft Fangs, Left and Right
MIDWEST, locations tentative
Nov 25 Pittsburgh tba
Nov 26 Lexington/Indy/Bloomington ? somewhere betwn pitts n nash, get in touch…
Nov 27 Nashville tba
Nov 28 St. Louis, Foam Coffee and Beer, 3359 S Jefferson Ave
Nov 29 Milwaukee, Cactus Club
Nov 30 Madison, Williamson Magnetic, 1019 Williamson St
Dec 1 Chicago, Landland w/Spencer Radcliffe, Date Stuff
Dec 2 Kalamazoo, Rupert’s Brewhouse, 773 W Michigan Ave
Dec 3 Ann Arbor MI, The Blue House, 712 E Kingsley St,
Dec 4 Detroit/Windsor?
Dec 5 Toronto, The Burdock
Dec 6 Montreal, Quai des Brumes, 4481 Saint-Denis
Dec 7 Burlington, The Monkey House
Dec 8 Woodstock, 51 Rock City Rd
Dec 9 NYC Market Hotel w/Pile
and many more …
Dead and Loving it: AN Introductory Exploration of Pessimysticism is out now.