American rock outfit The War On Drugs took the stage at Newport Folk Festival on day 2 to an excited audience. The band seemed to really appreciate their circumstance while they began the set, an appreciation that almost rippled through the crowd as well. Eric Tsurumoto caught some highlights for us.
Indie rock outfit Cloud Cult has just released their LP album Alchemy Creek via the band’s very own Earthology records. Alchemy Creek consists of 11 songs including the beautiful recently-released single “The Universe Woke Up As You”, which can be read about here.
I can’t cover the first song of this album without gushing about its musicality. “Got Your Backpack Open That Backdoor” opens with a beautiful violin solo; rock music elements really shine through in the latter half of the song, as an electric guitar and drums carry the melody. The vocals, provided by Cloud Cult’s showman Craig Minowa, are sandwiched in between amazing instrumentals.
“I Am A Force Field” has a refreshingly techno-like beat. Despite its sci-fi vibe, the lyrics are clearly written as letters to one’s younger self. The song plays into the childlike desire to have superpowers and be invincible. In a more mature perspective, this would be the equivalent of being emotionally resilient and putting up a figurative ‘force field’ to protect oneself from any pain. I absolutely love the reference to Winnie the Pooh in this song– he’s my favorite fictional character of all time!
“Vision In A Field” is intended for those lacking mindfulness. Some people are so overwhelmed with everything that is going on and need to dissociate to a safe space, such as an open field as the song title implies. The song encourages the idea that sometimes it’s okay to run away from it all, especially if your circumstances are deteriorating your mental health.
“One Human Being” again pays tribute to the sci-fi theme this album embodies, yet it is oddly enough the most uniform song of the whole album– with a consistent tone and chord played throughout. The violin riff adds to the lull and calmness of the melody. Lyrics-wise, this song reinforces the fact that Alchemy Creek is an ode to youth. It’s about the desire to go back in time and guide one’s younger self, as diction like “we” or “my kid” refers to one’s inner child.
The meat of this album is “Tonight I Run Away”, a nostalgic song that reminds me greatly of the children’s book “Where the Wild Things Are” by Maurice Sendak. The meaning of the song is in the title: whoever is singing this song is on the run from something. It’s amazingly carefree, in both the melody and lyrics. It is by far my song of the whole album!
“Over And Out” provides a refreshing break from the pure rock elements of this album. The acoustic guitar and harmonica duo give this song a soulful country feel. The lyrics are as if Minowa is talking to someone through a radio and can only say a few words at a time. Out of everything he could say, he chooses to let the receiver know ‘it’ll get better.’ This song does an amazing job of illustrating the emotional pain he is going through.
“Something In Me Is Changing” is where Cloud Cult’s signature rock music makes a comeback. This is a great song to listen to if you are ready for a big change. Minowa, who I am assuming is talking to his younger self once again, contemplates leaving his small hometown for opportunities that are bigger and better– a very relatable desire for young people who are fed up with what their current life has to offer.
And of course, I cannot finish this album review without discussing Cloud Cult’s music video for their melancholy single “As Beautiful As It Hurts”. Our main man Minowa is seen playing a grand piano, illuminated by the sun shining through an open door. He’s rocking back and forth, implying he is hurting and is physically trying to comfort himself. In the next scene, Minowa is outside overlooking a shallow creek; he lets his bare feet touch the clear water. My favorite verse in the song is:
Try to make the most of my life
Though I make mistakes all the time
Forgive my foolish pride
But please know I tried
I need to think it’s going to be alright
I need to think it’s going to be alright
When Minowa appears back at the piano, his chordophone music is accompanied by a beautiful violin solo at the last minute of the song. Because this video can be watched on YouTube Kids, it is once again reinforced that Cloud Cult makes family-friendly content that everyone can relate to.
“Let It All Out” is highlighted by its distinct, almost ethereal music sequence. I can see the intro being played as background music to many mindful yoga sessions. The violin and accompanying percussion instruments do a wonderful job of evoking an out-of-body experience. The drum beat picks up in the middle of the song, almost as if summoning the only lyrics of the song: “Let it all out. Let it all go all out.” This song is clearly about cathartic release, which is why it is fitting that this song is the longest out of the whole album.
The last song “Different Kind Of Day” perfectly sums up the entirety of Alchemy Creek. It’s self-deprecating, and a little sad, but hopeful and encouraging by the end. As the title implies, Minowa is betting on a ‘different kind of day.’ And as the music picks up, we as listeners all hope that today will be a better day. I hope you all enjoy the album as much as I did!
Confirmed Cloud Cult US Headline Tour Dates & Festivals:
August 9 @ People Festival in Yuba, WI
August 28 @ The Sinclair in Boston, MA
August 29 @ Le Poisson Rouge in New York, NY (Almost Sold-Out!)
