With it still being peak summer music season, it’s a perfect time for pop-sensation Kesha to put out a song like “Joyride”, her comeback single released this July 4th. Despite Independence Day being known as a quintessential day for pool parties, barbecues, and American patriotism, Kesha’s choice to release the single then has a deeper meaning to it. “Joyride” is a representation of her own freedom and independence, as she begins a fresh start in her career as an independent artist with her own label and a new management team. This also marks the first release since last year’s settlement of a well-publicized defamation lawsuit with former producer Dr. Luke, a legal battle that took her away from popular music for many years.

The new single is a throwback to her earlier hits, like “Tik Tok” and “Die Young”, with a more anthemic and loose party vibe. It comes as a surprise considering the more introspective direction she has been taking her music recently, as seen in 2017’s “Praying” and last year’s Gag Order album. Still, it’s a welcome return to that sound and recalls 2000s EDM songs by Lady Gaga and Britney Spears, the latter of which also has received support in recent years following legal issues. The track’s production helps this semi-throwback vibe through producer Zhone who also worked on Troye Sivan’s smash dance single “Rush” last year.

Okay, enough background details. Is the song any good? The answer to that is, if you’re a Kesha fan or someone who only knows a few hits, “Joyride” perfectly brings back her original sound while still seeming fresh and exciting in its own right. Describing the song makes it sound like it shouldn’t work—Kesha going back to the intentionally sleazy, attitude-filled style of her early work, but musically with heavy use of polka accordions throughout and dramatic choir singing on the chorus. Really. Yet the campiness and bold sincerity of the track is what’s so appealing about it, even if it might be initially off-putting to some listeners. The house-inspired sound is danceable throughout, with thumping beats and bouncy synths to keep things light and groovy. It has its roots in campy Europop, and it gives off an “ABBA on acid” vibe.

Kesha has described this release as the first time she’s felt free with her career in 20 years, and if this is the unabashedly weird and eclectic direction she wants to go in, I’m all for it. “Joyride” will, hopefully, represent a new era of a pop star who’s ready to reinvent herself in whatever way she pleases.

Tyler Mandell