August 30 @ World Café Live in Philadelphia, PA
August 31 @ Summer Entertainment Series in Fairfax, VA
September 12 @ Neptune Theatre in Seattle, WA
September 13 @ Aladdin Theater in Portland, OR
September 27 @ Palace Theater in St. Paul, MN
September 28 @ Palace Theater in St. Paul, MN (Sold-Out!)
Alchemy Creek Tour continues in January including Nashville, Atlanta, Durham, Charleston, & more
There’s nothing like a good alternative rock release, and the self-titled debut EP from Soft No fits that bill entirely perfectly. Soft No came out only last week from the Philly-based band, made up of childhood friends Scott Signorino (guitar), Allie Lannutti (vocals, bass), Austin Lotz (guitar), Jon Martello (drums), and Kate Lowe (keyboard/synth). It features five tracks that were all produced by the band with Mark Watter, who’s done audio engineering work for both Alex G and Hop Along. Soft No has only been together for a little over a year now, with their sound still somewhat loose, with inspirations from several alt-rock subgenres and local Philly music scenes. This includes modern indie rock, 90s grunge, emo, metal, and most prominently – a lot of noisy shoegaze.
All of Soft No’s tracks are well-crafted pieces of noisy, dense, and heavy psychedelia that persistently grab your attention, even if they may lack distinction from each other. For a release that’s only five songs and 16 minutes long, this isn’t necessarily a bad thing. It functions more as a quick introduction to the band and their talents as opposed to an album that’s more chronological and focused as a full experience. Each track is wonderfully noisy and drenched in layers of instruments and textures. The opener “Keeping Tabs” earns comparison to classic noise rock acts like My Bloody Valentine, with the guitar playing and distortion being consistently impeccable throughout the album. Most of the other songs follow a similar formula with minor differences, such as touches of grunge on “Take Your Word”, metal on “Descender”, and an uptempo garage/punk sound on “Melting Timelines”. The latter tracks are easily my favorites, being just as abrasive as well as enjoyable and fun to rock out to. With a lot of shoegaze and noise rock, the vocals tend to blend into the background, but it feels more intentional here as they function more like an instrument in themselves. I also think the drumming and bass playing are key to many of these songs, as they provide a dynamic rhythm that keeps the songs from becoming too focused on atmosphere. Still, I’d like to hear more of the vocals and lyrics in later releases, even if they’re not what the band currently chooses to emphasize.
Soft No’s debut EP is instantly recommendable to fans of abrasive, heavy alt-rock and shoegaze, and really impressed me as I listened to it. The band’s tight chemistry is center-stage throughout, and I hope they keep working together when creating a more focused LP in the future.
Up-and-coming artist Libby Tisler just released (and by just, I mean literally today) her newest single, the pretty and poppy “Age of Reason”. This is the third single leading into the Nashville-based singer-songwriter’s debut EP, Hopping Dimensions, to be released September 27th. It follows two previous singles, “End of an Era” and “The Artist” respectively, with a fourth titled “Visine” to be released September 4th. Tisler, being such a new artist, has yet to fully define herself musically, but her previous songs have helped showcase what works with her voice. With producer Alex Bonyata (of the indie group The Young Something), her recent singles have showcased dreamy, atmospheric slices of indie-pop with 808 drum beats or stripped-down acoustic guitars. As a songwriter, Tisler exudes confidence and allows herself to be open to her audiences with personal lyrics and authentic emotions.
“Age of Reason” is a very good single, and maybe the best of the three released so far for Hopping Dimensions. It functions as a more straightforward, up-tempo indie-rock song that pops wonderfully and gives Libby a chance to be a more dynamic personality. Her singing has a good range of emotion, with a slight country or folk vibe in her inflection, and the background vocal harmonies add to an enjoyable and breezy pop song. The cover art for the single, depicting Tisler in a sea-green dress against a woodland environment drenched in soft sunlight, perfectly captures the aesthetics and feel of the song.
With Libby Tisler’s career being quite fresh and young, a strong single such as “Age of Reason” helps continue to spotlight her as a new talent to watch out for. “Age of Reason” is available now, along with “End of an Era” and “The Artist”, as teasers for her upcoming debut EP Hopping Dimensions coming September 27th.
The world’s favorite cowboy, Orville Peck, took the stage on Day 2 of the Newport Folk Festival 2024. His feisty set — and incredible boots — was a standout, and Eric Tsurumoto got a few fun photos for proof.
Alternative pop trio MUNA dropped by the first day of Newport Folk Festival 2024 in Rhode Island to check out some of their favs. They were also there to perform and, actually first and foremost, did just that. In fact, they performed their asses off. Katie Gavin performed some acoustic solo tracks as well. Thankfully, Eric Tsurumoto grabbed some highlights for us.
